Latest news with #Hispano
Fashion Network
09-07-2025
- Entertainment
- Fashion Network
Paris couture: Stéphane Rolland and Ashi Studio
There is a certain idea of Paris, of a city devoted to art, excellence and the elegant liberation of women, which was the concept that underpinned the latest epic couture show by Stéphane Rolland this season in the French capital. See catwalk Entitled "Argument", the collection was imagined as an encounter between ballerina Ida Rubinstein, and composer Maurice Ravel. The result was a Hispano/Arabic meeting of cubic shapes, baroque detailing and sensual style. Rolland makes couture with great gusto, never more so than this season, where his show was presented inside the Théâtre des Champs Elysées, which despite its name is located on the capital's most important luxury thoroughfare Avenue Montaigne. The avenue of Dior 's headquarters, Marlene Dietrich's apartment, and the gilded Hôtel Plaza Athenée. And this theater is where Stravinsky first performed "The Rite of Spring", and where Karl Lagerfeld debuted the first Fendi 'haute fourure' show. Rolland made the Art Deco space his own, inviting conductor Zahia Ziouani and the Divertimento Orchestre to come and play Ravel's synchronic Bolero. Though the muse of the collection was Rubinstein. Born into a wealthy family, Ida escaped Russia to become a star dancer in Les Ballet Russes, and an icon of the Belle Epoque. Though in 1938, she had to flee her beloved Paris for London due to anti-Semitism and the looming war. Ida's legendary sensuality and dramatic poses were seen in some majestic clothes. From the cubic blazers paired with pencil skirts or jersey dresses finished with huge regal collars, to Stéphane's signature one-shoulder cocktails with single enormous leg-o'-mutton sleeves to excellent tuxedo jumpsuits with tulip sleeves. Everything trimmed and finished with crystal brooches, buckles, piping and mini skullcaps. See catwalk For evening, Rolland went gang busters with a series of sinful red crepe robes and gowns in sculptural shapes worthy of Brâncuşi. Rolland remains an Indie designer devoid of a deep pocketed investor, and his skill in using limited resources to great powerful images is also part of a rich Paris artistic tradition. Like today, when he projected huge images of musical metronomes on the stage curtains in a Man Ray-worthy opening. Later, as the models began to mass on the famous stage, he projected 1930s black-and-white videos of sewing machines and spindles as the backdrop. The mood rising to a crescendo with Ravel's "Boléro", as statuesque models appeared in long gazar skirts topped by bolero jackets embroidered in gold and crystal. Leading to a huge roar of applause when Rolland took his bow, justly recognized with a standing ovation for respecting the duty of artists in Paris. And in fashion terms, continuing a tradition that has lasted since the Sun King. Ashi Studio: Subtle salon style Couturiers can come from all over the planet, but once they settle in Paris, the mysteries of the city almost inevitably feed into their designs, as happened in a rarefied and refined couture show from Ashi Studio on a steamy Tuesday evening. See catwalk This season, the Saudi-born Ashi's inspiration came from the flea markets of Paris, though the real source was an evocative invocation of Paris couture. At times the show felt a little like a fashion tutorial, where Ashi was determined to show his atelier was capable of matching any of the great Paris houses. A tutorial he passed with honors, from the remarkable silver sequinned gown over which flew small, embroidered birds, to the two playful monkey clambering over a leather corset. There were echoes of other couturiers – Galliano, McQueen and Gaultier - but all very much on Ashi's term. Nothing was copied in this show. Neither the superb white bustier dress with long train, nor the magnificent Restoration moll ecru lace dress with tulip sleeves See catwalk Ashi's beige silk coat sprouting micro feathers was also excellent. And full marks to stunning cut-out corset dress with a train decorated with curling stays. Staged with subtlety inside a triangular shaped Haussmann-era building in the 16th arrondissement in classic salon style, with an ecru carpet and matching ottomans for seats, it felt like a quintessential Paris moment. Which was surprising, as Ashi has built his reputation on evoking the raw desert and gritty topography of his native land. But also great news, since this show marked Ashi out as a couturier determined not to rest on his laurels, but experiment and broaden his creative spectrum.
