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How a Royal Statue Represented the Colonists' Changing Views
How a Royal Statue Represented the Colonists' Changing Views

Epoch Times

time05-07-2025

  • Politics
  • Epoch Times

How a Royal Statue Represented the Colonists' Changing Views

The French and Indian War of 1754 to 1763 had hardly ended before another war began on the American continent. In a fight over their geographic sovereignty, native tribes—including the Choctaw, Delaware, Ottawa, Seneca, and Shawnee—allied together against the British. This war, which began in 1763, was known as Pontiac's Rebellion, named after the Ottawa war chief. The war began in the Great Lakes and Ohio River Valley and extended as far west as the Illinois territory and as far east as western Virginia, continuing for two years and ending in a stalemate. A 19th-century engraving by Alfred Bobbett. In a famous council on April 27, 1763, Pontiac urged listeners rise up against the British. Public Domain

Zip Trips: Roebuck
Zip Trips: Roebuck

Yahoo

time06-06-2025

  • Yahoo

Zip Trips: Roebuck

ROEBUCK, S.C. (WSPA) – Roebuck was one of the first settlements in the Upstate, settled in 1790. It all began at Walnut Grove Plantation, the oldest home in Spartanburg County. The Moore family received eight land grants spanning five square miles from King George III following the French and Indian War. Local historian Tim Fowler said it may be thanks to a few travelers who stopped at Smith's Tavern, a lodging place near the plantation, that Roebuck is what it is today. 'A couple of travelers were passing through in the late – you know – 1790s,' Fowler explained. 'They decided to come back, and they established a church which is a Bethlehem Baptist church, which was established in 1800 and that was mainly the general gathering area.' The church still stands today. 'I get a little emotional sometimes, you know I'm so proud of our folks who they were and where they came from that's why I've spent so much time and money making sure my two sons and my grandchildren know all about them,' said Tim Foster, a seventh generation at the church. Throughout the centuries many, like Foster, said Roebuck has stayed the same. They describe it as a quiet, laid-back town where people can take a break from the hustle and bustle of other booming cities. Lifetime resident Joe Parrish described Roebuck as a 'piece of countryside.' 'Oh, it's just a beautiful community,' described Parrish. 'You have all the growth of Spartanburg County, but in Roebuck, it's like the untouched, so to speak. You still have nature, you know, you can go to Spartanburg or wherever, but you get Roebuck and it's peaceful.' All whom we spoke with said they quietly hope Roebuck always remains the same. 'I think that this is a spot where you're close to the city, but you're all of a sudden immersed in nature and you're sent back in time, ' said Lauren Preston-Friedrich. 'I really think that's special.' 'We're hoping Roebuck gets to be Roebuck for as long as it can,' said Parrish. First Responder Friday: South Spartanburg Fire Department Colonial Milling Friends of Croft State Park Glenn Springs Preservation Society Grill 221 Inn the Doghouse Pauline Cafe Roebuck Greenhouses SIPSetc. Coffee Shop Spartanburg County Councilman Monier 'Mo' Abusaft Walnut Grove Plantation You can win 4 tickets to Dollywood! To enter the contest, click here. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

How you can spot bald eagles on the Potomac Eagle Scenic Railroad
How you can spot bald eagles on the Potomac Eagle Scenic Railroad

