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Express Tribune
29-06-2025
- Entertainment
- Express Tribune
Ginny & Georgia review: a story as messy as life itself
Life, as the flamboyant and charming Georgia Miller puts it in her ultra-Texan drawl on Ginny & Georgia, is 'always either a tightrope or a feather bed.' She's sharing this famous quote, attributed to American writer Edith Wharton, with her fiancé, Paul Randolph, the mayor of the show's fictitious town of Wellsbury, Massachusetts, where the story is set. The imagery illustrates the contrast between two aspects of life: the challenging, risky, and potentially rewarding path of "the tightrope," versus the comfortable, safe, and potentially less fulfilling path of "the feather bed." But Randolph doesn't quite understand the gravity of her words, nor does he realise that nothing could describe Miller's life better. Admitting to herself and her kids who are the closest to her, that she is a monster and never wants them to become like her, is almost always thrown out of the featherbed to land on a tightrope, and that is exactly where Sarah Lampert, the creator of the show, wants the viewer to be. The storyline of this supposedly 'comedy series' is around an unsettled, awkward 15-year-old daughter, Ginny Miller, who often feels she is way more mature than her 30-year-old mother, the gorgeous, irresistible and dynamic Georgia Miller, known in the series as a 'force'. After years on the run, Georgia desperately wants to settle down in Wellsbury, and finally provide her daughter and son with a normal life, which is something they have never had. The first season came out early in 2021, and was watched by more than 52M subscribers in its first 28 days. The series made the Top 10 list in 87 countries around the world and hit #1 in 46, including Australia, Brazil, Kenya and the US. Those were the lockdown days as the pandemic had hit the world. People watched it as decent trash, easy watching, pleasant on the eye. But as the season progressed, one began to realise that this 'comedy' genre should more aptly be described as 'dark comedy.' By the time the second season came out in 2023, audiences realised that the show was actually exploring a lot of important themes such as self-harm, sexual identity, having a deaf person in the family isn't a challenge or a stigma, and ethnic and gender inclusivity besides the curious relationship between a mother and a daughter. Why do I use the word 'curious' here? While on one side, the use of the terms "mother cell" and "daughter cells" in science are used to describe the relationship between a cell that undergoes division and the new cells that result from that division, on the other Freud points out that mothers and daughters do not share the same bond as daughters and fathers. I feel that the mother-daughter relationship is uniquely biological and special, even irreplaceable yet it has its own wavelength, frequency and increasing or decreasing pull. Lampert makes sure she amps that current between Ginny and Georgia from time to time. There are situations where Ginny doesn't want to know her mother, while Georgia always has her arms open for her children. Some mothers and daughters get on like a house on fire, some don't, depending on time, situation, and circumstances. This is primarily what Ginny & Georgia (G&G) delves into. Although the show is compared to Gilmore Girls, I feel that this is dark and deep, despite Lampert's mastery of weaving the darkness and depth with wild, fun, bouncy stuff that entertains to the core. Lampert, created the show to be 'a peculiar mix of mystery, intrigue and suspense laced with modern, soapy, coming-of-age storytelling.' 'It needs to be entertaining,' she said in an interview. 'We want people to care about the characters and take them on a wild ride. We gave ourselves permission to be messy as soon as we gave the characters permission to be messy.' Interestingly, Lampert wrote the pilot during a class she was taking because she was frustrated with herself for not writing enough to spur herself to become a writer with some solid deadlines. 