Latest news with #DamsonIdris
The Guardian
an hour ago
- Entertainment
- The Guardian
From F1 to Evita: your complete entertainment guide to the week ahead
M3gan 2.0Out nowHitting the sweet spot between camp value and genuine entertainment that's often surprisingly hard to manage in horror, the first M3ganGAN film saw a sassy artificially intelligent doll slay in both senses of the word. Now she's back for a sequel, facing off against Amelia, a new doll created by the military, who have clearly not learned the lessons of the first film. From Hilde, With LoveOut nowBased on the lives of real members of the Red Orchestra anti-Nazi group, this harrowing but moving German drama follows a group of young people determined to do their bit to resist Hitler in wartime Germany. The focus is on Hilde and Hans Coppi, a young married couple, who are both arrested, with Hilde having to give birth to their baby in a Gestapo-run prison. F1: the MovieOut nowA gifted professional comes out of retirement to mentor a promising young rookie: a tale as old as time, it's the classic sports film recipe. This time around, Brad Pitt plays the mentor and Damson Idris his protege, with Formula One racing taking the star role of the sport in question. Directed by Joseph Kosinski (Top Gun: Maverick). Sudan, Remember UsOut nowIn this observational documentary, film-maker Hind Meddeb follows a group of young activists in Sudan, beginning in 2019 with a sit-in protest at the army's headquarters in Khartoum and bearing witness to the subsequent turbulence of the current civil war that would displace at least 12 million people breaks out. Catherine Bray Radar festivalO2 Victoria Warehouse, Manchester, 4 to 6 JulyA showcase for 'progressive music', which in this context means rock but louder and more experimental, Radar festival returns to Manchester with a particularly stacked lineup. Headliners include genre-pushing punk duo Bob Vylan and US rockers Underøath, while extracurriculars include video game stations and masterclasses. Michael Cragg Yazz AhmedTurner Sims, Southampton, 29 JuneBritish-Bahraini trumpeter Yazz Ahmed's mix of north African phrasing and American bebop jazz lines, electronica and funk has built her a unique contemporary global-musician's palette. She explores her autobiographical album A Paradise in the Hold and more with an A-list band including reeds star Tim Garland and vibraphonist Ralph Wyld. John Fordham Zach BryanHyde Park, London, 28 & 29 JuneSince releasing his debut album in 2019, US military man turned country music superstar Zach Bryan has become one of the genre's biggest exports. These two outdoor shows, featuring support from the likes of Dermot Kennedy and Mt Joy, follow a recent run of singles trailing Bryan's forthcoming sixth album. MC Les Indes GalantesThe Grange, Alton, Hampshire, 30 June, 1 & 2 JulyThe Grange festival saves by far the most interesting of this summer's three staged operas until last, as French baroque collides with hip-hop in a travelling production of Rameau's best known ballet héroique. It's conceived by director-choreographer and hip-hop pioneer Bintou Dembélé and conductor Leonardo García-Alarcón, for their respective ensembles. Andrew Clements Kiefer/Van GoghRoyal Academy of Art, London, 28 June to 26 October Anselm Kiefer is renowned for his grave, grand paintings and installations that refuse to let Germany forget its troubled history. His art of memory is even more urgent now as populist parties spread amnesia alongside nationalism. Here he explores his fascination with Van Gogh, with choice masterpieces by his hero. William KentridgeYorkshire Sculpture Park, nr Wakefield, 28 June to 19 AprilNot many artists today have the wit or seriousness of this multifaceted South African film-maker, installationist, draughtsperson and, in this show, sculptor. Political commentary and historical vision interact in his work with an enthusiastic embrace of modern aesthetic traditions, from music to cinema, to create multilayered, moving art. Richard RogersSir John Soane Museum, London, to 21 SeptemberImaginative, unexpected British architecture is on show here – and that's before you even reach this celebration of Rogers, master of the external escalator and ventilation shaft. The Soane Museum, all mirrors, crypts and dramatic lightwells, is the perfect setting for Rogers's work on the Pompidou Centre, Lloyd's building and more. Movements for Staying AliveModern Art Oxford, 28 June to 7 SeptemberRadical body art from the 1960s onwards, by Yvonne Rainer, Ana Mendieta, Harold Offeh and more, can be seen in this exhibition but if you go to galleries just to 'see' and think about art, forget