Fashion Network
09-07-2025
- Entertainment
- Fashion Network
Paris couture: Stéphane Rolland and Ashi Studio
There is a certain idea of Paris, of a city devoted to art, excellence and the elegant liberation of women, which was the concept that underpinned the latest epic couture show by Stéphane Rolland this season in the French capital. See catwalk Entitled "Argument", the collection was imagined as an encounter between ballerina Ida Rubinstein, and composer Maurice Ravel. The result was a Hispano/Arabic meeting of cubic shapes, baroque detailing and sensual style. Rolland makes couture with great gusto, never more so than this season, where his show was presented inside the Théâtre des Champs Elysées, which despite its name is located on the capital's most important luxury thoroughfare Avenue Montaigne. The avenue of Dior 's headquarters, Marlene Dietrich's apartment, and the gilded Hôtel Plaza Athenée. And this theater is where Stravinsky first performed "The Rite of Spring", and where Karl Lagerfeld debuted the first Fendi 'haute fourure' show. Rolland made the Art Deco space his own, inviting conductor Zahia Ziouani and the Divertimento Orchestre to come and play Ravel's synchronic Bolero. Though the muse of the collection was Rubinstein. Born into a wealthy family, Ida escaped Russia to become a star dancer in Les Ballet Russes, and an icon of the Belle Epoque. Though in 1938, she had to flee her beloved Paris for London due to anti-Semitism and the looming war. Ida's legendary sensuality and dramatic poses were seen in some majestic clothes. From the cubic blazers paired with pencil skirts or jersey dresses finished with huge regal collars, to Stéphane's signature one-shoulder cocktails with single enormous leg-o'-mutton sleeves to excellent tuxedo jumpsuits with tulip sleeves. Everything trimmed and finished with crystal brooches, buckles, piping and mini skullcaps. See catwalk For evening, Rolland went gang busters with a series of sinful red crepe robes and gowns in sculptural shapes worthy of Brâncuşi. Rolland remains an Indie designer devoid of a deep pocketed investor, and his skill in using limited resources to great powerful images is also part of a rich Paris artistic tradition. Like today, when he projected huge images of musical metronomes on the stage curtains in a Man Ray-worthy opening. Later, as the models began to mass on the famous stage, he projected 1930s black-and-white videos of sewing machines and spindles as the backdrop. The mood rising to a crescendo with Ravel's "Boléro", as statuesque models appeared in long gazar skirts topped by bolero jackets embroidered in gold and crystal. Leading to a huge roar of applause when Rolland took his bow, justly recognized with a standing ovation for respecting the duty of artists in Paris. And in fashion terms, continuing a tradition that has lasted since the Sun King. Ashi Studio: Subtle salon style Couturiers can come from all over the planet, but once they settle in Paris, the mysteries of the city almost inevitably feed into their designs, as happened in a rarefied and refined couture show from Ashi Studio on a steamy Tuesday evening. See catwalk This season, the Saudi-born Ashi's inspiration came from the flea markets of Paris, though the real source was an evocative invocation of Paris couture. At times the show felt a little like a fashion tutorial, where Ashi was determined to show his atelier was capable of matching any of the great Paris houses. A tutorial he passed with honors, from the remarkable silver sequinned gown over which flew small, embroidered birds, to the two playful monkey clambering over a leather corset. There were echoes of other couturiers – Galliano, McQueen and Gaultier - but all very much on Ashi's term. Nothing was copied in this show. Neither the superb white bustier dress with long train, nor the magnificent Restoration moll ecru lace dress with tulip sleeves See catwalk Ashi's beige silk coat sprouting micro feathers was also excellent. And full marks to stunning cut-out corset dress with a train decorated with curling stays. Staged with subtlety inside a triangular shaped Haussmann-era building in the 16th arrondissement in classic salon style, with an ecru carpet and matching ottomans for seats, it felt like a quintessential Paris moment. Which was surprising, as Ashi has built his reputation on evoking the raw desert and gritty topography of his native land. But also great news, since this show marked Ashi out as a couturier determined not to rest on his laurels, but experiment and broaden his creative spectrum.
Fashion Network
09-07-2025
- Entertainment
- Fashion Network
Paris couture: Stéphane Rolland and Ashi Studio
There is a certain idea of Paris, of a city devoted to art, excellence and the elegant liberation of women, which was the concept that underpinned the latest epic couture show by Stéphane Rolland this season in the French capital. See catwalk Entitled "Argument", the collection was imagined as an encounter between ballerina Ida Rubinstein, and composer Maurice Ravel. The result was a Hispano/Arabic meeting of cubic shapes, baroque detailing and sensual style. Rolland makes couture with great gusto, never more so than this season, where his show was presented inside the Théâtre des Champs Elysées, which despite its name is located on the capital's most important luxury thoroughfare Avenue Montaigne. The avenue of Dior 's headquarters, Marlene Dietrich's apartment, and the gilded Hôtel Plaza Athenée. And this theater is where Stravinsky first performed "The Rite of Spring", and where Karl Lagerfeld debuted the first Fendi 'haute fourure' show. Rolland made the Art Deco space his own, inviting conductor Zahia Ziouani and the Divertimento Orchestre to come and play Ravel's synchronic Bolero. Though the muse of the collection was Rubinstein. Born into a wealthy family, Ida escaped Russia to become a star dancer in Les Ballet Russes, and an icon of the Belle Epoque. Though in 1938, she had to flee her beloved Paris for London due to anti-Semitism and the looming war. Ida's legendary sensuality and dramatic