Latest news with #F.A.S.T.
Yahoo
20-06-2025
- Entertainment
- Yahoo
Juliana Canfield Lands Female Lead In Warner Bros. Action-Thriller ‘F.A.S.T.'
EXCLUSIVE: Succession alum and Stereophonic Tony nominee Juliana Canfield has landed the female lead opposite Brandon Sklenar in F.A.S.T., the action thriller from Warner Bros. Character details for Canfield are under wraps. In the film, marking the feature directorial debut of veteran DP Ben Richardson, a former special forces commando is tapped by the DEA to lead a black op strike team against CIA-protected drug dealers. More from Deadline 'Severance' Breakout Dichen Lachman Joins Rob Savage's Supernatural Horror Film For Universal & Atomic Monster 'The Cat In The Hat' Team Defend Warners' Decision To Shelve 'Coyote Vs. Acme': "We Are Lucky To Do Art In Our Profession But We Can't Lock Ourselves In A Basement" WBD's David Zaslav, Gunnar Wiedenfels Break Down Split That Will See Standalone Companies "Free And Clear" For M&A Script is by mega TV producer Taylor Sheridan, who was commissioned by Warner Bros prior to his current overall deal with Paramount, with the latter granting Taylor's request to render services, within Paramount's exclusive window. David Heyman and Jeffrey Clifford will produce for Heyday Films, along with Sheridan and Jenny Wood of Bosque Ranch Productions. Warner Bros. Pictures President of Production Jesse Ehrman and EVP of Production Kevin McCormick are overseeing the film, which will be released in theaters on April 23, 2027. Coming off of her first Tony Award nomination for her role in 2024's Broadway hit Stereophonic, Canfield previously portrayed Jess Jordan, the assistant to Jeremy Strong's Kendall Roy, in HBO's Succession, winning two SAG Awards as a member of the ensemble. She can also be seen in Ryan Murphy's American Horror Story, the FX series Y: The Last Man, and Peacock's The Calling from David E. Kelley. Canfield made her feature debut opposite Julia Garner and Michael Stuhlbarg in Kitty Green's #MeToo drama The Assistant and has also been seen in Marshall Curry's Oscar-winning short film The Neighbors' Window. The Yale MFA grad is repped by Brookside Artist Management and CAA. Best of Deadline 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More Men of Steel: Every Actor Who Has Played Superman - Photo Gallery 'Michael' Cast: Who's Who In The Michael Jackson Biopic
Yahoo
10-06-2025
- Entertainment
- Yahoo
Taylor Sheridan Sets Action Thriller ‘F.A.S.T.', Starring Brandon Sklenar, at Warner Bros. (Exclusive)
It may have taken the slow route of almost a decade, but Taylor Sheridan's action thriller F.A.S.T. is finally on the, um, fast track. In a deal involving high-level talks between Warner Bros. Discovery and Paramount, Sheridan has navigated a feature package that includes Brendon Sklenar, the star of the multi-hyphenate's hit 1923, and that series' main director and renowned cinematographer Ben Richardson, to land at Warners. More from The Hollywood Reporter Streaming Ratings: 'The Pitt' Hits High Mark With Season Finale Dwayne Johnson, Joe Ballarini Get 'Ripped' for 20th Century Studios (Exclusive) Harrison Ford Is Open to Continuing in 'Yellowstone' Universe After '1923' And how fast is F.A.S.T. moving? Warners has set an April 23, 2027 theatrical release date. Sklenar, who also starred in last year's It Ends with Us and the recent suspense movie Drop, will headline the action thriller with Richardson, who worked on The Fault in Our Stars and Beasts of the Southern Wild as DP, making his feature directorial debut. David Heyman and Jeffrey Clifford of Heyday Films will produce the project with Sheridan and Jenny Wood of Bosque Ranch Productions in negotiations to join them. 'The breadth of Taylor Sheridan's body of work is simply astounding and unparalleled in sheer excellence and consistent quality and we could not be more honored to be making this film with him,' Warner Bros. Motion Picture Group's Michael De Luca and Pam Abdy said in a statement. 'With the hugely talent director Ben Richardson behind the camera and the exceptional producing talents of Heyday Films and Bosque Ranch, we are thrilled to have such an incredible creative team bringing F.A.S.T. to the big screen.' The coming together of the F.A.S.T. deal in one way encapsulates the shifting vagaries of the theatrical and streaming movie business. And it also exposes the tricky nature of navigating inter-studio relations. F.A.S.T. concerns a former special forces commando, down on his luck after he returns Stateside, who is tapped by the DEA to lead a black op strike team against CIA-protected drug dealers in his town. Sheridan wrote the script in the mid-2010s, when he was an established feature scribe with movies such as Sicario and Hell or High Water Under his belt. Warners, then owned by Time Warner, picked it up in 2018, with Sheridan initially signaling he wanted to direct and Chris Pratt circling to star. Gavin O'Connor later came on board as director