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Time of India
7 hours ago
- Business
- Time of India
HC clears Colaba jetty after weighing balance between progress and preservation
Mumbai: Bombay high court on Tuesday upheld the state govt and Maharashtra Maritime Board's (MMB) decision to construct a passenger jetty and terminal facilities near Radio Club, Colaba. "The pursuit of development is not an affront to the environment when it walks the careful path of sustainability guarded by regulations and reasons," said Chief Justice Alok Aradhe and Justice Sandeep Marne. They gave the ruling after considering the material on record, expert opinions, statutory clearances, weighed the scales between progress and preservation and took into account the fact that the project stands fortified by statutory clearance. You Can Also Check: Mumbai AQI | Weather in Mumbai | Bank Holidays in Mumbai | Public Holidays in Mumbai The verdict came on three petitions, including by Clean and Heritage Colaba Residents Association, challenging the decision of the state govt and the MMB to construct the jetty, as well as the Maharashtra Coastal Zone Management Authority clearance and traffic and heritage NOCs given to the project. The petitioners argued that the Gateway of India monument is a Grade I heritage structure, and the promenade comes within 100 metres of the precinct. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like American Investor Warren Buffett Recommends: 5 Books For Turning Your Life Around Blinkist: Warren Buffett's Reading List Undo They said the magnitude of the project includes a 64,000 sq ft terminal with a cafe, shops, open amphitheatre and VIP lounge and a tennis racket shaped jetty that will extend over half a kilometre into the sea. When operational, it would dwarf the area and dominate the sea-front. It will congest the already crowded area. The judges noted that the Mumbai Heritage Conservation Committee recorded that the jetty "would not obstruct the view of the surrounding heritage structures". There is no "infirmity" in the heritage NOC. Traffic police NOC was valid as it considered the jetty's parking facility will decongest P J Ramchandani Road. The judges said the project meets the principle of sustainable development where the proposed development is carried out with minimal damage to the environment. It envisages construction "involving virtually no reclamation of the sea". The MCZMA applied its mind to all environment concerns before giving clearances. The petitioners said a 2000 report that recommended Ferry Wharf for passenger jetty was not disclosed. The judges said the purpose then was to connect Mumbai to Navi Mumbai. The present jetty is to decongest the existing 5 small jetties used by around 35 lakh passengers. MCZMA was not supposed to consider an alternative site. They said the project's dominant purpose is to provide facilities to the passengers for embarkation and disembarkation. Other facilities like amphitheatre, restaurant, cafe are only ancillary to it and "have to be used to make the jetty functional". The judges were "conscious" that there is no sewage treatment plant envisaged in the project and "functioning of the facilities should not be detrimental to the environment. " Therefore, having ascertained from advocate general Birendra Saraf, they issued directions. MMB shall ensure that the amphitheatre shall be used only as a sitting area for passengers and not "as a place of entertainment in any manner". Also, the proposed restaurant/ cafe shall only be used "to provide water and packed food products to the passengers and shall not be used for providing dining facilities." After completing the project, the existing jetties at Gateway shall be discontinued in a phased manner as directed by the Indian Navy.
India.com
4 days ago
- Entertainment
- India.com
Meet Arjun Rampal's daughter, a 20-year-old model, surpasses Ananya Pandey and Suhana Khan in beauty, her name is...