Yahoo

time06-05-2025

  • Yahoo

How you can spot bald eagles on the Potomac Eagle Scenic Railroad

ROMNEY, (WBOY) — Last week, Potomac Eagle Scenic Railroad allowed 12 News to experience all of the magic behind its three-hour trough trip, which takes riders through the mountains of West Virginia to see eagles up close. According to Operations Safety and Regulatory Compliance Manager Patton Swartzfager, the route of this trip goes from the Romney train station all the way to Sycamore Bridge for several miles. Swartzfager told 12 News that the route travels along an old, historic line that was originally built by the Baltimore and Ohio (B&O) Railroad. He added that the train is operated with freight service and that the track is owned by the state of West Virginia, but the railroad leases the right-of-way from the state for a freight company to handle freight and operate the train. Nick Saban inducted into West Virginia Sports Hall of Fame The train ride travels along the south branch of the Potomac River, with Swartzfager adding that you can only travel through this area by canoe, kayak or train. 'There's really no way to drive in there, hiking is not really feasible along the train side because the tracks do run fairly close to the river,' he said. 'So if you wanna see this, if you wanna get out and see the nature—see the eagles, there's really fairly limited options to do that.' Historian Jean Shoemaker told 12 News that due to the area being fairly isolated, it's an ideal spot for eagles to nest. 'It's just a beautiful part of the country, you know,' she added. According to Shoemaker, the trough valley is 'steeped in history,' adding that the American French and Indian War and then later the Civil War played prominent roles in this area. 'The town itself changed hands 56 times during the war,' said Shoemaker. 'Changed hands so frequently, one day it changed hands three times.' Shoemaker added that former president George Washington surveyed the valley before, with it being documented that he made at least two trips, once with the survey party and then a second time as a commissioned officer with the Virginia militia during the French and Indian War, commissioning forts all down through the South Branch Valley. Throughout the entirety of the train ride, Shoemaker handles historic narration and points out sights of interest. She told 12 News that she specifically focuses on houses listed as historic landmarks, and she also points out different natural sights along the way. 'I have something different to tell people each season,' said Shoemaker. 'Right now, the dogwoods are beautiful and we'll be looking at houses that were built in the colonial era. The valley was first settled in the early 1700s, and then when we get to the trough, our big draw is the eagles.' Davis launches sewer projects that will expand development options According to Shoemaker, there are four nests along the trough that are very visible, but they have no idea how many nests are actually in that area. During the regular season, these rides are available to book on Fridays, Saturdays and Sundays. On these days, you can also book an all-day trip, which takes you from Romney to the other side of the railroad and dead ends in Petersburg. Swartzfager said that the tracks don't connect to any other railroad, so it can be a unique experience for travelers. Swartzfager said that during the fall months, particularly October, Potomac Eagle Scenic Railroad opens rides up to every day of the week. During that time, it offers two train rides on both Saturday and Sunday, to give people from all around the chance to come and experience the fall foliage. 'When you're going through trough canyon along the mountain of both sides…when those leaves are changing, it is an absolute explosion of color,' said Swartzfager. 'So we add to our schedule during that time, we run more trains so that people can come and see the beauty that is West Virginia in the fall.' The trains offer different classes of service, ranging from coach all the way up to club service. Swartzfager stated that the varying meal options for these services include four-course dining, three-course dining, as well as an option for five courses of hors d'oeuvres. 'It's just a great way to get out, it's a great way to come with your family to enjoy just a nice, relaxing day,' Swartzfager added. To get out of the house, to come ride and experience nature and see the symbol of our great nation—the American Bald Eagle in its natural habitat.' Shoemaker has been responsible for historic narration during Potomac Eagle Scenic Railroad's rides since 1991, making this her 35th season. She told 12 News that she was born in the valley, and still isn't tired of it because she enjoys being able to share the area's history and beauty with others. 'People come not knowing actually what they're going to see,' said Shoemaker. 'They have seen some videos on TV. They know they're going to see eagles, but a lot of these people when they walk off say they had no idea we have this much history here…so it's an eye opener for a lot of people.' To view all of the different train trip options available at Potomac Eagle Scenic Railroad, it's best to take a look at its website, which includes details of special events such as the Fall Foliage Train Ride and North Pole Express. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Museums Tell Stories of American Independence
Museums Tell Stories of American Independence