in 2019, but by then, the studio was owned by AT&T, which didn't see a financial upside of releasing a movie with the budget in the $60 million to $70 million range theatrically. It was also, however, thought as too expensive to make as a streaming movie for its then-launching streaming service HBO Max. This was against a backdrop of a pandemic that was savaging the moviegoing experience and a streaming war that had gripped studios with the hallucinatory idea that streaming was the only future coming. Warners thus put F.A.S.T. into turnaround (only to have Amazon briefly flirt with it). Now, a project that was once a Warners theatrical feature with a Marvel star that almost morphed into streaming feature, was reacquired by Warners, now part of Warner Bros. Discovery and back in the theatrical game. But studios and movie releasing aren't the only things that have changed. Sheridan's lot in Hollywood has changed plenty as well. He created modern western Yellowstone for the Paramount Network in 2018, and it quickly became the most watched series on cable — a title it hasn't relinquished. Soon, Yellowstone spinoffs such as 1883 and 1923 sprouted on Paramount+, becoming a major draw for the service. Sheridan grew to one of the biggest showrunners in Hollywood, scorching his brand on Paramount+ with shows Tulsa King, Lioness, and Landman, among others. 'Taylor at this stage is Paramount+,' says one insider. The showrunner also has a strict exclusive deal with Paramount, which initially made moving forward on F.A.S.T. with Sheridan a non-starter — Until WBD head David Zaslav made it a priority. Sources say that dealmaking is still being finalized to give Sheridan a carve out from his Paramount pact to render screenwriting and producorial duties. That wrinkle is making the setting of a budget for F.A.S.T. a tricky proposition, as Warners wants to settle Sheridan's producorial involvement first, according to sources. It will likely be considerably less than the $65 million or so from over a decade ago, when it was initially judged to be too high for a theatrical release. F.A.S.T. will be overseen by Warner Bros. Pictures president of production Jesse Ehrman and exec vp of production Kevin McCormick. Sheridan is repped by CAA, LBI Entertainment, and Meyer & Downs. Sklenar is repped by WME, Neon Kite, and Goodman Genow while Richardson is repped by CAA. Best of The Hollywood Reporter 'The Goonies' Cast, Then and Now "A Nutless Monkey Could Do Your Job": From Abusive to Angst-Ridden, 16 Memorable Studio Exec Portrayals in Film and TV The 10 Best Baseball Movies of All Time, Ranked
Yahoo
10-06-2025
- Entertainment
- Yahoo
‘Yellowstone' Star Cole Hauser Talks Directing, Bull Riding and Cowboy Future
Since Yellowstone galloped off into the sunset with its 2024 finale, Cole Hauser has been busy working on another cowboy project. Two years ago, when television's biggest series was on hiatus between the first and second half of its fifth and likely final flagship season, the actor who has starred as fan-favorite Rip Wheeler, the Dutton family's loyal ranch foreman on the Paramount Network series, partnered with PBR, the Professional Bull Riders league, for an ongoing campaign that debuted during the PBR World Finals in Fort Worth, Texas last month. More from The Hollywood Reporter Kevin Costner's 'Horizon' Sued Over Unpaid Costume Fees Kevin Costner Sued By 'Horizon 2' Stunt Performer Over Unscripted Rape Scene Taylor Sheridan Sets Action Thriller 'F.A.S.T.', Starring Brandon Sklenar, at Warner Bros. (Exclusive) The four-minute-plus short film (which you can watch below) sees Hauser both as star and director as part of a push to bring in a broader audience to the long-standing competitive sport and the events put on by the largest bull-riding league in the world. Hauser worked on the piece for four months and he says that seeing 30,000 people watching and cheering for the spot live in the stadium was pretty rewarding. 'Anybody who jumps on a bull is going to have not only talent, but courage,' he tells The Hollywood Reporter of the PBR athletes, also recalling the first time he was taught to ride a bucking bull by legendary cowboy Ty Murray while on the set of Hi-Lo Country. 'That really enlightened me to the world that these guys live in. I'm a big fan of hopefully seeing the sport grow to a place where it's true mainstream and on ESPN.' Below in a wide-ranging interview, Hauser opens up about everything from his cowboy upbringings and Yellowstone casting story to his love for the PBR. As for that Rip and Beth spinoff series with his Yellowstone co-star Kelly Reilly — which is reportedly in development, though Paramount has not commented — Hauser sure hopes to get back on Rip's horse sooner than later. *** Millions of fans know you as cowboy Rip. Recently, thousands also watched you play a different cowboy in this ad that you directed for the PBR. When did you begin this partnership? A little over two years now. After I