Latest news with #FionaPardington
Otago Daily Times
21-06-2025
- Entertainment
- Otago Daily Times
Waimate artist's work in Met exhibit
Waimate-based artist Fiona Pardington at the Elephant Rocks near Duntroon in the Maerewhenua Valley. PHOTO: MEEK ZUIDERWYK Esteemed Waimate artist Fiona Pardington ONZM is riding a career high. Pardington was recently made an Officer of the New Zealand Order of Merit for her services to photography around the same time as her artwork became part of the permanent collection in the Arts of Oceania Galleries at the Metropolitan Museum of Art in New York. The Arts of Oceania exhibit, overseen by Māori (Ngāi Tai) curator Dr Maia Nuku and curators for the Arts of Oceania at The Met, is part of a significant transformation at the museum, which houses the collections of the Arts of Africa, the Ancient Americas, and Oceania. Her work is featured among more than 650 works representing 140 cultures from around Oceania, including Australia, Papua New Guinea and New Zealand. Pardington was excited to attend the official opening night of the reopening of the gallery last month. "This is kind of a big deal for a person like me. "I don't even really have words for how it makes me feel because I'm not even sure. I'm just feeling quite surprised. "A big black tie dinner and all these super-famous people and I'm going, 'oh my God'." Pardington was among seven invited Māori and Pasifika artists to attend the reopening supported by Creative New Zealand. Before the opening night she received another surprise. "You never really imagine you're going to be sitting in New York and attending something like this and then to receive an email saying you're in the New York Times today. "I mean, it's just a little mention, but it's awesome," she said. Earlier this year, the South Canterbury-based artist, a photographer of Maori (Ngai Tahu, Kati Mamoe and Ngati Kahungunu) and Scottish (Clan Cameron of Erracht) descent, was also selected to represent New Zealand at the Venice Biennale next year. She said New Zealand was "a tiny little place full of very powerful creativity" and to be selected for the biennale was a "great honour". " I am really going to do my best to uphold the honour that has been bestowed upon me." Pardington recently announced the name of her exhibition, "Taharaki Skyside". She said her work built on the content of her 2024 series Te taha o te rangi, "the edge of the heavens", which consists of photographs of Aotearoa New Zealand birds preserved as taxidermy specimens in museum collections. Pardington is known for her investigation of traditional and forgotten objects in her still-life photography and her focus on taonga, such as the hei tiki and the extinct huia. She said her relationship with birds was "very personal". "Birds can symbolise familial love, romantic attachment, ecological warnings — they can be intimations of mortality — and in my work they can also represent individual people in my life," Pardington said. In 2011, Pardington became a New Zealand Arts Foundation Laureate, and in 2016 was named a Knight (Chevalier) in the Order of Arts and Letters by the French prime minister, the first New Zealand visual artist to receive this honour. Since 2017, Pardington has represented New Zealand at the London Art Fair and Art Basel Hong Kong, participated in the 2018 major international exhibition "Oceania" at London's Royal Academy of the Arts, and was the first New Zealander invited to participate in the Sharjah Biennial 16 in the United Arab Emirates in 2024. Despite all her career successes she remains grounded and says persistence is key. "You really don't want to get a big head and start thinking that you're special, because everybody's got talents. "And people that work hard and persevere and push through — if you want to do something, you just stick to your guns and keep going."
