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Boston Globe
10-06-2025
- Entertainment
- Boston Globe
Sacha Jenkins, filmmaker who mined the Black experience, dies at 53
He was 'an embodiment of 'for us, by us,'' journalist Stereo Williams wrote in a recent appreciation on Okayplayer, a music and culture site. 'He was one of hip-hop's greatest journalistic voices because he didn't just write about the art: He lived it.' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up And he lived it from early on. Mr. Jenkins, raised primarily in the Astoria section of Queens, was a graffiti artist as a youth, and sought to bring an insider's perspective to the culture surrounding it with his zine Graphic Scenes X-Plicit Language, which he started at 16. He later co-founded Beat-Down newspaper, which covered hip-hop; and the feisty and irreverent magazine Ego Trip, which billed itself as 'the arrogant voice of musical truth.' Advertisement Mr. Jenkins later served a stint as the music editor of Vibe magazine and wrote for publications such as Spin and Rolling Stone, before turning his attention to the screen. Advertisement 'There's a huge void, right?' he said in a 2022 interview with Okayplayer. 'There weren't a lot of documentaries about hip-hop for the longest time. I think hip-hop generated some of the strongest, most powerful storytellers of our generation with the music so it's only natural that we would create projects in the film and television realm that would have resonance.' He joined Mass Appeal, a New York-based media and content company, as the chief creative officer in 2012. Three years later, he directed 'Fresh Dressed,' a documentary that chronicled the rise of urban and hip-hop fashion, tracing elements of Black style from the antebellum plantations of the South to the world's fashion tents. Other notable documentaries included 'Wu-Tang Clan: Of Mics and Men' (2019), an Emmy-nominated four-part series that depicted the members of the groundbreaking hip-hop group from Staten Island as 'human-scaled -- determined, gifted, anxious, fallible,' music critic Jon Caramanica wrote in a review in The New York Times. 'Bitchin': The Sound and Fury of Rick James' (2021) explored the radiant and sordid career of the punk funk master, who minted anthems of debauchery including the 1980s hits 'Super Freak' and 'Give It to Me Baby,' but who also crossed the line from personal hedonism to criminal abuse. The film premiered at the 2021 Tribeca Film Festival. Mr. Jenkins dipped further back into history with 'Louis Armstrong's Black & Blues' (2022), which drew heavily from the personal writings of the artist known as Satchmo, from his reel-to-reel audio diaries and from his letters, read by rapper Nas. The film shed light on the inner racial struggles of a jazz giant who generally kept mum on the topic while becoming a global celebrity beloved by white audiences. Advertisement Mr. Jenkins's films 'were homecomings for Black folk who watch these films with the hope that it's us behind the camera,' artist and writer DJ Lynnée Denise, wrote in an essay. She argued that his work stood in contrast to white directors Ken Burns and Martin Scorsese, whose documentaries about Black music 'replicate centuries of symbolic and material imbalance between Black performers and white industry.' Sacha Sebastian Jenkins was born Aug. 22, 1971, in Philadelphia, the younger of two children of Horace B. Jenkins, an Emmy-winning filmmaker, and Monart Renaud, a visual artist from Haiti. His family moved to Silver Spring, Md., a suburb of Washington, and after his parents separated, his father moved to Harlem and the rest of the family settled in Astoria. Mr. Jenkins came of age in New York at a fertile time in hip-hop culture, as it was spreading from such areas as the South Bronx toward the mainstream. 'We grew up writing graffiti, dancing in the street, rapping in staircases,' he said. People were 'plugging turntables into lampposts on the street.' He became enmeshed in the graffiti art scene, but, as he recalled in an interview last year with the multimedia company Idea Generation, he spent 'more time thinking about graffiti and writing about graffiti and publishing magazines about graffiti than doing graffiti.' After launching Graphic Scenes X-Plicit Language and Beat-Down newspaper, he joined forces with two friends, Elliott Wilson and Jeff Mao, to form Ego Trip magazine, which covered hip-hop and a variety of topics, including skateboarding and punk rock. 'White kids who like rock love hip-hop by this point,' he said. 'You can't keep putting people in boxes.' Advertisement In the late 1990s, Ego Trip expanded to books, including 'Ego Trip's Big Book of Racism!' which caught the eye of producers at VH1. The cable network enlisted the Ego Trip team to develop satirical shows including 'TV's Illest Minority Moments,' which lampooned the media's depictions of people of color, and 'The (White) Rapper Show,' a reality competition. Mr. Jenkins also published several books, including collaborating with Eminem on the rapper's 2008 book 'The Way I Am.' In addition to his wife, Mr. Jenkins leaves a son, Marceau, a stepdaughter, Djali Brown-Cepeda, and a grandson. Mr. Jenkins's tart views on race in America were on display in 'Everything's Gonna Be All White,' his 2022 Showtime docuseries that sought to tell 'a tale of two Americas, one white, one not,' featuring pointed commentary about racism from a broad swath of people of color. The documentary touched on the notion of a Black Jesus, the Jan. 6, 2021, Capitol attack, and 'white noise,' which Mr. Jenkins argued happens to people of color when they internalize messaging from the white power structure. 'It's a subliminal fuzz, constant, like a ringing in your ear,' he said in an interview that year with the film and television news site The Credits. 'It's always there, right, but you become used to it. If you focus on that frequency, it's going to confuse you, encourage you to make the wrong decisions, like not being conscious of casting folks of color in a film about folks of color.' This article originally appeared in