it. The curators want you to interact with it, and physically experience the show. Jonathan Jones Sara PascoeWorthing, 28 June; Stevenage, 3 July; touring to 29 MarchFinally, a clever and highly relatable comedian really gets her teeth into the miserable drudgery of motherhood. In her new show, I Am a Strange Gloop, wrenches hilarity from sleep deprivation, bodily changes, endless housework and the learned helplessness of her husband. Expect catharsis, solidarity and a droll dissection of maternal sacrifice. Rachel Aroesti EvitaThe London Palladium, to 6 SeptemberRachel Zegler makes her West End debut as Argentina's Eva Perón in director Jamie Lloyd's latest theatrical extravaganza. Zegler recently hit the headlines around her promotion of the film Snow White – here's a chance to let her performance do the talking. Miriam Gillinson Jesus Christ SuperstarWatermill theatre, Bangor, Newbury, to 21 SeptemberWatermill's summer musicals have become an institution, spilling out into the theatre's idyllic grounds. Artistic director Paul Hart takes on Tim Rice and Andrew Lloyd Webber's explosive rock musical – with the actor-musician cast working their customary magic. MG Ballet NightsGlasgow Theatre Royal, 4 JulyDancer turned impresario Jamiel Devernay-Laurence has been running regular gala-style shows in London under the Ballet Nights banner. Now he goes on the road with an eclectic lineup including a star turn from Royal Ballet principal Steven McRae, the clubby stylings of new duo Ekleido and a dance from the Prime Video series Étoile. Lyndsey Winship Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion The SandmanNetflix, 3 July The recent allegations made against graphic novelist Neil Gaiman, which he denies, mean this will likely be among the last adaptations of his work to reach the screen. If you can separate the art from the artist, prepare to luxuriate in the second series of the dark, dazzling fantasy, which revolves around Dream (Tom Sturridge) rebuilding his realm. Such Brave GirlsBBC Three & iPlayer, 3 July, 10pmKat Sadler's wickedly funny and never remotely heartwarming sitcom returns for a second series, with Sadler's Josie and sister Billie (played by her real-life sibling Lizzie Davidson) still tiptoeing around their vituperative mother Deb (Louise Brealey) while desperately trying to source self-worth from unreciprocated love interests. Storyville: The Srebrenica TapeBBC Four & iPlayer, 1 July, 10pmA single VHS lies at the heart of this film about the genocidal attack on Srebrenica during the Bosnian war. Made by an amateur film-maker who was eventually murdered alongside 8,000 other Muslims, the four-hour video was a record of local life addressed to his daughter, who here returns to the town to rediscover her early childhood. 7/7: Homegrown TerrorSky Documentaries & Now, 29 June, 9pmIt is 20 years since 52 were killed and 770 injured in the London terror attacks that refashioned the nation's psyche for ever. This documentary combines details of the day itself with testimony from those who knew the perpetrators in an attempt to shed light on why four Brits decided to bomb their homeland. RA Tamagotchi PlazaOut now; Nintendo SwitchThe famous keychain virtual pets return once more in a sugar-coated shopping mall sim, where you run a range of shops while solving the problems of your cutesy customers. Apparently, there are more than 100 different tamagotchi to service, assist and even perform dentistry on. Mecha BreakOut 1 July; PC, PS5, XboxOn an apocalyptic future Earth, teams of players face off against each other in various hyperstylish robot suits. Beta tests have proved hugely popular and the visuals are dazzling, but it's a free game with microtransactions, so all depends on how subtly (or otherwise) the monetisation is implemented. Keith Stuart Lorde – VirginOut nowFollowing 2021's confounding, Zen-like comedown Solar Power, Lorde returns to knotty bangers with this fourth album. Co-created alongside Jim-E-Stack (Charli xcx, Haim) and Dan Nigro (Chappell Roan), Virgin picks over heartbreak with typical lyrical precision, as on pulsating lead single What Was That. Katseye – Beautiful ChaosOut nowPut together via interactive reality show Dream Academy, six-piece girlband Katseye fuse the best bits of K-pop's gonzo style with 00s western pop, creating bonkers bangers such as viral hit Gnarly. That single appears on this new EP, the follow-up to last year's SIS (Soft Is Strong). Kevin Abstract – BlushOut nowAfter calling time on his band Brockhampton in 2022, Abstract releases his fifth solo album, and first on his new label. Recorded in a house in Texas, complete with rooms packed with talent