Latest news with #Guneet
Time of India
17 hours ago
- Entertainment
- Time of India
‘The world wants to see how India lives, moves & dances' Guneet Monga
1 2 When The Elephant Whisperers made history at the Oscars 2023, it wasn't just a proud moment for Guneet Monga — it was a milestone for Indian storytelling. Sharing the spotlight with Naatu Naatu's big win that same night, Guneet remembers being awed by the impact of Telugu cinema on the global stage. In a chat with Hyderabad Times, the producer, who was in town for the 'Golden Lens' symposium hosted by YFLO, opened up about her journey, the growing resonance of local stories, and her admiration for Tollywood. 'I'm a big fan and would love to produce a Telugu film someday, if the stars align,' she said. 'I'm always thinking about how I can add value to a project, and if there's a meaningful way to contribute, I'd be more than happy to be involved. ' 'RRR is one of the best examples of how local stories resonate globally' For Guneet, the success of Indian films on the world stage boils down to authenticity. 'RRR is one of the best examples of how a deeply local story can have global resonance. Whether it's Baahubali or RRR, our culture, language, and music captivate audiences around the world.' It's not just the big, grand spectacles that travel well. Films like The Lunchbox, Masaan, and The Elephant Whisperers also struck a chord globally because they're rooted, real, and unmistakably Indian, she reckons. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Villa Prices in Dubai Might Be Lower Than You Think! Villa for sale in Dubai | Search Ads Learn More Undo 'These are the stories the world wants. People may not travel here, but they're deeply curious about India, our culture, our people, and even our dances. ' 'My memories of Hyderabad are all about great food and vibrant places' Guneet finds something enchanting about Hyderabad every time she visits. 'My memories of Hyderabad are all about great food and vibrant places. And what really fascinates me is the number of lehenga stores! I always find myself looking at those big wedding wear storefronts, they're everywhere.' There's one Hyderabad staple she's looking to discover more of though. 'A really good biryani! I don't have a go-to spot yet, but I'd love to try one. ' 'Many films have left an impact on me' Whether it's the timeless charm of Bollywood or the quiet brilliance of international indies, Guneet draws inspiration from across the spectrum. 'My first memory of cinema was watching Dilwale Dulhania Le Jayenge. I was completely obsessed with the love story and the romance,' she recalls, adding, 'And then I remember watching Boyhood on a flight, it completely blew my mind. I couldn't stop thinking about how someone could film for so many years (the film was shot across 12 years from 2002–2013) and piece it together. That kind of ambitious storytelling inspires me.' 'Portrayal of women is something I deeply care about' Known for championing strong women-centric narratives, Guneet believes the strength of a woman's portrayal lies in thoughtful writing, not just lead roles. 'One of the films I'm proud to have produced is Soorarai Pottru. Though it was Suriya sir's film, Aparna Balamurali's character sparked meaningful conversation,' she says, adding, 'In The Elephant Whisperers, Bellie stood out so beautifully, just like Huma Qureshi did in Gangs of Wasseypur.' For her, what matters most is depth. 'Even submissive characters must have redemption. The portrayal of women is something I deeply care about as a producer.' 'I fall in love with scripts that move or challenge me' Reflecting on her journey post-Oscar, Guneet said the recognition has opened doors and pushed her to dream bigger. 'It expanded what's possible for me as a filmmaker,' she said. But for her, it's never about chasing a trend. 'I fall in love with scripts that move or challenge me,' she added. Among the stories she's hoping to bring to the screen someday is a full-fledged female-led action film. 'I think we're ready for that, and I'd love to be part of making it happen. ' 'We're building a space for women in cinema to connect, be heard & create change' At the 'Golden Lens' symposium hosted by YFLO, Guneet struck a chord with an audience of over 200 with a nearly two-hour-long conversation as candidly she spoke about the highs and heartbreaks of her journey. 'Life gave me 10 'Nos' before a single 'Yes', but I chose to celebrate every 'No.' Because each one took me a step closer,' she said, drawing applause. She also spoke passionately about the Women in Film – India Chapter, part of the global WIF network. 'Less than 10% of Indian film directors are women. That reality deeply concerns me,' she said, adding, 'Through this chapter, we want to build a space where women in cinema can connect, be heard, and create lasting change.' -Shreya Varanasi
New Indian Express
17-07-2025
- Entertainment
- New Indian Express
Guneet Monga: From Oscars to winning hearts
