Latest news with #DavidKeenan
Glasgow Times
07-07-2025
- Entertainment
- Glasgow Times
Do you know Lanarkshire's music legends? This exhibition explains all
Everything Flows: Music in North Lanarkshire is on display at Summerlee Museum in Coatbridge until October 19. The exhibition, which runs from June 28 to October 19, chronicles the vibrant music scene from the 1970s to the early 2000s, starting with Coatbridge legends, Fran and Anna. The exhibition chronicles the vibrant music scene from the 1970s to the early 2000s (Image: Supplied) Visitors can explore the punk scene in Wishaw, the sounds of Bellshill with Teenage Fanclub, The Soup Dragons, and BMX Bandits, and the first T in the Park in Motherwell. It also features David Keenan's novel This is Memorial Device, set between Airdrie and Coatbridge. Read more: Police statement ahead of Kneecap's O2 Academy show after TRNMST drop The exhibition showcases behind-the-scenes photos, backstage passes, tour jackets, and instruments belonging to some of the most well-known bands from North Lanarkshire, all loaned by the musicians themselves. New interviews with musicians Duglas T Stewart (BMX Bandits), Norman Blake (Teenage Fanclub), Joe McAlinden (BMX Bandits, Superstar), and Monica Queen (Thrum) provide insight into the local music scene. Artwork from Turner Prize-shortlisted Jim Lambie, Pastel's musician and illustrator Annabel Wright, and a sketch by the iconic Alisdair Gray, who painted Bellshill band De Rosa's second album Prevention, are also on display. The exhibition offers something for everyone, from BMX Bandits fans to music fanzine enthusiasts. An accompanying programme of events will be continually updated on the museum's website at
Irish Times
07-07-2025
- Entertainment
- Irish Times
Aistear an ealaíontóra
Foclóir: ildathach – multi-coloured; bástchóta - waistcoat; flúirse – plenty; mothúchán – feeling; glór inmheánach – internal voice; sólás – solace; suaimhneas – calm. Is ait liom leagan beag picteilíneach den amhránaí David Keenan a fheiceáil idir cnaipí an fhísghlaoigh. Tá rud éicint faoin amhránaí atá as alt leis an teicneolaíocht seo. Ach is léir go bhfuil sé ar a chompord ina chistin gheal ildathach agus bástchóta cniotáilte air. 'Táim sách insular,' a deir sé agus muid ag labhairt ar ghréasán ceoil na hÉireann. 'Táim i mo chónaí i gCill Cheannaigh, like! Ach táim an-bhródúil as an sruth Éireannach a ritheann tríd mo scríbhneoireacht.' Scríbhneoir a bhfuil flúirse ar a pheann is ea é. Tá trí albam, chomh maith le dornán singlí, leabhar filíochta, agus clár faisnéise taifeadta aige ó bhí 2020 ann. Chuir sé iontas orm, mar sin, gur bhraith sé go raibh srian air go dtí seo. 'Bhí mé dúnta síos ar bhealach. Ach tá fuinneamh nua san albam nua. Tá draíocht ag baint leis - draíocht sa gceol, mistéir sa gceol – tá sé difriúil an uair seo. Níl an brú céanna ann, an bhfuil a fhios agat?' Ní rún é gur iomaí brú a bhíonn ar ealaíontóirí an lae inniu – costas maireachtála, athruithe teicneolaíochta agus cumarsáide, gnéithe dá saol nach soláthraíonn struchtúr laethúil ná buanseasmhacht - ach is léir go raibh brú inmheánach ag luí air freisin. 'Bhí mé i m'fhear óg nuair a tháinig an chéad albam amach. Ní raibh a fhios agam conas a bheith socair ag an am sin. Bhí mé plúchta ag an mothúchán sin – that you might miss the boat! – go gcaithfidh tú gach rud a chur amach láithreach. 'Tá contúirt ann nuair a dhéanann tú gach rud i d'aonar – ag tour-áil, margaíocht, taifeadadh, gan bhainisteoir, gan léiritheoir – contúirt go mbeidh tú dóite amach. B'shin an riocht ina raibh mé.' I ndiaidh trí albam a thaifeadadh laistigh de thrí bliana, seo an tréimhse ab fhaide ar chaith sé gan ceann a thabhairt ar an saol, ó eisíodh Crude in 2022. 