directed my first ad last year, Sean [Gleason, the CEO] loved it, and asked me to come back and do another. He had been chasing me for a while (laughs). I didn't really know how I could fit in and help him. It took a little while for us to figure that out. He's a really brilliant guy. He said, 'Look, we want to expose the PBR to more people and I feel like you have the ability to do that. I love the stories that you've told me about stuff that matters to you in the cowboy world.' He said I would have total autonomy to do what I wanted, as long as it has to do with Americana and what's going on with our country, which matters a lot to me. The first ad was a huge success. For this second one, he said, 'I want to bring in a different audience. I want to bring in different cultures that people may not know love the sport. That people think don't think exist.' If you look around at who is at the PBR, it's not just middle Americans. It's people on the edges. The biggest show they've had in the last few years is Madison Square Garden — they sold out every night. This sport has really spread and touched the coasts, whereas I think years ago it didn't. So my interest was in showing those different cultures — whether they're white-collar women or Black athletes playing football and coaching. Everybody loves this sport because of who these athletes are, and they're putting their asses on the line. When you say that Sean was chasing you, how did you first meet, at these bull-riding events? I've been going to PBR forever, so I met Sean about 10 years ago when I took my wife and young son at the time. He's been the CEO for close to 25 years. We got along nicely. He was very accommodating to my family and we just stayed in touch. It just so happened that after doing Yellowstone, I think he realized, 'Ok, this is the right guy for the job.' What are some of your earliest memories of learning how to ride that you have been thinking about as you started to put this piece together? When I grew up in Oregon, I had a horse named Cinnamon and I used to bareback ride this horse all through the mountains. My mom at the end of the day, wherever I was, would ring this huge cowbell and that horse would stop, turn around and go back — because he knew he was going to eat. He would just pull me up to the front porch, lower his head — and I was so small at the time, I think I was 4 years old —and I would slide down his mane. I grew up that way around animals. Cows and chickens, all kinds, coyotes! Then my love for the PBR came when I was 21. I did a move called Hi-Lo Country [in 1998] and Ty Murray, who is a three- or four-time world champion, taught me how to ride bulls. That was an experience you don't forget. Being on a bull is a special experience. Since then I've loved the sport. I have a ton of respect for the riders. But these bulls, I think a lot of people think they're not treated very well and they are treated better than the actual cowboys. (Laughs) They're taken care of, they're washed. They have an unbelievable feeding schedule to keep them strong and in shape. They're really looked after, so I think when you pull back the curtain of the PBR it's a little different than one might imagine. How long did that take you to first learn how to ride a bull? It was probably hours. The greatest advice Ty ever gave me, which is pretty smart if you're not really getting paid for it, was when he said, 'As soon as you start to feel like you're going off, get off.' (Laughs) Don't try to hold on. Because that's usually when you get hung up. I don't know if you've ever seen a guy get hung up, but it's pretty painful. So anytime I started to really feel like I was going off I would just get off, and that was the best advice he gave. All of that then crescendos into you landing . In the press release about your partnership with the PBR, they called Rip one of the 'most iconic cowboy characters since John Wayne.' Wow, really? That's very nice of them. (Laughs) I read that you met [ creators] John Linson and Taylor Sheridan early on in your acting career. When the role of Rip came around, did they come to you? How much did you influence Rip and the character they created and then evolved in the series? John Linson was a friend of mine way before I met Taylor Sheridan. I've known him since I was 17 years old. I met him through a buddy of mine. He came to me initially [with Yellowstone] and said, 'Take a look at these different roles and tell me what you think.' In the beginning it was to play one of the children of John Dutton. I read the pilot and I thought, well this guy [Rip] only has a couple of scenes, but I love the character. I got on the phone with Taylor. We spoke for two hours, and that was kind of it. Then I started to work with and be around Taylor while he was writing and he started building the character along with some of the ideas that I had. But he's a tremendous American writer. It was a great collaboration. Everyone did an