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Telegraph
a day ago
- Entertainment
- Telegraph
Glastonbury line-up: Insider's guide to the 10 best gigs to watch
Glastonbury has long since moved beyond being a fantastically diverse music festival to a British institution akin to Wimbledon or Ascot. Everybody feels they have a stake in it, whether they actually have a ticket to attend or not. The BBC has increasingly attempted to capitalise on this by asserting ownership in recent years, filling the fields with more DJs, talking heads and camera crews than you'd find dairy cows in a fallow year. I have mixed feelings about this, because Glastonbury has never really been about the bill: it is about the setting, the people and an atmosphere that encourages friendliness, community and conspicuous freak flag-flying. And, honestly, I prefer my rock and roll without a side order of over-excited presenters filling downtime with empty patter about what minor celebrities they have just bumped into at backstage catering. But (and it is a big but) there is probably more great music on TV over the Glastonbury weekend than any other time of the year, and those big sweeping crane cameras mean you can actually see what's going on. Plus, you don't have to walk endless miles back and forth trying to catch your mis-scheduled favourites on different sides of Worthy Farm's vast site. You can just sit on your sofa, turn up the volume and watch it all on catchup with a civilised glass of Pimms. Indeed, when I return bruised, battered, happy but exhausted after days of weatherbeaten hedonistic revelry, my own family can hardly wait to tell me about what I missed, because they have probably seen more sets than me, and didn't lose sleep in an overheated tent with a ghetto blaster playing next door. So, for the armchair Glastonbury reveller, here is my guide to the highlights. Skip to... Friday Saturday Sunday How to watch Glastonbury on TV The full line-up Friday Supergrass (Pyramid, midday) If this is the second summer of Britpop, then who better to kick it off than Britpop's favourite baby band? The 90s retro rock genre's cheekiest monkeys have matured with both arty adventure and soulful depth, and they still keep their teeth nice and clean. Hang around afterwards for feisty, wacky Irish pop-rock songstress CMAT on the Pyramid at 1.30pm. She's a star of the future. Wet Leg (Other Stage, 3.45pm) The snarky alt-pop duo have expanded into a thrilling rock quintet and still perform with a giddy sense of joy, as if they can't quite believe their own explosive success. Angular guitar riffs and tartly amusing vocals form the backbone of singalong songs poking fun at men, dating, sexism and all the absurdities of popular culture. Self Esteem (The Park, 9.15pm) Rebecca Lucy-Taylor has had a late blooming success under the guise of Self Esteem, concocting witty and emotional pop about the challenges of feminism and femininity in the 21 st century. Her richly theatrical live shows add dazzling choreographed pizzaz to her themes, like a grown-up Taylor Swift meeting Charli XCX at a Fringe musical of Bridget Jones. Settle into your armchair for a mini-spectacular sure to be one of the highlights of Glastonbury. The 1975 (Pyramid, 10.15pm) Britain's smartest and most provocative contemporary pop-rock ensemble, The 1975 will be pulling out all the stops for their only live appearance this year, with a specially designed set marking their ascendancy to Pyramid Stage headliners. The fact that frontman Matty Healey was the subject of Taylor Swift 's blockbusting The Tortured Poets Department album adds a frisson to proceedings, as he reclaims his own pop idol space. I've heard that they have spent four times their actual fee on the production. This is going to be spectacular: Glastonbury 2025's most unmissable show. Saturday Brandi Carlile (Pyramid, 1.30pm) America's best-kept musical secret was introduced to the wider world by her fantastic new global chart-topping album with Elton John, Who Believes In Angels? The Americana singer-songwriter delivers Joni Mitchell-level lyrical and melodious songcraft with an incredible Roy Orbison-esque octave scaling voice, all wrapped in the lush harmonies of a band who could give Crosby, Stills, Nash & Young a run for their money. Kneecap (West Holts, 4pm) What will the BBC do about the incendiary Northern Irish rap trio, who have recently been getting into so much trouble for onstage pro-Palestine protests? There are censorious voices (including Prime Minister Keir Starmer) calling for them to be banned from Glastonbury and prosecuted to the full extent of the law, but there is more mischief than malice in their punk-rap rebellion. Their blend of hip hop beats, Gaelic folk song and rock attack is surprisingly compelling, and I suspect the Glastonbury crowd is going to show their support in full voice no matter how many people at home are shaking their fists at their TV screens. Patchwork (Pyramid, 6pm) The worst-kept secret at this year's Glastonbury is that mysterious surprise act Patchwork are actually Pulp, returning to the Pyramid Stage three decades on from their Britpop-crowning headline set in 1995. A fantastic live band with one of the great English eccentric frontmen in Jarvis Cocker, Pulp songs are so embedded in the modern British pop psyche that this might actually rival the great Sir Rodney for crowd size and singalong volume. Raye (Pyramid, 8pm) Raye is the most all-round talented pop and dance singer-songwriter Britain has produced in a decade, with a warmth of character, vocal range and musical depth to bring the sunshine to any occasion. The 27-year-old hitmaker has been climbing festival bills since the release of her luscious