But the road, of course, wasn't easy. She noted, 'You know, being young, people don't take you seriously; there is so much, like raising money, executing very large projects, sales, marketing, the entire process of it. There is one aspect, which is logistics, and the other aspect is the creatives. Everywhere, finding your voice and being heard was a challenge. But I think all we can do is work, put our heads down, and focus. Our work then speaks louder than words. Today, Guneet is not just a producer; she's a name that represents meaningful storytelling in Indian cinema. When it comes to choosing what kind of stories she wants to back, she follows her instincts. 'It's deeply intuitive and has to be something that resonates with me and my life experiences,' she shared. Her role as a producer, she explained, is all about balance. 'Depends on the scripts. Again, it is also important to read something and be able to personally connect with it and understand what I can bring to it as a producer. As a producer, I sit between equity and the arts. It's one thing to find something and like it, and then there's the other aspect of what my journey on this project will be like and how I can elevate it. That is what matters to me in a wholesome way,' she said, adding, 'Another aspect is the relationship with the director, because it's two to three years of work. So, it's important for that connection to be healthy too, and for everyone to take each other's feedback.' Reflecting on one of the proudest moments of her career, she spoke about the unforgettable Oscar win for The Elephant Whisperers: 'Surreal! And also to see my director Kartiki Gonsalves as a first-time director and win an Oscar with me.'
Time of India
28-05-2025
- Entertainment
- Time of India
Guneet Monga: When the stats of the O Womaniya report came out, we realised that less than 3% of women are directors, less than 8% HODs
Guneet Monga Guneet Monga launched Women in Film India (WIF India) with a fully sponsored fellowship to the Independent Filmmaker Project (IFP), a New York-based initiative for indie filmmakers. 'I wanted to begin WIF India with a programme that supported me and sponsored me to commence The Independent Filmmaker Project (IFP), a New York-based independent filmmakers project,' she says. 'Attending producers' network was a career high for me' As part of the IFP's Producers' Network in 2011, Guneet learned the mechanics of co-productions. She says,'This was in 2011, and that informed me on how to structure films and learn about co-productions, only to realise that India had signed a co-production treaty with France in 1985,' she recalls. That knowledge proved crucial when she used the treaty to produce The Lunchbox in 2012. 'The producers' network propelled me and accelerated my exposure, knowledge, and know-how to be able to step in, construct them, and build a corporation. It was definitely a career high for me, and The Lunchbox did change our lives. It also put India on the map. We were nominated with The Lunchbox, and it was selected in Cannes in 2013 and was globally loved and represented,' Guneet says. It was like an eye-opener about the power of access - what happens when you're allowed to step outside the conventional system and acquire practical know-how. 'That's what led me to think that there should be more people learning this and having more access to the knowledge,' Guneet says. And honestly, I also miss a peer group The numbers from the O Womaniya! report revealed a staggering gender gap. She says, 'And honestly, I also miss a peer group. Less than 3% of women are directors, and across all the sectors, we are less than 8% of all heads of departments.' She adds, 'I thought it was time to do something about this, and there was a lack of structure to even build equity or have something that one can do individually. It needs to be an institutional eye. It needs to be institutionalised and be our organisational approach.' The goal, she says, is to build a foundation. 'With the setting up of Women in Film, the idea is to build a structure and a structured way of building knowledge, know-how in skill development, and exposure that is otherwise easily available to filmmakers around the world. It's time to bring that to Indian filmmaking.' How Tillotama Shome, Rucha Pathak, and Dimpy Agrawal who were selected to attend the festival's Producers' Network WIF India's debut at Cannes 2025 includes three producers - Tillotama Shome, Rucha Pathak, and Dimpy Agrawal who were selected to attend the festival's Producers' Network, each on a full scholarship. The selection was made through a nomination process led by WIF India's advisory board. Guneet explains,'Women in Film India has an incredible board. All the board members came together to nominate women producers as part of our selection process. We reached out to approximately 10 women producers who met the criteria and produced films. The producers' networking can is a mid-career program. There is an eligibility criterion that anybody applying for this needs to have produced films before at least one or two films before as a producer or a co-producer credit. ' Each shortlisted candidate was required to fill out a questionnaire outlining their goals for the program. What made the three selected producers stand out was that they had real, in-progress projects that would benefit from the support available at Cannes. She says,'All three of them had active projects that they could bring to the plan and had projects that they needed hands-on support with in terms of sales agent, in terms of sales.' It was during this process that Women in Film LA came onboard to formalise a tie-up with the India chapter. 