Latest news with #Don'tStopBelievin
Time Magazine
06-07-2025
- Entertainment
- Time Magazine
The Quiet Dread of Wedding Season—and How to Cope
Earlier this summer, I gave the Best Man's speech at a spectacular, fairytale wedding on the Amalfi Coast. I thoroughly enjoyed the unique challenge of putting pen to paper, somehow blending soppiness and sexual innuendo. I was blown away by the panoramic view from a Ravello rooftop. But around my eighth Aperol Spritz, I engaged in the existential crisis that is common practice for plenty of 'midults' like me. As the poolside dance-floor filled, I was saddled with a sense of feeling stuck. I was happy for my friends, and honored to play a role in their special day, but suddenly acutely aware of my own situation. A year ago, I was made redundant from my job at a technology magazine. Although I've made a decent fist of freelance journalism and copywriting since, the feast or famine routine is a far cry from the stability I had hoped for in my 30s. Mortgage lenders don't look kindly on the self-employed. I don't have any paid holiday or sick leave. So as my partner and I clinked glasses and twirled under the moonglow, with our own wedding to plan and pay for in a few months, I was racked by guilt for not having surer footing. I should be further ahead by now. I should be more settled. These are anxieties I deal with most days. But weddings tend to exacerbate them. Don't get me wrong, there are aspects of weddings I enjoy: the chance to catch up with old friends, tear-jerking toasts and, ideally, a free bar. There are others I have to psych myself up to endure: wearing a suit in sweltering heat, Journey's Don't Stop Believin', and the painful introspection brought on by that innocent yet loaded question from other guests: what are you up to these days? Weddings, in my experience, tend to follow a similar script. They assume forward momentum. People only really want you to share positive news: think baby, promotion, or plan for your next home renovation. If you can't deliver, then small talk is tough. But not going to weddings isn't really an option. I'm not made of stone. I care. Regardless of my own personal frustrations, I love my friends, and I don't want to disappear from the happiest chapters of their lives just because I'm still figuring out my own stuff. So, with a couple more weddings still to get through this summer, I've come up with a four-point plan for how I can survive—with my self-esteem and my soul intact. Firstly, I need to remember that it's not a race. People get their breaks at different stages in life. It took Sir James Dyson over 5,000 prototypes before launching the first Dyson vacuum cleaner at 46. Julia Donaldson did not publish The Gruffalo until she was 50. Colonel Sanders only started franchising KFC at 62. Secondly, I want to invest in my own milestones. Whether it's related to work or fitness, I'm going to say well done to myself when I deserve it. Every article I write for a big publication is something that teenage me would be thrilled about. Getting a new personal best at Parkrun is also worth a pat on the back. According to one study last year, engaging in just 20 seconds of daily self-affirming talk can lead to significant improvements in wellbeing and stress reduction. Thirdly, I'm going to have an exit strategy early doors. Not every wedding needs me on the dance-floor until midnight. I'm going to give myself permission to be more self-caring with my time. I'll stay for as little or as long as I feel equipped to deal with. Finally, I'm going to pre-load my pre-wedding schedule. I'm going to book in the small things that nourish me: a long walk, a good book, a trip to the cinema, or dinner with someone who really gets what I'm going through. Read More: When Life Is Chaotic, Less Is More Emotional stamina is real and if weddings are marathon events, it's important to hydrate first. It's vital that I've had a couple of months or weeks before I go to a wedding, that are full of things I enjoy doing, so the day doesn't feel like an exclamation point to a rut. I don't think any of these ideas are bulletproof. I'm sure there will still be moments that'll hit me hard—like a speech that sounds like a blueprint for the life I thought I'd have by now. But I'm adamant that when I do meet these moments, I'll do so with a bit more grace and calm than I have done in the past. I will attend more weddings before I've finished figuring my stuff out. I'll clap; I'll cry; I'll give thoughtful gifts. I'll also keep a quiet knowledge that life doesn't move in perfect choreography—and that's OK. Looking back, that night in Italy was both difficult and delightful. Great pasta helped. While weddings often highlight the uneven rhythms of life, they are also moments when we come closest to belonging—not because we've 'arrived,' but because we've shown up anyway.
