Latest news with #DebíTirarMásFotos'
Los Angeles Times
4 days ago
- Entertainment
- Los Angeles Times
Latin Grammys 2025 predictions: Bad Bunny, Natalia Lafourcade and Rauw Alejandro among the frontrunners
This year promises to be one of the most exciting editions of the Latin Grammys. As the Latin Recording Academy prepares to unveil the nominations for the award's 26th edition on Sept. 17, the eligibility period — from June 1, 2024 to May 31, 2025 — includes a number of high-profile albums that not only contributed to the ongoing Latin music boom on a global level, but also pushed the movement forward with their radical choices and genre-defying sounds. Now a vital part of the Latin pop DNA, the urbano genre continues to redefine and challenge itself, while the rootsy strains of música Mexicana have deservedly gained a privileged seat on the table like never before. The fields of folk, rock, electronica and tropical are still expanding, and artists such as Bad Bunny, Rauw Alejandro, Becky G, Fuerza Regida and Natalia Lafourcade are vying for awards with some of the most ambitious albums of their careers. De Los assistant editor Suzy Exposito and contributing writer Ernesto Lechner discuss their predictions on the songs and albums that are most likely to be nominated. The following conversation has been edited for length. Ernesto Lechner: This seems to be an easy year in terms of the two obvious candidates for Latin Gammy history. Bad Bunny's 'Debí Tirar Más Fotos' is the kind of album that defines not only the year it came out — 2025 — but also the entire decade. And Natalia Lafourcade's mystically tinged 'Cancionera' finds the perennial Grammy favorite at the apex of her craft. Going back to Benito's masterpiece, its conceptual gravitas is almost grander than the songs themselves. Suzy Exposito: I'm really gunning for Album of the Year for this one. The amount of thought and intention that he placed on this record. The cultural significance of the songs, not just in terms of the history of Puerto Rico, but the way in which he directly engages with the Caribbean diaspora at large through salsa. E.L.: I love how lovingly he delves beyond salsa to also include plena. He goes back to Rafael Cortijo — the roots, the very essence of boricua culture. And the album has this Beatles-like quality where it's incredibly commercial — a No. 1 record, the album that everybody is listening to — but there's no compromise on the artistic front. It's an ambitious, fully realized statement. S.E.: Is any album by Benito just another Bad Bunny album? I don't think he dabbles in filler the way other artists do. E.L.: The photo of the plastic chairs on the cover could have been taken in the suburbs of Lima, or San Salvador, or Medellín. Benito makes such an inclusive, pan-Latin statement. Which brings me to nominate the title track, 'Debí Tirar Mas Fotos,' as a perfect contender for Song of the Year. S.E.: When I first heard it, I started to cry. It's a very sentimental song. I was recently in Puerto Rico and went to a plena jam session. It was happening in the street, and you could see people of all ages playing together, singing traditional songs, drinks in hand. There was something really beautiful and timeless about that communal experience. E.L.: A similar passion for music permeates Lafourcade's 'Cancionera.' Recorded live on analog tape, it has a pristine, wooden-floor kind of warmth. She embodies this mystical character, the cancionera, and it's a very mature album. I love 'Cocos en la Playa' — a frisky, beautiful tropical song that's so lovely and authentic. For my money, it's going to be a battle between those two albums in all the major categories. S.E.: I feel that Natalia Lafourcade is the conservative choice at the Latin Gammys, and it feels bizarre to say it. This is a woman who was making pop-rock in the 2000s. She is a virtuosa, and a master of her craft, but her nomination is predictable because now she represents the gold standard for the Latin Academy. E.L.: She's definitely the safest choice between the two. Besides Benito and Natalia, there are a few albums that could very well appear in the major categories, and one of them is Cazzu's 'Latinaje.' S.E.: That album is such a statement piece. I loved seeing Cazzu