Latest news with #ColinButfield
Mint
30-06-2025
- Entertainment
- Mint
New on shelves: Four titles that shine a lens on our past, present and future
This picture book, with gorgeous illustrations by Peter Brown, comes in his popular The Wild Robot series, made into a movie featuring Lupita Nyong'o, Pedro Pascal and Kit Connor. Roz, the robot, lands up on an island and is forced to learn the ways of the wild to survive. Intended for readers between the ages of 3 and 7, profound life lessons for adults are tucked away in these pages too. 'The Wild Robot on the Island', by Peter Brown, HarperCollins, 48 pages, ₹ 599. In his new book, co-written with Colin Butfield, naturalist David Attenborough takes the readers into the depths of the oceans, the 'earth's last wildness' as the subtitle describes them. From the mysteries of the coral reefs to the unique species that inhabit the waters, this is a magisterial story of an ecosystem hidden from our eyes but critically responsible for supporting life on earth. 'Oceans', by David Attenborough and Colin Butfield, Hachette India, 352 pages, ₹ 1,299. Former US President Bill Clinton is back with another thriller with co writer James Patterson, this one with obvious autobiographical leanings. The First Gentleman—a former President (ahem) now playing second fiddle to his wife, the reigning President—is accused of murder, which sets a pair of journalists on an investigation. 'The First Gentleman', by Bill Clinton and James Patterson, Penguin Random House, 400 pages, ₹ 899.
The Mainichi
08-06-2025
- Entertainment
- The Mainichi
David Attenborough's 'Ocean' is a brutal, beautiful wake-up call from the sea
NICE, France (AP) -- An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net plows the seafloor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. "Ocean With David Attenborough" is a brutal reminder of how little we see and how much is at stake. The film is both a sweeping celebration of marine life and a stark expose of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: "After living for nearly a hundred years on this planet, I now understand that the most important place on Earth is not on land, but at sea." The film traces Attenborough's lifetime -- an era of unprecedented ocean discovery -- through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. "Ocean" is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. "I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it," co-director Colin Butfield said. "Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere." The practice is not only legal, he adds, but often subsidized. "For too long, everything in the ocean has been invisible," Butfield said. "Most people picture fishing as small boats heading out from a local harbor. They're not picturing factories at sea scraping the seabed." In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About 10 million tons (9 million metrics tonnes) of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul. Still, "Ocean" is no eulogy. Its final act offers a stirring glimpse of what recovery can look like: kelp forests rebounding under protection, vast marine reserves teeming with life and the world's largest albatross colony thriving in Hawaii's Papahanaumokuakea Marine National Monument. These aren't fantasies; they're evidence of what the ocean can become again, if given the chance. Timed to World Oceans Day and the U.N. Ocean Conference in Nice, the film arrives amid a growing global push to protect 30% of the ocean by 2030 -- a goal endorsed by more than 190 countries. But today, just 2.7% of the ocean is effectively protected from harmful industrial activity. The film's message is clear: The laws of today are failing the seas. So-called "protected" areas often aren't. And banning destructive practices like bottom trawling is not just feasible -- it's imperative. As always, Attenborough is a voice of moral clarity. "This could be the moment of change," he says. "Ocean" gives us the reason to believe -- and the evidence to demand -- that it must be. "Ocean" premieres Saturday on National Geographic in the U.S. and streams globally on Disney+ and Hulu beginning Sunday.