and masterful debut album My 21st Century Blues in 2023, and it surely won't be too many years before she is atop the Pyramid herself. Charli XCX (Other Stage, 10.30pm) Pop maximalist Charli XCX bestrode 2024's charts, the sassy electropop of Brat delivering a zeitgeist-surfing global smash album for a woman who has been mischievously poking pop culture's edges for nearly two decades. Last year, her DJ set at Glastonbury's 7,000 capacity Levels stage was so over-attended it brought the festival to a standstill. This year, she headlines the 50,000 capacity Other Stage – but might just achieve the same feat again. Sunday Rod Stewart (Pyramid, 3.45pm) The Sunday afternoon legends slot has become a standout feature of Glastonbury, when everything comes to a halt and the entire festival gathers in front of the Pyramid for a massive singalong of cherished favourites. Veteran superstars don't come any more super than Rod Stewart, who rose in the Sixties as a soulful rock belter, bestrode the Seventies in tight flares and tartan scarves, slipped into the shoulder pad suits of 80s power pop, was sustained as an icon of laddism in the Britpop 90s, commandeered the Great American Songbook in the 2000s and revived his own characterful songwriting with a clutch of chart-topping albums in the 2010s. At 80, he's still got the voice, he's still got the hair, he's still got the energy, and he's definitely got the songs. I suspect the whole nation will be sailing with Sir Rod on Sunday afternoon. And dedicated groovers will stay tuned for Nile Rodgers & Chic at 6pm. St Vincent (Woodsies, 6.30pm) The Woodsies stage is hosting a lot of fine bands and solo artists over the weekend from alternative rock and pop's boldest edges. You could log onto this all day every day and not be disappointed, catching sets from an (unannounced but widely rumoured) Lorde, Lola Young, Pink Pantheress and Floating Points on Friday; Nova Twins, TV on the Radio, Father John Misty and Scissor Sisters on Saturday; and Gurriers, Sprints, Black Country, New Road, AJ Tracey and Jorja Smith on Sunday. I'll catch you down the front for St Vincent, a phenomenal singer and guitarist who blends Bowie with Prince and comes up with something unique. Wolf Alice (Other Stage, 7.45pm) The British alt-rock quartet have made some of the most adventurous guitar based music of recent years, but still felt like they were keeping something in reserve, perhaps to protect fabulous frontwoman Ellie Rowsell, whose emotive songs speak to the anxieties of modern youth. But they now have a new major label and new album in the works, and recent spruced up publicity shots – and an ironically sexy video – suggest Rowsell is freeing herself of the leash. They really are something special, and this could be their moment to demonstrate that world-beating British rock is not dead. Olivia Rodrigo (Pyramid, 9.45pm) The 22-year-old US star is going to have her work cut out ending the 2025 festival on a high. She is a smart pop-rock singer-songwriter with a clutch of contemporary mega hits, including Driver's Licence, Good 4 U and Vampire. Yet with only two albums and a very young demographic, her Pyramid headline status seems premature. She is not as culturally all-encompassing as her (former) heroine Taylor Swift, nor as brash and shamelessly populist as her rival Sabrina Carpenter. I expect a slick, entertaining set that will look fantastic on TV … but with the Prodigy belting out vintage electro smashes on the Other Stage, I wouldn't bet against Rodrigo drawing the smallest Pyramid crowd of the weekend. By Neil McCormick How to watch Glastonbury on TV 1. BBC iPlayer is your one-stop rock shop Glastonbury used to be an outdoor rock festival. Then, it became a TV event. Now, it exists largely on the internet, with the BBC carrying live streams of all five main stages from Friday through to Sunday. There will also be a separate highlights channel – called The Glastonbury Highlights Channel, surprisingly enough. Plus, the BBC's Glastonbury YouTube channel will also allow you to catch up with the day's heaviest hitters. 2. Just like a real festival, don't overdo it Festival anxiety and fatigue can set in quickly if you try to cram in too many acts. The same applies to the couch-bound Glastonbury-goer. So take it steady and don't try to watch everything – though, thanks to all those BBC channels, you probably could if you wanted to. If it ever feels too much, switch on the new season of Squid Game instead – after half an hour of Noah Kahan singing with his eyes closed, all that mindless violence will come as a welcome relief. 3. There's no need to stay up all night One of the advantages of Glastonbury at home is that you can avoid staying up until the wee hours. For instance, The 1975 won't be taking to the Pyramid Stage on Friday until 10.15pm and play until close to midnight. So if you'd prefer some shut-eye over watching Matty Healy doing his ironic prat routine, call an early night – and then catch up on Glastonbury Highlights the next day. 4. BBC One is for the 'Glastonbury Lite' experience A 'curated' Glastonbury is what's on the table on BBC One, where Friday's big draw are The 1975; Saturday, for its part, welcomes Raye and Charli XCX; and Sunday has US star Olivia Rodrigo – preceded by Rod Stewart in the afternoon 'Legends' slot. In other words, Glastonbury, but not too much of it. BBC Two, meanwhile, is for Glasto grazers, with Lauren Laverne and Jo Whiley presenting a nightly highlight package of the best of each day. Think of it as Match of the Day with temporary tattoos and wellies instead of goal-mouth replays. 