break away from the Latin trap sound that she defined and blending it with other things. She's a great songwriter, and her transformation is fascinating. I think this is the year when many young people are going back to their roots, and then making something new out of it. E.L.: I had a conversation with Cazzu a few months ago and told her that 'Latinaje' made me feel vindicated. As a fellow Argentine, I've always felt that we're an integral part of Latin America. She proved it with this beautiful love letter to so many essential genres. There's salsa, merengue, South American folk, and 'Dolce,' a gorgeous corrido tumbado about that infamous red dress that went viral. And she did it all so genuinely. S.E.: It may be hard for her, because she came up as an MC. I wonder if the Latin Academy will know in what categories to place her, since this is such a multi-genre album. I mean, she's an international girl. E.L.: And of course, Rubén Blades has a new album out, and it's beautiful as always. 'Fotografías' is another sumptuous, big band salsa session. It combines new compositions with songs that Rubén had given to fellow Fania artists in the '70s, and now recorded them himself. S.E.: That's a great move on his part. 'Hey, remember those songs? Yeah — I wrote them!' It sounds ridiculous to say that Rubén is another safe choice, but I can see him in all the big categories. Which brings me to another artist who made a salsa-influenced album: Rauw Alejandro and 'Cosa Nuestra.' E.L.: I love the Afro-Caribbean vibe on 'Cosa Nuestra' and the silky duet with bachata star Romeo Santos on 'Khé?' I feel this one has been overshadowed a little by Benito's 'Debí Tirar Más Fotos.' My favorite Rauw Alejandro album remains 2021's 'Vice Versa' with the awesome, '80s influenced mega-hit 'Todo De Ti.' S.E.: My favorite song on 'Cosa Nuestra' is 'Se Fue,' the duet with Laura Pausini, which is also like a moody '80s song. Raúl has made it a point to polish up his nostalgia for old forms of music. Michael Jackson is one of his most influential artists. By the way, we should mention Fuerza Regida and their ninth studio album, '111XPANTIA.' They have never been nominated for a Latin Grammy, so I'm rooting for them because they have experimented in a really bold way. Their lead singer, Jesús Ortiz Paz, has shown a lot of intention behind his creative decisions beyond making the same corridos or mining from the same old '90s rappers. Their music is cheeky; sonically, it pushes boundaries. E.L.: You're never gonna have a bad time with this new wave of música Mexicana stars, considering the staggering melodic richness of their songs and the immediacy of the lyrics. S.E.: On that note, I think it's time for Ivan Cornejo to get a Latin Grammy nod for 'Mirada' — the production has this ethereal quality that sounds so mature and progressive for the genre. I also want to applaud DannyLux for his ambitious 'Leyenda,' which is a psychedelic take on sierreño music, à la George Harrison. E.L.: What about Becky G? Last year I was asked to write about 'Encuentros,' and I just had to surrender to the elegance of this pristine música Mexicana session. Her voice sounds huge on this record. S.E.: I really hope they don't silo her in the música Mexicana categories, because this is a very mature album for her. She grew up singing mariachi music with her family, so it's a beautiful full circle moment for her. E.L.: 'Encuentros' would be a perfect Album of the Year candidate because it celebrates the music of her grandparents but at the same time transcends it. I love that Becky said she's never looking back after recording her two traditional albums of rancheras and lush Mexican pop. This brings me to a more general observation: I believe we're experiencing an era of absolute splendor, and the Latin Grammys nominations are bound to reflect that. It's like every single Latin American country has blossomed, wearing its most elegant clothes and throwing some amazing parties. The richness and breadth of the music being recorded throughout the continent is off the charts. S.E.: I agree. Creatively, the last couple of years have been the most exciting for Latin music in a really long time. I think we're going to remember the 2020s for the bold decade that it is.
