Latest news with #Hayden
Sydney Morning Herald
11 hours ago
- Entertainment
- Sydney Morning Herald
How Heartbreak High star found connection through playing dress-ups
When it comes to texture, teddy bears are one of Heartbreak High actor Chloe Hayden's favourite things to touch. 'I don't even know if I could count how many teddy bears I have, probably hundreds. It's ridiculous. Any time I go anywhere that has teddy bears, a theme park, a zoo, an aquarium, I will be purchasing one and I choose it solely based on how soft it is.' It's no surprise then that as guest curator for the first exhibition in new program Powerhouse Materials, vintage teddy bears and an Akira Isogawa bear backpack are among Hayden's picks to display. The actor and disability rights advocate dug through the museum's archives, which include more than 500,000 objects, to come up with her 17 favourite things. Her chosen pieces focus on textiles (the next curator in the program will be children's author Andy Griffiths looking at paper later this year) with Hayden offering a neurodiverse perspective as an autistic person also diagnosed with ADHD. 'Textiles have been such an important part in being able to express my identity,' she says. 'I would always play dress-up in different situations. I grew up selectively verbal and would struggle to speak to the people around me and to connect to the surroundings, so being able to play dress-up was how I was able to find that connection.' Powerhouse Materials: Textiles also offers a glimpse into Hayden's love of horses and cows, with the actor having ridden horses since she was four years old and represented Australia as a professional cowgirl. To show her affinity with the animals, included in the exhibition is a rocking horse, a miniature set of armour for a horse and knight, a cow robot and – her personal favourite – a trio of cow figurines she has nicknamed Margaret, Bertha and Penelope. Best known for her breakthrough role as autistic student Quinni in Netflix's global hit Heartbreak High, a reimagining of the 1990s teen drama, Hayden recently wrapped up filming the still-to-be-released third and final season of the show. The series has received several AACTA Awards and an International Emmy, while Hayden herself this month received a Silver Logie nomination for best supporting actress. Hayden describes Heartbreak High 's approaching end as 'bittersweet'. 'I grew up never seeing myself represented and I found my representation in Disney princesses and fantasy characters. I could never see myself in a real person. Getting the opportunity to be someone who I so desperately needed when I was young is exciting. I receive messages every single day from people who have watched the show and say that they now understand themselves better or their child or friend or sibling or student a bit better. People have gotten their autism diagnoses because of Quinni. Genuine representation is literally life-saving.' For Hayden, the Powerhouse exhibition is a chance for fans of her acting or popular social media presence to get an even more authentic glimpse of her.
The Age
11 hours ago
- Entertainment
- The Age
How Heartbreak High star found connection through playing dress-ups
When it comes to texture, teddy bears are one of Heartbreak High actor Chloe Hayden's favourite things to touch. 'I don't even know if I could count how many teddy bears I have, probably hundreds. It's ridiculous. Any time I go anywhere that has teddy bears, a theme park, a zoo, an aquarium, I will be purchasing one and I choose it solely based on how soft it is.' It's no surprise then that as guest curator for the first exhibition in new program Powerhouse Materials, vintage teddy bears and an Akira Isogawa bear backpack are among Hayden's picks to display. The actor and disability rights advocate dug through the museum's archives, which include more than 500,000 objects, to come up with her 17 favourite things. Her chosen pieces focus on textiles (the next curator in the program will be children's author Andy Griffiths looking at paper later this year) with Hayden offering a neurodiverse perspective as an autistic person also diagnosed with ADHD. 'Textiles have been such an important part in being able to express my identity,' she says. 'I would always play dress-up in different situations. I grew up selectively verbal and would struggle to speak to the people around me and to connect to the surroundings, so being able to play dress-up was how I was able to find that connection.' Powerhouse Materials: Textiles also offers a glimpse into Hayden's love of horses and cows, with the actor having ridden horses since she was four years old and represented Australia as a professional cowgirl. To show her affinity with the animals, included in the exhibition is a rocking horse, a miniature set of armour for a horse and knight, a cow robot and – her personal favourite – a trio of cow figurines she has nicknamed Margaret, Bertha and Penelope. Best known for her breakthrough role as autistic student Quinni in Netflix's global hit Heartbreak High, a reimagining of the 1990s teen drama, Hayden recently wrapped up filming the still-to-be-released third and final season of the show. The series has received several AACTA Awards and an International Emmy, while Hayden herself this month received a Silver Logie nomination for best supporting actress. Hayden describes Heartbreak High 's approaching end as 'bittersweet'. 'I grew up never seeing myself represented and I found my representation in Disney princesses and fantasy characters. I could never see myself in a real person. Getting the opportunity to be someone who I so desperately needed when I was young is exciting. I receive messages every single day from people who have watched the show and say that they now understand themselves better or their child or friend or sibling or student a bit better. People have gotten their autism diagnoses because of Quinni. Genuine representation is literally life-saving.' For Hayden, the Powerhouse exhibition is a chance for fans of her acting or popular social media presence to get an even more authentic glimpse of her.