including the likes of Danny Brown, Sekou and Jpegmafia, it features the Dominic Fike-assisted, Beck-like Geezer. Isabella Lovestory – VanityOut nowThe Honduran reggaeton practitioner continues her quest to forge a new kind of pop on this follow-up to 2022's debut, Amor Hardcore. On the luxe Gorgeous she channels glossy Y2K R&B, while the shape-shifting Putita Boutique seems to beam in from a club in space. MC Liberty LostPodcastJournalist TJ Raphael's engrossing series speaks to previous residents of the Godparent Home at the Christian Liberty University in Lynchburg, Virginia, where unwed teen mothers are encouraged to give up their children for adoption to wealthy Christian families. My Mum Loved This SongSubstackMusic writer Katie Thomas's joyous and deeply moving series sees fellow writers and artists explore the music that reminds them of their late loved ones, inspired by Katie's own mum, Jill, who died in 2020. Bill Walton's The Grateful TeamBBC World Service, 28 June, 6.30pmExamining national identity in the wake of the fall of the Soviet Union, this charming series tells the improbable tale of how psych band the Grateful Dead helped Lithuania's basketball team compete in the 1992 Olympics. Ammar Kalia
Geek Tyrant
8 hours ago
- Automotive
- Geek Tyrant
Review: F1 Delivers an Adrenaline Rush of Pure Summer Movie Awesomeness — GeekTyrant
Joseph Kosinski's F1 might be the loudest, fastest, and most relentlessly entertaining movie of 2025 so far. This is classic Hollywood craftsmanship firing on all cylinders. It's character-driven, visually jaw-dropping, and bursting with that full-throttle energy that only a packed theater can amplify. At nearly three hours long, F1 barely lets off the gas, and I mean that in the best way possible. From the first rev of the engine, Kosinski makes it clear… this is a film meant to be felt, not just watched. At the heart of the story is Brad Pitt's Sonny Hayes, a fallen star of the '90s Formula One scene who's coaxed back to the big leagues for one last shot. Pitt brings a believable weight to Sonny, a guy haunted by what could've been, but still holding onto that old spark. Javier Bardem plays the desperate but driven team owner Ruben, while Damson Idris shines as Joshua Pearce, the talented rookie with something to prove. You've seen this dynamic before of the mentor, the upstart, the ticking clock, but it works. The actors elevate it. The writing keeps it sharp, and there's great chemistry. The real hook here is the racing, and F1 absolutely delivers. Kosinski is such a talented technical director and uses upgraded tech from Top Gun: Maverick to slam viewers into the cockpit of these race cars and onto the track. You experience every jolt, every hairpin turn, every millimeter between wheels. There are moments where the camera lingers just long enough on a tire brushing up against another tire, or the cars twitching ever so slightly, and it's incredibly trilling and intense. It's that attention to detail that makes F1 feel next-level. Even if you don't know a thing about Formula One, and trust me, I went in pretty clueless, the movie walks the line perfectly between spectacle and clarity. It doesn't lecture, but it gives you just enough to understand how the sport works. Rules, strategy, rivalry, risk… it's all there, baked into the story in a way that doesn't slow anything down. You're learning while white-knuckling the armrest, and that's a rare trick to pull off. Story-wise, this is a greatest-hits playlist of sports movie tropes, but it plays the hits hard and with style. Redemption, ego, mentorship, betrayal. It's not reinventing the wheel, but it doesn't need to. What it does do is deliver those emotional beats with sincerity and momentum. You care about these people. You care about who wins. And you care about how far Sonny's willing to go to get that last taste of glory. The supporting cast is excellent across the board. Kerry Condon especially stands out, offering a grounded presence in a movie that often feels like it might burst into flames from sheer velocity. There's also a nice streak of humor and warmth that keeps the characters from getting swallowed by the technical spectacle. Kosinski balances tone beautifully here. Yes, it's sleek and stylized, but it also remembers to be human. F1 is more than just a great racing movie, it's a full-body experience. It's popcorn cinema done right… loud, emotional, immersive, and totally satisfying. If Top Gun: Maverick was your jam, this one's for you. Whether you're a Formula One fanatic or you've barely watched a lap in your life, you'll walk out of this one with your heart pounding and a dumb grin on your face.