'I wanted something productive to come out of what I was feeling. It's an amalgamation of shows that matter to me.' The shows's audiences must have included tens of thousands of mothers and daughter, reflecting on their relationships with each other, the contribution, the grey areas, the secrets, the unsaid words, and the said ones. A daughter usually sees a mother after the woman who is her mother has been through some 20-30 years of her life. There are often ghosts from the past that many daughters and sons don't know how to accept or deal with but they cannot be written off. A mother is a person, at the end of the day. G&G could be an adventurous tutorial for mothers and daughters to learn about each other, accept and love each other not just for the biological relation but for the people they both are. As the show explores Ginny and Georgia's complicated and troubled mother-daughter relationship, Ginny struggles to settle in school where students are predominantly white, while she is half black and half white. From the moment that they arrive in Wellsbury, Georgia tries desperately to provide her kids a stable life. Ginny and Georgia's characters are interlinked ofcourse, sometimes the relationship is fun, and other times it is toxic and dangerous. At times they are best friends, while sometimes they are worst enemies. But it is heart-breaking to see how Georgia Miller wants to protect her kids, yet the daughter fails to see beyond the optics. They love each other deeply, yet hurt each other insanely because loved ones hurt the worst, but mostly they are learning about each other and trying to understand each other to their best abilities. Along with mother-daughter dynamics, the show beautifully portrays identity issues, several marriages/husbands, past traumas among teens, as well as relationships between older people. G&G cannot be lumped into a single genre convention. One wonders if it is a comedy or a drama? Comedy in a dark hood? One tends to agree with Lampert that the show is every genre for it seriously handles some grave topics. For one, it was an eye-opener for me that in the first world, a girl-child and a woman can be exploited and abused to such an extent in the first world, and that the social and cultural pressures and patriarchy is next-level, but completely relatable in our culture. Lampert had the show's writing team partner with Mental Health America, so that a licensed therapist was on call to read the scripts for an accurate depiction of issues like self-harm and depression explored in the show. Responsible entertainment, now that's a new genre! Brianne Howey who plays Georgia is an extremely talented actor. On the face of it, with her devastatingly fabulous looks, wide charming smile, and rich Texan accent, you may initially feel that 'anybody that good-looking can do this role.' But it is in season two and onwards that Howey stuns you as the multi-layered character begins to shed. Howey makes sure that what you see as Georgia is an impenetrable shield for her cunning mind when it comes to her own and her family's well-being; she could kill for her kids, and she does. Her fear of being discovered for what she was in the past in a fleeting look in her eyes, that is quickly replaced by her dazzling smile. In season 3, Howey excels in her craft. Every mother has a bit of Georgia in her. She does unbelievably good stuff and insanely bad stuff, as a survivor as she wades through difficult choices that life handed out to her. Is she a villain, or the heroine is for you to decide. 'It's us against the world,' she tells her kids, often enough. Lamperts packs in loads of characters, young and older, but they are all colourful, unique and real. There are surprises within the arc of each character. Plenty of flashbacks of the past lives of the Millers are cleverly woven into a pacey story that allows easy binging. Lampert's favourite tool is voiceovers when the characters speak what is going on their heads — things they think and do not or cannot express. You will find your own favourite characters. Initially I thought Ginny played by Antonia Gentry was flossy, later I realised Gentry's worth as a young actor. I fell in love with all of the Baker family and how their deaf father is so involved in everything the family goes through because they all speak in ASL. The music score in the three seasons and particularly in the third season accentuates every scene and nuance. They are actually great songs available on YouTube as G&G playlists. Watching the latest season 3, I realised that the first two seasons are an intricate build up for season 3 which has major juice. It cames as the reward for putting up with the frills and flounce of the previous two seasons. This one is pure, intense drama. I actually clapped at one scene, yelled out a loud 'Nooooo' at one and while watching another, my mouth opened tonsil-wide but no scream came out! Those who watched seasons 1 and 2 earlier had to wait two years for season 3. Luckily, I got to watch them all together and there was an addictive pull. And yes, there is a season 4 in the making. Soap, chaos, entertainment doesn't get any better than this.