Meet Arjun Rampal's daughter, a 20-year-old model, surpasses Ananya Pandey and Suhana Khan in beauty, her name is... In the glitzy and glamorous world of Bollywood, the last name holds paramount importance. It gives easy access to the industry, adds a spotlight on star kids, and brings instant attention. But in a world where most star kids are widely known because of their surname, few rare gems carve their niche for themselves and command attention on their merit. One such similar tale is of a celebrated actor's daughter, who is making waves on the internet not because of her legacy but because of her undeniable charm, striking beauty, sartorial choice of fashion, and growing presence in the modelling world. Who is Arjun Rampal's Daughter? View this post on Instagram A post shared by Surily G (@surilyg) The person that we are talking about is none other than Arjun Rampal and his ex-wife, Mehr Jesia's daughter. Myra Rampal. Myra is the younger sibling and is currently breaking the internet with her beauty. Many people believe that Mayra is overshadowing popular star kids like Janhvi Kapoor and Ananya Panday in beauty and elegance. Mayra Rampal Work, Social Media, and More. Myra is a model; she started doing it professionally in the year 2003. She made her modelling debut at the Pre-Fall Fashion Show during the Gateway of India's grand event in Mumbai. Actor Arjun Rampal, being a proud father, shared pictures of her daughter's entry into the fashion world from the show. Myra is also an avid social media user. She has over 38K followers on Instagram and is seen posting pictures in chic outfits, drawing attention from fashion enthusiasts and fans. Arjun Rampal and her ex-wife Mehr Jesia got separated after 20 years of marriage. Despite their separation, she shares a close bond with both her mother, Mehr, and father, Arjun. Myra is mostly seen with her dad, Arjun, and their warm and cute bond is quite visible from their posts. Mayra's elder sister, Mahikaa Rampal, on the other hand, keeps a relatively low profile and uses a private account. Myra's striking beauty, fashionable style, and social media presence have created waves on the internet. Who knows that this star kid could be the next big face in Indian fashion?
Time of India
4 days ago
- Entertainment
- Time of India
From ‘Rimjhim Gire Saawan' to ‘Barso Re': The many moods of monsoon in Hindi cinema
With each passing decade, the portrayal of rains, or monsoon, has evolved in Hindi cinema. Rain comes bearing a medley of emotions. Imagine sitting with a cup of tea, a plate full of pakoras, and the beautiful Rim Jhim Gire Saawan playing in the background, as raindrops gently patter against the windowpane. Music composers, lyricists, and filmmakers have long given voice to the emotions stirred by downpour. The imagery of rain has been used to evoke everything from heartbreak and romance to joy, hope, and freedom. 'People fall in love during the rainy days' Music composer Lalit Pandit, who has composed several memorable rain-soaked melodies - Dekho Na (Fanaa), Hum Tum (Hum Tum), and the melodic La La Laaa from Mohabbatein, which features Aishwarya Rai and Shah Rukh Khan celebrating love - believes the rains provide the perfect setting for romantic numbers. 'People fall in love during the rainy days. Usually, people of a certain age step out in the rain, eat at small shops, drink tea, and run together for shade in cosy corners. These are unforgettable moments of life. Dil judd jaata hai aise moments mein,' he says. Lyricist and writer Swanand Kirkire reflects on the emotional and cultural depth rain holds in India, "Monsoon is a season everyone waits for. If the monsoon goes well, the harvest is good. Monsoon is related to fertility, hence romance, hence love,' he says. Swanand Kirkire says, "There are many songs about love in rain, there is sensuousness and longing also... But now, rain has lost its emotional pull. Urban sensibilities see rain as a hurdle. 