WIRED
16 hours ago
- Business
- WIRED
No One Is in Charge at the US Copyright Office
Jun 27, 2025 10:20 AM During a wild time for copyright law, the US Copyright Office has no one at the helm—and no one knows when that will change. A sign is displayed at the entrance to the U.S. Copyright Office on June 13, 2025, in Washington, DC. Photograph:It's a tumultuous time for copyright in the United States, with dozens of potentially economy-shaking AI copyright lawsuits winding through the courts. It's also the most turbulent moment in the US Copyright Office's history. Described as 'sleepy' in the past, the Copyright Office has taken on new prominence during the AI boom, issuing key rulings about AI and copyright. It also hasn't had a leader in more than a month. In May, Copyright Register Shira Perlmutter was abruptly fired by email by the White House's deputy director of personnel. Perlmutter is now suing the Trump Administration, alleging that her firing was invalid; the government maintains that the executive branch has the authority to dismiss her. As the legality of the ouster is debated, the reality within the office is this: There's effectively nobody in charge. And without a leader actually showing up at work, the Copyright Office is not totally business-as-usual; in fact, there's debate over whether the copyright certificates it's issuing could be challenged. The firing followed a pattern. The USCO is part of the Library of Congress; Perlmutter had been appointed to her role by Librarian of Congress Carla Hayden. A few days before Perlmutter's dismissal, Hayden, who had been in her role since 2016, was also fired by the White House via email. The White House appointed Deputy Attorney General Todd Blanche, who had previously served as President Trump's defense attorney, as the new acting Librarian of Congress. Two days after Pelmutter's firing, Justice Department official Paul Perkins showed up at the Copyright Office, along with his colleague Brian Nieves. According to an affidavit from Perlmutter, they were carrying "printed versions of emails" from Blanche indicating that they had been appointed to new roles within the Copyright Office. Perkins, the email said, was designated as Acting Register of Copyrights. In other words, he was Perlmutter's replacement. But was Blanche actually the acting Librarian, and thus able to appoint Perkins as such? Within the Library of Congress, someone else had already assumed the role—Robert Newlen, Hayden's former second-in-command, who has worked at the LOC since the 1970s. Following Hayden's ouster, Newlen emailed LOC staff asserting that he was the acting Librarian—never mentioning Blanche—and noting that 'Congress is engaged with the White House' on how to proceed. In her lawsuit, Perlmutter argues that only the Librarian of Congress can fire and appoint a new Register. In a filing on Tuesday, defendants argued that the president does indeed have the authority to fire and appoint the Librarian of Congress, and that his appointees then have the ability to choose a new Copyright Register. Neither the Department of Justice nor the White House responded to requests for comment on this issue; the Library of Congress declined to comment. Perkins and Nieves did not enter the USCO office or assume the roles they purported to fill the day they showed up. And since they left, sources within the Library of Congress tell WIRED, they have never returned, nor have they assumed any of the duties associated with the roles. These sources say that Congress is in talks with the White House to reach an agreement over these personnel disputes. A congressional aide familiar with the situation told WIRED that Blanche, Perkins, Nieves had not shown up for work 'because they don't have jobs to show up to.' The aide continued: 'As we've always maintained, the President has no authority to appoint them. Robert Newlen has always been the Acting Librarian of Congress.' If talks are happening, they remain out of public view. But Perlmutter does have some members of Congress openly on her side. 