Otago Daily Times
05-06-2025
- Entertainment
- Otago Daily Times
Photographic artist appointed ONZM
Acclaimed photographic artist Dr Fiona Pardington has been made an Officer of the New Zealand Order of Merit for services to photography. Based in South Canterbury for the past six years, Dr Pardington (Kāi Tahu, Kāti Māmoe, Waitaha, Ngāti Kahungunu) is an internationally acclaimed photographer active since the 1980s, who was appointed a Member of the New Zealand Order of Merit in 2017 for her services to photography. Since 2017, Dr Pardington has represented New Zealand at the London Art Fair and Art Basel Hong Kong. She participated in the 2018 major international exhibition "Oceania" at London's Royal Academy of the Arts and was the first New Zealander invited to participate in the Sharjah Biennial 16 in the United Arab Emirates in 2024. She collaborated with the Wellcome Collection Science Museum in London in 2019, resulting in the exhibition at Christchurch Art Gallery "Orphans of Māoriland". She has held four solo exhibitions in New Zealand galleries since 2017 and has been featured in numerous national group exhibitions. Dr Pardington has donated photographs to the collection of the Aigantighe Art Gallery in Timaru and Christchurch Art Gallery, as well as for a charity auction to support Sanctuary Mountain Maungatautari wildlife reserve in Pukeatua. She has also donated funds for the Arts Foundation of New Zealand Te Tumu Toi for their Springboard award for emerging artists. Dr Pardington has sourced historical bird remains, including huia parts, from overseas auctions and donated them to the Canterbury Museum. She has previously been made a Member of the New Zealand Order of Merit (Queen's Birthday 2017) and Chevalier of the Order of Arts and Letters (France) in 2016. In June last year, Dr Pardington's photographic exhibition "Te taha o te rangi" (The Edge of the Heavens) opened at the Aigantighe Art Gallery. The exhibition resulted from a visit to the South Canterbury Museum in 2023, when she was captivated by the dynamic and lifelike quality of the taxidermied native birds, and began focusing on photographing the birds' heads, treating them like human portraits. She said this new approach allowed her to delve deeply into her new local surroundings and community after having only relocated to South Canterbury in 2019.
RNZ News
31-05-2025
- General
- RNZ News
Māori and Pasifika art takes the MET
Fiona Pardington Hei Tiki (female) (PHOTO: supplied/MET) Māori artist(s) - Greenstone pendant (PHOTO: supplied/MET) Tongan artist(s) - Female figure ('otua fefine) (PHOTO: supplied/MET) Fijian artist(s) - Panel (Masi Kesa) (PHOTO: supplied/MET) Photo: Neil Mackenzie A delegation of seven Māori and Pasifika artists are at New York's Metropolitan Museum of Art, for the grand reopening of the Arts of Oceania Galleries. The galleries are housed in the newly imagined Michael C. Rockefeller Wing, of the MET, which has been closed for renovations since 2021. The Oceania Galleries have 500 years of art from our region. And it was in these galleries that the 1984 Te Māori exhibition took place, a huge step in the journey to elevate Māori and Pacific art from being viewed as 'anthropological artefacts' - to a living, dynamic cultural expression. Photo: Dr Maia Nuku Overseeing The Arts of Oceania galleries in New York is MET Curator Maia Nuku. Mihi speaks with Maia and Puamiria Parata-Goodall, who was a rangatahi performer for Te Māori when it toured the US from 1984-1986.