5. For more obscure acts, stick with BBC Four While pop fans and rock dads are busy enjoying Olivia Rodrigo and Rod Stewart on BBC One, those of a more 'indie' persuasion are advised to throw on BBC Four and not switch channels all weekend. For it is on the BBC's clever-clogs channel that you can watch Franz Ferdinand and Wunderhorse on Friday, Amyl and the Sniffers and Beth Gibbons of Portishead on Saturday, and Snow Patrol and St Vincent on Sunday. The same advice applies to ageing electro-loving headbangers, as the Prodigy's Sunday night slot will also be broadcast on BBC Four. Psychosomatic addict insane! Just don't rave too hard or you will scare the cat. Ed Power The full Glastonbury line-up Pyramid Stage Friday June 27 Supergrass: 12-1pm CMAT: 1.30-2.30pm Burning Spear: 3-4pm TBA (rumoured to be Lewis Capaldi): 4.55-5.30pm Alanis Morissette: 6.15-7.15pm Biffy Clyro: 8.15-9.25pm The 1975: 10.15-11.45pm Saturday June 28 Kaiser Chiefs: 12-1pm Brandi Carlile: 1.30-2.30pm The Script: 3-4pm John Fogerty: 4.30-5.30pm Patchwork (rumoured to be Pulp): 6-7pm Raye: 8-9pm Neil Young And The Chrome Hearts: 10-11.45pm Sunday June 29 The Selecter: 11.15am-12pm Celeste: 12.30-1.30pm The Libertines: 2-3pm Rod Stewart: 3.45-5.15pm Nile Rodgers & Chic: 6-7pm Noah Kahan: 7.45-8.45pm Olivia Rodrigo: 9.45-11.15pm Other Stage Friday June 27 Fabio & Grooverider And The Outlook Orchestra: 11.30am-12.30pm Rizzle Kicks: 1-1.45pm Inhaler: 2.15-3.15pm Wet Leg: 3.45-4.45pm Franz Ferdinand: 5.15-6.15pm Gracie Abrams: 6.45-7.45pm Busta Rhymes: 8.30-9.30pm Loyle Carner: 10.30-11.45pm Saturday June 28 Alessi Rose: 11.30am-12.15pm Good Neighbours: 12.45-13.30pm Beabadoobee: 2-3pm Weezer: 3.30-4.30pm Amyl & The Sniffers: 5-6pm Ezra Collective: 6.45-7.45pm Deftones: 8.30-9.30pm Charli XCX: 10.30-11.45pm Sunday June 29 Louis Dunford: 11.15am-12pm Nadine Shah: 12.30-1.15pm Shaboozey: 1.45-2.30pm Joy Crookes: 3-3.45pm Turnstile: 4.30-5.30pm Snow Patrol: 6-7pm Wolf Alice: 7.45-8.45pm The Prodigy: 9.45-11.15pm West Holts Stage Friday June 27 11.30am-12.30pm Ca7riel & Paco Amoroso: 1-2pm Glass Beams: 2.30-3.25pm Vieux Farka Toure: 4-5pm En Vogue: 5.30-6.30pm Denzel Curry: 7-8pm Badbadnotgood: 8.30-9.30pm Maribou State: 10.15-11.45pm Saturday June 28 Infinity Song: 11.30am-12.30pm Nilüfer Yanya: 1-2pm Bob Vylan: 2.30-3.30pm Kneecap: 4-5pm Yussef Dayes: 5.30-6.30pm Greentea Peng: 7-8pm Amaarae: 8.30-9.30pm Doechii: 10.15-11.45pm Sunday June 29 Thandii: 11am-12:00pm Abel Selaocoe & The Bantu Ensemble: 12.30-1.30pm Cymande: 2-3pm Black Uhuru: 3.30-4.30pm Goat: 5-6pm The Brian Jonestown Massacre: 6.30-7.30pm Parcels: 8-9pm Overmono: 9.45-11.15pm Woodsies Friday June 27 Myles Smith: 12.45-1.30pm Fat Dog: 2-2.45pm Shed Seven: 3.15-4pm Lola Young: 4.30-5.30pm Blossoms: 6-7pm Pinkpantheress: 7.30-8.30pm Floating Points: 9-10pm Four Tet: 10.30-11:45pm Saturday June 28 The Amazons: 11.30am-12.15pm Sorry: 12.45-1.30pm Fcukers: 2-2.45pm Jade: 3.15-4pm Nova Twins: 4.30-5.30pm TV On The Radio: 6-7pm Father John Misty: 7.30-8.30pm Tom Odell: 9-10pm Scissor Sisters: 10.30-11.45pm Sunday June 29 Westside Cowboy: 11.15am-12pm Gurriers: 12.30-1.30pm Sprints: 2-3pm Djo: 3.30-4.30pm Black Country, New Road: 5-6pm St. Vincent: 6.30-7.30pm AJ Tracey: 8-9pm Jorja Smith: 9.30-10.45pm The Park Friday June 27 Horsegirl: 10.30am-12.10pm John Glacier: 12.45-1.30pm Jalen Ngonda: 2-2.45pm Faye Webster: 3.15-4pm English Teacher: 4.30-5.30pm Osees: 6-7pm Wunderhorse: 7.30-8.30pm Self Esteem: 9.15-10.15pm Anohni And The Johnsons: 11pm-12.15am Saturday June 28 Yann Tiersen: 11.10am-12.10pm Ichiko Aoba: 12.45-1.30pm Japanese Breakfast: 2-3pm Lucy Dacus: 3.30-4.15pm Pa Salieu: 4.45-5.30pm Gary Numan: 6-7pm TBA (rumoured to be Lorde or Haim): 7.30-8.30pm Beth Gibbons: 9.15-10.15pm Caribou: 11pm-12.15am Sunday June 29 Melin Melyn: 11.30am-12.15pm Geordie Greep: 12.45pm-1.30pm Katy J Pearson: 2pm- 2.45pm Royel Otis: 3.15-4pm Girl In Red: 4.30-5.30pm Kae Tempest: 6-7pm Future Islands: 7.35-8.35pm The Maccabees: 9.15-10.30pm
Telegraph
3 days ago
- Entertainment
- Telegraph
Glastonbury lineup: Insider's guide to the 10 best gigs to watch
Glastonbury has long since moved beyond being a fantastically diverse music festival to a British institution akin to Wimbledon or Ascot. Everybody feels they have a stake in it, whether they actually have a ticket to attend or not. The BBC has increasingly attempted to capitalise on this by asserting ownership in recent years, filling the fields with more DJs, talking heads and camera crews than you'd find dairy cows in a fallow year. I have mixed feelings about this, because Glastonbury has never really been about the bill: it is about the setting, the people and an atmosphere that encourages friendliness, community and conspicuous freak flag-flying. And, honestly, I prefer my rock and roll without a side order of over-excited presenters filling downtime with empty patter about what minor celebrities they have just bumped into at backstage catering. But (and it is a big but) there is probably more great music on TV over the Glastonbury weekend than any other time of the year, and those big sweeping crane cameras mean you can actually see what's going on. Plus, you don't have to walk endless miles back and forth trying to catch your mis-scheduled favourites on different sides of Worthy Farm's vast site. You can just sit on your sofa, turn up the volume and watch it all on catchup with a civilised glass of Pimms. Indeed, when I return bruised, battered, happy but exhausted after days of weatherbeaten hedonistic revelry, my own family can hardly wait to tell me about what I missed, because they have probably seen more sets than me, and didn't lose sleep in an overheated tent with a ghetto blaster playing next door. So, for the armchair Glastonbury reveller, here is my guide to the highlights. Skip to... Friday