'That is where Women in Film LA supported us and reached out to us to forge an official tie-up for Women in Film India.' This partnership resulted in three fully funded seats at the seven-day Producers' Network at Cannes. 'It was a 100% scholarship for these three women to come here and attend the 7-day producers' network at Cannes,' Guneet says. WIF India also awarded an accreditation grant to producer Shefali Bhushan, the creative force behind the acclaimed film Sthal. WIF India is new, raw, and small, but with a very large ambition At its core, WIF India is still in its taking baby steps, but Guneet believes the stakes couldn't be higher. 'It's just born, new, raw, and small, but with a very large ambition,' she says. 'I hope the future is bright. I hope we can run several skill development labs with the support of the industry and a lot of international programs. We are constantly learning from the kind of programs available around the world, and the idea is to bring them to India to enable easy access to knowledge, resources, and opportunities here that are otherwise available only to international filmmakers. ' Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
Time of India
28-05-2025
- Entertainment
- Time of India
‘WIF India aims to reshape not just representation, but the very framework of filmmaking'
Team WIF at Cannes This week at Cannes, Oscar-winning producer Guneet Monga Kapoor launched Women in Film India (WIF India), an initiative partnered with Women in Film LA to support and unite women across Indian film, TV, and digital announcement that Guneet would head the India chapter was made last year, but the official debut took place last week at Cannes. 'When I began my journey in film, resources and mentorship were limited, and the path was challenging,' Monga said. 'Women in Film India is the space I wish had existed back then.' For decades, the unofficial motto for women in Indian film has been - figure it out alone. Now, with WIF India, the plan is to upskill, fund, and mentor women across roles - not just actresses and directors, but producers, crew heads, line managers, screenwriters - the entire ecosystem. The first big move of WIF India is the Cannes Producers' Scholarship. The inaugural recipients include emerging producer Tillotama Shome (one of the producers of Berlinale's Shadowbox), studio executive Rucha Pathak, and independent producer Dimpy Agarwal, who's known for backing socially sharp stories. 'We're building a peer group of women, by women,' Guneet said. 'These global programs exist - but we're making sure they're accessible to Indian women too." 'Independent' doesn't mean alone' WIF India plans to tackle nuts-and-bolts of filmmaking - skill development, crew management, real-world mentorship. Vani Tripathi Tikoo, producer and board member says that despite of all the progress, being a woman in the Indian film industry still often means navigating boys' club. Vani says that WIF India is backed by women who've actually navigated their way through the industry. She adds,"Gender bias is real. Let's say 20 years ago, there were five women producers. Today, there are 50. But are they known? No." And she is not wrong. The names are there. But the access, visibility, and networks? Still lacking. 'Collaborations happen in silos,' Tikoo said. ' This is about creating an intentional, collective push to bring women together - not just on paper, but in action. Across states, languages, industries.' Tilotama Shome says, 'I'm a product of independent cinema, but 'independent' doesn't mean alone. It means having the freedom to make your film your way. But filmmaking is expensive, and high-risk. But making films is expensive and high risk. Hence, it is very important to have a collective that shares information and insights. Given, that the representation of women in films are so low, the up skilling endeavours of WIF, will play an important role towards equity. Education is access and it will be key in pushing the needle towards parity." Vani Tripathi Tikoo says,'In the past eight years, Nicole Kidman has collaborated with 27 female directors across her film and television projects. If our A-listers and leading actresses make it a point to work with women directors every couple of years, it could go a long way in strengthening sisterhood in cinema.' 