Los Angeles Times
14-07-2025
- Entertainment
- Los Angeles Times
Bad Bunny urges Puerto Ricans to own their rhythm in emotional hometown show
A young woman emerged from the dark into a green and bushy clearing. Under the faux moonlight, she wandered the stage, speaking to herself. 'Where's my camera? I can't believe I lost it. All my memories were there,' she said with a pang of panic in her voice. Moments later, a young man surfaced from the same spot. His eyes scanned the area as well, with a pained look on his face. 'Have you seen my drums?' When he plays his drums his heart races, he explained; his people feel joy, and the living, the dead and even the stars dance. 'It's like all our memories are there too,' he said. With this poignant intro, Bad Bunny kicked off the 'locals only' opening night of his 30-show residency in San Juan — which, for the first three weekends, will only be accessible to those who can show proof of their residence in Puerto Rico. Taking place each weekend at the José Miguel Agrelot Coliseum, affectionately referred to as El Choli by locals, the concert series revolves around his latest album, 'Debí Tirar Más Fotos,' and was advertised with name 'No me quiero ir de aquí,' which translates to 'I don't want to leave here.' It's a refrain that's been associated with the artist since he used it as a lyric in his 2022 ode to his homeland, 'El Apagón,' and he considers it still resonant today. A celebration of Puerto Rican identity, a fighting spirit shaped indelibly by its music and history, 'Debí Tirar Más Fotos' also urges its listeners that time is not to be taken for granted, and the past, present and future are not just distinct phases but one whole, inextricably tied together. Fans that flocked to the opening weekend concerts were treated to Benito at the apex of his talents, not to mention his stamina. For three hours and over 35 songs, he danced, strutted and sang to the approving roar of over 15,000 in attendance. The show opened with rumbles of bomba y plena, and an unreleased track that got the crowd buzzing — followed by popular recent bangers like 'Ketu Tecré,' 'El Clúb' and 'Pitorro de Coco.' He then regaled the crowd with a catwalk performance of 'Kloufrens' and 'Weltita,' which featured an appearance by Chuwi, the beloved tropical jazz quartet from Isabela. The two stages were grandiose, both in size and production quality. The main stage was a reproduction of a hill, made to approximate the lush foliage found in Puerto Rico's rainforest and central hillside towns. On one side, you could spy the two iconic Monobloc chairs from the album's cover, and on the other, a flamboyán tree blossoming with red flowers. On the opposite end of the coliseum's arena was a pristine pink vacation home, built to mirror the one from the short film that debuted along with the album. That film introduced the characters of Old Man, played by acclaimed Puerto Rican filmmaker Jacobo Morales, and Concho, the sweet-natured Puerto Rican crested toad voiced by Kenneth Canales, which was brought to life by the stop-motion work of Quique Rivera. The two unlikely housemates returned in two new vignettes shown at the concert, in which they live in a cabin in the middle of snowy woods. Concho misses the Caribbean warmth, and feels very far away from home. A kind Morales reminds him: 'We're Puerto Rican no matter where we are, and even from afar we defend what's ours.' Remember, he says while looking straight at the camera, Puerto Rico is 'the real calentón.' This cued a barrage of images that flashed across the screen, showing photos of historic protests and civil disobedience carried out over the decades by revolutionary Puerto Ricans. Benito reappeared under the flamboyán tree, where he was joined by guitarist Antonio Caraballo. Here, we got some of his lovelorn 'Sad Bunny' persona as they reinterpreted acoustic versions of older hits like 'Si Estuviésemos Juntos,' 'Ni Bien Ni Mal' and 'Amorfoda' before ending with 'Turista.' All the while, Benito waxed philosophically to the audience, commiserating about matters of the heart. From here, the action swiftly moved from the countryside to the pink house which suddenly filled with dancers in club wear — and Benito's longtime tour DJ Orma. Those craving a rowdy perreo party got their wish, as his salsa-dembow hybrid track 'Nuevayol' launched a 16-song stretch of frenzied, sweaty reggaeton and trap bops. Bouncing feverishly from 'Titi Me Preguntó' and 'La Jumpa' to 'Yo Perreo Sola' and 'Efecto,' Benito transformed the coliseum into a nightclub. Among the guests that night were none other than basketball legend LeBron James, Golden State champion Draymond Green and UnitedMasters CEO (and one of the most influential men in Black culture and business) Steve Stoute. James and Benito have a friendship going back several years, and it's hard to blame the superstar for wanting to hang with his pal — even if said pal is an American — during a concert by an artist who is not really vibing with the United States right now. But then again, if the home we see on stage is supposed to represent an Airbnb owned by non-Puerto Ricans — which is what was narratively implied — Benito might as well flex and bring in some elite gringos. Chants of 'MVP! MVP!' rang out at one point, provoking the four-time NBA champion to throw up a hand heart gesture to the crowd. It's all love. That being said: 'LeBron James sat on an air conditioner and danced while Bad Bunny sang 'Safaera'' is a ridiculous Mad Libs sentence that actually happened. As he paced from side to side on the house's rooftop, Benito would again touch on the topic of time. 