'Yaar kya shuru ho gaya hai' – people start complaining on day one." But with each passing decade, the portrayal of rains, or monsoon, has evolved in Hindi cinema - from being sensual, romantic and melancholic to cheerful and full of hope. And, in the last five years, rain songs have dried up. Kirkire laments, 'There's nothing now. Urban sensibilities see rain as a hurdle—Yaar kya shuru ho gayi hai—people start complaining on day one.' The last time we saw our hero and heroine romancing the rain was in Sooryavanshi (2021) when Akshay Kumar and Katrina Kaif recreated the iconic Tip Tip Barsa Paani. Rimjhim Gire Sawan is my favourite rain song, especially the female version by Lataji. The way they step out and enjoy the rain, I love how it has been picturised. It shows the life of the middle class – Lalit Pandit, music composer A love letter to Mumbai: Rimjhim Gire Saawan (1979) Shot in real Mumbai rains, this romantic interlude from RD Barman's repertoire, features Amitabh Bachchan and Moushumi Chatterjee as a young couple taking a stroll around iconic places in Mumbai – Gateway of India, Bandstand, Marine Drive – while it pours. The song's picturisation is like a love letter to Mumbai and a reminder of simpler times when we could enjoy the rain without worrying about flooded streets & stalled traffic. Celebratory, joyful: Koi Ladki Hai (1997) The joyous composition, penned by Anand Bakshi, has a sing-song rhythm to it: Ghode jaisi chaal, haathi jaisi dum, o sawan raja kahan se aaye tum. It is one of those monsoon songs that compel you to step out of your house and do some 'chak dhoom dhoom', like Shah Rukh Khan and Madhuri Dixit. Love, nature and freedom: Barso Re (2007) Aishwarya Rai Bachchan's free-spirited celebration to this AR Rahman composition is unforgettable. The song has her rejoicing in the rain and blossoming nature while she tells the trees, river and mountains to remember her as she gets ready to elope with her lover. Celebration of first love: Barkha Bahar Aayi (1960) One of the earliest monsoon songs in Hindi cinema, it captures a young woman's (Sadhana) first brush with romance as she sings, 'Barkha bahar aayi, ras ki phuhar laayi, akhiyon mein pyaar laayi.' Bimal Roy kept the visualisation simple – Sadhana walking around the porch of her house, with focused shots of trees, puddles, and raindrops. Lata Mangeshkar's vocals and Shailendra's lyrical finesse add sparkle to Salil Chowdhury's evocative composition about first love. 'The brilliance of the song is complemented by the manner in which the wait and the longing have been portrayed,' lyricist Prasoon Joshi writes in the festschrift The Man Who Spoke in Pictures: Bimal Roy. Sensual and stormy: Bheegi Bheegi Raaton Mein, Ajnabee (1974) Zeenat Aman once called the RD Burman composition 'a sensual, sweet number.' With thunder, lightning, and suggestive lyrics by Anand Bakshi, the song rides the line between eroticism and tenderness, as she finds comfort in Rajesh Khanna's arms. Hope: Ghanan Ghanan (2001) After a long drought, rain becomes a symbol of hope, defiance, and resilience for the villagers in Ashutosh Gowariker's Lagaan. For them, rain brings hope and promise of a better tomorrow. 'Jo panchhi gaayenge, naye din aayenge, ujaale muskuraa denge andhero par, prem ki barkha mein bheege bheege tan mann, dharti pe dekhenge paani ka darpan.' The mischief of love: Ek Ladki Bheegi Bhaagi Si (1958) Romance and rain go hand in hand - but whether it turns mischievous or steamy depends on who you cast: Kishore Kumar or Rajesh Khanna. In this classic, Kumar flirts playfully with a rain-drenched Madhubala. Majrooh Sultanpuri's lyrics elevate SD Burman's playful tune: "Ek ladki bheegi bhaagi si, soti raaton mein jaagi si..." Sensual: Tip Tip Barsa Paani (1994) Akshay Kumar and Raveena Tandon's sizzling chemistry in the Mohra song gave melophiles one of Bollywood's most iconic rain songs – and one which was unapologetic of female desire. Raveena's translucent yellow sari in the song is popular to this day.
Time Business News
07-07-2025
- Time Business News
If You Haven't Visited These Places In Mumbai, Then Why Even Come To Mumbai?