'The President has no authority to remove the Register of Copyrights. That power lies solely with the Librarian of Congress. I'm relieved that the situation at the Library and Copyright Office has stabilized following the administration's unconstitutional attempt to seize control for the executive branch. I look forward to quickly resolving this matter in a bipartisan way,' Senator Alex Padilla tells WIRED in a statement. In the meantime, the Copyright Office is in the odd position of attempting to carry on as though it wasn't missing its head. Immediately after Perlmutter's dismissal, the Copyright Office paused issuing registration certificates 'out of an abundance of caution,' according to USCO spokesperson Lisa Berardi Marflak, who says the pause impacted around 20,000 registrations. It resumed activities on May 29th, but it is now sending out registration certificates with a blank spot where Perlmutter's signature would ordinarily be. This unusual change has prompted discussion amongst copyright experts as to whether the registrations are now more vulnerable to legal challenges. The Copyright Office maintains that they are valid: 'There is no requirement that the Register's signature must appear on registration certificates,' says Berardi Marflak. In a motion related to Perlmutter's lawsuit, though, she alleges that sending out the registrations without a signature opens them up to 'challenges in litigation,' something outside copyright experts have also pointed out. 'It's true the law doesn't explicitly require a signature,' IP lawyer Rachael Dickson says. 'However, the law really explicitly says that it's the Register of Copyright determining whether the material submitted for the application is copyrightable subject matter.' Without anyone acting as Register, Dickson thinks it would be reasonable to argue that the statutory requirements are not being met. 'If you take them completely out of the equation, you have a really big problem,' she says. 'Litigators who are trying to challenge a copyright registration's validity will jump on this.' Perlmutter's lawyers have argued that leaving the Copyright Office without an active boss will cause dysfunction beyond the registration certificate issue, as the Register performs a variety of tasks, from advising Congress on copyright to recertifying organizations like the Mechanical Licensing Collective, the nonprofit in charge of administering royalties for streaming and download music in the United States. Since the MLC's certification is up right now, Perlmutter would ordinarily be moving forward with recertifying the organization; as her lawsuit notes, right now, the recertification process is not moving forward. The MLC may not be as impacted by Perlmutter's absence as the complaint suggests. A source close to the MLC told WIRED that the organization does indeed need to be recertified, but that the law doesn't require the recertification process to be completed within a specific time frame, so it will be able to continue operating as usual. Still, there are other ways that the lack of a boss is a clear liability. The Copyright Claims Board, a three-person tribunal that resolves some copyright disputes, needs to replace one of its members this year, as a current board member, who did not reply to a request for comment, is leaving. The job posting is already live and says applications are being reviewed, but as the position is supposed to be appointed by the Librarian of Congress with the guidance of the Copyright Register, it's unclear how exactly it will be filled. A source familiar at the Library of Congress tells WIRED that Newlen could make the appointment if necessary, but 'we expect there to be some kind of greater resolution by then.' As they wait for the resolution, it remains an especially inopportune time for a headless Copyright Office. Perlmutter was fired just days after the office released a hotly-contested report on generative AI training and fair use. That report has already been heavily cited in a new class action lawsuit against AI tools Suno and Udio, even though it was technically a 'pre-publication' version and not finalized. But everyone looking to see what a final report will say—or what guidance the office will issue next—can only keep waiting.