New York Times

time25-04-2025

  • Entertainment
  • New York Times

Museums Tell Stories of American Independence

What's all that yelling? It's hard to make out the words, but at the entrance to the Virginia Museum of History & Culture's new 'Give Me Liberty' exhibition, a man's voice was registering anger — loudly enough that it threatened to drown out the director of curatorial affairs, Andy Talkov, who was giving a tour. Just four days before the exhibition's opening last month, Talkov was explaining the significance of one of the objects viewers will see when they enter the first of two second-floor galleries holding the exhibit. It is a Charles Willson Peale portrait of George Washington. But this one is different from the other six Peale portraits of the first president. Painted in 1772, it shows a younger man, dressed in the blue and red uniform of a provincial officer — which he had been, loyally serving the king of England, during the French and Indian War. Like many others, Washington's views would, of course, change over the next few years — as the exhibition shows. But wait: That angry voice seems to grow louder, if still unintelligible — and is now joined by the murmuring of others. A meeting gone wrong? Someone on the museum staff having a bad day? 'Oh,' Talkov said matter-of-factly when the din threatening to drown him out momentarily subsided. 'That's Patrick Henry.' Indeed it is — or at least an impression of the fiery 18th-century Virginia legislator, performed by the history re-enactor John Tucker, and shown on a six-minute, 30-second video loop as part of the exhibit. Standing in 18th-century finery, and with his glasses shoved up to his forehead (as was Henry's habit), Tucker was videotaped standing in the very spot Henry did — the nearby St. John's Church in Richmond, four miles east — 250 years ago. On March 23, 1775, he delivered the impassioned address that would provide a rallying cry of the Revolution — and the inspiration for this exhibit, illuminated by a collection of rare objects that include a pair of spectacles that Henry actually wore. The Virginia Museum of History & Culture is not the only institution that has plans to recognize the semiquincentennial — the 250th anniversary — of the Revolution and the signing of the Declaration of Independence. Often working with state commissions that have been created to help support educational initiatives for the anniversary, history museums around the country are developing programming and exhibitions that tell the rousing story of how the country achieved independence, while also including the voices and experiences of women, enslaved and free African Americans, and Indigenous people. 'The flag waving and the bell ringing and references to inspiring patriotic comments, that all needs to be there,' said John R. Dichtl, president and chief executive of the American Association for State and Local History. 'But it also needs to be a more inclusive, fully rounded history.' And perhaps a unifying one, as well. 'For me, telling these stories can be bridge-building,' said R. Scott Stephenson, president and chief executive of the Museum of the American Revolution in Philadelphia, whose own 250th-anniversary exhibitions kicked off this month with 'Banners of Liberty,' a collection of rare battle flags. 'We can see what we have in common, through the Revolution,' Stephenson said. Jamie Bosket, the Virginia museum's president and chief executive, believes that the exhibition can tell Virginia's part of this history in a balanced way. 'We're going to be respectful, thoughtful, reflective, comprehensive and celebratory,' he said. The fact that 'Give Me Liberty' opened more than 15 months before the actual 250th anniversary of the signing of the Declaration of Independence is telling. 'We want to meet the moment,' Bosket said. 'This is a major, multiyear, multimillion-dollar investment.' With its collection of more than nine million objects, the Virginia museum — itself nearly 200 years old — seems well positioned to tackle the American Revolution, with all its repercussions, achievements and contradictions. By contrast, the New Castle Court House Museum in quaint New Castle, Del., is a bit of a hidden gem. In a restored Georgian-style building from 1732, it has no plans for an exhibit. 'The museum is an exhibit,' said its site supervisor, Juliette Wurm, with a chuckle. For the 250th, 'we are mostly looking at programming. We have the period rooms already set up.' They include the second-floor Assembly Room where representatives from what were then the lower three counties of Pennsylvania—New Castle, Kent and Sussex — met on June 15, 1776, to vote on separating from that larger colony. Separation Day — as it's now remembered in Delaware — was soon followed by independence (with one of Delaware's delegates, Caesar Rodney, riding overnight to Philadelphia to cast the deciding vote). As the 250th anniversary of both events approaches next year, the museum will hold a mock vote on separating from Pennsylvania, as well as lectures from historians about Delaware and the Revolution; educational programming for children on how colonial government worked; and a re-enactment of the reading of the Declaration of Independence from the second-floor balcony of the courthouse. In New York on July 9, 1776, pro-independence enthusiasts pulled down the two-ton equestrian statue of George III on Bowling Green in Lower Manhattan. The shattered sovereign was then melted into bullets. Some pieces, however, were saved from the furnace. One such fragment of the original George III statue, found in a swamp in Connecticut, will be part of the Museum of the City of New York's 250th-anniversary exhibition, spotlighting the grim period between that celebratory moment and the departure of British forces in 1783. 'Occupied City: New York During the American Revolution,' opening May 2026 and presented with the Gotham Center for New York City History, will relate — in about 200 maps, documents, art and archaeological artifacts — what the museum's director and president, Stephanie Hill Wilchfort, calls 'an incredible story of resilience.' Barely three months after celebrating independence, Washington's army was in full retreat and the city was under British occupation until his triumphant return in 1783. Said Peter-Christian Aigner, director of the Gotham Center, 'I think people will be surprised to learn that in many ways, New York was the city at the heart of the Revolution.' Noelle N. Trent might respectfully disagree. 'As far as Massachusetts and Boston is concerned, we helped start this thing so it's appropriate for our museums to lead in this moment,' said Trent, director of the Museum of African American History in Boston and Nantucket, Mass. For Trent and her staff, the challenge was how to interpret the views of people, already marginalized, in a society that was shifting beneath their feet. 'For us, the question was, 'What was the Black community, particularly in Boston, thinking at this time?'' she said. Her museum's exhibition — 'Black Voices of the Revolution' — will feature A.I.-driven holographic images of Black Americans from that period, both Loyalist and Patriot. And, she said, the exhibit is likely to remain up well after its scheduled opening on Juneteenth. 'Remember that the Revolutionary War wasn't just a 1776 moment,' Trent said. 'The war goes from 1775 to 1783. We see people's stances evolve over time, and that's an opportunity for us to present some different perspectives.' For some museums, it's a distant perspective — not just chronologically, but geographically. In 1776, what is now the western United States was far from the fighting. So what can a museum in, say, Colorado, present to its audiences that would be relevant? Plenty. Because 2026 will also be the sesquicentennial of Colorado's entrance into the Union in 1876, state history museums are planning exhibitions that look at both events — what was happening there during the American Revolution, and how the memory of 1776 was invoked during its rise to statehood a century later. 'Obviously, Colorado was not a part of the American Revolution, but I find that immaterial,' said Nathan Richie, director of the Golden History Museum and a member of the state commission planning the commemorations. 'This is more about the spirit of our nation and the ideals of our democracy than it is about the minute details of any specific battles.' Perhaps no one exemplified that spirit and articulated those ideals as memorably as Patrick Henry. Even though his words, in the re-creation projected at the Virginia Museum of History & Culture, are loud ('We have to get that volume adjusted,' said Talkov, the curator, making a note), it's hard to hear its famous climax and not be moved. 'Is life so dear or peace so sweet as to be purchased at the price of chains and slavery?' Henry thundered. 'Forbid it, almighty God! I know not what course others may take, but as for me, give me liberty or give me death!'