intensive cowboy camp before began, something that has continued in prep for . Given your background, did you have a lot to still learn? There are levels to riding horses. It's one thing if you get on a horse and take a walk on the beach. (Laughs) But when you have to start roping and cutting and stuff, that's called saddle time. You gotta put it in. I don't care who you are; there's nobody naturally good at roping. It's repetition and putting in the work. If you do that, then you'll be good at it. I rode horses, but there are several disciplines that you have to learn to be a great horser. So it took a little while and, I'm still working on it! You have to go in every year and put in the work. You live in Florida. How much are you riding in your own life, when you aren't filming? Are you teaching your children to ride? I don't have a lot of time when I'm not working to ride. I'm a pretty much full-time dad with my wife [Cynthia Daniel]. I try to be involved in [my three kids'] lives [Ryland, Colt and Steely]. They're athletes and they travel. I try to make sure I'm there and supporting what I need to do as a father. So I don't do any riding in the off season. I'll usually go out to Montana two or three weeks early [before filming Yellowstone] and get everything worked out. You're sore for those weeks. You're beat up a little bit, because I'm getting older! And with horses, you use different muscles. So you power through that and I usually ride for four, five or six months at a time [when filming]. You didn't give yourself much time off in taking this PBR gig after finishing . Was this so important that you wanted to make it work? Yeah (laughs). I was a little hesitant, but at the end of the day, I feel like it's an important thing that needs to be seen. I'm a big fan of hopefully seeing the sport grow to a place where it's true mainstream and on ESPN, and that these athletes are being treated with the respect that they deserve. They are high-end, top-of-their-game athletes. I want to help grow the brand. So I talked to my wife and she said, 'You can go and do a couple weeks,' so I took [daughter Steely]. She's in the commercial. You can watch and pick her out. I also snuck in Sean Gleason, he's the Lieutenant Commander. With this story you tell in the PBR ad, how much were you leaning into Rip? There are Rip vibes, but it feels like Cole speaking to the audience. I can't help the fact that I look like the character. I am the character (laughs). But I changed my jacket, my hair color and my hat. It's not like I could put on shorts and flip flops, so it is what it is! I can see how you leaned into appealing to women. Taylor Sheridan has leaned into the female audience, especially in more recent seasons of by spotlighting not only his starring women but more female characters in this world. That's something we haven't typically seen in Western projects. What inspired you here? I grew up with three sisters. So the white-collar side of the ad, I just thought, I'm going to make these girls strong and cool and smart. So, they are kind of badasses! They're on a $15 million yacht and then they jump into a million dollar Dodge, a classic car. Then they show up [at PBR] and they're in their own space in VIP. They are full of energy and life. The women we cast were perfect for it. The ad debuted during the recent PBR finals. That's a big audience, but you're also on a show that has the biggest audience on TV. Does the fandom differ when people approach you? Not much! It's the same world. When I walk through the stadium versus the airport, it feels exactly the same (laughs). It's amazing how much people have fallen in love with not only the show but the character, and the amount of love I've gotten over the last seven years is just mind-blowing. I got into acting to affect people. So the idea that I've done that in a big way and that I can see personally is always something that is going to make an artist like myself feel good. Rip is a major sex symbol. Rip and Beth (Kelly Reilly) are an iconic TV couple. How wild are your fan encounters? I was at South Point, which is a notorious cowboy hotel in Las Vegas. A woman came up to me and she had a tattoo of my character and I thought it was fake. She said, 'No, it's real. I just got it done.' That's crazy. (Laughs) That's a crazy moment that someone would take the character and put it on her body, or that people would name their children after Rip. It's just another acknowledgement of what Taylor started and our collaboration together, and the work that I've done with Kevin Costner and Kelly and Luke [Grimes], Wes [Bentley, the Yellowstone main cast]. It's been a tremendous ride, and I look forward to hopefully more years with Kelly, seeing what we can create for the audience that is hopefully as good or better. After the about how you felt it was the most beautiful ending for Rip and Beth, yet it also opened the door to set them on a new story. Ever since the first reports came