News18
20-06-2025
- Sport
- News18
Australia Legend's Stunning Prediction: 'England Will Party, India Will...'
Last Updated: Matthew Hayden believes England will beat India and have a 'pretty good party' after the Anderson-Tendulkar Trophy. Former Australia opener Matthew Hayden feels England will have a 'pretty good party' at the end of the five-Test Anderson-Tendulkar Trophy after they beat India, who will likely 'struggle' to come to terms with the conditions. Hayden expects new captain Shubman Gill will find the environment 'hostile' and the young side won't be able to make the 'lots of adjustments' needed to survive here. Gill is the fifth-youngest captain in India's Test history. He won't have the services of three of India's last five captains in this decade — Virat Kohli, Rohit Sharma (both retired from the format), and Ajinkya Rahane (out of favor) — for his first steps. England under Ben Stokes are much more settled in comparison. Moreover, India haven't won any series in the UK since 2007 — all of it stacking the odds against them. 'I feel India are really going to struggle," Hayden told the ICC. 'Shubman Gill is a young captain coming to this hostile environment, seaming conditions, bouncing conditions. It's going to be a real challenge, it's actually absolutely the litmus test as a touring team," Hayden told the ICC. 'Generally touring teams come here and it is polar opposite conditions to what you are used to as fundamentally as a player, be it young or old. So lots of adjustments, so I predict that England, let me tell you, are a going to have a pretty good party at the end of that series." Former South Africa captain Graeme Smith also echoed the sentiments. He said that the visitors are too reliant on Jasprit Bumrah — who has already declared his body might just allow him to play three Tests. 'England at home, they really do play well at home. They understand the conditions and get the best out of it. I think it's going to be a challenge for Shubman and his team, lost a lot of experience, got to come here and that pressure shifts onto different people…" Smith said. 'I think Bumrah is going to carry a huge amount of the bowling attack. So I think England will have the better of India in these conditions," he added. First Published: June 20, 2025, 14:19 IST
The Australian
19-06-2025
- Entertainment
- The Australian
Australian tennis ace Ash Barty announces birth of second child
Australian tennis ace Ash Barty has welcomed her second child to the world. Barty announced the birth of baby girl, Jordan, on her Instagram on Monday afternoon. 'Welcome to the world, Jordan,' the 29-year-old wrote next to a cute photo of the baby yawning in a onesie with the words 'Embrace your weird'. 'You are loved unconditionally and we are so grateful to have you in our arms, gorgeous girl.' It's the second child for Barty and husband Garry Kissick. Their son Hayden will soon turn two. Ash Barty is a mum, again. Ash Barty shared a first pic of Jordan. Picture: Instagram Fellow sports stars and celebs were quick to offer their congratulations. 'There she is, hi gorgeous Jordan. Can't wait to cuddle you soon. Good job Mum and Dad xx,' wrote tennis great Casey Dellacqua. Swimming great Giaan Rooney commented: 'Huge congratulations team!'. And Dr Chris Brown shared similar sentiments: 'Congrats you guys!! So special.' Barty and Kissick announced they were expanding their brood in an Instagram post late on Christmas Day. Hayden appeared in the post in a T-shirt reading 'I am going to be a big brother'. The caption read: 'Merry Christmas from our growing family to yours!'. Ash Barty is having baby number two. Picture: Ash Barty/Instagram Ash Barty and husband Garry Kissick. Picture: David Geraghty In an interview with the Courier Mail in January, Barty opened up about the most surprising thing she had learned about parenthood. 'No two days are the same! Being patient and learning to accept that it's OK to not get it right all the time. It's hard but it is the greatest thing I've ever done, I feel very lucky to have Hayden,' she said. Read related topics: Ashleigh Barty Maria Bervanakis Morning Digital Editor Maria Bervanakis is the Morning Digital Editor at News Corp's Premium National News Network. With more than a decades' experience at News Corp, she leads a team to produce national and world stories across all masthead titles. @bervanews Maria Bervanakis