Saturday Sunday How to watch Glastonbury on TV The full line-up Friday Supergrass (Pyramid, midday) If this is the second summer of Britpop, then who better to kick it off than Britpop's favourite baby band? The 90s retro rock genre's cheekiest monkeys have matured with both arty adventure and soulful depth, and they still keep their teeth nice and clean. Hang around afterwards for feisty, wacky Irish pop-rock songstress CMAT on the Pyramid at 1.30pm. She's a star of the future. Wet Leg (Other Stage, 3.45pm) The snarky alt-pop duo have expanded into a thrilling rock quintet and still perform with a giddy sense of joy, as if they can't quite believe their own explosive success. Angular guitar riffs and tartly amusing vocals form the backbone of singalong songs poking fun at men, dating, sexism and all the absurdities of popular culture. Self Esteem (The Park, 9.15pm) Rebecca Lucy-Taylor has had a late blooming success under the guise of Self Esteem, concocting witty and emotional pop about the challenges of feminism and femininity in the 21 st century. Her richly theatrical live shows add dazzling choreographed pizzaz to her themes, like a grown-up Taylor Swift meeting Charli XCX at a Fringe musical of Bridget Jones. Settle into your armchair for a mini-spectacular sure to be one of the highlights of Glastonbury. The 1975 (Pyramid, 10.15pm) Britain's smartest and most provocative contemporary pop-rock ensemble, The 1975 will be pulling out all the stops for their only live appearance this year, with a specially designed set marking their ascendancy to Pyramid Stage headliners. The fact that frontman Matty Healey was the subject of Taylor Swift 's blockbusting The Tortured Poets Department album adds a frisson to proceedings, as he reclaims his own pop idol space. I've heard that they have spent four times their actual fee on the production. This is going to be spectacular: Glastonbury 2025's most unmissable show. Saturday Brandi Carlile (Pyramid, 1.30pm) America's best-kept musical secret was introduced to the wider world by her fantastic new global chart-topping album with Elton John, Who Believes In Angels? The Americana singer-songwriter delivers Joni Mitchell-level lyrical and melodious songcraft with an incredible Roy Orbison-esque octave scaling voice, all wrapped in the lush harmonies of a band who could give Crosby, Stills, Nash & Young a run for their money. Kneecap (West Holts, 4pm) What will the BBC do about the incendiary Northern Irish rap trio, who have recently been getting into so much trouble for onstage pro-Palestine protests? There are censorious voices (including Prime Minister Keir Starmer) calling for them to be banned from Glastonbury and prosecuted to the full extent of the law, but there is more mischief than malice in their punk-rap rebellion. Their blend of hip hop beats, Gaelic folk song and rock attack is surprisingly compelling, and I suspect the Glastonbury crowd is going to show their support in full voice no matter how many people at home are shaking their fists at their TV screens. Patchwork (Pyramid, 6pm) The worst-kept secret at this year's Glastonbury is that mysterious surprise act Patchwork are actually Pulp, returning to the Pyramid Stage three decades on from their Britpop-crowning headline set in 1995. A fantastic live band with one of the great English eccentric frontmen in Jarvis Cocker, Pulp songs are so embedded in the modern British pop psyche that this might actually rival the great Sir Rodney for crowd size and singalong volume. Raye (Pyramid, 8pm) Raye is the most all-round talented pop and dance singer-songwriter Britain has produced in a decade, with a warmth of character, vocal range and musical depth to bring the sunshine to any occasion. The 27-year-old hitmaker has been climbing festival bills since the release of her luscious and masterful debut album My 21st Century Blues in 2023, and it surely won't be too many years before she is atop the Pyramid herself. Charli XCX (Other Stage, 10.30pm) Pop maximalist Charli XCX bestrode 2024's charts, the sassy electropop of Brat delivering a zeitgeist-surfing global smash album for a woman who has been mischievously poking pop culture's edges for nearly two decades. Last year, her DJ set at Glastonbury's 7,000 capacity Levels stage was so over-attended it brought the festival to a standstill. This year, she headlines the 50,000 capacity Other Stage – but might just achieve the same feat again. Neil Young (Pyramid, 10pm – BBC slot unconfirmed) Rock veteran Neil Young is scheduled against the British star on the Pyramid, but will his epic wonky guitar solos and passionate sincerity be enough to hold the attention of Glastonbury's partygoers? The BBC is being very circumspect about whether it will be broadcasting Young's set, in any case, since the old curmudgeon is no fan of the Corporation. But if they do go with Young over the younger star, expect some anti-Trumpian political broadsides. Sunday Rod Stewart (Pyramid, 3.45pm) The Sunday afternoon legends slot has become a standout feature of Glastonbury, when everything comes to a halt and the entire festival gathers in front of the Pyramid for a massive singalong of cherished favourites. Veteran superstars don't come any more super than Rod Stewart, who rose in the Sixties as a soulful rock belter, bestrode the Seventies in tight flares and tartan scarves, slipped into the shoulder pad suits of 80s power pop, was sustained as an icon of laddism in the Britpop 90s, commandeered the Great American Songbook in the 2000s and revived his own characterful songwriting with a clutch of chart-topping albums in the 2010s. At 80, he's still got the voice, he's still got the hair, he's still got the energy, and