Mumbai, the City of Dreams, is a vibrant mix of history, spirituality, beaches, and iconic landmarks. Whether you're a tourist or a local, there are certain places you MUST Places to Visit in Mumbai truly experience Mumbai's soul. From the divine Siddhivinayak Temple to the majestic Gateway of India, and from the serene Global Vipassana Pagoda to the bustling Juhu Beach, each spot has its own magic. You can Read : Best Spiritual Destinations Near Mumbai In this blog, we explore the best places to visit in Mumbai, including Shri Siddhivinayak Temple, Shri Mahalaxmi Temple, Haji Ali Dargah, Marine Drive, Hanging Garden, Gateway of India, CST, Juhu Beach, and Global Vipassana Pagoda. Each location is covered with an overview, how to reach, best time to visit, things to do, best nearby places to visit, and travel tips to help you make the most of your trip. One Day Mumbai Darshan by Car – Explore City Of Dreams One of Mumbai's most revered temples, Siddhivinayak Temple is dedicated to Lord Ganesha, attracting lakhs of devotees daily. 📍 Location: Prabhadevi 🚆 Nearest Station: Dadar (10-min walk) 🚌 Best Way: Taxi/Auto from anywhere in Mumbai Early Morning (5-7 AM) for shorter queues. for shorter queues. Avoid Tuesdays & Festivals if you dislike crowds. Seek blessings of Lord Ganesha . . Attend Aarti (5 AM & 7:30 PM) . . Donate to the temple trust. Dadar Flower Market Shivaji Park No phones allowed inside (keep them in lockers). (keep them in lockers). Dress modestly (avoid shorts/sleeveless). Best 23 Places to Visit in Mumbai Perched near the sea, this ancient temple is dedicated to Goddess Mahalaxmi, the deity of prosperity. 📍 Location: Breach Candy 🚆 Nearest Station: Mahalaxmi (5-min walk) Weekday mornings (less crowded). (less crowded). Diwali & Navratri (special decorations). Offer coconuts & flowers . . Enjoy the sea view from the temple. Haji Ali Dargah Worli Sea Face Beware of pickpockets in crowded times. in crowded times. No footwear allowed inside. One Day Mumbai Darshan Tour A stunning floating mosque in the Arabian Sea, dedicated to Sufi Saint Pir Haji Ali Shah Bukhari. 📍 Location: Worli 🚆 Nearest Station: Mahalaxmi (15-min walk) Sunset (best for views & cool breeze). (best for views & cool breeze). Avoid high tide (path gets submerged). Attend Qawwali nights (Thurs-Fri) . . Enjoy street food near the entrance. Mahalaxmi Race Course Wankhede Stadium Cover your head (scarves available for rent). (scarves available for rent). No photography inside the shrine. A 3.6 km-long crescent-shaped promenade along the Arabian Sea, famous for its sunset views. 📍 Location: Nariman Point to Malabar Hill 🚆 Nearest Station: Churchgate (5-min walk) Early Morning (5-7 AM) for peaceful walks. for peaceful walks. Evening (5-7 PM) for sunset. Sit on the tetrapod rocks . . Try cutting chai & vada pav from stalls. Nariman Point Chowpatty Beach Don't swim (strong currents). (strong currents). Beware of hawkers selling overpriced items. A terraced garden on Malabar Hill, famous for its animal-shaped hedges & sunset views. 📍 Location: Malabar Hill 🚆 Nearest Station: Grant Road (10-min taxi) 6-9 AM or 4-7 PM (pleasant weather). Walk through topiary gardens . . Visit Kamala Nehru Park (next door). Banganga Tank Walkeshwar Temple Wear comfy shoes (lots of walking). (lots of walking). Carry water (limited stalls inside). A historic monument built during British rule, overlooking the Arabian Sea. 📍 Location: Apollo Bunder, Colaba 🚆 Nearest Station: CST (20-min walk) Early Morning (6-8 AM) for fewer crowds. for fewer crowds. Evening (5-7 PM) for boat rides. Take a ferry to Elephanta Caves . . Enjoy street photography. Taj Mahal Palace Hotel Colaba Causeway Bargain hard with souvenir sellers. with souvenir sellers. Avoid weekends if possible. A Gothic-style railway station and UNESCO World Heritage Site. 📍 Location: Fort, Mumbai 🚆 Nearest Station: CST (self) Daytime (10 AM-4 PM) for architecture views. Admire the Victorian architecture . . Visit Fort area's heritage buildings. Bombay High Court Kala Ghoda Art District Don't block commuters while taking photos. while taking photos. Beware of pickpockets. Mumbai's most famous beach, known for street food & celebrity sightings. 📍 Location: Juhu Tara Road 🚆 Nearest Station: Andheri (15-min taxi) Evening (5-8 PM) for sunset & food stalls. Try pav bhaji, bhel puri, & coconut water . . Enjoy horse rides & kite flying. ISKCON Temple Prithvi Theatre Don't swim (polluted water). (polluted water). Carry wet wipes (messy food). A golden pagoda dedicated to meditation, offering serenity & panoramic views. 