out about a being developed, fans have been eagerly awaiting to hear more about what that could look like. When you are discussing continuing on with them, what is important to you in a Rip and Beth-focused series? Not having the cast around certainly [is hard]. Forrie J. Smith [who played Lloyd] has become such a great friend of mine that to think that my right-hand guy wouldn't be there [is hard]. But Kelly and I, we're focused on [Rip and Beth's] relationship and our love together, and what we're going to get [them] into. I'm excited just like everybody else. I can't wait to see what they come up with. Hopefully, we'll start seeing stuff soon. How much does Rip leave you when you aren't playing him? I'm pretty good about turning the switch on and off. I have to come home and be dad. I have to be a husband. I wake up in the morning and feed my dogs and am just a normal guy. So I don't think about him really unless I'm being interviewed about him or someone comes up and talks to me about him. When I go out in those weeks before filming, I get my head right. It's not just a mental thing, it's a physical thing, too. So it's usually a crash-course in getting back in shape. Have you now caught the bug to get behind the camera more, and would you be interested in directing while acting on your own show? That's a great question. I don't know. I've never asked and there's so much responsibility going forward. It's not easy to do both [acting and directing] at a very high level, so I'd have to be careful about that. My responsibility right now is to be the best actor I can be. But with directing [in general], yes. I've always wanted to be behind the camera. Being able to control and tell stories, whether with the lens or working with actors to help them and be better, or sharing what I've learned along the way, is what I really look forward to doing. I don't think I'll ever get away from the love I have for acting, but it's a different version of storytelling. I love the process of being able to shoot something knowing I have control of the edit, what the message is. There are so many facets to being a storyteller and being able to use all of the people that you've worked with — great directors who I've been blessed to work with, some of the greatest I think in the last 25 years. I've learned a lot from them, so it's been cool to take pieces I've learned from them all and implement them into how I tell a story. So what are you working on with PBR next? I don't know. Sean and I will sit down like we always do in the year and look and what he wants to do. Because our visions are the same and because we've become so close, I think there's some real synergy that will continue for the next couple of years. He's over the moon about the response to this one, and I'm really happy. To see 30,000 people on their feet and cheer after watching something, that kind of gratification for him and myself and everyone else that was involved in PBR — everyone who worked their asses off in six days. I'm proud of the crew and the cast, so we'll see what happens in the future. By the way, when was the last time you were on a bucking bull? When I was 21. And that will be the last time I'm on a bull. (Laughs) If I was 21 again, I would [do it again] maybe. It's pretty exhilarating. But I'm 50 and I think if I hit the ground, I might not get up. And the ground is in your future at some point, if you're riding a bull! I've fractured my back. I've separated my shoulder. I've broken my ankle in two places. I've dislocated and torn my ligaments in my knee. I've torn both hamstrings. I think I'm good for right now and should just take it easy. If Rip's stunt double is riding the bulls, I'll be sitting there watching where I belong. (Laughs) Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
Yahoo
30-05-2025
- General
- Yahoo
Via Christi: Brain imaging technology could extend stroke treatment window
WICHITA, Kan. (KSNW) — May is Stroke Awareness Month, an opportunity to highlight the risk factors and preventive measures. Many are familiar with F.A.S.T., which shows that the warning signs of face drooping, arm weakness, and speech difficulty mean it's time to call 911. But what happens after recognizing the signs can also be key to recovery. Researchers at Via Christi are working to break through a 'four and a half' hour window for treatment. Traditionally, clot busters are administered within that window, and after that, doctors focus on supportive measures for patient care. Stroke Awareness Month: Recognizing stroke symptoms can help save lives Via Christi is collaborating with Wichita State University to potentially treat patients beyond the current window of opportunity using brain imaging technology. 'Patients who have had a stroke, well actually if they decide to participate in the study, we can look at whether or not some of the brain flow that we see during therapy can help us move that patient faster in the rehabilitation,' Tony Sadler, a certified physician assistant at Via Christi Research, said. She also says it's essential to be fast in response to a stroke, as thousands of brain cells are dying during a stroke. You can learn more about the signs of stroke and how to take steps to prevent one at an event this weekend. Via Christi is hosting a free seminar at the Evergreen Community Center and Library from 11 a.m. to 1 p.m., with a heart-healthy lunch included. There will be resources available in both English and Spanish. Call 316-303-8042 to reserve your seat. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Yahoo