he's definitely got the songs. I suspect the whole nation will be sailing with Sir Rod on Sunday afternoon. And dedicated groovers will stay tuned for Nile Rodgers & Chic at 6pm. St Vincent (Woodsies, 6.30pm) The Woodsies stage is hosting a lot of fine bands and solo artists over the weekend from alternative rock and pop's boldest edges. You could log onto this all day every day and not be disappointed, catching sets from an (unannounced but widely rumoured) Lorde, Lola Young, Pink Pantheress and Floating Points on Friday; Nova Twins, TV on the Radio, Father John Misty and Scissor Sisters on Saturday; and Gurriers, Sprints, Black Country, New Road, AJ Tracey and Jorja Smith on Sunday. I'll catch you down the front for St Vincent, a phenomenal singer and guitarist who blends Bowie with Prince and comes up with something unique. Wolf Alice (Other Stage, 7.45pm) The British alt-rock quartet have made some of the most adventurous guitar based music of recent years, but still felt like they were keeping something in reserve, perhaps to protect fabulous frontwoman Ellie Rowsell, whose emotive songs speak to the anxieties of modern youth. But they now have a new major label and new album in the works, and recent spruced up publicity shots – and an ironically sexy video – suggest Rowsell is freeing herself of the leash. They really are something special, and this could be their moment to demonstrate that world-beating British rock is not dead. Olivia Rodrigo (Pyramid, 9.45pm) The 22-year-old US star is going to have her work cut out ending the 2025 festival on a high. She is a smart pop-rock singer-songwriter with a clutch of contemporary mega hits, including Driver's Licence, Good 4 U and Vampire. Yet with only two albums and a very young demographic, her Pyramid headline status seems premature. She is not as culturally all-encompassing as her (former) heroine Taylor Swift, nor as brash and shamelessly populist as her rival Sabrina Carpenter. I expect a slick, entertaining set that will look fantastic on TV … but with the Prodigy belting out vintage electro smashes on the Other Stage, I wouldn't bet against Rodrigo drawing the smallest Pyramid crowd of the weekend. By Neil McCormick How to watch Glastonbury on TV 1. BBC iPlayer is your one-stop rock shop Glastonbury used to be an outdoor rock festival. Then, it became a TV event. Now, it exists largely on the internet, with the BBC carrying live streams of all five main stages from Friday through to Sunday. There will also be a separate highlights channel – called The Glastonbury Highlights Channel, surprisingly enough. Plus, the BBC's Glastonbury YouTube channel will also allow you to catch up with the day's heaviest hitters. 2. Just like a real festival, don't overdo it Festival anxiety and fatigue can set in quickly if you try to cram in too many acts. The same applies to the couch-bound Glastonbury-goer. So take it steady and don't try to watch everything – though, thanks to all those BBC channels, you probably could if you wanted to. If it ever feels too much, switch on the new season of Squid Game instead – after half an hour of Noah Kahan singing with his eyes closed, all that mindless violence will come as a welcome relief. 3. There's no need to stay up all night One of the advantages of Glastonbury at home is that you can avoid staying up until the wee hours. For instance, The 1975 won't be taking to the Pyramid Stage on Friday until 10.15pm and play until close to midnight. So if you'd prefer some shut-eye over watching Matty Healy doing his ironic prat routine, call an early night – and then catch up on Glastonbury Highlights the next day. 4. BBC One is for the 'Glastonbury Lite' experience A 'curated' Glastonbury is what's on the table on BBC One, where Friday's big draw are The 1975; Saturday, for its part, welcomes Raye and Charli XCX; and Sunday has US star Olivia Rodrigo – preceded by Rod Stewart in the afternoon 'Legends' slot. In other words, Glastonbury, but not too much of it. BBC Two, meanwhile, is for Glasto grazers, with Lauren Laverne and Jo Whiley presenting a nightly highlight package of the best of each day. Think of it as Match of the Day with temporary tattoos and wellies instead of goal-mouth replays. 5. For more obscure acts, stick with BBC Four While pop fans and rock dads are busy enjoying Olivia Rodrigo and Rod Stewart on BBC One, those of a more 'indie' persuasion are advised to throw on BBC Four and not switch channels all weekend. For it is on the BBC's clever-clogs channel that you can watch Franz Ferdinand and Wunderhorse on Friday, Amyl and the Sniffers and Beth Gibbons of Portishead on Saturday, and Snow Patrol and St Vincent on Sunday. The same advice applies to ageing electro-loving headbangers, as the Prodigy's Sunday night slot will also be broadcast on BBC Four. Psychosomatic addict insane! Just don't rave too hard or you will scare the cat. Ed Power The full Glastonbury line-up Pyramid Stage Friday June 27 Supergrass: 12-1pm CMAT: 1.30-2.30pm Burning Spear: 3-4pm TBA (rumoured to be Lewis Capaldi): 4.55-5.30pm Alanis Morissette: 6.15-7.15pm Biffy Clyro: 8.15-9.25pm The 1975: 10.15-11.45pm Saturday June 28 Kaiser Chiefs: 12-1pm Brandi Carlile: 1.30-2.30pm The Script: 3-4pm John Fogerty: 4.30-5.30pm Patchwork (rumoured to be Pulp): 6-7pm Raye: 8-9pm Neil Young And The Chrome Hearts: 10-11.45pm Sunday June 29 The Selecter: 11.15am-12pm Celeste: 12.30-1.30pm The Libertines: 2-3pm Rod Stewart: 3.45-5.15pm Nile Rodgers & Chic: 6-7pm Noah Kahan: 7.45-8.45pm Olivia Rodrigo: 9.45-11.15pm Other Stage Friday June 27 Fabio & Grooverider And The Outlook Orchestra: 11.30am-12.30pm Rizzle Kicks: 1-1.45pm Inhaler: 2.15-3.15pm Wet Leg: 3.45-4.45pm Franz Ferdinand: 5.15-6.15pm