Yahoo
25-05-2025
- Entertainment
- Yahoo
Sacha Jenkins, Revered Hip-Hop Journalist and Documentary Filmmaker, Dies at 54
Sacha Jenkins, April 2019 () Sacha Jenkins, the hip-hop journalist and documentary filmmaker who co-founded the highly influential Ego Trip magazine, has died. Speaking to The Hollywood Reporter, Jenkins' wife, Raquel Cepeda, confirmed his cause of death as complications from multiple system atrophy. He was 54. Born in Philadelphia in 1971, Jenkins was seven years old when his parents separated. His father, Horace Byrd Jenkins III—an Emmy Award winner for his work as an original producer on Sesame Street—moved to Harlem shortly thereafter, while Jenkins, his mother Monart, and his sister ended up in Astoria, Queens. While still in high school, he borrowed money from his mom to create the graffiti zine Graphic Scenes & X-plicit Language, and in 1992, Jenkins and his childhood friend Haji Akhigbade created Beat-Down, widely considered to be the the first hip-hop newspaper. Two years later, Jenkins teamed up with former Beat-Down music editor and TV producer Elliott Wilson to found the seminal hip-hop and skateboarding magazine Ego Trip. Other members of the editorial team included Jeff 'Chairman' Mao, Brent Rollins, and Gabe Alvarez. Though it only published for 13 issues, the self-proclaimed 'arrogant voice of musical truth' had an outsized influence on rap culture throughout the '90s and 2000s, eventually yielding the books Ego Trip's Book of Rap Lists and Ego Trip's Big Book of Racism! The Ego Trip team also went on to produce several TV shows for VH1, including Miss Rap Supreme and Ego Trip's The (White) Rapper Show. Jenkins was the music editor of Vibe from 1997 to 2000, wrote for Spin and Rolling Stone, and co-authored Eminem's autobiography The Way I Am. His later career, however, was largely defined by his directorial efforts, among them the films Word Is Bond and Louis Armstrong's Black & Blues and the docuseries Rapture and Wu-Tang Clan: Of Mics and Men, the latter of which earned him an Emmy nomination. Until his death, Jenkins served as the creative director of Mass Appeal, a brand he'd helped to relaunch after becoming a partner at Decon in 2012. 'Being a person of color working on a platform that a lot of people have access to, it's important for me to say something every time I do something,' Jenkins told Pitchfork in 2018. 'For many of us, hip-hop is an identity, and for others it's a commodity that has travelled the world. People have made lots of money off it it, and also people have been very inspired by it.' How a Group of Journalists Turned Hip-Hop Into a Literary Movement Looking back at the golden era of rap writing. Originally Appeared on Pitchfork
Yahoo
25-05-2025
- Entertainment
- Yahoo
Sacha Jenkins, Influential Hip-Hop Journalist and Filmmaker, Dies at 54
Sacha Jenkins, a pioneering hip-hop journalist, author, filmmaker and cultural historian, has died at the age of 54. Jenkins passed away on Friday (May 23) at his home due to complications from multiple system atrophy, his wife, journalist and filmmaker Raquel Cepeda, confirmed to The Hollywood Reporter. More from Billboard Filmmaker Sacha Jenkins Talks New Documentary 'Word Is Bond' & Why The Bronx Deserves Its Credit in Hip-Hop Sophie Turner Shows Support for Ex-Husband Joe Jonas' New Album D'Angelo Cancels 2025 Roots Picnic Performance Due to 'Unforeseen' Medical Issue Throughout his multifaceted career as an author, producer, magazine founder and filmmaker, Jenkins was widely regarded as a key authority on hip-hop culture. Born in Philadelphia and raised in New York City, he moved to Queens in the late 1970s — a formative time when hip-hop, punk, graffiti and skateboarding were all rising cultural forces. Jenkins was the son of Horace Byrd Jenkins III, an Emmy-winning documentary filmmaker who worked on 60 Minutes and Sesame Street. He began his own career by founding Graphic Scenes & X-plicit Language, an early magazine dedicated to graffiti art. Jenkins later co-founded the hip-hop newspaper Beat Down with childhood friend and fellow music journalist Elliott Wilson. In 1994, Jenkins and Wilson launched the influential hip-hop and skateboarding publication Ego Trip. The magazine ran for 13 issues and spawned two acclaimed books: 1999's Ego Trip's Book of Rap Lists and 2002's Ego Trip's Big Book of Racism! Alongside team members Jefferson 'Chairman' Mao, Gabriel Alvarez and Brent Rollins, Ego Trip also branched into television, producing several shows for VH1, including 2007's The (White) Rapper Show. Jenkins contributed his writing to publications like Spin, Rolling Stone and served as both music editor and writer-at-large at Vibe. He recently held the position of creative director at Mass Appeal, according to Rolling Stone. As a filmmaker, Jenkins directed and produced a range of projects. His work includes Louis Armstrong's Black & Blues (2022), Bitchin': The Sound and Fury of Rick James (2021), Fresh Dressed (2015), All Up in the Biz (2023) and Harley Flanagan: Wired for Chaos (2024). His 2019 docuseries Wu-Tang Clan: Of Mics and Men earned him an Emmy nomination. Jenkins is survived by his wife, Raquel Cepeda, and their two children. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
