Latest news with #Hemingway
CBS News
a day ago
- Entertainment
- CBS News
South Florida local wins 44th annual Ernest Hemingway look-alike contest in Key West
Perseverance, a lucky sweater, and an uncanny resemblance to one of the world's most iconic authors. That was the winning formula that helped a 69-year-old man from Key West, Florida, win the Hemingway Look-Alike Contest title this weekend in the Southernmost City in the U.S. A Key West local, Tim Stockwell, captured the coveted title, beating out more than a hundred contestants to make the top 5. And it was in that final round that he offered a compelling story as to why he deserved to be "Papa 2025." His lucky charm? A thick wool sweater, like the one Hemingway wore, which he bravely donned in the sweltering July heat. "This sweater has been worn by seven other previous winners and I'm very grateful and glad to be able to call it the eighth," said Stockwell, who moved to the island from Michigan in 2019 and has participated in the event ever since. This year's contest took place over three nights, starting with 131 contestants, then 24 semi-finalists, and finally the top 5. The location? Sloppy Joe's Bar — a frequent hangout for Hemingway when he lived and wrote in Key West during the 1930s. The contest featured three younger look-alikes, including six-year-old Keefer Haynie from Baton Rouge. The whimsical tribute is all part of the annual Hemingway Days Festival that honors the enduring legacy and literary mastery of the author who wrote "For Whom the Bell Tolls," "To Have and Have Not" and other classics during his Key West years. During his plea to judges, Stockwell recounted his favorite story about the iconic author that showcased the author's softer side. He shared that Hemingway formed a baseball team of Cuban youngsters called "Gigi's Stars" and provided a group of boys — including his own sons — with a field on his property. He also gave them new uniforms, bats, balls, and gloves, pitched for both teams, and never kept score. "The way he taught those young men to become young men, how to play fair, how to be honest, how to be straightforward…he taught those kids how to live a life well-lived, and they benefited from his generosity and his kindness," he recalled. Stockwell is the latest ambassador for the bearded brotherhood known as "The Hemingway Look-Alike Society," an organization that combines camaraderie and scholarships to support Florida Keys college students. "He broke all the barriers for those kids," said Stockwell. "They had a great opportunity. I'd like to continue that. And that's why I'm proud to call these guys my brothers."
Fox News
4 days ago
- Politics
- Fox News
EXPLOSIVE: Mollie Hemingway Calls New Russiagate Information an '11/10' in Importance
Mollie Hemingway, Editor-in-Chief at The Federalist , Fox News Contributor, and co-author of Justice on Trial , joined The Guy Benson Show today to discuss the explosive new documents released in the RussiaGate scandal, as many say that the new revelations directly implicate the Obama administration in a coordinated attempt to smear Donald Trump's 2016 campaign. Hemingway argued that the new information could carry serious legal and political ramifications for key figures in the former administration. Hemingway and Benson also briefly weighed in on the Epstein controversy, and Hemingway criticized the Trump DOJ's handling of the case. Listen to the full interview below! Listen to the full interview from today's podcast below:
Time of India
6 days ago
- Entertainment
- Time of India
Nothing partners director photographer Jordan Hemingway for Phone (3), Headphone (1)
Nothing has unveiled a collaboration with popular photographer and director Jordan Hemingway. He shot the creative portrait-led campaign for Nothing's new over-ear headphones, Headphone (1) and has also developed custom camera presets for Nothing's smartphones. A professional camera preset titled "Stretch," created by Jordan Hemingway , will launch for Nothing smartphone users later this month. This preset will enable users to easily capture images in Hemingway's distinct visual style. Who is Jordan Hemingway Jordan Hemingway claims to be a self-taught photographer and filmmaker based in London, is known for his narrative and visceral approach to visuals. His distinctive work has shaped campaigns for brands including Louis Vuitton, Chanel, Mugler, Prada, and Gucci. Hemingway is also a frequent collaborator with FKA Twigs , having co-directed her live shows, directed music videos, and driven creative aspects for full album rollouts. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like New Launch at Godrej Sector 12 | Luxurious 3 BHK + S & 4 BHK Homes @₹2.90 Cr* Godrej Majesty Learn More Undo What Nothing and Jordan Hemingway said about this collaboration Talking about the collaboration, Hemingway said: 'I first found myself at Nothing's office a few years ago for an unrelated meeting to the Headphone (1) project. Even then, their spirit of innovation and fearless exploration left a mark on me. To return now, years later, to build something together is not just exciting, it's an honour.' Meanwhile, Ryan Latham , Nothing's Senior Director of Brand & Creative (Global) said: 'Working with Jordan was an instinctive fit, the team was drawn to his signature aesthetic that blends honesty, beauty, and raw brutality with innovation. His ability to challenge the traditional norms in the fashion space felt like an alignment to how we wanted to convey Headphone (1).' 'We loved the idea of portraiture to capture unique personalities. Jordan's work equally spans music and culture, and we knew he would bring experimentation and something very fresh to the campaign. His love of technology and the process felt like a real parallel with our own design team and made the whole project interesting and fun,' Ryan continued, Big Question Answered: Why Google is Merging Android and ChromeOS AI Masterclass for Students. Upskill Young Ones Today!– Join Now