'You get so caught up in the euphoria of the moment that you forget to appreciate the present,' he said. He asked the crowd to put their phones away and focus on the next song, and on whoever is accompanying them, or even someone across the aisle who has caught their eye. 'This is the moment to act,' he added, and ask them for a dance, just before the thrust of 'Eoo,' made famous from his sensual Calvin Klein underwear ad, got the whole building quaking. Puerto Rican plena ensemble Los Pleneros de la Cresta appeared to interpret 'Café Con Ron,' as well as one of their own songs, 'Ábreme Paso,' which gave way to a second video vignette. It showed Morales' Old Man leaving the cabin and trudging through a snowstorm, until he ran into Benito's musical director Julito Gastón — the young man from the opening skit — sitting behind his drum. As they lock eyes, Morales leaves him with a word of advice that's not just about the music, but the core of his being: 'Never stop playing your drums.' Bad Bunny resurfaced, looking a bit more subdued. He spoke softly, but sternly, about Puerto Rico and its struggle against gentrification and government neglect. 'We have to protect this land,' he said. 'We have to protect what's ours if we want our children to make a life here.' He followed it up by crooning 'Lo Que Le Pasó A Hawaii,' the solemn décima all about how the archipelago is being threatened existentially. An animated crash course in salsa history, narrated by Néstor Galán, set the scene for Benito's touring live band, Los Sobrinos to assemble. Dressed in a vintage '70s garb of a Fania bandleader, Benito led the group into the last and most rousing part of the concert: a salsa reimagining of 'Callaíta,' which gave way to to 'Baile Inolvidable' and 'Dtmf.' The crowd leapt to their feet, twirling and stepping to the rhythms. Before he launched into the opening freestyle of 'La Mudanza' he paused to gather himself; he took off his sunglasses to reveal his eyes had welled up with tears and gratefulness. As the image of a giant Puerto Rican flag graced the ceiling, he motioned for everyone to sing and scream the final lyrics in unison: 'Nobody's taking me from here, I'm not moving anywhere, tell 'em this is my home, where my grandfather was born, I'm from P f—in' R!' In the lead-up to last year's gubernatorial elections, Bad Bunny spent hundreds of thousands of his own money buying ad space on billboards across Puerto Rico urging its citizens to not vote for the ruling party, accusing them of being the main culprits of the island's woes. The ads consisted of a simple, white text on a black background. In the end, the same party that has led since 2017 won reelection; and since then, the current governor, Republican Party member Jenniffer González-Colón, has only continued to be mired in controversy. When entering the concert area, the large screens over the main stage showed one message with white letters on a black background: 'Yo Te Lo Dije,' or 'I Told You So.' When the show was over and everyone began to trickle out, a new message appeared, recognizable to all: 'No Me Quiero Ir De Aquí.' With his residency, Bad Bunny issues a rallying cry for Puerto Ricans: Act now. Change the future, so that you don't regret the past. And most importantly, never stop playing your drums.
Los Angeles Times
11-07-2025
- Entertainment
- Los Angeles Times
De Los turns 2. Here's what we did over the last year
On the night of July 9, 2023, one of the De Los editors — they shall remain nameless — accidentally flipped the site live while doing some last-minute revisions, a full 12 hours before our announced launch date. And so, after nearly a year of planning and prepping, The Times' section focusing on Latino culture and identity was born. Wednesday marked our second anniversary, and let me tell you, the last 12 months have been quite a ride. Whereas Year 1 was full of growing pains, Year 2 was all about us hitting our stride. During this period, we've extensively covered the ever-growing popularity of Latin music, profiling some of the genre's biggest stars and providing context on some of the year's most important albums — take this story, which explains how Bad Bunny's 'Debí Tirar Más Fotos' isn't just a love letter to Puerto Rico, but a history of the island as well. Curious about the current state of Latin music? We put together a roundtable of hitmakers and asked them to weigh in. The De Los team also proved to be ambitious during our sophomore year, undertaking three separate packages: a deep dive into the many ways in which música Mexicana has influenced Southern