Los Angeles Times
20-06-2025
- Entertainment
- Los Angeles Times
‘Ginny & Georgia' is a breakthrough in showing abortion as a personal experience
The series: 'Ginny & Georgia.' The setting: A women's healthcare clinic. The scene: Ginny, 16, is carrying an unwanted pregnancy. She's seeking an abortion. During a preconsultation, a clinic provider asks if she needs more time to decide. No, says the teen, she's sure. There's no proverbial wringing of hands around the character's decision. No apologizing for her choice. Why? Because it's not for us to judge. It's a personal matter, despite all the politicization around reproductive rights that might have us believe otherwise. Opinions, debates and legislative fights around abortion have raged since Roe vs. Wade was adjudicated by the Supreme Court in 1973, then overturned in 2022. It's no secret why such a lightning-rod issue is rarely touched by series television. Alienating half the country is bad for ratings. Exceptions include breakthrough moments on shows such as 'Maude,' 'The Facts of Life' and 'Jane the Virgin,' but even those episodes were careful to weigh the sensitivity of the political climate over a transparent depiction of their character's motivations and experience. Another pitfall is that subplots featuring abortion storylines are hard to pull off without feeling like a break from scheduled programming for an antiabortion or pro-abortion-rights PSA, or worse, a pointless exercise in bothsidesism. Season 3 of Netflix dramedy 'Ginny & Georgia' dares to go there, unapologetically making the political personal inside a fun, wily and addictive family saga. The series, the streamer's No. 1 show since it returned two weeks ago, skillfully delivers an intimate narrative that defies judgment and the fear of being judged. The hourlong series, which launched in 2021, follows single mom Georgia Miller (Brianne Howey), her angsty teenage daughter Ginny (Antonia Gentry) and her young son Austin (Diesel La Torraca). This formerly nomadic trio struggles to forge a 'normal' life in the fictional Boston suburb of Wellsbury. Flamboyant, fast-talking Southerner Georgia stands out among the fussy, provincial New England set. Born in Alabama to drug-addicted parents, she fled her abusive upbringing as a teenager. Homeless, she met Zion (played as an adult by Nathan Mitchell), a college-bound student from a good family. Soon into their relationship, she fell pregnant, giving birth to their daughter Ginny, kicking off a life on the run and in service of protecting her children. Now in her 30s, the blond bombshell has relied on her beauty, innate smarts and countless grifts to endure poverty and keep her family intact. The hardscrabble lifestyle has made Ginny wise beyond her years, though she's not immune to mercurial teen mood swings and the sophomoric drama of high school. But history appears to repeat itself when Ginny becomes pregnant after having sex just once with a fellow student from her extracurricular poetry class. Overwhelmed, he's the first person she tells about their dilemma. 'That's wild,' he responds idiotically, before abruptly taking off, leaving her to deal with the pregnancy on her own. Episode 7 largely revolves around Ginny's decision to have an abortion, a thoughtfully paced subplot that breaks from the perpetual chaos and deadly secrets permeating the Millers' universe. Ginny is painfully aware that she is the product of an unwanted pregnancy and her mother's choice not to have an abortion. Georgia has repeatedly said her kids are the best thing that ever happened to her. But when counseling her distraught daughter, Georgia says the choice is Ginny's to make, and no one else's. Here's where 'Ginny & Georgia' might have launched into a didactic, pro-abortion-rights lecture cloaked in a TV drama, or played it safe by pulling back and highlighting both women's stories in equal measure. Instead it chose to bring viewers in close, following Ginny's singular experience from her initial shame and panic, to moving conversations with her mom, to that frank counseling session at the women's health center where she made it quite clear she was not ready to be a mother. We watched her take the medication, then experience what followed: painful cramping, pangs of guilt, waves of relief and the realization she now bore a new, lifelong emotional scar that wasn't caused by her mother. By sticking to Ginny's intimate story, through her perspective, the series delivers a story that is hers and hers alone, partisan opinions be damned. 'Ginny & Georgia' has offered up many surprises over its three seasons. Georgia has emerged one of the more entertaining, cunning and inventive antiheroes of the 2020s. As such, she attracts men in droves, schemes a la Walter White and doesn't believe in therapy: 'We don't do that in the South. We shoot things and eat butter.' But therapy might be a good idea given Season 3's cliffhanger ending: another accidental pregnancy.