Here's how the Revolutionary War started in Massachusetts 250 years ago
Here's how the Revolutionary War started in Massachusetts 250 years ago

CBS News

time14-04-2025

  • Politics
  • CBS News

Here's how the Revolutionary War started in Massachusetts 250 years ago

This Saturday, April 19, marks 250 years since the start of the Revolutionary War in Massachusetts. It began with the "Shot heard 'round the world" on April 19, 1775 in Lexington and it marked the end of a decade of simmering tension between the colonies and Britain. You could say it started in 1763 over a cup of coffee. Following the French and Indian War, the English monarchy was heavily in debt. King George III imposed the Sugar Act, which taxed foreign imports of sugar and molasses. It also levied taxes on other items, like coffee. This riled colonists but the king wasn't done. In 1765 came the Stamp Act. This was a tax on any printed material in the form of a stamp. Newspapers, pamphlets even playing cards all had to have the stamp, and that cost money. By this time, the colonists had had enough. They started organizing in places like the Green Dragon Tavern in downtown Boston. "Sam Adams, John Hancock, Paul Revere. They all met in the Green Dragon, and they had a secret society, the Sons of Liberty," explains Noelle Somers, whose family now owns the cozy pub. The original location was on Union Street, but the current Dragon on Marshall Street is a page from another century. It was in places like this where the idea of revolution took shape. It was also convenient for gathering intelligence on British troops. "The bar was an English bar, a British bar and the redcoats would come and enjoy a pint and discuss what was coming," said Somers. It was after this that the rallying cry "No taxation of representation" was adopted. Resistance was so strong, the king repealed the Stamp Act a year later. To reassert sovereignty, George III legislated the Declaratory Act in 1766, which affirmed England's absolute right to rule over the colonies and tax them as it wished. The Townshend Act followed, which was a series of taxes on all manner of items. It was meant to raise more revenue for England but also raised tensions. On March 5, 1770, emotions bubbled over. Boston locals and English troops got into a confrontation, leading to the Boston Massacre. "It's chaos. With the firing, the crowd calms down of course. There are three people dead in the street, a couple others mortally wounded," explained Dr. Robert Allison of Suffolk University, an expert on the Revolutionary War. Five people were killed, six were wounded. The greatest impact, however, was how colonials used it as propaganda and a rallying cry against British rule. "Samuel Adams always said, 'Putting your enemy in the wrong and keeping him in the wrong is a good lesson,'" said Allison. The massacre was largely an organic event. Three years later, another watershed moment took place after weeks of planning. "We look at it as the single most important event leading up to the American Revolution," said Evan O'Brien, the creative services director of the Tea Party Ships & Museum in Boston. Between 100 and 150 people took part in what was the worst kept secret in town. More than 1,000 came to watch. "A combination of regular townsfolk, the Sons of Liberty, people from of all different backgrounds and classes all came down, right to this location on Griffin's Wharf," said O'Brien. Just like that, 92,000 pounds of tea went overboard and the Boston Tea Party became legend. King George III was livid. In the spring of 1774, he passed the Intolerable Acts. It closed down Boston Harbor and limited self-governance in Massachusetts. The colonists responded. In the fall of that year, the Continental Congress was formed. They outlined their grievances, organized resistance and prepared for the inevitability of conflict.

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