California culture; the De Los 101, a curated list of 101 businesses and organizations we felt represented the best of Latino L.A.; and a retrospective on the impact of Selena Quintanilla's legacy 30 years after her death. In addition to our culture coverage, we also supplemented The Times' great coverage of major news events by reporting on how these effected the Latino community, whether it be the L.A. wildfires or the ongoing ICE raids. We also partnered with the Cultivating Inland Empire Latino Opportunity (CIELO) Fund at the Inland Empire Community Foundation to expand our coverage into the Inland Empire, a relationship that has yielded one of my favorite De Los stories to date — a feature on Las Valentinas del Valle de Coachella, a group of middle and elementary schoolers who are keeping the traditional Mexican sport of escaramuza alive. Beyond our reporting, the last 12 months saw us be more in community with our audience. We were at South by Southwest in March for our second annual music showcase. A month later, we were at the Los Angeles Times Festival of Books with two days of programming at the De Los Stage in association with L.A. Times en Español. Last summer, we co-presented a free concert with Grand Performances headlined by Daymé Arocena, and we'll be back again on Aug. 2 with Adrian Quesada and his 'Boleros Psicodélicos' — you can RSVP here. We're also planning something special for Día de Muertos, so stay tuned for more details. None of this would have been possible without your continued support. The De Los team is heartened every time one of you stops by our live events, or shares one of our stories or Instagram videos with your friends. Thank you and here's to Year 3! Julio Salgado is a visual artist based in Long Beach. His work has been displayed at the Oakland Museum, SFMOMA, and Smithsonian American Art Museum. (@juliosalgado83) Two Camp Mystic counselors from Mexico describe managing campers through the Texas floods Silvana Garza Valdez and María Paula Zárate, 19-year-old camp counselors from Mexico, recalled the events during the deadly disaster that killed more than 100 people, including 27 campers and counselors, in an interview with NMás on Saturday. Amid ongoing ICE raids, the Chicxs Rockerxs summer camp moves to protect community Based in Southeast Los Angeles, the rock 'n' roll camp has gone online this year out of safety concerns for campers and their families. Commentary: The 'Love Island USA' scandal highlights how prevalent racist language is among Latinos Contestants Yulissa Escobar and Cierra Ortega were removed from 'Love Island USA' for past use of racial slurs. 'Dora the Explorer' turns 25 this year. Her legacy transcends generations. The beloved bilingual kids show celebrates its anniversary with a new live-action film, 'Dora and the Search for Sol Dorado.' Journalist Mario Guevara is still in ICE detention despite being granted bond Journalist Mario Guevara has released a statement from an ICE detention facility. He was arrested during a 'No Kings' protest in metro Atlanta in June and has been in ICE custody since. Commentary: Pixar's 'Elio' is not a political movie, but it arrives at a political time 'It's not a stretch to think that the premise of a Latino kid alienated for who he is and who believes that he won't ever feel fully accepted in the place he calls home could speak to millions of Latino children across this country,' writes contributor Carlos Aguilar. Manuel Masalva of 'Narcos: Mexico' 'reborn' after 105 days in hospital Actor Manuel Masalva shared his first public message in an Instagram post Monday after spending 105 days at a Dubai hospital following a severe bacterial infection. Heavily armed immigration agents descend on L.A.'s MacArthur Park They came with horses and armored vehicles, carrying rifles and in tactical gear in the middle of what is the heart of immigrant Los Angeles. But there were few of their supposed targets to be found Monday — immigrants without documentation. Immigration raid at cannabis farm leads to violence in Camarillo as hundreds protest Protesters blocked the roads in and out of one of the farms, and at one point federal agents drove their vehicles through the fields. Cal State L.A. allows online classes, excused absences as students express fear amid ICE raids In a letter to faculty, the university provost said that after hearing from students 'scared to take public transit and fearful of driving to campus,' leaders reiterated policies that also allow professors to provide excused absences and alternative makeup work arrangements for concerned students. Federal arrests in L.A. approach 2,800 since raids began, DHS says Arrests continue to mount in the aggressive federal operation that began more than a month ago to track down and detain undocumented immigrants in Los Angeles, according to Homeland Security figures released Tuesday. Honduran home cook sells internet-viral burritos for the workers of L.A. The cooking videos of Maria Sanchez — also known as 'Maria la de los Burritos' — went viral, and her business selling burritos from the trunk of her car took off.