Forbes
06-06-2025
- Entertainment
- Forbes
‘Ginny & Georgia' Season 4: Everything To Know After That Shocking Season 3 Ending
Ginny & Georgia. (L to R) Brianne Howey as Georgia Miller, Antonia Gentry as Ginny Miller in episode ... More 304 of Ginny & Georgia. After more than two years, the third season of Ginny & Georgia is now streaming on Netflix. Packed with twists, turns, and plenty of questions heading into Season 4, the saga of the Miller family continues – and Georgia barely makes it out of this scandal unscathed. Season 3 picks up after Georgia is arrested for murder at her wedding to Wellsbury mayor Paul Randolph. As a refresher, in Season 2, Georgia killed Tom Fuller, the husband of Cynthia Fuller, while he was in hospice care at the Fuller home. Georgia's son Austin, who was playing hide-and-seek and hiding in the closet of Tom's room, witnessed his mom smother Tom with a pillow. Georgia is then arrested and driven away in a cop car, setting the stage for an intense court battle and a potential prison sentence in Season 3. If you've finished all 10 episodes, here's what to know about Ginny & Georgia Season 4 – including what the Season 3 ending means for Georgia and her relationship with her kids, who both made major sacrifices for her. Warning: Major spoilers ahead for Ginny & Georgia Season 3. Ginny & Georgia. (L to R) Diesel La Torraca as Austin Miller, Antonia Gentry as Ginny Miller in ... More episode 310 of Ginny & Georgia. Season 3 largely focuses on Georgia's trial for the murder of Tom Fuller, which her son witnessed first hand. In an unexpected twist, Austin frames his father, Gil, for the murder he saw his mother commit. This happens largely because of Ginny, who doesn't want her mom to go to prison or for her brother to move away with Gil. Ginny blackmails Cynthia (after uncovering her affair with Joe) and forces her to say that Gil could have been at her house the night Tom was killed. 'In the back of her mind, she's aware of how what she's done to him is what Georgia has done to her, over and over again,' Gentry told Netflix's Tudum of Ginny's relationship with Austin. 'Poor Austin, this kid has gone through so much.' Now, with Gil being framed again in Season 3, having his own son turn on him the same way his ex did feels like a betrayal like no other. Gil blames Georgia for Austin's actions – just as his relationship with his son was finally starting to improve. 'He knows Georgia. He knows what she's capable of. For his son to be the one to throw him under the bus is brutal,' Gil's portrayer Aaron Ashmore said to Tudum. Perhaps one of the biggest shockers in Season 3 is that both Georgia and Ginny end up pregnant after all. 'Ginny gets pregnant, Georgia fakes a pregnancy, and then Georgia really gets pregnant, and we don't know who the dad is. And when you say these things out loud, you're like, 'What in the world is this show?!' ' creator Sarah Lampert quipped to Tudum. Ginny realizes her mom might be expecting after seeing her chug a bottle of milk from the fridge. But with Georgia having slept with both Paul and Joe, the owner of Blue Farm Café, there's one big question: Who's the baby daddy? Meanwhile, according to Gentry, Ginny's pregnancy was always part of the plan for Season 3. "The show is really just about how Ginny and Georgia are mirrors and reflections of each other,' she told the streamer. "Ginny going through a pregnancy the same way that Georgia did, but having the support system in her decision for what to do about it, is the key difference between the two.' Ginny & Georgia. Antonia Gentry as Ginny Miller in episode 303 of Ginny & Georgia. Yes, Ginny & Georgia has been renewed for Season 4. In 2023, Netflix announced that the series would return for both a third and fourth season. Unfortunately for fans, Season 4 is expected to be the show's final installment. Showrunner Debra J. Fisher told The Hollywood Reporter that the series was originally pitched as a four-season arc and they already have the final episode planned out. "When Sarah (Lampert) and I pitched the show to Netflix, we did pitch four seasons, so we know what we want the end game to be," Fisher told the publication. 'We know what we want the last episode to be.' Ginny & Georgia. (L to R) Nathan Mitchell as Zion Miller, Antonia Gentry as Ginny Miller in episode ... More 307 of Ginny & Georgia. While Season 3 focused on breaking Georgia down and bringing her to her lowest point, the creators have teased that Season 4 will focus on rebuilding the mother. Lampert revealed to Tudum that the theme for the fourth installment is 'Cycles and Origins.' Viewers will finally meet Georgia's family on screen and dive deeper into her traumatic past with her abusive stepfather and mother. (This season, Georgia's estranged father, who she hasn't spoken to since she was six, calls her from jail to reveal that, despite her mother's claims that he tried to kill both her and Georgia, she hadn't told the full truth about why he went to prison.) Showrunner Sarah Glinski added that 'the most important thing to Georgia are her kids,' and putting them through a trial will likely have major implications in the next season. 'We thought the biggest consequences are how her children are changed through the process. The burden she leaves on Austin and Ginny at the end of Season 3 is what we'll have to deal with in Season 4.' Lampert said that this unhealthy situation 'is a very powerful place' for Georgia to begin Season 4, now that she's "in a position of really wanting to change and knowing that what's at stake is her relationship with her kids.' Brianne Howey, who plays Georgia, told Tudum that she hopes Georgia will continue to push herself in Season 4 and step outside her comfort zone now that she's open to therapy. 'There is a glimmer of hope at the end of Season 3. It starts small, but it's starting, so I think it's possible,' she said. As for Ginny, who's becoming more like her mother by the second, she's heading into the summer with a stronger relationship with her dad, Zion. He's filing for joint custody, and the two are about to take a trip to Korea together. Ginny & Georgia. Brianne Howey as Georgia Miller in episode 304 of Ginny & Georgia. Netflix has not yet announced a release date for Ginny & Georgia Season 4, but the good news is that production is already underway. The writers' room for the next season officially began in February 2025. "First day of the Season 4 writer's room!!! Based on today alone, Season 4 is going to be a RIDE," read the caption of an Instagram post shared by series creator Sarah Lampert and the show's official account. The first season premiered in February 2021, followed by Season 2 in January 2023 and Season 3 in June 2025. Given the show's pattern of releasing new seasons every two years, Season 4 will likely debut sometime in early to mid-2027. Stay tuned for more updates on Ginny & Georgia Season 4. Ginny & Georgia Season 3 is streaming on Netflix. Watch the official trailer below.
