Latest news with #Fathima
Scroll.in
4 days ago
- Entertainment
- Scroll.in
Interview: ‘Feminist Fathima' is a ‘challenge to people who don't want to change with the times'
Fathima knows her place in her orthodox household. When in the presence of her husband Ashraf, a madrasa teacher and traditional healer, she keeps her voice low and behaves in a docile manner. When Fathima is with neighbours and friends, she is her natural, ebullient self. Fasil Muhammed's Malayalam-language Feminichi Fathima (Feminist Fathima) is filled with insightful details about the power dynamic within conservative families. Muhammed's powerful debut feature is a modestly budgeted and richly layered chronicle of repression and rebellion. Feminichi Fathima is set in Ponnani town in Kerala's Malappuram district. Fathima (Shamla Hamza) lives with Ashraf (Kumar Sunil), three children and her mother-in-law. An already overwhelmed Fathima reaches breaking point over her young son's bed-wetting habit. Fathima's disgust at having to deal with a soiled mattress and Ashraf's callous response to her situation set off a chain of responses that neither Fathima nor Ashraf can control. 'Whenever Fathima communicates with her husband, his patriarchal privileges affect her tone,' Muhammed pointed out. 'No such problem disturbs her tone when she deals with her friends and neighbours.' Muhammed's screenplay examines with humour and perspicacity Fathima's gradual journey from submissiveness to revolt. Reluctant to pop out the fourth child that Ashraf wants, the oppressed housewife confronts the inescapable truth that she too is utilitarian and disposable, just like the hated mattress. Fathima finds supporters in her feisty neighbour and a Tamil woman who buys scrap. 'Fathima is a traditional lady but at a particular point in her life, she is forced to stand up for her basic needs,' Muhammed pointed out. 'This makes her rebellious and strong. When she decides not on depend on Ashraf, her tone towards him changes. This indeed is the biggest outcome of the movie.' The film is expected to be released in theatres over the next few weeks. In addition to following its heroine's experiences, Feminichi Fathima pays attention to the role played by technology in a traditional milieu. Ashraf warns his children to watch only content that is 'halal' – acceptable to Islam. The 97-minute film gently skewers Ashraf's self-serving hypocrisy, while also revealing the emotional impact of his insensitivity on his spouse. In some ways, Feminichi Fathima pays homage to fellow Malayalam director Jeo Baby's trailblazing The Great Indian Kitchen (2021), which exposes the drudgery involved in housework. Ashraf, who is barely able to make ends meet and worries that he will lose his standing in his community if his wife starts to disobey him, is a familiar figure in Indian homes, Muhammed pointed out. Rather than portraying Ashraf as a villain, the film tries to understand his position, while not making concessions for his behaviour. 'Ashraf is following the rituals of patriarchy – he too is a victim of the patriarchal system,' Muhammed observed. 'Many men around me contributed to the character's development. He is just following his religion, and his main problem is his inability to change according to the new world.' While Feminichi Fathima takes place in a Muslim community, and looks at the role played by both religious practices and obscurantist beliefs, the story is 'universal', Muhammed said. 'I don't want to limit this movie to a particular community or region,' Muhammed added. 'Basically, this is a movie against patriarchy.' Art has 'no boundaries or limitations based on caste, creed or religion', the filmmaker said. 'We must avoid labelling movies on the basis of religion. Feminichi Fathima challenges those people who do not want to change with the times.' The messaging is strong but not strident – Muhammed maintains an even tone through observational comedy and relatable characters who are mostly played by non-professionals, except for Shamla Hamza and Kumar Sunil. The question of financial autonomy emerges through the characters of the scrap dealer as well as a young Muslim woman who has found a way to be respectful of her faith while earning money from her social media account. 'I strongly recommend that every woman be economically independent – this recognition changes Fathima's tone with her husband,' Muhammed asserted. 'This decision-making power is the ultimate requirement for a common woman rather than jumping into quarrels or big fights.' The 28-year-old director, who calls himself a 'film dreamer', started his career as an editor before making short films and YouTube series. 'My cinematic sensibility has always been attuned to stories that resonate with authenticity,' Muhammed said. 'Movies that evoke emotions, spark reflection and linger long after the credits roll – these are the ones that truly capture my attention.' Like PS Vinothraj's debut Koozhangal (2021), Muhammed was inspired by an incident that happened to his sister. He recalls his sister scolding her son for wetting his bed and pointing out how much trouble the smell of urine caused her. Muhammed was deeply moved by his sibling's plight. 'When I saw her carrying the bed outside with so much pain on her face, I got the idea for the movie,' he said. 'Keeping this as the central theme, I crafted the script by adding many more incidents that I witnessed around me, which I really wish would change.' Just cast neighbours and acquaintances were cast for the supporting roles, friends stepped in to help Muhammed complete the film. Apart from writing and directing Feminichi Fathima, Muhammed has edited and produced the movie. 'I took on the financial challenge from the very beginning by being part of the production,' Muhammed said. 'Later, two of my friends, Thamar KV and Sudheesh Scaria, joined the production.' Feminichi Fathima was premiered at the International Film Festival of Kerala in December 2024, where it won five awards. Muhammed hopes that a theatrical distribution deal will fall into place soon. 'My movie has got exposure only to film festival audiences,' he said. 'The film was a revelation for my family. I also got positive feedback from many Muslim men at other festivals. I am expecting positive discussions from the movie's content. And I want such discussions to happen, since these topics are important and needs society's attention.'