Yomiuri Shimbun
08-06-2025
- Entertainment
- Yomiuri Shimbun
David Attenborough's ‘Ocean' Is a Brutal, Beautiful Wake-up Call from the Sea
National Geographic via AP This movie poster provided by National Geographic shows 'Ocean With David Attenborough.' NICE, France (AP) — An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net plows the seafloor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. 'Ocean With David Attenborough' is a brutal reminder of how little we see and how much is at stake. The film is both a sweeping celebration of marine life and a stark exposé of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: 'After living for nearly a hundred years on this planet, I now understand that the most important place on Earth is not on land, but at sea.' The film traces Attenborough's lifetime — an era of unprecedented ocean discovery — through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. 'Ocean' is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. 'I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it,' co-director Colin Butfield said. 'Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere.' The practice is not only legal, he adds, but often subsidized. 'For too long, everything in the ocean has been invisible,' Butfield said. 'Most people picture fishing as small boats heading out from a local harbor. They're not picturing factories at sea scraping the seabed.' In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About 10 million tons (9 million metrics tonnes) of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul. Still, 'Ocean' is no eulogy. Its final act offers a stirring glimpse of what recovery can look like: kelp forests rebounding under protection, vast marine reserves teeming with life and the world's largest albatross colony thriving in Hawaii's Papahānaumokuākea Marine National Monument. These aren't fantasies; they're evidence of what the ocean can become again, if given the chance. Timed to World Oceans Day and the U.N. Ocean Conference in Nice, the film arrives amid a growing global push to protect 30% of the ocean by 2030 — a goal endorsed by more than 190 countries. But today, just 2.7% of the ocean is effectively protected from harmful industrial activity. The film's message is clear: The laws of today are failing the seas. So-called 'protected' areas often aren't. And banning destructive practices like bottom trawling is not just feasible — it's imperative. As always, Attenborough is a voice of moral clarity. 'This could be the moment of change,' he says. 'Ocean' gives us the reason to believe — and the evidence to demand — that it must be. 'Ocean' premieres Saturday on National Geographic in the U.S. and streams globally on Disney+ and Hulu beginning Sunday.
Mint
07-06-2025
- Entertainment
- Mint
David Attenborough's Ocean is a brutal, beautiful wakeup call from the sea
NICE, France (AP) — An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net plows the seafloor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. 'Ocean With David Attenborough' is a brutal reminder of how little we see and how much is at stake. The film is both a sweeping celebration of marine life and a stark exposé of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: 'After living for nearly a hundred years on this planet, I now understand that the most important place on Earth is not on land, but at sea.' The film traces Attenborough's lifetime — an era of unprecedented ocean discovery — through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. 'Ocean' is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. 'I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it,' co-director Colin Butfield said. 'Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere.' The practice is not only legal, he adds, but often subsidized. 'For too long, everything in the ocean has been invisible,' Butfield said. 'Most people picture fishing as small boats heading out from a local harbor. They're not picturing factories at sea scraping the seabed.' In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About 10 million tons (9 million metrics tonnes) of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul. Still, 'Ocean' is no eulogy. Its final act offers a stirring glimpse of what recovery can look like: kelp forests rebounding under protection, vast marine reserves teeming with life and the world's largest albatross colony thriving in Hawaii's Papahānaumokuākea Marine National Monument. These aren't fantasies; they're evidence of what the ocean can become again, if given the chance. Timed to World Oceans Day and the U.N. Ocean Conference in Nice, the film arrives amid a growing global push to protect 30% of the ocean by 2030 — a goal endorsed by more than 190 countries. But today, just 2.7% of the ocean is effectively protected from harmful industrial activity. The film's message is clear: The laws of today are failing the seas. So-called 'protected' areas often aren't. And banning destructive practices like bottom trawling is not just feasible — it's imperative. As always, Attenborough is a voice of moral clarity. 'This could be the moment of change,' he says. 'Ocean' gives us the reason to believe — and the evidence to demand — that it must be. 'Ocean' premieres Saturday on National Geographic in the U.S. and streams globally on Disney and Hulu beginning Sunday. Follow Annika Hammerschlag on Instagram @ahammergram. The Associated Press receives support from the Walton Family Foundation for coverage of water and environmental policy. The AP is solely responsible for all content. For all of AP's environmental coverage, visit
New Indian Express
07-06-2025
- Entertainment
- New Indian Express
David Attenborough's ‘Ocean' is a brutal, beautiful wakeup call from the sea
NICE, France: An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net plows the seafloor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. 'Ocean With David Attenborough' is a brutal reminder of how little we see and how much is at stake. The film is both a sweeping celebration of marine life and a stark exposé of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: 'After living for nearly a hundred years on this planet, I now understand that the most important place on Earth is not on land, but at sea.' The film traces Attenborough's lifetime — an era of unprecedented ocean discovery — through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. 'Ocean' is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. 'I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it,' co-director Colin Butfield said. 'Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere.' The practice is not only legal, he adds, but often subsidized. 'For too long, everything in the ocean has been invisible,' Butfield said. 'Most people picture fishing as small boats heading out from a local harbor. They're not picturing factories at sea scraping the seabed.' In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About 10 million tons (9 million metrics tonnes) of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul.