Yahoo
06-06-2025
- Entertainment
- Yahoo
‘Ginny & Georgia' Season 3 Soundtrack: From Remi Wolf To Sofi Tukker
Ginny & Georgia has challenged the mold between drama and comedy, tackling all sorts of themes, for two seasons, and Season 3 follows in those footsteps. Season 3 will see Brianne Howey's Georgia Miller go through a trial for murder, which she did, indeed commit, while her daughter Ginny (Antonia Gentry) and son Austin (Diesel La Torraca) watch from the courtroom benches alongside her fiancé Mayor Paul Randolph (Scott Porter). More from Deadline 'Ginny & Georgia' Season 3: Everything We Know So Far 'Ginny & Georgia' Cast Through All Three Seasons: Who Plays Who? 'Ginny & Georgia' Creator Unpacks Season 3 Ending And Teases Season 4 Theme Whether it be an event at high school for sophomores like Sophomore Sleepover or Tulips & Tuxes or a Living Room Dance Party (LRDP), there are many opportunities for a needle drop or three in the series. Alison Moses and Kayla Monetta are responsible for curating the soundtrack to the show's third season. Findall the songs you'll hear in Ginny & Georgia Season 3 below: Episode 1: 'This Wouldn't Even Be a Podcast' 'Find You Out' by Sidney Gish and CLAVVS 'I Don't Care' by LALL 'Small Doses' by Camille Cano 'Danging in the Dark' by LØLØ 'Can I Talk My Shit' by Vagabon 'So Dramatic!' by Fake Dad 'I Can't Fly' by Anna Sofia 'Mheer Sag' by Bee Bee Sea 'Ohio' by Specific Coast 'Anti Hero' by Tessa Rose Jackson, Franklin Mansion 'All Alone' by David O'Dowda 'Mama Was a Bad Seed' by Rozetta Johnson 'The Devil' by Banks 'Liar' by Plexxaglass 'It's Called: Freefall' by Rainbow Kitten Surprise Episode 2: 'Beep Beep Freaking Beep' 'Trip Around the Sun' by MisterWives 'Neon Buzz' by Glades 'Window' by Moglii & Tonio 'In the Garden' by Hugh Trimble 'Cigarette' by Shaya Zamora 'Sunny Day' by Mr. Tout Le Monde 'Invisible (Max & Bracia's Duet)' – Original song from Mousse the Musical 'Trainwreckin' by Ruthie Collins 'Too Proud' by Broods 'Coconut' by Chair Model 'Good Friends' by Black Roses 'Bioluminescence' by Goth Babe 'benny!' by Rae Khalil 'Miss You' by Arthur Wimble 'Rewind' by Aby Coulibaly Episode 3: 'Friends Can Dance' 'Dancing in Real Time' by GGOOLLDD 'Summer Song' by Remy Bond 'Lou's Tune' by DARGZ 'Hurt' by Arlo Parks 'Baby' by Donna Blue 'Pretty Boy' by Cannons 'Kiss Me (Cover)' by Specific Coast 'Hello Hello Hello' by Remi Wolf 'Mt. Airy' by Korine 'Holiday' by New Julius 'Faster' by Hooked 'Wasted' by Billy Uomo 'I Just Wanna' by Kali Episode 4: 'The Bitch Is Back' 'Fish' by Addison Grace 'Rainy Day' by Hank May 'Lushland' by Silas Short '10 Boyfriends' by Chrissy Chlapecka 'Back on 74' by Jungle 'Hey Babe' by Matt Hartke 'Guilty Love' by Ladyhawke & Broods 'Never Even Had a Chance' by Pepper Johnson Episode 5: 'Boom Goes The Dynamite' 'Way Down We Go' by Kaleo 'Double Down' by Go-Jo 'Searing' by Imaginary Ambition 'Last Men Standing' by Loic Ghanem 'Swerve' by Yutopia 'Peach' by Broods '2AM' by Landon Conrath 'Waiting on Sunshine' by Evenson 'Burn' by