'It's also about mentorship from people we may not have had access to otherwise' That sense of shared purpose and a long-overdue support system is what drives producer Dimpy Agarwal as well. 'Women in Film India is about to bring real change to how women are seen not just in front of the camera, but in the very structure of how films are made,' she said. 'It's about learning new and creative ways of producing, directing, and screenwriting. It's about mentorship from people we may not have had access to otherwise. This platform offers that and that's exactly the kind of change we need in today's landscape.' The days at Cannes are packed from morning to evening with expert guidance from producers, sales agents, festival programmers and distributors: Tillotama Shome For far too long, there has been a non porous wall between actors and producers, rife with feelings of not understanding each other. It's high time we worked in healthy collaboration. I was invited into the role of a producer with Baksho Bondi ( Shadowbox) by Tanushree Das and Saunyananda Sahi, that had its world premiere at Berlin this year. The learning curve was steep, but it opened my mind to the various moving pieces that go into putting a film together. So I feel very fortunate to follow up this rich experience with being a part of Women in Films, India's maiden step, to attend the producers network at Cannes. The days are packed from morning to evening with expert guidance from producers, sales agents, festival programmers and distributors. I am still reeling with all the information. It also feels amazing to share this journey with two women I admire:Rucha Pathak and Dimpy Agrawal. WIF India Producer's Network Cannes Scholarship has helped me to raise and push my talents as a Producer on a global level: Rucha Pathak "WIF India Producer's Network Cannes Scholarship has helped me to raise and push my talents as a Producer on a global level. From leading Creative and Development at big studios like UTV & UTV Spotboy; from my stint as Chief Creative Officer at Fox Star Studios; and Producing movies at Excel Entertainment — I am now exploring films as a Producer on a global level. As the world comes closer in a post-pandemic era we can tell local stories that can go global. I feel we are now perfectly poised to craft high-impact cinema that pushes creative boundaries and I want to create cinema that's exemplary in terms of being Indian but also going international." We've been going to a lot of other Women in Film chapters and everyone and it's and it's it's actually great to see that everyone's kind of facing similar issues: Dimpy Agarwal "This launch actually feels amazing and it feels like there's a support system for you and it's not a lonely journey because sometimes as women producers, it can tend to get lonely, but there is a support group, people that we can go to with like Rucha, Tillotama, Guneet Rabya, all of us being in the same room, sharing knowledge. We've been going to a lot of other Women in Film chapters and everyone and it's and it's it's actually great to see that everyone's kind of facing similar issues, similar things and how everyone's so supportive of each other and, you know, really helping everyone out, each other out in either setting up meetings for us or introducing someone that we are looking for for our projects. And the entire experience has been very informative about learning about different pre-production systems, learning about different producers, what their wins are, what their losses are." What's Women in Films India About? Women in Films India already had its first board meeting. Vani Tripathi Tikoo, board member, says,'Right before Cannes, we had a meeting where it was decided that we'd launch during the festival. As part of Women in Films India, there will be mentorship programs, collaborative events, and consistent community-building. If I had to sum up the objective in four points: -Women in Films India is more than a platform — it's here to make change. -It will unite film, TV, and digital media under one umbrella. -It will create scholarships and initiatives so women can be heard, seen, celebrated. - It's a one-stop space for women in film to come together and collaborate.' -In addition to the three main fellows, WIF India has awarded a special accreditation grant to Shefali Bhushan, an outstanding woman producer from the Marathi-language film industry, further expanding the organization's support for regional voices. Who can join? Vani says,"The platform's launched. Anyone can join. Yes, there will be some filtering - but it's not gatekeeping. It's to ensure that a real community is being built. One that's language-agnostic, medium-agnostic. Whether you're making documentaries, shorts, OTT shows, web content, feature films - you're in. The board of directors which also includes Karan Johar and Nikkhil Advani will be responsible for policy, but more than that for creating opportunities and for mentoring." Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