Tatler Asia
6 days ago
- Tatler Asia
On Ernest Hemingway's birthday, travel the world in the footsteps of the literary titan
Paris, France: write your story in a quiet sanctuary Hemingway wrote parts of his breakthrough novel The Sun Also Rises while frequenting cafés such as La Closerie des Lilas, located in the lively Montparnasse district. He also rented rooms in the Latin Quarter, including areas near Rue Descartes, seeking quiet spaces to write away from the bustle of his flat. Find your corner table, order a café au lait and let the city's rich literary energy inspire your story. Key West, Florida: battle a marlin on the deep blue Gulf Stream Above The literary titan spent countless hours on fishing adventures, hunting marlin, tuna and swordfish. (Photo: Slava. Jamm / Unsplash) Few places captured Ernest Hemingway's passion like the deep sea. In 1934, he purchased his customised 38-foot fishing boat Pilar, and spent countless hours on the Gulf Stream and surrounding waters off Key West, Cuba and the Bimini Islands, hunting giant marlin, tuna and swordfish. These fishing adventures provided authentic detail for his novels , To Have and Have Not and his Pulitzer Prize-winning The Old Man and the Sea . Today, you can charter a boat from Key West's historic harbour and experience the thrill of battling these magnificent fish in the same waters that served as Hemingway's ultimate proving ground. Northern Michigan: find solitude on the trout streams of his youth The pristine wilderness shaped Hemingway's earliest literary imagination. During summers at his family's cottage, Windemere, on Walloon Lake, young Ernest developed his lifelong passion for fishing in the crystal-clear streams of northern Michigan. This landscape became the setting for his semi-autobiographical Nick Adams stories, where characters first confronted life's harsh truths. Visit public access points on Walloon Lake or cast a line in Horton Creek, connecting with the natural world that was the wellspring of his writing. Pamplona, Spain: soak up the 24/7 energy of the San Fermín festival The energy of Pamplona's San Fermín festival transformed Hemingway from observer to participant. He attended the festival numerous times, fully embracing the spectacle of dancing, drinking and the primal thrill of the bull run—even participating in the run himself. His novel The Sun Also Rises turned this provincial party into a global phenomenon. Experience the non-stop energy of the fiesta, from the Plaza del Castillo to the winding streets of the encierro route, and understand why this celebration became central to his artistic vision. Cuba: live the island life, from Old Havana to the fishing village of Cojimar Above Hemingway spent over 20 years in Cuba, fishing and frequenting local spots. (Photo: Diego Gennaro / Unsplash) Cuba defined Hemingway's most productive decades. For over 20 years, he made the island his home, fishing for marlin from his boat Pilar , which he docked in the small fishing village of Cojimar—the inspiration for the setting of The Old Man and the Sea . He was a well-known figure in Havana, starting a local baseball team and frequenting bars like La Floridita. Live like a local: fish the Gulf Stream, explore Old Havana's cobblestone streets and soak in the vibrant culture that inspired his Nobel Prize-winning work. Idaho: hunt for serenity in the 'high blue windless skies' Ernest Hemingway sought the peace that eluded him in his final sanctuary. The writer found refuge in Ketchum, Idaho's rugged landscape, which reminded him of Spain's mountains. His passions here were hunting and fishing, finding solace in the outdoors. He wrote a moving eulogy for a friend, now inscribed on his memorial, celebrating the 'leaves yellow on the cottonwoods' and 'the high blue windless skies'. Explore the mountains and streams around Sun Valley, seeking the same tranquillity and connection to nature that he pursued in his twilight years. Credits This article was created with the assistance of AI tools
Indian Express
21-07-2025
- Entertainment
- Indian Express
Why Ernest Hemingway was the boxer of American letters
Ernest Hemingway was never one to mince words or hold back his opinions. Whether through the pages of his books or at the offices of Scribner's, the Nobel laureate turned every chapter of his life into a battlefield, often dragging fellow writers into the ring. Known for his clipped prose, cold drinks, and colder opinions, Hemingway approached literary life like a seasoned boxer: hands up, jaw out, waiting for someone to swing. He punched back, too. Whether physically (as in the infamous Max Eastman incident) or in print (as with Fitzgerald, and Ford Madox Ford), Hemingway turned literary feuds into performance art. Here are just a few of the more bruising bouts Hemingway engaged in: Few feuds in American letters were as theatrically absurd as Ernest Hemingway's 1937 dust-up with author and critic Max Eastman. The confrontation, immortalised in the pages of The New York Times on August 14 of that year, reads like a lost scene from one of Hemingway's own parodies. It began in the offices of Charles Scribner's Sons, where Eastman, seated with editor Max Perkins, found himself face-to-face with Hemingway. They were discussing Eastman's earlier essay titled Bull in the Afternoon, a parody of Hemingway's work, Death in the Afternoon. It was a jab at Hemingway's macho affectations, complete with the cutting line: 'Come out from behind that false hair on your chest, Ernest. We all know you.' Hemingway did not take kindly to the suggestion of toupee-like chest hair. He reportedly responded by baring his own, demanding Eastman do the same, and then, unsatisfied with the answer, slapped him in the face with a copy of his book, Death in the Afternoon, which incidentally was about Spanish bullfighters. Eastman alleged he threw Hemingway over a desk and 'stood him on his head in a corner.' Hemingway denied it with typical swagger, offering $1,000 to charity, or to Eastman directly, for the chance to settle the matter in a locked room, bare-knuckle, with all legal rights waived. 