San Francisco Chronicle
04-06-2025
- Business
- San Francisco Chronicle
Handwritten ‘Don't Stop Believin' lyrics up for auction as part of Steve Perry's new charity effort
The former Journey frontman is auctioning off more than 50 items from his personal collection, including handwritten 'Don't Stop Believin' lyrics, vintage tour merchandise, signed guitars, test pressings, and gold and platinum records. 'Every item in this collection comes directly from my personal archive,' Perry said in a statement. 'These pieces have been carefully stored for many years, and now I feel it's the right time to pass them on from my hands to yours, to be enjoyed, remembered and treasured in your own personal collections.' Fans can bid on the rare items online now through noon on June 13. The auction is a partnership with Darkives Collectables, a new archival memorabilia site helmed by Dhani Harrision, the son of the Beatles' guitarist George Harrison, and Dark Horse Records. All proceeds are expected to benefit Sweet Relief Musicians Fund, a nonprofit providing financial assistance to musicians and other music industry workers. The organization will help distribute funds to victims of the devastating fires that swept Los Angeles in January. 'We're excited to have Steve Perry as our inaugural partner on the brand-new Darkives Collectables auction site,' Harrison said in a statement. 'His continued generosity makes him the perfect artist to help launch this platform, and we're honored to support the causes that matter most to him.' In another return to his former San Francisco rock band, Perry recently rerecorded its 1983 ballad 'Faithfully' for the first time in three decades with country music star Willy Nelson. The collaboration, released in May, celebrates the 40th anniversary of Farm Aid, Nelson's nonprofit that raises funds to support family farmers. Perry first joined Journey as lead singer in 1977, helping the group sell nearly 100 million albums worldwide, but he took a brief hiatus in 1987 before reuniting with the band from 1995 to 1998. Since then, his public appearances have been few and far between.
Yahoo
30-05-2025
- Entertainment
- Yahoo
Tickets for Chicago celebration for Pope Leo now on sale
CHICAGO (WGN) – A celebration of the election of Pope Leo XIV, the first pope born in the United States and Chicago, will be held at Rate Field in June. Tickets are now on sale on June 14 event at Rate Field. Tickets can be purchased for $5 on Ticketmaster The event will feature music, film, in-person testimonials and prayers. A Catholic Mass will then be held after the program. Pope Leo XIV, born Robert Prevost, grew up in south suburban Dolton and his childhood home is now up for auction. The pope, a White Sox fan as confirmed by his brother, was also spotted in the Rate Field stands (then U.S. Cellular Field) during Game 1 of the 2005 World Series against the Houston Astros. The 'Don't Stop Believin'' White Sox swept the Astros that year in the Fall Classic, winning their first World Series Championship since 1917. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Yahoo
14-05-2025
- Entertainment
- Yahoo
65 stages with concerts for one day in Modesto. See when, how to be there
The popular Modesto Porchfest returns with local musicians performing on outdoor home stages. Central West Ballet brings a classic tale to the Gallo Center, while the State Theatre hosts a tribute band. All these events are planned for May 17-23 in the Modesto region. Music lovers will gather for scattered outdoor concerts during the annual Modesto Porchfest. More than 65 stages will be set up throughout the La Loma, College and downtown neighborhoods with homeowners hosting bands on porch, patio and driveway stages. For a map of locations, see the website below. WHEN: Noon-5 p.m. May 18 WHERE: Various locations ADMISSION: Free, with tip jars available to benefit the musicians ONLINE: Central West Ballet brings 'The Sleeping Beauty' to the Gallo Center. 'A pageant in the gorgeous tradition of story ballets. See all the greatest fairytale characters attend Princess Aurora's wedding: Cinderella, Puss in Boots and the White Cat, Tom Thumb and Little Red Riding Hood,' the center's website says of the production. There will a Sleeping Beauty Boutique in the lobby and Fairytale Parties on stage after each matinee to meet the characters. WHEN: 2 p.m. May 17-18, 7 p.m. May 17 WHERE: Gallo Center for the Arts, 1000 I St., Modesto TICKETS: $35-$81 ONLINE: Journey USA – The Hits of Journey brings its tribute to the classic rock band to the State Theatre. The band combines crowd participation and a multimedia production featuring narration, video and special effects. Expect hits such as 'Don't Stop Believin',' 'Open Arms,' 'Separate Ways' and 'Any Way You Want It.' WHEN: 8 p.m. May 23 WHERE: State Theatre, 1307 J St., Modesto TICKETS: $35-$55 ONLINE: Get the Eat. Sip. Play. newsletter in your inbox Available now: Sign up here for the best food, drink and entertainment coverage in Stanislaus County.