14-05-2025
- Entertainment
- Yahoo
After 1923's Finale, Brandon Sklenar And Taylor Sheridan Are Set To Collaborate Again
When you buy through links on our articles, Future and its syndication partners may earn a commission. When 1923 aired its Season 2 finale, it was clear that that chapter of Spencer Dutton's story had come to a close, and to this day, it's unclear if Brandon Sklenar will play the cowboy again in an upcoming Yellowstone project. However, while his future in that world is uncertain right now, what is certain is the fact that Sklenar is set to collaborate with Yellowstone's mastermind, Taylor Sheridan, again on a new project. Read More About 1923 And Yellowstone I'm Obsessed With The Dutton Family Tree, So I Diagrammed It And Figured Out The Questions We Still Need Answered Not long after 1923 came to a close on the 2025 TV schedule (you can watch it with a Paramount+ subscription, by the way), it was announced that the show's star and creator would collaborate again. According to THR, Sklenar will star in Sheridan's film F.A.S.T., which is an action thriller that's been in the works for quite some time. Reportedly, talks are happening right now between Warner Bros Discovery and Paramount to make this movie happen. Also, it was reported that the feature package will include 1923's star, Sklenar, as well as its primary director and cinematographer Ben Richardson, who has worked with Sheridan on the aforementioned prequel as well as 1883, Mayor of Kingstown and Yellowstone. In a statement about F.A.S.T. and the team set to work on it with Sheridan, Warn Bros. Motion Picture Group's Michael De Luca and Pam Abdy made their enthusiasm for the project very known, explaining: The breadth of Taylor Sheridan's body of work is simply astounding and unparalleled in sheer excellence and consistent quality and we could not be more honored to be making this film with him. With the hugely talent director Ben Richardson behind the camera and the exceptional producing talents of Heyday Films and Bosque Ranch, we are thrilled to have such an incredible creative team bringing F.A.S.T. to the big screen. Based on the creative team and star alone, I'm also 'thrilled' about F.A.S.T. This film, which Sheridan has written and is reportedly producing, will be his first movie since 2021's Those Who Wish Me Dead. Before creating Yellowstone, his best-known works were movies like Sicario, Hell or High Water and Wind River. So, this new project marks an exciting return to the medium that got him started as the writer we know today. Paramount Plus: from $7.99 a month/$79.99 a yearIf you want access to almost the full Sheridan-verse, you'll need a Paramount+ subscription. Luckily, plans start at $7.99 per month, and you can upgrade to Premium for $12.99 per month to get Showtime and no ads. View Deal Also, this movie fits right in the super producer's wheelhouse. According to the report, F.A.S.T. will follow a former special forces commando who is hired by the DEA to head a black ops strike team against drug dealers. The catch is, these dealers are protected by the CIA. So, if you like Sicario or Lioness, this sounds like the film for you. Overall, this sounds like a fun project that fits within the writer's catalog of work, and it seems like a great vehicle for Brandon Sklenar to continue his growing movie career. In the world of film, he's had breakout moments in films like It Ends With Us and Drop. He's also set to star in the book-to-screen adaptation of The Housemaid on the 2025 movie schedule, further solidifying himself as a star both in and outside of the Yellowstone world. F.A.S.T. seems like a great next step for this actor who proved he's fit to be a leading man on 1923. At the moment, Warner Bros is planning to release this film theatrically on April 23, 2027. Notably, this is a big update, because Sheridan wrote F.A.S.T.'s script in the mid-2010s, and since then it's been passed from Warner Bros to Amazon and back to Warner Bros with potential for releases both theatrically and on streaming. Additionally, the producer has a 'strict exclusive deal with Paramount,' which is where all his shows live, and that's led to a need to make a deal between both studios. However, it seems like things are working out, and eventually, we'll get to see Taylor Sheridan and Brandon Sklenar reunite on the big screen for F.A.S.T. in 2027.