Forbes
8 hours ago
- Entertainment
- Forbes
What Happens In The ‘F1' End Credits Scene And If It Sets Up A Sequel
NORTHAMPTON, ENGLAND - JULY 09: Brad Pitt, star of the upcoming Formula One based movie, Apex, and ... More Damson Idris, co-star of the upcoming Formula One based movie, Apex, look on from the grid during the F1 Grand Prix of Great Britain at Silverstone Circuit on July 09, 2023 in Northampton, England. (Photo by) Brad Pitt's F1: The Movie is now in theaters. What happens during the movie's end credits and what does it say about a possible sequel? Directed by Joseph Kosinski (Top Gun: Maverick), F1: The Movie opens in theaters nationwide on Friday. The official summary for the film reads, 'Dubbed 'the greatest that never was, Sonny Hayes (Brad Pitt) was Formula 1's most promising phenom of the 1990s until an accident on the track nearly ended his career. Thirty years later, he's a nomadic racer-for-hire when he's approached by his former teammate Ruben Cervantes (Javier Bardem), owner of a struggling Formula 1 team that is on the verge of collapse. 'Ruben convinces Sonny to come back to Formula 1 for one last shot at saving the team and being the best in the world. He'll drive alongside Joshua Pearce (Damson Idris), the team's hotshot rookie intent on setting his own pace. But as the engines roar, Sonny's past catches up with him and he finds that in Formula 1, your teammate is your fiercest competition — and the road to redemption is not something you can travel alone.' Rated PG-13, F1: The Movie also stars Kerry Condon, Tobias Menzies and Kim Bodnia. Per F1: The Movie's studio, Apple Films, and its distributor Warner Bros., filming for the Formula 1 race car drama took place during 'actual Grand Prix weekends.' Note: The next section of this article reveals major spoilers for 'F1: The Movie.' How Significant Is The End Credits Scene For 'F1' And Does It Suggest More Is On The Way? Generally, an end-credits or post-credits scene either wraps up loose ends from a scene earlier in the film and/or serves as a teaser for a potential sequel. In the case of F1: The Movie, the end credits scene essentially wraps up a scene from earlier in the film, where Brad Pitt's Sonny Hayes was mulling over his next move after winning a race at Daytona. Sonny's past is somewhat of a mystery for most of F1: The Movie. Essentially, he's a driver for hire because it fulfills a need to always be racing. It's a road that dates back 30 years earlier when a horrific accident during a Formula 1 race nearly took Sonny's life. After years of aimless wandering, rife with personal failures and a gambling addiction, Sonny eventually gets back on track, so to speak. The road, however, was never to include another Formula 1 race, until Javier Bardem's Ruben Cervantes convinces Sony to join his failing race team in a Hail Mary effort to save the team from dissolving. Sonny, however, must find a way to mentor Damson Idris' Joshua Pearce, whose arrogance and unwillingness to learn from a much older Sonny is dangerous in the high-risk world of racing. Joshua eventually comes around and absorbs Sonny's wisdom, but it's a bumpy ride along the way including two separate catastrophic crashes that sidelined both drivers. After Sonny's Formula 1 crash, Ruben discovers that the driver's accident from three decades earlier was so severe that Sonny risks his life every time he hops into a Formula One race car. As such, Ruben fires Sonny, but through a loophole Sonny is able to get behind the wheel in the last Formula One race of the season, giving the veteran driver one last chance to win an F1 race, which has eluded him his entire career. After Sonny wins the race and achieves his lifelong dream, he moves on down the road. Wrapping up a scene earlier in the movie, Sonny answers a flyer seeking drivers and heads to Baja, Calif., to participate in off-road racing (for authenticity's sake, the Baja 1000 is a real race). As the end credits begin to roll up the side of the screen, Sonny is shown racing the sand dunes in Baha in a dune buggy. The footage features up-close shots of Pitt, who does all of his own driving in F1: The Movie. Accompanying the footage is Ed Sheeran's new song, Drive. The music video for the song, which features Sheeran mostly singing on a Formula 1 race track, ends with the singer-musician driving a dune buggy himself. As it turns out, the final sequence of the video what turns out to be a sly teaser for what happens during the end credits of F1: The Movie. While F1: The Movie has action during the end credits, the film does not have any post-credits scenes. Of course, a post-credits scene isn't a pre-requisite for a sequel to be made in Hollywood, so the idea of a second F1: The Movie is still on the table but unlikely. After all, it appears that Sonny has accepted the grave risks that Formula One racing poses to his health and after winning an Formula 1 race, there's nothing more to achieve. In the off-chance it happens, an F1: The Movie sequel could concentrate on Joshua's quest for an F1 championship with Pitt being his sideline mentor. However, that ground has largely been covered in this film and pretty much a foregone conclusion that he's destined for greatness. The only other possibility of getting Pitt back behind the wheel for an F1 sequel — and it's a wild one — is for a studio to grant director Joseph Kosinski's wish to pair his Top Gun: Maverick star Tom Cruise and Pitt for an F1 and Days of Thunder crossover movie. 