📍 Location: Gorai 🚆 Nearest Station: Borivali (then ferry/taxi) Morning (9-11 AM) for meditation sessions. Meditate in the main dome . . Explore the Dhamma Pattana center. Maintain silence inside. inside. No photography in meditation areas. If you haven't visited these iconic Places to Visit in Mumbai, you're missing the real essence of the city! From spiritual temples to historic landmarks, and from scenic beaches to peaceful pagodas, Mumbai has something for everyone. Plan your trip wisely, respect local customs, and soak in the magic of Mumbai! November-February (cool weather, ideal for sightseeing). Yes, but avoid isolated areas at night. Yes, if planned efficiently (group nearby locations). Gateway of India, Marine Drive & CST. Depends – street food & local trains are cheap, hotels can be pricey. TIME BUSINESS NEWS
Time of India
01-07-2025
- Entertainment
- Time of India
Birla Opus Paints celebrates Indian heritage through the power of colour
Building on its core philosophy of ' Duniya Ko Rang Do ', Birla Opus Paints , housed under Aditya Birla Group 's Grasim Industries, has launched their new brand campaign, a national initiative that brings India's timeless monuments to life, beginning with the iconic Gateway of India , revealing how the power of colour can rekindle pride, beauty, and transformation across the nation. The new campaign – Celebrating Colours of India , is an evolution of 'Duniya Ko Rang Do' narrative, taking the vision further, revealing the power of colour to transform not just spaces, but perspectives, at every scale, the company stated in a press note. Continuing with the animated approach, the film reintroduces the Opus Boy in an attempt to colour the world around him and spread joy, deepening the premise of transformation through colour. By reimagining iconic monuments. The campaign showcases how beauty can open avenues of wonder and storytelling. While our monuments already stand tall in history and grandeur, this artistic reimagination is an effort of creative celebration and an extension of the brand's core philosophy, 'Duniya Ko Rang Do' - inviting audiences to see familiar structures through a renewed, more colourful lens. Rakshit Hargave ,chief executive officer, Birla Opus Paints said, "Following the impactful messaging and audience response from our previous campaigns, we are incredibly proud to introduce our new communication that celebrates India's heritage by reimagining possibilities of transformation through vibrant colours and patterns. The film reinforces the influence of colours and our commitment to beautify spaces, while contributing to the national spirit and pride." Inderpreet Singh , head – marketing, Birla Opus Paints, added, 'Our 'Duniya Ko Rang Do' philosophy has always been centred on the profound impact of colour, and with our new campaign, we are taking this belief to a national canvas. By showcasing the potential of our paints with places of national heritage and deep cultural significance, we aim to create a powerful story of hope, reminding every Indian of the beauty around them and the transformative potential of paints." Sachin Kamble , chief creative officer, Leo India , 'Building on the success of the much-loved launch film, this new set of Birla Opus films amplifies the 'Duniya Ko Rang Do' thought. We've continued our use of 3D feature animation to create a rich, immersive experience, this time set against the backdrop of one of India's most iconic visuals. Their grandeur and timelessness serve as the perfect canvas to inspire audiences to reimagine the world through the transformative power of colour.' The communication has been conceptualised by Leo India and Zombie Studios , Brazil and is being amplified across various media channels, including TV, digital, OOH, print and radio, ensuring widespread reach and engagement with audiences nationwide. The film opens with a familiar scene at the Gateway of India, where a photographer struggles to pique people's interest in capturing themselves with the monument's allure. The young Opus boy, observing this, is inspired to bring about a change. With the Opus touch, the monument bursts into vibrant colour and patterns, captivating onlookers and reigniting a desire to engage further with its beauty. This transformation not only uplifts the monument but also brings joy and renewed purpose to the photographer, a reminder that beauty can revive more than just walls, it can truly transform one's world, it added. Watch the video here:
