Latest news with #Episode7
Hypebeast
08-07-2025
- Entertainment
- Hypebeast
Xlim: Rising Action
This article originally appeared in Hypebeast Magazine Issue 35: The Wavelength Issue. Founded in 2021 by Dohee Kim as a collective of 'creators,' Seoul-based XLIM uses cinematic terminology like 'Episodes' and 'Synopses' to name its ever-growing breadth of collections. Borrowing from Kim's time studying film at university, the language captures an ethos of continuous change and evolution. Combining technical functionality with distinctive patinated finishes, XLIM's garments straddle the tension between the futuristic and the familiar. In XLIM's recent Episode 7 collection, nylon is weathered with crackled wax coatings, natural fibers like linen coexist with performance fabrics, and gauzy panels are paired with opaque textiles. The brand also began incorporating craft-forward home goods, including Episode 7's rusticated dinnerware and Episode 6's upcycled denim-covered vases. Kim says these tendencies reflect a core philosophy of 'making the familiar feel new and the unfamiliar feel natural.' Proudly citing contemporaries like HYEIN SEO, POST ARCHIVE FACTION, JiyongKim, and JUNTAE KIM, the founder sees XLIM as part of a greater whole, encompassing South Korea's burgeoning creative scene. 'We continue to evolve within this same wave, striving to present fresh work that embodies the essence of Korea while pushing creative boundaries,' he says. More than being merely centered on fashion, Kim says his practice is about 'conveying the essence of XLIM through various mediums.' In a similar vein, Kim emphasizes that rather than being the fruit of his sole efforts, XLIM is a product of the many who contribute to its ongoing story. 'It's never about one person's design or success,' he says. 'It's always about what we've built together.' Can you tell us more about the meaning behind XLIM's name and the brand's creative intentions? Dohee Kim: XLIM is a name created by combining X with LIM — short for limit — to represent the idea of pushing beyond boundaries and exploring endless possibilities. It's not just about fashion, it extends into lifestyle and everyday experiences, all shaped in a way that feels uniquely ours. At the heart of XLIM is the philosophy of 'making the familiar feel new and the unfamiliar feel natural.' Everything we create is built on this idea, offering fresh yet effortlessly-immersive experiences. Rather than placing an individual at the front of the brand, XLIM is self-described as a group of 'creators.' How many members are in the collective, and how does the collective aspect inform the label's approach to design? I don't think of XLIM as solely 'my' company simply because I founded it. I truly believe that both XLIM and I are here today because of the many individuals who have contributed along the way. This belief is fundamental to me. XLIM comprises 12 members, divided into four teams: design, operations, development, and content. While we have these defined roles, we come from different generations and diverse backgrounds. That's why we strongly emphasize open discussions, ensuring that every creation reflects a mix of our perspectives. This collaborative process is something I deeply value. When a project is completed, it's never about one person's design or success. It's always about what we've built together. How have the brand's roots in Seoul influenced XLIM's visual identity? What else has informed the company's aesthetic approach? Seoul is the fastest-changing city I've ever experienced. Having traveled to many countries and gained various experiences, I've realized there's no place like Korea — where change happens so quickly, and it doesn't take long to get accustomed to it. This rapid pace is a great source of motivation for me, and I think it's one of the most distinctly Korean cultural traits. That's why, at XLIM, we focus on the main 'Episodes' and use 'Synopses' to continuously release various products, keeping things fresh and providing our audience with a sense of novelty. Could you tell us more about your use of the terms 'Episodes' and 'Synopses' to describe your collections? I studied film before starting the brand, and it was there that I first encountered the terms. They were the most fitting when it came to explaining something in detail. In today's world, we constantly need to offer new experiences because people crave novelty and want to feel continuous change and evolution. Technical gear and workwear are at the core of most of your collections. Can you discuss the brand's interest in exploring this real of design? What makes your approach to workwear distinct from other labels exploring these tropes? Rather than simply following external trends or focusing on aesthetics, we wanted to design practical clothing that brings a new kind of joy and experience to those who wear it. We reinterpret technical gear and workwear in a way unique to XLIM, offering both familiar and refreshing designs. This approach gives people a natural opportunity to blend function and style in their everyday lives. To support this vision, we develop our own fabrics, allowing us to create innovative designs from the ground up. You often combine durable technical fabrics with delicate materials like translucent gauze and mesh. Where does this dynamic approach to materiality stem from, and why does mixing materials like this appeal to you? At XLIM, we wanted to incorporate functional elements like breathability into our designs in a way that feels unique to our brand. The reason that we combine technical fabrics with delicate materials is to create that distinctiveness. When people wear our pieces, the functional aspects may feel familiar, but the combination will give them a sense of something new and unexpected. These elements are what make XLIM's aesthetic stand out. Can you highlight a few favorite designs from the past couple years and explain how they represent XLIM's overall aesthetic and creative mission? The dinner set and vase that we recently released are some of my favorites. I wanted them to blend naturally into people's homes and spaces. Our focus has always been on creating not just fashion, but also items that can be part of everyday life — things that people can see and use in their daily surroundings. This has been a key goal of ours with every new episode we create. How does XLIM balance building upon themes from previous 'Episodes' while drawing from new sources of inspiration? Before creating each episode, we have a lot of discussions with the team. We talk about recent experiences that have left an impression on us, and what we're currently interested in. Through these conversations, we gain new ideas and inspiration. Social and cultural changes, along with personal experiences, have a significant impact on us. While respecting the themes and designs we've created in the past, we also try to reflect new stimuli and the flow of time. Our approach is to preserve the essence of what we've done while slowly introducing new elements to evolve. It's been four years since XLIM was founded, but the brand has garnered fans across the globe and even opened its first store in Seoul in 2024. What qualities make XLIM popular internationally? It's not just about fashion but about conveying the essence of XLIM through various mediums. I'd love to take our store in Seoul further by transforming it into a space that combines fashion with a bar or cafe. It would be more than just a place to shop — it would be a space where people can experience the culture of XLIM firsthand. Is there anything you'd like to add about XLIM, whether its artistic ambitions or the future of the label? One of my main goals is to partner with some of my favorite restaurants, but not only in the traditional sense of creating clothing. I want to collaborate with them on new menus and pair them with XLIM's unique dinner sets, creating a new way for people to engage with our not just about making products; it's about integrating our creations into everyday life and fostering a deeper connection with people. By offering experiences through food and conversation, I hope to share XLIM's philosophy in a more personal way, continuing to expand the brand beyond fashion.
Time of India
24-04-2025
- Entertainment
- Time of India
One Punch Man Director criticises viral Chinese anime ‘Super Cube'—sparks heated debate
One Punch Man Director criticises viral Chinese anime 'Super Cube'—sparks heated debate A new Chinese anime called Super Cube is going viral online. Its latest episode, Episode 7, has amazing animation and fast-paced action. Many fans are calling it one of the best animated episodes of 2025. Some say it might even compete with hit series like Solo Leveling. But not everyone is happy. Kenichiro Aoki , the animation director of One Punch Man Season 2, recently criticised the show. He said the episode looked good, but it lacked feeling. His comments have started a big debate online among fans and animators. What did the Director say? Kenichiro Aoki shared his opinion on social media site X. He praised the animation but said it moved too fast. According to him, there was no time for viewers to feel the action. He also criticised the show for copying the style of a famous Japanese animator. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Trade Bitcoin & Ethereum – No Wallet Needed! IC Markets Start Now Undo Aoki said, 'Even if it's shown at the same tempo and with the same tension, it just flows by without time to absorb it. Also, please stop using the same layout, movements, and expressions. It's a shame.' Many fans quickly guessed he was talking about animator nian41. Nian41 worked on Episode 7 and is known for fast, high-quality action scenes. Some people believe he was inspired by Yutaka Nakamura, a well-known Japanese animator who worked on shows like Cowboy Bebop. Some fans agreed with Aoki. They said Super Cube looked amazing, but the action scenes felt rushed. Others said Aoki should not judge when One Punch Man Season 2 also received criticism in the past. Despite the debate, Super Cube is becoming more popular every day. The show is available on iQIYI and YouTube. Episode 1 is free to watch. The story follows a boy named Wang Xiaoxiu who gets powers from a space system and begins an exciting adventure. Also Read | Reborn as a Vending Machine Season 2 to premiere in July 2025 Best Hindi Movies | Best Tamil Movies | Best Telugu Movies | Best english Movies | Best Malayalam Movies |