'Well, right now, it'd be Cole Trickle, who was [Cruise's] Days of Thunder character, we find out that he and [Brad Pitt's] Sonny Hayes have a past,' Kosinski told GQ U.K. in a recent interview. 'They were rivals at some point, maybe crossed paths … I heard about this epic go-kart battle on Interview With [the] Vampire that Brad and Tom had, and who wouldn't pay to see those two go head-to-head on the track?' F:1 The Movie, starring Brad Pitt, opens in theaters nationwide on Friday.
Refinery29
9 hours ago
- Entertainment
- Refinery29
F1's Damson Idris Just Wants To Make His Black Women Fans Proud
Damson Idris is racing straight to becoming a household Hollywood name. But no matter where his career takes him next, we can say that we saw him first. The 'we' is Black women, of course, who dubbed the British-Nigerian actor as a certified Internet Boyfriend long before his starring turn in this summer's first big blockbuster. After captivating audiences as Franklin Saint in Snowfall, Idris is shifting gears — literally — into high-octane territory with his leading role in F1, the Formula 1 racing film from director Joseph Kosinski and producer/ star Brad Pitt. Whether he's embodying a South Central kingpin or donning a racing suit opposite Hollywood heavyweights, Idris brings depth, precision, and a quiet confidence that continues to set him apart. And as Unbothered's very own Christa Eduafo found out when she sat down with him recently in New York City, the actor is well aware that his Black female fanbase bet big on Damson Idris stock early. 'I can't wait for them to go on this journey with me throughout my career,' Idris said with a smile. Here, Idris opens up about the evolution of his career, his mother's influence as both an anchor and a humbling presence (African moms stay on brand), and the unwavering support he receives from the fans who've been riding with him since day one. He also teases his upcoming role in Children of Blood and Bone, the hotly anticipated fantasy epic based on Tomi Adeyemi's bestselling novel. Between blockbuster projects and staying rooted in purpose, Idris is proving he's not just a rising star, he's shaping the future of Black storytelling, barrelling full speed towards superstardom — and we're riding shotgun. Unbothered: You're starring in what's going to be the blockbuster of the summer. Walk me through when you found out you were going to be in F1. Was it shock? Was it readiness? How did that feel? Damson Idris: Man, I was in Turks and Caicos. So I was on vacation, I was looking at the sunset, and then I got a phone call: 'Hey, do you want to be a Formula 1 driver?' And I lost my mind. I just screamed to the heavens. This is a part that I prayed for. I dreamed of this, so being able to accomplish it, and to be at this place today where I believe we made a brilliant movie, is a dream come true. View this post on Instagram A post shared by Unbothered (@r29unbothered) You mentioned prayer. You've said that you manifested this role. In a previous interview, you said you downloaded the Formula One game and named your player, Joshua Pierce, which is the name of your character in the film. So do you manifest often? DI: 100%. I understand how powerful we are as beings and with the characters that I play, I do believe that what's mine is mine. So it's really a feeling that I tend to chase. With Snowfall, I really wanted to work in the States and I loved those kinds of gangster movies, like Goodfellas, American Gangster and the like. And then with this movie, I really wanted to play an athlete because of my football background. But I was also ready and prepared for a movie that I believe was going to reach every corner of the world. So when this opportunity came, I knew it was mine and I wanted to do a really good job. So hopefully I made everyone proud. You were amazing in the film. I'm a big manifestation person as well, and it's just about knowing, just being certain, and that's really it. So between Joshua Pierce and Snowfall's Franklin, you play characters that have a lot of aura to them. So I was wondering, would you say you have aura? DI: I just learned what aura