Astyria 'Alright' by Futon Lee 'Game of Survival by Ruelle 'Madness' Ruelle 'Dark Things' by Adona Episode 6: 'At Least It Can't Get Any Worse' 'Crazy' by Jesse Reyez 'Crazy' by Patsy Cline 'Lifeblood' by Brand Sacrificie 'All In (But Sad)' by Specific Coast 'Love Is Overrated' by Lightheaded 'Sophie's House' by half-alive 'Sincerely Yours' by Joell Ortiz 'The Top' by Oliver Rodley 'Femmenomenom' by Femme Deadly Fenoms 'Microdosing' by UNIIQU3 'Turn It Up' by Bunny Hachete and Hunter Love 'Ba Da Bum Bum (ft. Speek Eazy' by Kali J 'Say My Name' by Sophie Lindinger 'Grab My Coat' by Amie Blu and Humble the Great 'Better Luck' by Lunar Vacation 'Haunt' by Yumi Zouma 'Kodak Moment' by Daju 'Run On' by Arvid Nero Episode 7: 'That's Wild' 'blue in miami' by Melting Resonance 'Be Fair' by Computer Magic 'Poison Baby' by Lysell 'Push N Shuv' by Lava La Rue 'Ego' by Maggie Regent 'Little Lies' by The Dead Tongues 'Late Now' by Shiv 'That Was When' by Emily Jame 'Psychic' by Conner nelson 'Bad Things' by Summer Kennedy 'B-A-B-Y' by Carla Thomas Episode 8: 'Is That A Packed Lunch' 'Sociopath (feat. Bryce Fox)' by SteLouse 'Cold Blood' by Tamahau 'Lavender Blues' by Surely Shirley 'Good Girl (Max's Song)' by Original song from Mousse the musical 'Stressed Out' by Goldwater 'Higher State (ft. Jafaris)' by Sweetlemonade 'Destructive' by Bahari 'iDWF' by Lumin 'Sink and Bones' by David Kushner 'Start a Riot' by Banners 'Coming of Age Heartbreak' by Carolina Rial Episode 9: 'It's Time For My Solo' 'Oh My My' by Summer Kennedy 'Ego' by Maggie Regent 'Burn Out' by Black Roses 'I Wouldn't Love Me' by Sam Short 'Light the Way' by Casual Sex 'I Need to Cry' by iamhill 'Dear to Me' by Electric Guest 'Lemonade Jingle' flashback on-cam between Max, Abby and Norah 'Alright' by AIZA 'Walk' by Pools 'Trouble (Bracia's song') Original song from Mousse the musical 'Good Girl (Max's Song)' Original song from Mousse the musical 'Invisible (Max & Bracia's duet) Original song from Mousse the musical 'I'm A Man' (Sophie's Song)' Original song from Mousse the musical 'Trouble Reprise' Original song from Mousse the musical 'Something About You' by I.F. 'Boomerang' by YEBBA 'Raincloud' by Baby Bugs 'How Villains Are Made' by Madalen Duke Episode 10: 'Monsters' 'Awoo' by Sofi Tukker 'The Angel and the Saint' by Goldie Boutillier 'Sail Away' by Lovelytheband 'Lost Gold' by Karma Sun 'Could You Love Me While I Hate Myself' by Zeph 'Welcome Back To Me' by Meryem Aboulouafa 'Hands on the Clock' by Star Slinger and Yessica Woah 'Wednesday' by Specific Coast and Villa Coola 'Meant to Be' by Ber and Charlie Oriain 'Loveless' by Famous Friend 'Tragic' by Charly Bliss 'Breath of Roma' by Meryem Aboulouafa 'Not About You' by Haiku Hands 'Lemonade' by Money Dolls 'You There' by Aquilo 'The End' by Tom Odell 'Angel Baby' by Rosie & The Originals Best of Deadline 2025 TV Series Renewals: Photo Gallery 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series 'Nine Perfect Strangers' Season 2 Release Schedule: When Do New Episodes Come Out?
