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Boston Globe
22-06-2025
- Entertainment
- Boston Globe
OUTLOUD Music Festival unveils a non-stop queer dance party at Suffolk Downs
Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up The performances started with impressive showings by a pair of local queer rappers: Dorchester-bred Big Body Kweeng (whose set was sponsored by Boston's Advertisement Boston-based artist Oompa performs at OUTLOUD Music Festival. Ken McGagh for The Boston Globe on 'It's so important to gather in a time like this,' she said before announcing that it was time to dispense with 'serious [stuff] – let's get into the freaky [stuff],' deploying another track tailor-made for booty-shaking. Advertisement The day's wildcard was Frankie Grande, the older half-brother of pop superstar Ariana Grande. His eclectic résumé includes Broadway work, podcasting, and being a contestant on 'Big Brother,' although his debut album doesn't arrive until the end of this month. With his revealing leather outfit and writhing male dancers, he joked that 'this is kind of different from what I do on Nickelodeon,' referring to his recurring role in the children's channel's 'Henry Danger' franchise. His first single 'Rhythm of Love' echoed the best of classic gay dance music, but a cover of Corona's song 'The Rhythm of the Night' failed to capture the soul of the 1990s original. Aside from the two Boston openers, the non-binary Australian pop-rocker G Flip was the only act of the day to use live musicians (including their own drumming and guitar playing). Performances of songs like 'GAY 4 ME' and 'Rough' explored the joys and perils of modern queer dating, as did a 'cheeky lesbian version' of Taylor Swift's 'Cruel Summer.' 'Disco Cowgirl' and 'The Worst Person Alive' had the kind of universal appeal that makes it likely that G Flip will continue their deserved upward momentum. The audience swelled for birthday girl Rebecca Black, a former viral teen star with a penchant for subverting expectations. Her recent dance-pop LP is called 'SALVATION,' and her stage was full of mock religious placards and dancers with leather harnesses. The crowd favorite of the set was the clubbing ode 'Sugar Water Cyanide.' Pride events have long included allies in addition to openly queer artists as performers. At OUTLOUD, this slot went to rapper Flo Milli, who came onstage without dancers or screen projections. Her assertive and unapologetic rhymes and slinky beats proved to be more than enough, with celebrations of self-confidence like 'Conceited.' Although she didn't explicitly raise any LGBTQ topics, Milli exhorted her fans to 'just keep doing your thing.' Advertisement A-list drag star Mattel presided over what she called a 'solid pink disco,' DJing remixes of Blondie, Donna Summer, and Lady Gaga hits. With her fellow queens dancing on stage, beach balls in the air, and vintage pink-hued videos on the screen, Mattel made a strip of grass in East Boston feel like the coolest pool party in Palm Springs. Trixie Mattel gestures during a DJ set at OUTLOUD Music Festival. Ken McGagh for The Boston Globe on Closing out the night with a crisp set, Kim Petras emerged from a giant wooden shipping container marked 'mail order bride' before launching into her 2017 breakthrough song 'I Don't Want It At All.' Petras is best known to casual music fans for 'Unholy,' her Grammy-winning 2022 collaboration with Sam Smith that made her the first openly trans woman to top the Billboard Hot 100. But guests only heard a few seconds of 'Unholy' – and that was when a glam squad rushed to give Petras an onstage freshen-up midway through her set. Instead, Petras's track 'uhoh' contained the lyrical assertion that 'everything I drop is a banger.' By the end of her 70-minute set, it was impossible to disagree. And in a time when culture wars are raging, an inclusive, queer-friendly sunny day of dance music made its point as loudly as any political speech. OUTLOUD With Kim Petras, Trixie Mattel. At the Stage at Suffolk Downs, Saturday Advertisement
Fast Company
21-05-2025
- Entertainment
- Fast Company
It turns out TikTok's viral clear phone is just plastic. Meet the ‘Methaphone'
A viral clip of a woman scrolling on a completely clear phone with no user interface briefly confused—and amused—the internet. But the truth turned out to be far more literal than most expected. Originally posted to TikTok by user CatGPT, the video quickly racked up over 52.9 million views. In the comments, some speculated it was a Nokia model; others guessed it came from the Nickelodeon show Henry Danger. 'This looks like a social commentary or a walking art exhibit. I'm too uncultured to understand,' one user commented. 'It's from a Black Mirror episode,' another wrote. Turns out, it was none of the above. Just a piece of plastic. The woman seen in line is also the one who uploaded the clip. In a follow-up video posted days later, she shared the 'true story.' 'This is a Methaphone,' she explains. 'It is exactly what it looks like, a clear piece of acrylic shaped like an iPhone.' The 'device' was invented by her friend as a response to phone addiction. 'He told me that what he wanted to test was, if we're all so addicted to our phones, then could you potentially curb somebody's addiction by replacing the feeling of having a phone in your pocket with something that feels exactly the same?' she continued. 'This little piece of acrylic feels like a physical artifact that directly responds to this collective tension we all feel about how our devices, which are meant to make us more connected, are actually having the exact opposite effect.' A 2023 study by found that nearly 57% of Americans reported feeling addicted to their phones. Some admitted to checking their phones over 100 times a day, and 75% said they feel uneasy when they realize they've left their phone at home. In the comments, many questioned whether pretending to scroll on a chunk of plastic could actually help with phone addiction. 'This sounds like [an] SNL sketch,' one user wrote. 'What stage of capitalism is this?' another asked. Some were simply disappointed it wasn't a real phone. Despite the skepticism, the Methaphone raised $1,100 on Indiegogo. The campaign has since closed, though the creator says more may be produced if demand is high. Priced at $20, with a neon pink version going for $25, the Methaphone 'looks like a simple acrylic slab—and it is,' the page reads. 'But it's also a stand-in, a totem, and an alibi. It's the first step on the road to freedom.'