is the other day. Do I have aura? I don't know. No, I'm the worst person to ask. I'll never admit that I have aura. I'll never admit it, but I don't know. Alright, yeah, I got a little, tiny, little sprinkle of aura [laughs]. ' [My mum] is my biggest fan. When the movie comes out, the opinion that's gonna matter most to me is hers. damson idris ' You said recently that you're most excited for your mom to see this film, and that she would call to check on your safety when you were on set. What were those calls like? DI: Just her screaming in Yoruba, 'you better be safe!' She's my biggest fan. So when the movie comes out, you know, the opinion that's gonna matter most to me is hers. Your character in the film, Joshua, has such a beautifully close relationship with his mother. And I know you mention all the time that you have one with your own. So I was wondering, how does your mom keep you grounded as your star is rising? DI: I call her all the time. Every day I call her. On this career [journey] that I'm on, you know, you spend so much time in the back of a car alone, alone in a hotel room, you know, alone on a plane, so to have someone that I can call that just constantly reminds me of where I came from is so important to me. And my mom is that person. That's so valuable to have. I'm Ghanaian, so African parents can be our biggest cheerleaders, but they can also humble us lovingly. So I was wondering if you have an example of a time that your mom lovingly brought you back down to earth. DI: Oh my gosh, when I first started acting, working in a theater is this revered thing in the UK. So I would be doing plays, and my mom would come and watch the plays, and she'd be like, 'yes, theater is okay, but when are you going to be on EastEnders or Hollyoaks? Because my mom loves soaps. So in my head, funny enough, through that was how I said to myself, Man, I need to be on a screen. So, yeah, I guess my mom was a huge motivator for that. She was underwhelmed by my theater parts. ' I'm grateful that [Black women] support my work. I can't wait for them to go on this journey with me throughout my career. I always want to make Black women proud. damson idris ' You have a lot of Black female fans. You're a little bit of a heartthrob. What has that attention been like? Is that a new experience, something you pay attention to or is it just kind of background noise? DI: I don't pay attention to it but I'm grateful that they support my work and that they support my aura. I can't wait for them to go on this journey with me throughout my career. You know, I always want to make Black women proud. I was raised by one. Can you give a little message to your Black women fans? DI: To my gorgeous Black women out there who are supporting me, thank you. Thank you. Thank you. I can't wait for you to watch F1. I promise you, Joshua has aura [laughs]. ' You know exactly how we felt when we walked out of Black Panther? That's how we're going to feel with [ Children of Blood and Bone ]. We put everything into it. damson idris ' Children of Blood and Bone is next for you. It just wrapped. That was a stacked cast. You worked with a lot of members of the diaspora there. What was the most exciting part about being a part of that film? DI: So many of them are my friends that I've known for so long. In passing on this journey, we always say the same thing to each other: 'When are we going to work with each other?' So I tip my hat to Paramount and Gina Prince-Bythewood for assembling a juggernaut of a cast. We spent six months in Cape Town filming and we just wrapped. Every day, a new heavyweight would come in and just prove why they exist. You know, from Idris to Viola to Chiwetel to Regina to Cynthia. I could just say their first names and you know what time it is. But also just watching a lot of us, younger actors, find our way and own our power too. Tosin Cole and Amandla Stenberg, and Thuso Mbedu, our lead, who I just think is such a beautiful actress. I can't wait for her career to blossom too. So, I just feel really blessed. Lashana Lynch, Zackary Momoh, there was a so much great energy on set. You know exactly how we felt when we walked out of Black Panther? That's how we're going to feel with this picture. We put everything into it. We showed so much respect to Africa, and we showed so much respect to the story too.
Bloomberg
10 hours ago
- Entertainment
- Bloomberg
Bruckheimer Pushes Egos Aside to Get 'F1' in Theaters
"F1: The Movie" is now in theaters with a star studded cast including Brad Pitt, Damson Idris and Kerry Condon. Produced by seven-time Academy Award winner Jerry Bruckheimer, it is looking to give the summer box office season a speedy start. Bruckheimer sat down with Bloomberg Hot Pursuit Co-Hosts Matt Miller and Hannah Elliott ahead of its release. (Source: Bloomberg)