Los Angeles Times
11-05-2025
- Entertainment
- Los Angeles Times
Rilo Kiley's reunion is right on time at Just Like Heaven
'Can you believe,' Jenny Lewis asked, 'this is our third show in 17 years?' Wearing the same outfit she'd worn at the first two — polka-dot mini-dress, white ruffle socks, a glittering tiara perched atop her head — Lewis was onstage Saturday night with her band Rilo Kiley at the Just Like Heaven festival in Pasadena. 'It's truly amazing to be here with you all,' she told the crowd of thousands spread across the leafy grounds surrounding the Rose Bowl. 'But mostly,' she added, turning to her bandmates, 'it's amazing to be here with you all.' One of the defining Los Angeles rock bands of the last quarter-century, Rilo Kiley formed in 1998 — both Lewis and the group's other singer and songwriter, Blake Sennett, had been child actors — then spent the next decade steadily approaching the big time with clever if jaundiced songs about sex, bad decisions and the Hollywood dream machine. Yet just as the band was poised to blow up, Rilo Kiley split amid creative and personal tensions between Lewis and Sennett, who'd also been romantically involved. Now, for the first time since 2008, the group — rounded out by Pierre De Reeder and Jason Boesel — is on the road playing shows again; its reunion tour launched last week with gigs in San Luis Obispo and Ojai and is scheduled to run through the fall. The timing makes sense, given that Lewis over the intervening years has become something of an older-sister figure for a subsequent generation or two of smart young musicians writing about all the ways the world can disappoint a woman in her 20s. (Think Phoebe Bridgers, think Haim, think Olivia Rodrigo.) Then again, nostalgia is rarely required to justify itself, as Just Like Heaven made clear. A fixture of the Southern California festival landscape since 2019, this annual show brings together veterans of early-2000s indie rock to relive memories of an era before streaming and social media remade pop music; other acts high on the bill this year included Vampire Weekend, TV on the Radio, Bloc Party, the Drums and Toro y Moi. Near the end of its headlining set on Saturday, Vampire Weekend offered up what frontman Ezra Koenig called 'a salute to indie' — strung-together covers of period hits by Phoenix, Tame Impala, Beach House, Grizzly Bear and TV on the Radio — in a slot the band typically dedicates to audience requests for oldies like 'Don't Stop Believin' ' or 'Dancing in the Dark.' That Grizzly Bear's 'Two Weeks' now qualifies as a classic was a fact nobody seemed to need convincing. Indeed, Lewis has said that part of what led her to reconvene Rilo Kiley was the huge success of a recent reunion tour by the Postal Service, the electro-pop side project that she and Death Cab for Cutie's Ben Gibbard introduced in 2003 and which last year headlined Just Like Heaven after earlier selling out three nights at the Hollywood Bowl. Yet if all that eagerness to reminisce made easy pickings of folks in Pasadena, Rilo Kiley played with more muscle and panache than it needed to on Saturday in an hour-long set that showcased the band's impressive versatility. 'The Execution of All Things' and 'With Arms Outstretched' were crisp and strummy, while 'The Moneymaker' rode a raunchy soul-rock groove and 'Dreamworld' evoked the glossy menace of mid-'70s Fleetwood Mac. Now as during the group's heyday, what elevated the performance was Lewis' skill as a storyteller: the torch-song melancholy she found in 'I Never,' about a woman betting too much on a relationship, and the perfectly soapy romantic drama of 'Does He Love You?' in which she plays two of the three parts in a doomed love triangle. For the latter, she grabbed a video camera and roamed the stage, sending footage of her bandmates to the giant screen behind her — not just the star of the Rilo Kiley show but its director too. On Spotify, the band's biggest song is the coolly self-assured 'Silver Lining,' from its darkly funny final LP, 'Under the Blacklight,' and here Lewis delivered it with a swaggy nonchalance. But the true heads know that Rilo Kiley's real should've-been-a-hit was 2004's sly yet ebullient 'Portions for Foxes' — 'The talking leads to touching / And the touching leads to sex,' goes one key line — which is why the group finished with the song at Just Like Heaven. As she sauntered offstage, Lewis blew a kiss to the crowd, then jumped back to her microphone, grabbed a Modelo she'd left behind and took a sip through a straw.