Gracie Abrams: 6.45-7.45pm Busta Rhymes: 8.30-9.30pm Loyle Carner: 10.30-11.45pm Saturday June 28 Alessi Rose: 11.30am-12.15pm Good Neighbours: 12.45-13.30pm Beabadoobee: 2-3pm Weezer: 3.30-4.30pm Amyl & The Sniffers: 5-6pm Ezra Collective: 6.45-7.45pm Deftones: 8.30-9.30pm Charli XCX: 10.30-11.45pm Sunday June 29 Louis Dunford: 11.15am-12pm Nadine Shah: 12.30-1.15pm Shaboozey: 1.45-2.30pm Joy Crookes: 3-3.45pm Turnstile: 4.30-5.30pm Snow Patrol: 6-7pm Wolf Alice: 7.45-8.45pm The Prodigy: 9.45-11.15pm West Holts Stage Friday June 27 11.30am-12.30pm Ca7riel & Paco Amoroso: 1-2pm Glass Beams: 2.30-3.25pm Vieux Farka Toure: 4-5pm En Vogue: 5.30-6.30pm Denzel Curry: 7-8pm Badbadnotgood: 8.30-9.30pm Maribou State: 10.15-11.45pm Saturday June 28 Infinity Song: 11.30am-12.30pm Nilüfer Yanya: 1-2pm Bob Vylan: 2.30-3.30pm Kneecap: 4-5pm Yussef Dayes: 5.30-6.30pm Greentea Peng: 7-8pm Amaarae: 8.30-9.30pm Doechii: 10.15-11.45pm Sunday June 29 Thandii: 11am-12:00pm Abel Selaocoe & The Bantu Ensemble: 12.30-1.30pm Cymande: 2-3pm Black Uhuru: 3.30-4.30pm Goat: 5-6pm The Brian Jonestown Massacre: 6.30-7.30pm Parcels: 8-9pm Overmono: 9.45-11.15pm Woodsies Friday June 27 Myles Smith: 12.45-1.30pm Fat Dog: 2-2.45pm Shed Seven: 3.15-4pm Lola Young: 4.30-5.30pm Blossoms: 6-7pm Pinkpantheress: 7.30-8.30pm Floating Points: 9-10pm Four Tet: 10.30-11:45pm Saturday June 28 The Amazons: 11.30am-12.15pm Sorry: 12.45-1.30pm Fcukers: 2-2.45pm Jade: 3.15-4pm Nova Twins: 4.30-5.30pm TV On The Radio: 6-7pm Father John Misty: 7.30-8.30pm Tom Odell: 9-10pm Scissor Sisters: 10.30-11.45pm Sunday June 29 Westside Cowboy: 11.15am-12pm Gurriers: 12.30-1.30pm Sprints: 2-3pm Djo: 3.30-4.30pm Black Country, New Road: 5-6pm St. Vincent: 6.30-7.30pm AJ Tracey: 8-9pm Jorja Smith: 9.30-10.45pm The Park Friday June 27 Horsegirl: 10.30am-12.10pm John Glacier: 12.45-1.30pm Jalen Ngonda: 2-2.45pm Faye Webster: 3.15-4pm English Teacher: 4.30-5.30pm Osees: 6-7pm Wunderhorse: 7.30-8.30pm Self Esteem: 9.15-10.15pm Anohni And The Johnsons: 11pm-12.15am Saturday June 28 Yann Tiersen: 11.10am-12.10pm Ichiko Aoba: 12.45-1.30pm Japanese Breakfast: 2-3pm Lucy Dacus: 3.30-4.15pm Pa Salieu: 4.45-5.30pm Gary Numan: 6-7pm TBA (rumoured to be Lorde or Haim): 7.30-8.30pm Beth Gibbons: 9.15-10.15pm Caribou: 11pm-12.15am Sunday June 29 Melin Melyn: 11.30am-12.15pm Geordie Greep: 12.45pm-1.30pm Katy J Pearson: 2pm- 2.45pm Royel Otis: 3.15-4pm Girl In Red: 4.30-5.30pm Kae Tempest: 6-7pm Future Islands: 7.35-8.35pm The Maccabees: 9.15-10.30pm
Associated Press
3 days ago
- Entertainment
- Associated Press
Reply Announces the Finalists of the First AI Music Contest with Artists to Perform Live at Kappa FuturFestival in Turin
TURIN, Italy--(BUSINESS WIRE)--Jun 25, 2025-- Reply, an international group specialized in the creation of new business models enabled by Artificial Intelligence, is proud to announce the finalists of the first edition of the AI Music Contest, the international competition connecting artificial intelligence with live performance. The contest, organised in collaboration with Kappa FuturFestival, invited creatives from around the world to explore new ways of blending music, visuals and AI technologies in live performance. This press release features multimedia. View the full release here: The five finalists, selected by a qualified jury composed of DJs, producers, presenters, critics, radio hosts, as well as visual and digital artists, represent some of the most original and innovative contributions in the global landscape of electronic music and artificial intelligence. The five finalists, selected by a qualified jury composed of DJs, producers, presenters, critics, radio hosts, as well as visual and digital artists, represent some of the most original and innovative contributions in the global landscape of electronic music and artificial intelligence. The scale of interest generated by the initiative is reflected in the numbers: over 900 applications from around the world and 300 fully developed live performance projects, showcasing the multidisciplinary creativity of DJs, musicians, visual artists, producers, and AI researchers. United by the theme Experience of a Beat, which challenges artists to use AI to create immersive experiences blending sound, visual art, and audience interaction into a single expressive form, the finalists of the first contest connecting artificial intelligence with live performance represent a diverse mix of talents from across the worlds of music and digital art: The five finalists will perform their AI-integrated live sets on the LAB stage at Kappa FuturFestival, on Friday and Saturday, 14.00pm to 15.30pm. The winners will be announced at the close of the festival. The AI Music Contest is part of the broader Reply Challenges, a program comprising technological and creative competitions that reflect Reply's commitment to developing innovative educational models that engage with the younger generation. The Reply Challenges community now has over 150,000 participants worldwide. Reply Reply [EXM, STAR: REY, ISIN: IT0005282865] specialises in the design and implementation of solutions based on new communication channels and digital media. Reply is a network of highly specialised companies supporting key European industrial groups operating in the telecom and media, industry and services, banking, insurance and public administration sectors in the definition and development of business models enabled for the new paradigms of big data, cloud computing, digital media and the Internet of Things. Reply services include: Consulting, System Integration and Digital Services. View source version on CONTACT: PressReply Fabio Zappelli [email protected] Tel. +390117711594Irene Caia [email protected] Tel. +39 02 535761 KEYWORD: ITALY EUROPE INDUSTRY KEYWORD: TECHNOLOGY ARTS/MUSEUMS ENTERTAINMENT THOUGHT LEADERSHIP PROFESSIONAL SERVICES EVENTS/CONCERTS CELEBRITY MUSIC ARTIFICIAL INTELLIGENCE SOURCE: Reply Copyright Business Wire 2025. PUB: 06/25/2025 04:00 AM/DISC: 06/25/2025 03:59 AM