Scoop
29-05-2025
- Entertainment
- Scoop
Fiona Pardington Reveals Exhibition Concept Going To Venice Biennale
Aotearoa New Zealand artist, Dr Fiona Pardington (Kāi Tahu, Kāti Mamoe, Ngāti Kahungunu, Clan Cameron of Erracht), announces her 2026 Venice Biennale exhibition: Taharaki Skyside. Her major new work for Venice builds on the content of her 2024 series Te taha o te rangi, 'the edge of the heavens' which consists of photographs of Aotearoa New Zealand birds preserved as taxidermy specimens in museum collections. Applying the precision, care and responsiveness to historical and cultural resonances she has previously brought to taonga, Pardington's remarkable avian portraits engage with the tradition of memento mori. By resurrecting their dignity, charisma and wildness, Pardington also brings these long-dead birds vividly to life. Taharaki Skyside makes direct connection with the realm where birds act as messengers between the mortal and spiritual worlds, she says. 'Birds can symbolize familial love, romantic attachment, ecological warnings, they can be intimations of mortality, and in my work they can also represent individual people in my life. The ideas I am conjuring remind us of the integral significance of manu within te ao Māori – as sources of food and materials, and intermediaries between human and divine worlds,' says Pardington. 'Taxidermy occupies a unique space between love, death, and fetish. When photographing in museum collections, I have observed the artifice of the birds' presentation, the way they have been posed, the care with which they have been assembled, and, sometimes, their worn condition. By using strategic lighting and angles I am trying to draw out their charisma – to free them from the constraints of being mere objects,' she says. Christchurch Art Gallery Te Puna o Waiwhetū is Creative New Zealand's delivery partner for 2026, and Pardington's Venice project is curated by Chloe Cull and Felicity Milburn. Throughout her practice, Pardington has drawn acclaim for images that invite us to see and feel the world in a new way, says Milburn. 'Her works for Taharaki Skyside carry vital relevance in a global context. Her images underscore the far-reaching and devastating losses – ecological and cultural – that have occurred as the result of human impact and colonisation.' 'She opens up moments of extraordinary resonance and recognition that transcend time and place, life and death,' Milburn says. Taharaki Skyside opens at La Biennale di Venezia on 9 May 2026. Bio notes: Artist Dr Fiona Pardington is responsible for some of the most memorable images in contemporary Aotearoa New Zealand artmaking. For more than three decades, she has crafted a highly respected practice nationally and internationally, operating largely within the tradition of the photographic still life. Pardington often works with museum collections, highlighting the vital cultural and spiritual significance of taonga and natural history specimens for Māori. Pardington has been the recipient of numerous awards and honours, including the Moët et Chandon Fellowship (1991–2), the Frances Hodgkins Fellowship (1996–7) and the Ngāi Tahu residency at the University of Otago Ōtākou Whakaihu Waka (2006). In 2011 Pardington became a New Zealand Arts Foundation Laureate, and in 2016 was named a Knight (Chevalier) in the Order of Arts and Letters (Chevalier de l'ordre des Arts et des Lettres) by the French Prime Minister, the first New Zealand visual artist ever to receive this honour. In 2017, Pardington was made a member of the New Zealand Order of Merit for her services to photography. Pardington's works have been extensively collected by all of Aotearoa New Zealand's major public galleries, as well as the Musée du Quai Branly (Paris), the National Gallery of Art (Washington, US), the National Gallery of Canada (Ottawa), Queensland Art Gallery | Gallery of Modern Art and the National Gallery of Victoria.
Scoop
11-05-2025
- Entertainment
- Scoop
Te Tuhi Launches The Iris Fisher Artist Studio Residency And More
Press Release – Te Tuhi Te Tuhi celebrates its Golden Anniversary with the launch of the Iris Fisher Artist Studio Residency, the publication of A History of the Pakuranga Arts Society 1969- 1984, and a cake designed by Fiona Pardington. At an event on Saturday 10 May—hosted by Te Tuhi Director Hiraani Himona, along with founders Lois Perry, Bev Smaill and the Iris Fisher Family—Te Tuhi celebrated the incredible 50-year-long journey of the gallery with some of its longest standing contributors and supporters. The celebrations included: • The launch of the Iris Fisher Artist Studio Residency, generously supported by the Lou and Iris Fisher Charitable Trust. • The launch of A History of the Pakuranga Arts Society 1969-1984, a publication uncovering the history behind Te Tuhi's foundation. • A large-scale cake designed by artist Fiona Pardington, who has recently been appointed to represent Aotearoa at the 2026 Venice Biennale. Iris