Latest news with #GangsOfWasseypur
News18
6 days ago
- Entertainment
- News18
Waiting For The Family Man Season 3? Don't Miss These Top Manoj Bajpayee Films
1/8 Satya (1998), Streaming on- SonyLiv: Bajpayee portrayed a young man who came in search of work to Mumbai but got entangled with the underworld is regarded as one of the best performances in Hindi cinema. (Image: IMDb) Aligarh (2015), Streaming on- Prime Video: Manoj Bajpayee portrays a homosexual professor at Aligarh Muslim University in the film. His deeply nuanced performance as a queer character grappling with identity issues following a sting operation has received widespread acclaim. (Image: IMDb) Gangs Of Wasseypur (2012), Streaming on- Prime Video, Netflix: This is probably one of the best performances by Bajpayee. His role as Sardar Khan is intense and full of charisma, where he conflicts with coal mining mafia lord Ramadhir Singh (Tigmanshu Dhulia). (Image: IMDb) Special 26 (2013), Streaming on- Netflix: Another brilliant performance by the actor. Manoj Bajpayee plays the role of a dogged CBI officer. The film also stars Akshay Kumar, Anupam Kher, Kajal Aggarwal and Divya Dutta. (Image: IMDb) Killer Soup (2024), Streaming on- Netflix: Bajpayee plays a dual role opposite Konkona Sen Sharma. His impressive performance as a husband and as a lover keeps you hooked in this dark comedy thriller. (Image: Netflix) Despatch (2024), Streaming on- Zee5: Joy Bag, a crime reporter, played by Manoj Bajpayee thrives to protect print journalism in growing digitization of news. The movie is a perfect watch if you want to see Bajpayee in a character-driven role. (Image: IMDb)
Indian Express
15-07-2025
- Entertainment
- Indian Express
Maalik Box Office Collection Day 4: Rajkummar Rao's film is still Rs 40 crore short of recovering its budget
Rajkummar Rao's foray into the gangster genre, Maalik, opened to a lukewarm response from audiences on its first day. However, the film witnessed modest growth over the weekend, earning an estimated Rs 14.25 crore in India. And now, according to industry tracker Sacnilk, Maalik has collected around Rs 1.65 crore on its fourth day (Monday), bringing its total domestic collection to approximately Rs 15.90 crore. The film recorded an overall 9.54% Hindi occupancy on day four. It began on a disappointing note, with only 5.12% occupancy in the morning shows. The trend remained relatively flat throughout the day, with afternoon and evening shows recording 9.54% and 10.01% respectively. The night shows peaked slightly at 13.49%. Interestingly, Tier-2 cities like Jaipur and Lucknow were among the strongest markets for the film, registering occupancies of 15.25% and 13.25% respectively. In contrast, traditionally strong territories such as Delhi-NCR and Mumbai lagged behind with 9.75% and 12.00% respectively. Also Read | Rajkummar Rao says he was 'at the centre of Gangs Of Wasseypur', script was changed: 'Anurag Kashyap said tera role nahi bacha' Maalik has, however, outperformed other new Hindi releases of the week, most notably Aankhon Ki Gustakhiyaan, starring Vikrant Massey and debutante Shanaya Kapoor. That film has managed to earn only around Rs 20 lakh on day four, with its four-day total hovering near Rs 1.35 crore, a major blow for a project reportedly made on a budget of Rs 50 crore. Despite this edge, Maalik is trailing behind Rajkummar Rao's previous releases. His recent sports drama Mr & Mrs Mahi had crossed Rs 19 crore in its first four days, while Bhool Chuk Maaf earned over Rs 30 crore in the same time frame. Maalik is also contending with stiff competition from Superman, which remains the top choice among moviegoers and has raked in over Rs 28.25 crore in just four days. Other releases still holding ground in their second week, like Metro… In Dino, are also posing a challenge, with collections inching closer to the Rs 40 crore mark. With minimal word-of-mouth buzz and largely negative reviews from critics, Maalik faces an uphill climb to recover its reported budget of Rs 54 crore.
Pink Villa
14-07-2025
- Entertainment
- Pink Villa
Anurag Kashyap lashes out at T-Series for paying little money for the music of Dev.D, Gangs Of Wasseypur and Gulaal, 'If Bhushan Kumar is not buying it...'