Forbes
17-06-2025
- Forbes
8 Best Cities for Nightlife Around the World
Cities around the world offer bustling nightlife scenes. getty Although New York City is known throughout the world as the 'city that never sleeps,' the Big Apple is not alone in its penchant for partying into the wee hours of the morning. A host of other cities – both big and not so big – offer visitors and locals alike bustling nightlife scenes that can include midnight dancing to the sounds of DJs, hidden speakeasies and after-hour food options. The Big Apple is known its variety of late night activities. getty With thousands of bars and restaurants spread throughout its five boroughs, New York City offers a veritable smorgasbord of activities, 24 hours a day. The Lower East Side, Meatpacking District and Williamsburg are particularly popular for their range of bars, nightclubs and music of all genres. People typically start heading to clubs in NYC around 10 to 11 p.m. However, many clubs don't reach their peak until around midnight or 1 a.m. and they can stay open until 4 a.m. which is the legal closing time for bars and clubs in the city. However, that's not to say that some don't stretch the limits slightly. There are scores of exclusive nightclubs reserved for VIPs. Building connections with people who frequent these places or work within the nightlife industry can usually provide a pathway inside. Huntington Beach offers more than just waves and sunshine. Getty Images Located along Southern California's famed Pacific Coast Highway, Huntington Beach – widely known as Surf City USA – offers tourists and residents more than just waves and sunshine. When night falls, this laid-back beach town transforms into a buzzing nightlife destination, blending coastal charm with big-city energy. Main Street is the heartbeat of the scene, packed with bars, breweries, and live music venues just steps from the Huntington Beach Pier. Favorites like Gallagher's Pub and Perqs keep the energy high with local bands and DJs, while spots like Baja Sharkeez and Sandy's Beach Shack draw crowds with beachy cocktails and vibrant patios. For travelers looking to stay close to the action, the Hyatt Regency Huntington Beach Resort & Spa offers the ideal coastal escape. Nestled directly on the sand with the area's only pedestrian sky bridge to the beach, the resort delivers effortless access to both the shoreline and the city's dynamic social scene. The bar scene vibe is upscale but never stuffy. Avalon via Getty Images Tucked between Uptown and Victory Park, the Harwood District is one of Dallas' most stylish nightlife hubs. With European-inspired architecture, lush gardens and a walkable mix of bars and restaurants, the vibe is upscale but never stuffy. Start the night with cocktails at Happiest Hour, a sprawling rooftop bar with skyline views, then wander to places like Te Deseo for Latin beats and late-night energy. Whether you're in the mood for a lively patio scene or a chic lounge tucked in a tower, Harwood delivers nightlife with polish, personality and plenty of atmosphere. To truly immerse yourself in Dallas' Harwood District nightlife, Hôtel Swexan is the place to stay. The hotel is home to Babou's, a hidden speakeasy. Babou embodies a playful rebellion against the norm. Hidden below street level, this lush and energetic cocktail lounge invites locals and visitors to explore and let their curiosity roam free. Madrid, Spain is legendary for its nighttime activities. getty Madrid is known for its legendary and vibrant nightlife and night-owl residents that know how to keep the party going. There is something for everyone in the capital city to socialize into the wee hours, with locales that vary from quaint tapas bars like La Gildería and Varro to trendy wine bars such as Vinoteca Vides or Bendito to lively discotecas like Teatro Barceló or Macera Club. When the first tapas course is served around 9 p.m. Madrid's unrivaled nightlife scene doesn't show signs of slowing until the sun begins to rise. For a luxury stay and ideal jumping off point to experience all the nightlife of Madrid, The Palace Hotel Madrid recently reopened as a Luxury Collection property after a two-year, $100M restoration and already reclaiming its title as the cultural and historical address in the capital. Boston has long been known as a party city. getty Anchored by iconic Fenway Park, the Kenmore Square–Fenway neighborhood pulses with energy day and night. The MGM Music Hall at Fenway has added to the excitement, hosting world-class performers. Surrounding streets like Lansdowne and Boylston buzz with lively bars, rooftop lounges and late-night food spots, making it a magnet for students, locals and tourists alike. Whether you're catching a show, watching a game or bar-hopping into the early hours, Fenway–Kenmore delivers an unforgettable nightlife experience that defines Boston after dark. From its enviable location in the heart of the dynamic Fenway-Kenmore neighborhood, Hotel Commonwealth offers a true Boston experience immersed in local flavor and genuine service. Guests of the Dagny Boston can turn their weekends up a notch with hotel's brand-new Dagny After Dark package. Perfect for those looking to dive into Boston's buzzing nightlife, this offer affords guests the chance to score exclusive VIP access to one of the city's hottest spots, Caveau, just steps from their rooms. Electric energy that stretches into the early