'I mo thuairim táim anseo chun ceol a dhéanamh, scríbhneoireacht a dhéanamh, ach thosaigh mé an t-albam seo trí bliana ó shin - trí bliana ag fás! Tá an chothromaíocht tábhachtach. Is duine mé a bhíonn obsessive, mar sin caithfidh mé a bheith cúramach . . .' Ní albam amháin atá idir lámha aige, ach clár faisnéise freisin. Leanann Focla ar Chanbhás tréimhse 500 lá dá shaol. Filleann an scannán ar a bhaile dúchais i nDún Dealgán, le stair agus miotaseolaíocht na háite a fhiosrú, chomh maith lena stair agus próiseas cruthaitheach féin. 'Mar a deirim sa scannán, bhí mé ag éalú ó mo chuid mothúchán, le deoch, le ceol, ó mhothúcháin a bhí ann ó bhí mé i mo pháiste. Bhí gach rud bunoscionn, fuair cara a bhí sa mbanna liom bás. Nuair a bhíonn na ceolchoirmeacha críochnaithe agus tú ar ais i seomra i d'aonar - tá sé contúirteach.' Ruaigeann sé leochaileacht an nóiméid seo le racht gáirí – 'tá sé ar fad ar an albam nua!' a deir sé, lámha san aer – 'ach no, tá an t-ádh orm na rudaí seo a chur síos ar albam.' Is léir go raibh tionchar ag próiseas taifeadta an scannáin ar a mheon maidir leis an albam úr seo a scríobh. 'Bhí sé crua in áiteanna, mar gheall ar an macántacht a bhí ann, bhí sé deacair ach bhí an t-ádh orm é a dhéanamh. Mothaím níos éadroime ina dhiaidh.' Ní foláir go bhfuil sé dian ar cheoltóir a ghlór a chailleadh, glór inmheánach go fiú. Céard a bhíonn ag teastáil leis an nglór sin a chothú an athuair? 'An leigheas atá sa gceol, agus na sound heads in aice liom. Caint faoin ngortú agus dorchadas. Bhí mé in ann é a chur in amhráin roimhe seo ach ní raibh mé in ann caint mar atáim anois. Bhí náire ann. Mar a deirim bhí sé crua, bhí sé deacair, ar feadh cúpla bliain, ach tá mé fós beo. Tá banna ceoil nua den scoth agam, tá an scannán ar siúl i mBéal Feirste an mhí seo, tá an t-ádh orm, big time.' Tá rómánsaíocht ag baint le stíl Keenan, a thagann leis an rómánsaíocht chultúrtha atá le feiceáil go forleathan le tamall anuas. Lasann rud éicint ann nuair a ardaím an cheist: 'tá teoiric agam faoi seo!' Leagtar cupán caife leis an splanc seo, ach leanann sé á míniú agus an bord á ghlanadh. 'Tá sé cosúil, má bhrathnaíonn tú siar, leis an réabhlóid tionsclaíochta sna 1800idí. Le AI anois, tá imní ar dhaoine. Tá muid ag dul ar ais mar sin ar 'the rise of the occult', ar seances agus ar an miotaseolaíocht, athbheochan na Gaeilge, agus an béaloideas.' Tá ceist na hinteachta saorga á hardú arís agus arís eile i gcomhráite faoin ealaín, ar ndóigh. Tá éiginnteacht maidir lena buntáistí agus go deimhin a baol cultúrtha. Ní mór an meas atá ag David ar an intleacht shaorga: 'caimiléireacht atá ann! Caith aon rud isteach i ChatGPT agus tá scéal agat. Tá muid ceangailte le traidisiúin: na baird, scéalaíocht, seanchas, mar sin AI? No. I'm not having it! Níl aon anam sa bpróiseas sin. Níl aon streachailt ann.' Luann sé go bhfuil aontais bunaithe ag aisteoirí agus scríbhneoirí, agus gur chóir do cheoltóirí amhlaidh a dhéanamh. 'Caithfidh muid rud éigin a dhéanamh anois, beidh sé ar fud na háite i gceann cúpla bliain.' Spás nach féidir leis an intleacht shaorga a líonadh is dócha ná ceolchoirmeacha, ach fiú sna spásanna sin is é an comhluadar, agus comhráite daonna a chothaíonn an t-anam. 'Tráth den saol bhí na gigeanna ar an rud is tábhachtaí, ach tá sé sin difriúil anois freisin. Tá mé níos ciúine. Tá suim agam i ngach rud. Tá mé beo. Tá suim agam sa chomhrá seo, tá suim agam i ngach rud.' Is léir dom ón bhfreagra seo go bhfuil suaimhneas as an nua aimsithe ag David. Tá solas agus sólás le brath uaidh, agus ón gceol nua atá le teacht. Aistear a bhí ann, is léir, ach is cosúil gur ar bhóthar a leasa atá sé anois. 'Thosaigh mé ag ól nuair a bhí mé 13 bliana d'aois. Ag amanna éagsúla bhí mo shaol lán leis an eachtraíocht. Ar feadh cúpla bliain bhí mé sa dorchadas. Agus bhí mé i gcónaí ag obair - fós ag cur amhrán amach - ach bhí mé plódaithe le heagla agus le gortú. Tá sé difriúil inniu, agus mar gheall air sin, mothaím . . . loosey goosey!' Seanscéal nó teacht in inmhe i saol an ealaíontóra atá ann ar bhealach. An tuiscint nó ciall a thagann le haois, nach gá fulaingt don cheird. 'Cheap mé go raibh ort a bheith trom agus dáiríre le bheith i d'ealaíontóir 'ceart', ach is a mhalairt atá fíor, sin atá foghlamtha agam!'