It's yet another chaotic day in the world of Bollywood. This time, the spotlight is on filmmaker Anurag Kashyap and producer Bhushan Kumar. Anurag Kashyap has openly criticized India's largest music label, T-Series, for its approach to music rights and payments. In a recent conversation that Anurag Kashyap had with The Juggernaut, he claimed that T-Series paid him less for the music of his iconic films, and elaborated on why he feels Bhushan Kumar lacks an understanding of good music. Anurag Kashyap Expresses Displeasure Over T-Series Not Paying Him Enough For Music Of His Iconic Films Gangs Of Wasseypur, Dev.D and Gulaal Anurag revealed that T-Series paid him very little for the music of his cult classics Dev.D, Gangs of Wasseypur, and Gulaal. These films, celebrated for their groundbreaking soundtracks, continue to resonate with the listeners. In the interview, he made a very bold remark. 'If Bhushan Kumar is not buying it, then it is good music. If T-Series is not buying it, it is great music. T-Series doesn't buy good music at a good price', he told to the interviewer. T-Series, who continue to profit massively from these soundtracks, have allegedly compensated him inadequately. He claims that the label prioritizes commercial appeal over quality, often paying high amounts only when big stars are involved. Anurag Kashyap Claims Bhushan Kumar's T-Series Acquired The Music Rights Of Bombay Velvet, Despite Not Liking It The filmmaker also highlighted a specific case with his 2015 film Bombay Velvet. According to Kashyap, T-Series paid a substantial amount for its music despite not liking the soundtrack. He said, 'They only pay for the star in it,' implying that T-Series bases its financial decisions on the star power and not the musical merit. Both Bhushan Kumar And Anurag Kashyap Are Correct In Their Own Right; Here's How T-Series, led by Bhushan Kumar, has not publicly responded to these accusations yet. However, the label's dominance in Bollywood's music scene is undeniable. T-Series' commercial focus is not impractical as they are here to make money and not to do public service. Anurag Kashyap, on the other hand, is not wrong to be inclined towards the art, more than the other commercial aspects that labels like T-Series focus on. Share your view on the matter, and whether or not you feel Anurag Kashyap is justified to be speaking like this about the music label that has acquired the music rights of his films.
India.com
11-07-2025
- Entertainment
- India.com
Maalik Review: Rajkummar Rao's action drama is a predictable ride, which has no spark
Rajkummar Rao's one of the most anticipated films of this year, 'Maalik', has finally hit the big screens, which is based on the journey of a young boy who later becomes a gangster. The film is set against the backdrop of the 1980s, which revolves around the sacred city of Allahabad and portrays the journey of a farmer's son, who is against the societal norms and wants to create his own aura while shaping a new world that runs on his terms. Later, the story focuses on a person rising with power who has already made countless enemies but does not fear anyone because, according to him (Maalik bankar paida nahi hue toh kya hua, ban toh sakte hai) , has become his sole and only purpose. What Is The Plot Of Maalik? The film follows the journey of a young man named Deepak from Allahabad who, shaped by poverty and injustice, rises to become a feared figure in the world of crime. Set in the politically turbulent 1980s, the story traces his transformation from an angry young guy into a ruthless gangster who commands power and loyalty. Soon after Deepak's channel into the role of Maalik, things get tricky for him because in this journey, he is not alone, he has a father, mother and a wife who would've been his strongest pillars, but as we say, harsh truth, sad reality, fate always has a different plan. After becoming 'Maalik' as he starts to climb the ranks of the criminal underworld, he becomes both saviour and a threat to those around him. Along the way, he navigates murky alleys of dirty politics and betrayal, which weave a trail to make him fall. Later, the story delves into a question, whether Maalik's empire will hold its status or burn to ashes. The Performances In Maalik Rajkummar Rao is a versatile actor who has given himself a shift from serious to comic roles that have always been a treat for his die-hard admirers. This time, he has tried to experiment with himself in an action avatar mode, which did not lived up to expectations. While watching him on screen, you will feel that he is trying harder and harder to delve into the role of a gangster, but sadly, the attempt seeks negative attention from the viewer's point. The action sequences done by him are hit and miss, especially when the bar has already been set up by