'I just slapped him,' Hemingway told reporters. 'That knocked him down… He jumped at me like a woman—clawing, you know.' When pressed about Eastman's version of events, Hemingway scoffed: 'He didn't throw anybody anywhere.' The skirmish has entered literary lore, and is interpreted as a microcosm of Hemingway's lifelong war on critics, his volatile pride, and his theatrical masculinity. Ernest Hemingway was never known for generosity in his portrayals of friends and rivals. Gertrude Stein, F Scott Fitzgerald, William Faulkner all appear in his memoir A Moveable Feast. But perhaps the most lacerating sketch was reserved for Ford Madox Ford, the English novelist, critic, and editor who helped shape the literary modernism that Hemingway later came to define. 'He was breathing heavily through a heavy, stained moustache and holding himself as upright as an ambulatory, well-clothed, up-ended hogshead,' he wrote uncharitably of Ford in a chapter titled 'Ford Madox Ford and the Devil's Disciple'. Ford laboured breathing was likely the result of a World War I gas attack, but Hemingway took it as a symptom of affectation. 'I had always avoided looking at Ford when I could and I always held my breath when I was near him in a closed room,' he wrote, adding with withering irony: 'Maybe it was the odor he gave off when he was tired.' This last line may have been a nod to Pound's private warning that Ford 'only lied when he was very tired,' a comment Hemingway weaponised. Introduced by Ezra Pound, Hemingway briefly worked under Ford at The Transatlantic Review, a journal that had published early stories of his rejected by American magazines. But when Ford became ill, Hemingway took editorial control, and used it to ridicule Ford's friends, including Jean Cocteau, Tristan Tzara, and TS Eliot. He wrote of Eliot: 'If I knew that by grinding Mr Eliot into a fine dry powder and sprinkling that powder over [recently departed novelist Joseph] Conrad's grave Mr. Conrad would shortly appear…I would leave for London immediately with a sausage grinder.' Ernest Hemingway and F Scott Fitzgerald met in 1925 and quickly formed what appeared to be a strong literary friendship. Fitzgerald championed Hemingway early on, famously introducing his unpublished work to Maxwell Perkins at Scribner's and calling him 'the greatest living writer of prose.' But the gratitude was short-lived. In A Moveable Feast, he reduced Fitzgerald to a man defeated by his marriage and his nerves: 'Zelda said that the way for her to get her own way was to say that Scott could do anything she wanted him to… and that he would always give in.' He mocked Fitzgerald's talent, saying: 'His talent was as natural as the pattern that was made by the dust on a butterfly's wings… he did not know when it was brushed or marred.' The final blows came long after Fitzgerald's death in 1940. In a letter written a decade later, Hemingway offered a withering epitaph: 'I never had any respect for him ever, except for his lovely, golden, wasted talent. If he would have had fewer pompous musings and a little sounder education it would have been better maybe.' There was no love lost between Hemingway, and Fitzgerald's wife, he said: 'But anytime you got him all straightened out and taking his work seriously Zelda would get jealous and knock him out of it.' Taking a swipe at Fitzgerald's alleged alcoholism, he wrote: 'Also alcohol that we use was the Giant Killer… was a straight poison to Scott instead of a food.' Their friendship began with letters and literary admiration. It ended with ridicule, resentment, and regret. In the 1950s, a literary rivalry flared between Hemingway and William Faulkner. After the release of The Old Man and the Sea, Faulkner quipped that Hemingway 'has never been known to use a word that might send a reader to the dictionary.' Hemingway, never one to back down, fired back: 'Poor Faulkner. Does he really think big emotions come from big words?… I know the ten-dollar words. But there are older and simpler and better words, and those are the ones I use.' A war of words—fitting for two masters of them. For all his cruelty, Hemingway remains one of the titans of American literature. His style shaped the century, his stories endure, and his brawls (literary and literal), reveal a man who couldn't help but clash with the world. Aishwarya Khosla is a journalist currently serving as Deputy Copy Editor at The Indian Express. Her writings examine the interplay of culture, identity, and politics. She began her career at the Hindustan Times, where she covered books, theatre, culture, and the Punjabi diaspora. Her editorial expertise spans the Jammu and Kashmir, Himachal Pradesh, Chandigarh, Punjab and Online desks. She was the recipient of the The Nehru Fellowship in Politics and Elections, where she studied political campaigns, policy research, political strategy and communications for a year. She pens The Indian Express newsletter, Meanwhile, Back Home. Write to her at or You can follow her on Instagram: @ink_and_ideology, and X: @KhoslaAishwarya. ... Read More
