Latest news with #Hauser&Wirth
Sky News AU
16-07-2025
- Entertainment
- Sky News AU
'Completely forgot about this': Mike Tindall sparks fresh controversy over cheeky swipe at wife Zara and Princess Eugene's Jubilee outfits
Mike Tindall has reflected on a cheeky throwback post poking fun at his wife Zara Tindall and her cousin Princess Eugenie's bold outfit choices. The 46-year-old former England rugby star took to Instagram on Monday to reshare a snap from the late Queen Elizabeth II's Platinum Jubilee celebrations in June 2022- specifically, the National Service of Thanksgiving at St Paul's Cathedral. Zara, 44, stood out in a vibrant pink Laura Green London dress with a Juliette Millinery hat, while Eugenie, 35, turned heads in a bold orange Emilia Wickstead number. Tindall, never one to miss a moment of fun, created a collage of the royal cousins and cheekily added images of pink and orange Starburst lollies, drawing a playful comparison to their outfits. He captioned the original post: "When you combine your favourite Starbursts!! 2 world-class ladies!! #starburst #platinumjubilee." At the time, fans were quick to embrace the joke. "The cutest Starbursts ever!!!" one follower wrote, while another chimed in, "Haha, they really do look like Starbursts." Others praised the women's style and humour, with one fan commenting: "Zara was the BEST DRESSED ROYAL." While Eugenie didn't interact publicly with the post, Tindall recently brought it back to light via his Instagram stories, admitting he had "completely forgot about this photo!!!" Despite the jab, the Tindalls share a close bond with Princess Eugenie and her husband Jack Brooksbank. The families are often seen together at royal events, including this year's Royal Ascot and May's Buckingham Palace Garden Party. Neither Zara nor Eugenie are full-time working royals. Zara continues to thrive as a professional equestrian, famously winning silver at the 2012 Olympics, while Eugenie has spent more than a decade as an associate director at prestigious art gallery Hauser & Wirth. Both women juggle their careers with motherhood: Zara shares three children, Mia, 11, Lena, seven, and Lucas, four, with with Mike, while Eugenie and Jack have two sons, August, four, and Ernest, two. Though they typically steer clear of commenting on royal tensions, Zara recently made a rare statement about her cousin Prince Harry's strained relationship with the family. "It is very hard to see from the outside, but 100 per cent, it is a family that is still going through the same struggles other people do," she said in May, as reported by The Sun. "Whether they are relationships, obviously, it is very easy to see every day. We're still very supportive of each other." Zara and Mike have remained loyal to the monarchy, and reports suggest they've distanced themselves from Harry and his American wife, Meghan Markle, following their public fallout with King Charles III. Elsewhere, Tindall praised her late grandmother, Queen Elizabeth II as an "inspiration to all". "We had a very incredible person to look up to who is sadly not here anymore," she said. "She was amazing and an inspiration to all of us."
Hypebeast
08-07-2025
- Entertainment
- Hypebeast
Cindy Sherman Reconsiders Face Value at Hauser & Wirth Menorca
On the sun-drenched island of Menorca,Hauser & WirthmountsCindy Sherman. The Women, the artist's long-awaited solo return to Spain. Now on view through October 26, the exhibition traces her four-decade investigation into the performance of femininity, fame and the fractured mirror of identity, serving up a feast of eclectic characters ofSherman's own making. Like Clare Booth Luce's 1936 Broadway play, which the exhibition was named after, Sherman'sThe Womenpresents a barbed portrait of women's relationships with one another, dissecting the ways her characters see and are seen by the world around them. Her work probes the roles women are asked to play, the images they inhabit and the many gaze(s) that shape their self-perception, disrupting the, often gendered, subject-object binaries that undergird the medium's traditions in a delightfully unapologetic approach to self-portraiture. Featuring early student projects likeBus RidersandMurder Mystery(1976), her breakoutUntitled Film Stills(1977–1980) and later series such asOminous Landscapes(2010), the exhibition charts Sherman's clairvoyant understanding of visual identity across eras. Earlier works parody mid-century cinema and media tropes, while later images toy with ideas of luxury, aging and digital artifice, though what's threaded throughout is a persistent critique of performative identity — its illusions, demands and ever-evolving glamour. In a time when identity is crafted and consumed through digital feeds and stories, Sherman's work remains uncannily prescient. Amid this culture of continuous curation, her portraits emerge as clairvoyant warnings, urging us to reflect on what remains beneath the roles we perform. Hauser & Wirth MenorcaDiseminado Illa del Rei, S/N, 07700,Balearic Islands, Spain
Korea Herald
30-05-2025
- Entertainment
- Korea Herald
Frieze Seoul, Kiaf Seoul to kick off Sept. 3
The annual art fairs Frieze Seoul and Kiaf Seoul will both start at Seoul's Coex convention center on Sept. 3, each running four and five days, respectively. According to the Galleries Association of Korea on Friday, Frieze Seoul will host some 120 galleries from over 30 countries, including New York's Gagosian Gallery, Switzerland's Hauser & Wirth, Hong Kong's 10 Chancery Lane Gallery and Korea's Gallery Hyundai. A Frieze Masters section will focus on art from antiquity to the 20th century, and Focus Asia will introduce emerging galleries that have been in operation for 12 years or less. Under the theme 'Resonance,' Kiaf Seoul will discuss building a sustainable ecosystem for art. Kiaf Seoul will feature 176 galleries, 22 of them new to the fair, from some 20 countries. Participating galleries include Sundaram Tagore Gallery in New York, Art of the World Gallery in Texas, US, Whitestone Gallery in Hong Kong and Kukje Gallery in Korea. Kiaf Galleries will be the main section, while Kiaf Plus will show works from aspiring artists and galleries. Lee Sung-hoon, chief of operations at the Galleries Association of Korea, said the focus this year is on improving the show's overall quality, elevating Korea's global profile as an art hub. 'Reverse Cabinet,' a special exhibition marking the 60th anniversary of the normalization of Korea-Japan relations, will take place. A concert is planned with pianist Sunwoo Yekwon, the first Korean to win the Van Cliburn International Competition in 2017.