hours. Hong Kong Tourism Board With its neon-soaked streets, sky-high cocktail bars, and electric energy that stretches into the early hours, Hong Kong is a city that truly comes alive at night. From stalwarts like Lan Kwai Fong and Wan Chai to newer pockets of after-dark culture in Sai Ying Pun and across the harbor in Tsim Sha Tsui, the city's nightlife is as effervescent as its skyline. Acclaimed bars like COA, Argo, and DarkSide consistently rank among Asia's best, while Temple Street night market offers a more tactile, open-air experience – think dai pai dongs, fortune tellers, and rows of glowing red lanterns. Whether it's cocktails with a view, late-night eats, or just soaking in the tempo of the streets after dark, Hong Kong delivers a nightlife scene that's both dynamic and distinctly its own. San Francisco lays claim to having invented the martini. Starlite at the Beacon Grand Hotel Based on a popular Gold Rush origin story, San Francisco claims to be home to the origin of the classic shaken cocktail. San Francisco boasts a vibrant and diverse late-night scene but will always remain a hub for martini innovation, with bartenders experimenting beyond the classic olive or lemon twist. From pickled vegetables to local garnishes, the martini evolves with flair across the city's top spots such as Izzy's, Bar Sprezzatura, Pacific Cocktail Haven, Dalida, Prelude at The Jay Hotel and Starlite at the Beacon Grand Hotel. Sections of the city including the Mission District/Dogpatch, SoMa/Yerba Buena, and North Beach are buzzing with late-night activity. New Orleans is home to a vibrant cocktail culture. getty New Orleans is a city that bursts with activity after dark, with its iconic Bourbon Street featuring jazz pouring out of every corner, and a vibrant mix of bars, clubs, and late-night eateries. From Frenchmen Street's soulful music joints to hidden speakeasies in the Marigny, the nightlife scene is as diverse and energetic as the city itself. With a vibrant cocktail culture and some of the best bars in the country, NOLA is known for its never-ending party. Just a few steps away from the French Quarter, the historic Roosevelt New Orleans, A Waldorf Astoria Hotel, is a timeless and storied architectural marvel whose history is synonymous with that of New Orleans itself. Leaving a last imprint on mixology, The Roosevelt is home to the historic Sazerac Bar, the birthplace of classic aperitifs like the Sazerac and the Ramos Gin Fizz.
Forbes
17-06-2025
- Entertainment
- Forbes
V-MODA Introduces M-100 PRO And M-10 Closed-Back Headphones For DJs
The V-MODA brand has announced two new pairs of DJ headphones. The flagship M100 and the M10 will go ... More on sale in Q3, 2025. Roland subsidiary brand V-MODA has announced two models to its lineup of DJ headphones. The M-100 PRO are the brand's new flagship DJ headphones and are the latest in the long-running M-100 series of headphones made for professional DJs. The M-100 headphones have been updated with next-generation sound quality and features. Meanwhile, the second new pair of headphones, the M-10, come with authentic V-MODA performance in a streamlined design for DJs and electronic music performers. Since its introduction in 2012, the V-MODA M-100 Series has found favor with DJs worldwide. The M100 headphones have the same stylish design and distinctive sonic character as the M-100 Series and continue the M-legacy with evolved tuning and improvements based on feedback from users. Pro performers want top-quality headphones and the M-100 PRO are designed to meet those needs with their sound quality, comfort and durability. The 50mm ceramic-coated drivers and bass ducts provide enhanced reproduction of kick drums, hi-hats and other essential sounds. The new M100 Pro headphones from V-MODA have ceramic-coated 50mm drivers and bass ducts for clear ... More reproduction of kick drums, hi-hats and other sounds that define the groove. V-MODA says the closed-back design and memory foam ear pads produce a wide and punchy soundstage with excellent sound isolation that should help when performing in loud clubs or on noisy festival stages. The m100 Pro fold and take up hardly any space. Swivel ear cups provide comfort and enable switching between stereo monitoring and one-ear listening for monitoring other sources and engaging with audiences. The cable is a detachable 3m coil and a straight 1.5m cable is also included giving the user options. The new M-100 PRO have a rugged metal frame and the signature shields of previous models. The foldable design and included carrying pouch take up minimal space when traveling, plus the ear cups are now detachable, enabling users to purchase replacements if needed. The V-MODA M10 headphones replace V-MODA's Crossfade LP2 model and are beat-tuned to provide a deep ... More bass and clarity DJs demand. The new M-10 headphones also have the distinctive V-MODA look and sound DJs seem to enjoy. These new headphones replace V-MODA's Crossfade LP2 model and are beat-tuned to provide a deep bass and high-end clarity DJs demand. Like the M100, the new M-10 headphones have a closed-back design and fit over the ears to produce an immersive soundstage with a high level of sound isolation. Large ear cups fitted with memory foam cushions provide more comfort, while the build quality is designed to provide many years of use. The headphones are supplied with a detachable and coiled 3 m cable as well as a straight 1.5m version. To keep the M1) safe, there is also a carrying pouch that protects the headphones when on the go. Both new models will be available in Q3, 2025. The V-MODA M-100 PRO will have a price tag of $299.99 and the M-10 will sell for $179.99. Model: V-MODA M-100 PRO Mode: V-MODA M-10.