Time of India
5 days ago
- Politics
- Time of India
Anyone can move court to save temple land: HC
Chennai: It is an established legal doctrine that anyone concerned with a temple's welfare can bring legal action, and the court, as the guardian of public interest (parens patriae), has a duty to protect the rights and interests of the deity, has said. Tired of too many ads? go ad free now Justice A D Jagadish Chandira made the observations while dismissing two civil revision petitions filed by A A Fathima Nachiya occupying two properties belonging to Sri Chennamalleswarar and Sri Chenna Kesavaperumal Devasthanam in Park Town. The court also upheld eviction orders passed in 2000 against her late husband Mohammed Iqbal, the original tenant. The two suits were moved by Fathima challenging the temple seeking eviction and recovery of rent arrears. Following her husband's death, Fathima continued to run a business on the premises and was later impleaded in the execution proceedings. The temple initiated an execution petition in 2015, seeking recovery of possession after a gap of 15 years. The petitioner argued that the execution petitions were barred by limitation under the Limitation Act and that the original decrees were invalid as non-speaking ex parte orders. She also questioned the authority of the hereditary trustee to file and execute the suits on behalf of the temple. The court rejected these arguments, citing Section 109 of the Tamil Nadu Hindu Religious and Charitable Endowments (HR&CE) Act, which exempts temple suits for possession of immovable property from limitation periods. The court ruled that the exemption extends to execution proceedings as well. The judge observed that the petitioner filed multiple applications over the years without directly challenging the ex parte decrees and delayed the legal process for more than two decades.
News18
07-07-2025
- Entertainment
- News18
Narivetta, Madras Matinee And Moonwalk: Must-Watch Regional Films On OTT This Week
Last Updated: Explore top South Indian OTT releases this week including Narivetta, Moonwalk, Paramasivan Fathima & more on platforms like SonyLIV, Aha, and Prime Video. The world of South Indian cinema continues to surprise and stir with stories steeped in local roots, yet expansive in their emotional and cinematic ambition. This week, the OTT space is rich with regional gems—from courtroom battles to adolescent awakenings, spiritual comedies to political thrillers. Here's a curated look at what to stream and why these titles matter. This coming-of-age Telugu comedy dives into the mind of a small-town student obsessed with cracking the top spot in competitive exams. AIR blends school humor, social expectations, and teenage aspirations, offering a charming portrait of the exam-obsessed Indian middle class. Its earnest tone and relatable storytelling make it a quiet but delightful watch for anyone who's ever stared down a syllabus with dreams bigger than reality. Paramasivan Fathima – Aha A bold legal drama rooted in contemporary social discourse, Paramasivan Fathima follows the titular character—a young Muslim woman—who finds herself in the eye of a political storm. Battling bias inside and outside the courtroom, Fathima's fight is both personal and ideological. The film fearlessly explores themes like religious identity, gender injustice, and the loneliness of integrity, making it one of the week's most thought-provoking releases. Madras Matinee – Prime Video & Sun NXT A deeply nostalgic and emotionally textured drama, Madras Matinee celebrates cinema itself through the story of an old, now-defunct single-screen theatre in Chennai. As three different characters revisit the theatre space—each for a very different reason—the film gently unfolds stories of lost love, artistic ambition, and the tender echo of reel-life in real-life. It's a warm, slow burn made for lovers of old-school movie magic. MALAYALAM Set in a small-town Kerala school, Moonwalk centers on a group of teenagers who find refuge and rebellion in dance. Directed with sensitivity and humor, the film captures the bittersweet chaos of adolescence—the longing to belong, the thrill of movement, and the sting of social rejection. Produced by Lijo Jose Pellissery, this teen dramedy is an ode to freedom, expression, and the rhythmic defiance of youth. Narivetta – SonyLIV Tovino Thomas leads this hard-hitting political thriller about a CRPF constable who accidentally finds himself in the middle of a violent conspiracy. As corruption unfurls around him, he's forced to choose between silence and justice. Suraj Venjaramoodu lends strong support in a film that doesn't just thrill—it indicts. The visuals are taut, the drama sharp, and the political commentary biting. In this offbeat fantasy-comedy, a mischievous Grim Reaper—'Shinigami"—visits a sleepy village in Kerala, upending the lives of its oddball residents. Starring veterans Indrans and Jaffer Idukki, the film strikes a rare balance between whimsy and wisdom. It flirts with the concept of death but chooses laughter as its lens, making for a warm, philosophical and culturally grounded tale. First Published: July 07, 2025, 18:55 IST