Los Angeles Times
12-05-2025
- Entertainment
- Los Angeles Times
Bad Bunny, Fuerza Regida make Latin music history on the Billboard 200
Latin music reigns supreme in los Estados Unidos. Bad Bunny and Fuerza Regida just made history for Spanish-language music. As of this week, the Puerto Rican artist's 'Debí Tirar Más Fotos' and the San Bernardino group's '111XPANTIA' became the first-ever Spanish-language albums to simultaneously sit at Nos. 1 and 2 on the Billboard 200 album chart. Fuerza Regida's album, which dropped May 2, debuted in the No. 2 spot on the chart. According to Billboard, it became the highest-charting música regional album and Spanish-language album by a group or duo. Bad Bunny's wide-spanning love letter to his beloved Puerto Rico — 'Debí Tirar Más Fotos' — regained the top spot in the charts after he released a vinyl edition of the album. It was previously sitting in the seventh position on the Billboard 200 and has lingered in the top 10 since it debuted on Jan. 5. Bad Bunny announced a 23-date stadium tour in support of the album that will kick off Nov. 21 in the Dominican Republic, followed by shows in Costa Rica, Mexico, Colombia, Peru, Chile and Argentina. There are currently no U.S. dates scheduled for the tour. '111XPANTIA,' Fuerza Regida's ninth studio album, released under Rancho Humilde and Street Mob Records, marks the group's return to its original corrido style, in contrast to its last album, 2024's 'Pero No Te Enamores,' which explored more electronically-geared genres like Jersey club, drill and house music. The album title itself, '111XPANTIA,' is made up of two parts: the first is a palindrome, '111,' which some call an 'angel number,' or a sign of luck; the second part stems from the Nahuatl word for manifestation, 'ixpantia.' 'The meaning of this album is to manifest an idea, to think your dreams into reality and to prove something through the power of the mind and the concept of the law of attraction,' said Fuerza Regida frontman Jesús Ortiz Paz, a.k.a. JOP, in a press release.
Yahoo
12-05-2025
- Entertainment
- Yahoo
Justin Bieber Throws Hailey Bieber a Lavish First Mother's Day Celebration
Justin Bieber made sure Hailey Bieber felt extra appreciated on her very first Mother's Day as a parent, giving his famous wife a lavish celebration that he shared on Instagram Sunday (May 11). In one video shared by the pop star, Justin films Hailey while sitting next to her at an outdoor poolside dinner table decked out with flowers, candles and a bowl of tortilla chips as a mariachi quartet enters the frame. As the musicians play their instruments, the Rhode founder covers her mouth with surprise, periodically looking back at her husband and smiling lovingly. More from Billboard Justin Bieber Shares Cute Belly Time Pic of Seven-Month-Old Son Jack Blues Bad Bunny's 'Debí Tirar Más Fotos' Returns to No. 1 on Billboard 200 After Vinyl Release John Legend Says He's Shocked by Ye's 'Descent' Into 'Antisemitism' and 'Anti-Blackness' Also on Mother's Day, Justin shared a carousel of photos of Hailey hanging out in a living room area as hockey plays on the TV. In one shot, the back of 9-month-old Jack Blues' head is visible in the bottom right corner of the frame. 'Best mommy day gurlie,' the 'Yummy' singer captioned the post. The holiday marked the Biebers' first time celebrating Mother's Day since welcoming baby Jack in August, becoming parents six years after tying the knot in 2018. On her own Instagram page, Hailey shared photos from her pregnancy in 2024 as well as more recent snaps of her son's tiny hands and feet, writing, 'i love being your mommy Jack Blues. Happy Mothers Day.' The couple has deliberately refrained from sharing their child's face online, but they do keep fans in the loop by sometimes posting photos of Jack that don't show defining features. In April, the 'Peaches' artist uploaded a photo of his son perched on his belly, seemingly ready to start crawling. Justin and Hailey's Mother's Day posts come a few weeks after they attended Coachella together. After returning home to Los Angeles, Justin called out the city's paparazzi by posting a video of a flock of photographers blocking his path outside as he walked to his car. 'This has to stop,' he captioned the clip, later writing in a follow-up post, 'IM CURRENTLY ASKING [GOD] TO HELP ME WITH PATIENCE BECAUSE It CAN BE REALLY HARD TO NOT RIP THESE F–KIN GUYS HEADS OFF.' See Justin's Mother's Day celebration for Hailey below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