Yahoo
19-02-2025
- Entertainment
- Yahoo
Harrison Ford and Helen Mirren: The ‘Passion, Purpose and Tragedy' of 1923′s Women Is at the Forefront in Season 2 — Watch
When Paramount+'s 1923 returns for Season 2 Sunday, the Dutton family will weather twin storms: the relentless Montana winter, and an even more relentless Donald Whitfield, who's still hell-bent on acquiring Jake and Cara's ranch by any means possible. The mounting stress (and dwindling resources) will weigh heavily on the Dutton elders, who still hold out hope that Spencer will return home in time to help them save the place. Indeed, Helen Mirren's Cara continues to write her nephew letters despite having no assurance that they're reaching him. (Need a refresher? Check out our Season 1 finale recap.) More from TVLine Dope Thief Trailer: Brian Tyree Henry Is Hunted by a Dangerous Drug Ring - Watch The Pitt's Isa Briones Talks Playing 'Someone the Audience Loves to Hate' and Episode 7's Big Santos Reveal A New MacKenzie Baby in Outlander's Final Season? Sophie Skelton Weighs In - Watch When the topic of Cara's correspondence came up during my recent chat with Mirren and co-star Harrison Ford, who plays Jake, Ford pointed out that the missives were Cara's way of making sense of what's happening to her family. 'I think, in a perhaps slightly over-poetic way, I think she does, she needs to do this, and that she's doing it for herself as much as she's doing it in the hope that he will come,' Ford says in the video above. 'She's making sense of this, and she's looking for a way out of it. It's like her version of a journal.' Mirren nods. 'Like a diary, yeah. It is.' He continues, 'And it's a spectacular insight into the mind of a woman that [series creator] Taylor Sheridan has imagined… Extraordinary. Helen's part, all of the other female parts, are filled with passion, and purpose and tragedy.' Yellowstone's Dutton Family Tree: Who's Who On the Hit Series and Its Spinoffs — and How They're All Related View List What follows is an insightful back-and-forth between two top-of-their-craft actors about gender stereotypes, vulnerability, the ubiquity of death in 1920s Montana and the special connection that seals Cara and Jake's bond. 'These people were fated to find each other,' Ford says. Press PLAY on the video above to hear what Mirren and Ford have to say about the coming season, then hit the comments with your thoughts. Best of TVLine Yellowjackets' Tawny Cypress Talks Episode 4's Tai/Van Reunion: 'We're All Worried About Taissa' Vampire Diaries Turns 10: How Real-Life Plot Twists Shaped Everything From the Love Triangle to the Final Death Vampire Diaries' Biggest Twists Revisited (and Explained)
Yahoo
18-02-2025
- Entertainment
- Yahoo
Ratings: The White Lotus Returns to Premiere High, ‘B+' Reader Grade
The White Lotus on Sunday night checked in 2.4 million total cross-platform viewers across HBO and Max, surging 57% from Season 2's premiere night to easily mark the anthology's most-watched premiere night to date. The star-studded Mike White series was also the No. 1 title on Max globally Sunday night, though HBO did not furnish any specific data points. And on Max in Europe and Latin America, the premiere is said to have more than tripled the previous season's premiere audience. More from TVLine The Pitt's Isa Briones Talks Playing 'Someone the Audience Loves to Hate' and Episode 7's Big Santos Reveal Last Week Tonight Clips Will Resume Posting to YouTube on Monday Mornings The White Lotus Premiere Recap: Season 3's Arrivals Include a Surprise Guest The White Lotus' Season 3 premiere in just its first 36 hours has grown its audience 90% (to 4.6 million cross-platform viewers), doubling the Season 2 premiere's performance in the same span of time. TVLine readers gave the Season 3 premiere an average grade of 'B+'; read our complete recap. Season 1 of The White Lotus debuted to just under a million viewers in July 2021, and went on to average 9.3 million viewers with delayed playback. Season 2 similarly averaged 15.5 million viewers with delayed playback. Heading into Sunday's season opener, The White Lotus on Max saw an 84% increase in volume compared to the week leading up to its sophomore premiere, as viewers caught up on the dark, frothy drama.