cult characters such as Bhiku Mhatre from 'Satya', Sardar Khan from 'Gangs Of Wasseypur', Chandan Mahto from 'Khakee: The Bihar Chapter,' Sultan and Faizal Khan from 'Gangs Of Wasseypur' franchise. Despite the physical transformation and the attempt to embody a ruthless gangster, his performance feels restrained and fails to leave a lasting impact. Manushi Chhillar, who plays the role of Shalini in the film as Maalik's better half, did justice to her role. But, somehow, it felt like she deserved much better because this is the first time when an actress like Manushi, who has always been a sparkling star in her other movies, channelled something which was completely out of her league, but managed to surpass the expectation from her praiseworthy performance. The special mention for the supporting cast who have become the backbone of this predictable gangster drama. Saurabh Shukla, Saurabh Sachdeva, Swanand Kirkire, Anshuman Pushkar and Prosenjit Chatterjee have done a fantabulous work in this film. Despite not being a lead character, they knew how to seek out the best in their characters. Saurabh Sachdeva, Anshuman, and Prosenjit pulled out their characters with conviction, proving why they have always been show stealers. Cinematography and Editing Of Maalik Anuj Rakesh Dhawan's cinematography captures the essence of 1980s Allahabad with a gritty realism that immerses the audience in the film's setting. The use of real locations in Allahabad and Lucknow add authenticity to the visual narrative. However, Zubin Sheikh's editing could have been tighter; the film's pacing suffers due to prolonged sequences that hinder the overall flow, and because of that the film's runtime feels stretched. Music and Sound Design The soundtrack, composed by Sachin-Jigar with lyrics by Amitabh Bhattacharya, features songs like 'Naamumkin' and 'Dil Thaam Ke' that resonate well with the film's tone. Ketan Sodha's background score is a hit and miss in terms of the film's dramatic moments. The Direction and Writing Of Maalik The direction and writing department, helmed by Pulkit and Jyotsana Nath, feels uninspired and predictable, due to which this gangster drama fails to elevate any kind of praiseworthy, whistle-worthy moments for the Rajkummar Rao fans. 'Maalik' does not make you feel that you are watching an action-packed film; it has big, fiery guns, but no spark at all. Final Verdict Overall, Rajkummar Rao's experimental flick showcases strong performances from its supporting cast and excels in technical aspects like cinematography and music, but it is a letdown due to an underwhelming lead performance, editing, and narrative that lacks cohesion. The film had the potential to be a compelling gangster saga if they had done it right, but ultimately fails to deliver a satisfying cinematic experience. Rating- 2 /5
Mint
23-06-2025
- Entertainment
- Mint
'Hazraat, Hazraat, Hazraat!' Nawazuddin Siddiqui, Manoj Bajpayee remember Gangs of Wasseypur as the film clocks 13 years
Mumbai (Maharashtra) [India], June 23 (ANI): The much-loved crime drama 'Gangs of Wasseypur' turned 13 on Sunday, June 22. Directed by Anurag Kashyap, the two-part film was released in 2012 and quickly became a cult hit. With its sharp dialogues and powerful performances, it changed the face of Indian cinema. As the film clocked 13 years, actor Nawazuddin Siddiqui, who rose to fame with his role in the film, took to Instagram to share a special picture with director Anurag Kashyap. The photo shows the two standing near a tree. Nawazuddin stands quietly while Kashyap is seen smoking a cigarette. "Celebrating 13 years of Gangs Of Wasseypur," Nawazuddin wrote in the caption. The post caught the attention of fans who dropped their reactions in the comment section. One fan wrote, "Unbeatable combo. Ek aur jalwa dikhao." Another commented, "Adha ciggerate ke liye intejar karta hua nawaj vai." "Lagta hai kuch bada aane wala hai. Tabahi I mean Gangs of Wasseypur 3," wrote a third user. Actor Manoj Bajpayee, who played Sardar Khan in the film, also marked the day with a heartfelt post. He wrote, "Hazraat, Hazraat, Hazraat! 13 years ago, Wasseypur redefined Indian cinema. A saga of coal, crime, and cult dialogues that still echo across screens and streets. More than a project, this became a moment in history, one that shaped Indian cult cinema forever." Gangs of Wasseypur was released in two parts -- the first on June 22 and the second on August 8, 2012. The story covered nearly seven decades, from 1941 to 2009, focusing on coal mafias, crime families, and the endless fights for power in Dhanbad. Besides winning hearts and earning critical praise, both parts of the film turned into box office successes. Today, 'Gangs of Wasseypur' continues to enjoy a huge fan base, with many calling it one of the best Indian films ever made. (ANI)