Pink Villa
06-07-2025
- Entertainment
- Pink Villa
Paramasivan Fathima OTT Release: Here's when and where to watch Tamil horror thriller starring Vimal, Chayadevi
Tamil horror film Paramasivan Fathima was released theatrically on June 6, 2025, and was rated A by the CBFC. The underlying theme of the inter-religious divide between communities was perceived as overhyped at the box office and received a mixed response from the audience. And now the film is all set to release on OTT. When and where to watch Paramasivan Fathima Paramasivan Fathima has now finally been released on OTT after completing its theatrical run. It is streaming on Aha Tamil and made its debut rather silently on the platform. The OTT giant shared a poster of the movie and wrote, 'Paramasivan Fathima vandhachu parunga! Watch #Paramasivanfathima streaming now on @ahatamil.' Official trailer and plot of Paramasivan Fathima The premise of the movie is set in the fictional world of Subramaniyapuram, which is split into two religious fragments, with a Muslim and Christian majority, respectively. The film opens in the middle of rampant conversations between the two communities, where grooms from both parts are mysteriously found dead right before their weddings. This narrative is paralleled by the story of Paramasivan and Fathima's romance, which hints at the prevalence of possible honor killing practices in the village. It is shown how their blossoming love is met with opposition from both their respective families, leading the couple to decide to elope for union. However, they are murdered and their plans foiled, leading to their vengeful spirits mercilessly attacking others with such a fate. Cast and crew of Paramasivan Fathima The film stars Vimal, Chayadevi, M.S Bhaskar, Cool Suresh, Sriranjani, Athira, Aruldoss, Veerasamar and others in key roles. It is written, directed, and produced by Esakki Karvannan under the banner of Lakshmi Creations. Deepan Chakravarthy has composed the musical score of the movie.
Time of India
20-06-2025
- Politics
- Time of India
Woman's suicide: Family denies moral policing charge, police claim evidence
Kannur: The suicide of 40-year-old Razeena at Kayalode here following moral policing by a group of SDPI members took a turn on Friday, with the woman's family defending the youths arrested on the basis of her suicide note and refuting the allegations of harassment. Police, however, maintained that they have got evidence of moral policing. Razeena, a mother of three, was found dead at her home in Pinarayi village on Tuesday. Police on Thursday arrested three members of the Social Democratic Party of India (SDPI), the political wing of the banned Popular Front of India (PFI), on charges of suicide abetment. The arrested are V C Mubsheer (28), K A Faisal (34), and V K Rafnas (24) — all residents of the locality. However, Razeena's mother, Fathima, said on Friday that the arrested youths had no role in her daughter's death. She claimed that they only spoke to Razeena and her male friend at a nearby SDPI office about their financial dealings. "Their relationship started around three years ago. The man extorted money from her, leaving her in a debt trap. But we came to know about their relationship only recently," she said. Fathima said the arrested youths are their relatives and they only intervened to settle the financial dealings. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like London: If You Were Born Between 1945-1974 You Could Be Eligible For This British Seniors Read More Undo "They saw Razeena and her friend talking to each other on the road; the man was taken to a nearby SDPI office to discuss the matter. Both the families were also called in. The man was not assaulted there," she said. Kannur city police commissioner Nithinraj, however, refuted the family's claim and said police acted on the basis of evidence collected from Razeena's house. He said Razeena was talking to her male friend when the youths approached them on a motorcycle. "They spoke in a derogatory manner and seized their mobile phones and a tablet. Later, they took the man to the SDPI office," he said. He said Razeena's suicide note clearly spoke about the trauma she underwent due to the incident. "A detailed investigation is needed to examine how many people gathered at the SDPI office. The allegations raised by the family on financial dealings between Razeena and her friend will also be investigated," he said. Razeena's family, meanwhile, lodged a police complaint against Razeena's friend, seeking an investigation of his financial dealings with her. The family alleged that the man, a resident of Mayyil, extorted money from the woman. Senior CPM leader and All India Democratic Women's Association national president P K Sreemathi termed the incident as 'Talibanism'. It is unfortunate that a section of people still believed that a woman should not talk to any other man other than her husband, she said.