Fisher Artist Studio Residency: a legacy of support for contemporary art Iris Fisher was an early champion of contemporary art in Aotearoa, as well as a pivotal figure in the foundation of the Pakuranga Arts Society in 1969—which paved the way to the establishment of the Pakuranga Cultural and Community Centre (1975), the Iris Fisher Gallery (1984), and Te Tuhi (2001). The first Iris Fisher Art Awards were held in 1981 at the Pakuranga Cultural and Community Centre, won by Phyl Bush (painting) and Dorothy Rickard (spinning and weaving). In 1984, Fisher gifted $10,000 to establish the Iris Fisher Endowment Fund to foster and encourage innovative contemporary art practice through annual awards. This fund, added to over the years by both the Lou and Iris Fisher Charitable Trust and the Pakuranga Arts Society/Te Tuhi, enabled the Iris Fisher Art Award to provide financial and professional support to many emerging artists from 1984 to 2005. In 2007, to increase its impact in a changing environment, the award evolved into the Iris Fisher Art Education Scholarship, offering a $5,000 prize to enable an outstanding visual arts student to complete their final year of study in Auckland. In 2019, the scholarship expanded to a national level. The first recipient was Erica Van Zon in 2007. The 18th and most recent recipient was Kim Ireland in 2024. 2025: a new way to foster artist development 2025 is the 50th anniversary of the opening of the Pakuranga Cultural and Community Centre (now Te Tuhi), and it marks a point in the evolution of the scholarship where Te Tuhi and the Lou and Iris Fisher Charitable Trust have once again considered the current climate and landscape and evaluated how the legacy of Iris Fisher can best foster and encourage contemporary art practice. Reviewing the benefits of the scholarship, one of the biggest impacts on the careers of artists was the opportunity to develop strong relationships with Te Tuhi and the institution's wider network. In light of these considerations, the Lou and Iris Fisher Charitable Trust have generously increased the amount of funding for the scholarship to provide a stipend for a new three-month studio residency programme as the next step in the evolution of the Iris Fisher Art Award. Te Tuhi acknowledges the Iris Fisher family for their invaluable involvement and contribution to the contemporary art sector in Aotearoa New Zealand. A History of the Pakuranga Arts Society 1969-1984 On Saturday 10 May Te Tuhi also launched A History of the Pakuranga Arts Society 1969-1984, a publication uncovering the incredible history behind Te Tuhi's foundation, researched and written by Moyra Elliott in the early 2000s, and finally being published in 2025. Following the 2001 merger of the Iris Fisher Gallery and the Pakuranga Community and Cultural Centre to form te tuhi – the mark, the Pakuranga Arts Society (PAS) Board saw an opportunity to document the Society's rich history. With generous support from the Lou and Iris Fisher Charitable Trust in 2002–2003, PAS commissioned arts writer Moyra Elliott to research and write this history. Drawing on the Society's archives and conducting interviews with many involved over the years, Elliott produced a detailed essay, full chronology, and profiles of key figures. The result is a comprehensive account that honours the dedication and tireless efforts of those who helped shape the Pakuranga Community Centre, the Iris Fisher Gallery, and now Te Tuhi—a lasting tribute to a vibrant legacy of community and the arts. A Fiona Pardington-designed cake to kickoff the celebrations To start this milestone year, many of the longest-standing supporters of Te Tuhi over the past 50 years gathered on Saturday 10 May to celebrate the opening of the Pakuranga Community and Cultural Centre (1975) with a birthday cake designed by Fiona Pardington. Pardington, who will represent Aotearoa at the Venice Biennale in 2026, designed the cake for the 10th anniversary of the Fisher Gallery in 1994, and the Te Tuhi team have recreated it, with some tweaks from the artist, for the gallery's 50th. Te Tuhi 50: other special events and projects Among the many other exciting projects to celebrate Te Tuhi's Golden Anniversary is 50 Years On, an exhibition of ephemera that uncovers the rich history of the gallery through a fascinating collection of archival material. Open to the public until December 2025, this exhibition offers a rare glimpse into the evolution of Te Tuhi, from its beginnings as the Pakuranga Community and Cultural Centre in 1975, through the opening of the Fisher Gallery in 1984, to its current standing as one of Aotearoa's foremost contemporary art spaces. Everyone is welcome to come and visit the exhibition to enjoy a full-immersion into the history of New Zealand contemporary art. Do stay tuned for other opportunities to celebrate Te Tuhi's legacy. We have a whole range of upcoming events, parties, special projects, and publication launches planned for the year!