Yahoo
19-05-2025
- Entertainment
- Yahoo
Princess Eugenie Gives a Revealing Interview About Being a Working Mom
Like all members of the royal family, Princess Eugenie is careful when it comes to sharing information about her personal life. However, the royal has decided to speak about her reflections on her childhood surgery and her life as a working mom in rare interview to highlight the work of spinal injury charity Horatio's Garden. Speaking to the Sunday Telegraph this weekend, Eugenie described her experience of the surgery she had in 2002 at age 12 for scoliosis, which is curvature of the spine. 'I couldn't get out of bed or do anything for myself,' she told the newspaper. She added, 'I felt very embarrassed about the whole thing. I don't know why or where it came from. I remember being woken up really early before my surgery – I pulled my blanket over my head. I said: 'I don't want to see anyone and I don't want them to see me.'' Sharing how her mother Sarah Ferguson helped her reframe her thinking around the surgery, Eugenie said, 'She was amazing. She'd ask me if she could show it to people, then she'd turn me around and say, 'my daughter is superhuman, you've got to check out her scar.' All of sudden it was a badge of honour – a cool thing I had.' At her wedding to Jack Brooksbank in 2018, the Princess deliberately chose a dress that showed the scar on her back. Eugenie, 35, also spoke to the newspaper about being a working mom. She has been employed by the contemporary art gallery Hauser & Wirth since 2015 and is now an Associate Director. Her sons August and Ernest were born in 2021 and 2023. 'I think I've got a good balance,' she told the newspaper, describing her 'amazing husband.' She spoke about giving August seeds and gardening tools for his fourth birthday, growing cress in her kitchen, and doing art with her children on the weekends. Despite the fact that Eugenie is not a working royal, she is the patron of selected charities in a private capacity. She first learned about Horatio's Garden in 2016 and became their patron in 2019. The charity creates gardens in NHS spinal injury centers across the UK. 'As a former spinal patient myself, I understand how the chance to get outside is so beneficial not only for recovery, but for staying positive at a life-changing, and often traumatic, time,' Eugenie said. You Might Also Like 12 Weekend Getaway Spas For Every Type of Occasion 13 Beauty Tools to Up Your At-Home Facial Game
Yahoo
08-05-2025
- Entertainment
- Yahoo
12-Foot Bronze Statue of Woman in Times Square 'Challenges Who Should be Rendered Immortal'
Thomas J Price is garnering attention for his latest art installation in New York City's Times Square The 12-foot bronze statue of a young woman in everyday clothes stands with confidence, a nod to Michelangelo's 'David' The British artist said he wants to 'bind intimate emotional states that allow for deeper reflection around the human condition and greater cultural diversity"In New York City's Times Square, a woman stands with ease and confidence amidst throngs of tourists. She just happens to be 12-feet tall. The bronze statue, entitled 'Grounded in the Stars,' is one of two art installations by British artist Thomas J Price, whose work is challenging people's assumptions about identity and representation. Creating a moment for reflection in the frenetic, body-filled public space, the young woman — dressed in contemporary clothes, but posed like Michelangelo's 'David' — has caught the attention of the art world and passersby alike. 'The intention of my public works is to become part of the place they inhabit and its physical, material history, as well as the visitors that pass through and around the location, no matter how fleeting,' Price said in a statement posted on Times Square's website. 'Grounded in the Stars" will be on view until Tuesday, June 17, at the intersection of Broadway Avenue and 46th Street. The artist did not immediately respond to PEOPLE's request for comment. 'Through scale, materiality, and posture, 'Grounded in the Stars' disrupts traditional ideas around what defines a triumphant figure,' reads the installation description, 'and challenges who should be rendered immortal through monumentalization.' Price's other work, 'Man Series,' involves stop-motion animation of the heads of sculpted male figures that appear on 95 screens in the square every night from 11:57 p.m. to midnight through the month of May. It's the latest iteration of Times Square's revered 'Midnight Moment' program, which has featured artists such as Andy Warhol and Yoko Ono. Price hopes both works — which contrast with the neighboring statues of playwright George M. Cohan and priest Francis P. Duffy, both white men — will inspire connection. The artist said he wants to 'bind intimate emotional states that allow for deeper reflection around the human condition and greater cultural diversity.' Never miss a story — sign up for PEOPLE's free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. 'Grounded in the Stars' is a fictionalized person stemming from observations and open calls that have taken place from London to Los Angeles, according to the Times Square website. Price has used the same method to create the five bronze figures featured in his exhibition 'Resilience of Scale' at Hauser & Wirth gallery in New York City, which runs until Saturday, June 14. 'If these fictional characters are from a gender or perceived race that you have decided should not be at this level,' Price told The Art Newspaper, 'and suddenly you see them presented in their gloriousness, it challenges people's internal landscapes.' Read the original article on People