Irish Times
03-07-2025
- Business
- Irish Times
Permission given for new office block on Dublin City Arts Centre site
Dublin City Council has granted planning permission to Ventaway for a 14 storey office block scheme for a site on the former City Arts Centre at City Quay in Dublin 2. The council has granted planning permission to the firm, headed up by developer, David Kennan and Winthrop engineering group founder, Barry English, despite opposition from the Office of Public Works (OPW), an inner city primary school, a religious trust and An Taisce. In granting planning permission to Ventaway Ltd, a Council planner's report concluded that the scheme 'will result in the redevelopment of a massively underutilised vacant site in a prominent location within the city centre'. The report found that the proposed alterations 'ensure that the development will not only create valuable commercial space but will also add much needed artistic spaces, while also providing managed space for the adjoining school'. READ MORE Underlining the scale of the scheme, the council has ordered Ventaway to pay €3.18 million in planning contributions towards public infrastructure and €1.08 million towards Luas works. The current plans follow An Bord Pleanala refusing planning permission in May 2024 to Ventaway to develop what would have been Dublin's tallest building at 24 storeys for the same site. Ventaway lodged its revised plans last December and the scheme - designed by architects, Henry J Lyons - is 61.05m tall, which is a 46.95m lower than the high scheme refused in 2024. Principal of City Quay National School, Philip Kelly, told the council that the school's board of management were objecting 'in the strongest possible terms' to the new planning application. The OPW is the State agency charged with the care and management of the James Gandon designed Custom House and in its objection, the OPW stated that the construction of a building at this scale and magnitude 'has the potential to adversely impact the historic and architectural character of the Custom House'. In a separate objection on behalf of St Laurence O'Toole Trust and The Administrator of the Parish of the Immaculate Heart of Mary, planning consultant, Declan Brassil stated that the scheme 'represents a significant overdevelopment of the site'. The country's largest industry lobby group, IBEC also weighed in, stating that approval should be granted. IBEC's Head of Infrastructure and Environmental Sustainability, Aidan Sweeney told the Council that the proposal 'offers an effective revitalisation of a prime location in the city centre and is exactly the sort of project Dublin requires going forward'.
Extra.ie
19-05-2025
- Entertainment
- Extra.ie
David Keenan announces Dublin and London shows: 'This is the start of a new chapter'
He will play the Ambassador Theatre on July 12. David Keenan has announced a series of gigs for next July, including a show in London's Bush Hall on July 10 and Dublin's Ambassador Theatre on July 12. Announcing the dates on Instagram, the Dundalk-born artist teased that this is the start of a new chapter, and that there were more announcements to come this week. Most recently, Keenan was announced as the composer for upcoming crime drama Salvable, starring Shia LaBeouf and Toby Kebbell. View this post on Instagram A post shared by David Keenan (@davidkeenanmuso) Keenan launched his debut album, A Beginner's Guide to Bravery, in 2020, which reached number one on the Irish Independent Albums charts. News of his fourth album, the follow-up to 2022's Crude, is expected later this year. Earlier this year, the musician also premiered Focla ar Chanbhs, a documentary which follows him through the creative process across 500 days. It made appearances at Craicfest (NYC), LA Irish Film Festival & Solas Nua (DC), while its European premiere will take place at Krakow Film Festival this month Tickets for David Keenans London and Dublin dates go on sale this Friday, May 23, here.
Spectator
23-04-2025
- Entertainment
- Spectator
My adventures in experimental music
David Keenan acquired his craft as a music writer, he says, from reading the crème de la crème of critics who milked rock music for all it was worth during the 1970s – Lester Bangs, Griel Marcus, Paul Morley, Biba Kopf – before deciding that rock criticism was not his bag. In the preface to this weighty collection of his music journalism, he says he considered himself more of a 'rock evangelist'. The pieces originally appeared between 1998, when Keenan was writing for hardcore music magazines such as Melody Maker, MOJO and the Wire, and 2015, after which he checked out of regular reviewing duties to pursue his career as a novelist. Luckily for him, his debut novel This Is Memorial Device proved a smash hit. He dedicates Volcanic Tongue to ur-rocker Lou Reed, but the point is pressed that stylistic labels barely compute to Keenan, and there are lengthy and insightful pieces about free jazz, folk and modern composition too. Concerned not so much with the technical nuts and bolts driving music forwards, or re-examining existing mythomanias, Keenan is instead motivated to capture 'the first rush of hearing' and the attitudes behind – even forming – the sounds. Rock, he says, tends towards collapsing into nostalgia. But tracing what he terms the rock and roll 'urge' elsewhere has taken him far beyond rock – towards other music unafraid to work itself out in the moment of playing. Keenan's interview with the free-improviser guitarist Derek Bailey, when it was published in the Wire in 2004, made me grasp the extent to which Bailey's inquisitive, nigglingly provocative music was an extension of his acerbic wit.