poses were seen in some majestic clothes. From the cubic blazers paired with pencil skirts or jersey dresses finished with huge regal collars, to Stéphane's signature one-shoulder cocktails with single enormous leg-o'-mutton sleeves to excellent tuxedo jumpsuits with tulip sleeves. Everything trimmed and finished with crystal brooches, buckles, piping and mini skullcaps. See catwalk For evening, Rolland went gang busters with a series of sinful red crepe robes and gowns in sculptural shapes worthy of Brâncuşi. Rolland remains an Indie designer devoid of a deep pocketed investor, and his skill in using limited resources to great powerful images is also part of a rich Paris artistic tradition. Like today, when he projected huge images of musical metronomes on the stage curtains in a Man Ray-worthy opening. Later, as the models began to mass on the famous stage, he projected 1930s black-and-white videos of sewing machines and spindles as the backdrop. The mood rising to a crescendo with Ravel's "Boléro", as statuesque models appeared in long gazar skirts topped by bolero jackets embroidered in gold and crystal. Leading to a huge roar of applause when Rolland took his bow, justly recognized with a standing ovation for respecting the duty of artists in Paris. And in fashion terms, continuing a tradition that has lasted since the Sun King. Ashi Studio: Subtle salon style Couturiers can come from all over the planet, but once they settle in Paris, the mysteries of the city almost inevitably feed into their designs, as happened in a rarefied and refined couture show from Ashi Studio on a steamy Tuesday evening. See catwalk This season, the Saudi-born Ashi's inspiration came from the flea markets of Paris, though the real source was an evocative invocation of Paris couture. At times the show felt a little like a fashion tutorial, where Ashi was determined to show his atelier was capable of matching any of the great Paris houses. A tutorial he passed with honors, from the remarkable silver sequinned gown over which flew small, embroidered birds, to the two playful monkey clambering over a leather corset. There were echoes of other couturiers – Galliano, McQueen and Gaultier - but all very much on Ashi's term. Nothing was copied in this show. Neither the superb white bustier dress with long train, nor the magnificent Restoration moll ecru lace dress with tulip sleeves See catwalk Ashi's beige silk coat sprouting micro feathers was also excellent. And full marks to stunning cut-out corset dress with a train decorated with curling stays. Staged with subtlety inside a triangular shaped Haussmann-era building in the 16th arrondissement in classic salon style, with an ecru carpet and matching ottomans for seats, it felt like a quintessential Paris moment. Which was surprising, as Ashi has built his reputation on evoking the raw desert and gritty topography of his native land. But also great news, since this show marked Ashi out as a couturier determined not to rest on his laurels, but experiment and broaden his creative spectrum.
Fashion Network
08-07-2025
- Entertainment
- Fashion Network
Paris couture: Stéphane Rolland and Ashi Studio
There is a certain idea of Paris, of a city devoted to art, excellence and the elegant liberation of women, which was the concept that underpinned the latest epic couture show by Stéphane Rolland this season in the French capital. See catwalk Entitled "Argument", the collection was imagined as an encounter between ballerina Ida Rubinstein, and composer Maurice Ravel. The result was a Hispano/Arabic meeting of cubic shapes, baroque detailing and sensual style. Rolland makes couture with great gusto, never more so than this season, where his show was presented inside the Théâtre des Champs Elysées, which despite its name is located on the capital's most important luxury thoroughfare Avenue Montaigne. The avenue of Dior 's headquarters, Marlene Dietrich's apartment, and the gilded Hôtel Plaza Athenée. And this theater is where Stravinsky first performed "The Rite of Spring", and where Karl Lagerfeld debuted the first Fendi 'haute fourure' show. Rolland made the Art Deco space his own, inviting conductor Zahia Ziouani and the Divertimento Orchestre to come and play Ravel's synchronic Bolero. Though the muse of the collection was Rubinstein. Born into a wealthy family, Ida escaped Russia to become a star dancer in Les Ballet Russes, and an icon of the Belle Epoque. Though in 1938, she had to flee her beloved Paris for London due to anti-Semitism and the looming war. Ida's legendary sensuality and dramatic poses were seen in some majestic clothes. From the cubic blazers paired with pencil skirts or jersey dresses finished with huge regal collars, to Stéphane's signature one-shoulder cocktails with single enormous leg-o'-mutton sleeves to excellent tuxedo jumpsuits with tulip sleeves. Everything trimmed and finished with crystal brooches, buckles, piping and mini skullcaps. See catwalk For evening, Rolland went gang busters with a series of sinful red crepe robes and gowns in sculptural shapes worthy of Brâncuşi. Rolland remains an Indie designer devoid of a deep pocketed investor, and his skill in using limited resources to great powerful images is also part of a rich Paris artistic tradition. Like today, when he projected huge images of musical metronomes on the stage curtains in a Man Ray-worthy opening. Later, as the models began to mass on the famous stage, he projected 1930s black-and-white videos of sewing machines and spindles as the backdrop. The mood rising to a crescendo with Ravel's "Boléro", as statuesque models appeared in long gazar skirts topped by bolero jackets embroidered in gold and crystal. Leading to a huge roar of applause when Rolland took his bow, justly recognized with a standing ovation for respecting the duty of artists in Paris. And in fashion terms, continuing a tradition that has lasted since the Sun King. Ashi Studio: Subtle salon style Couturiers can come from all over the planet, but once they settle in Paris, the mysteries of the city almost inevitably feed into their designs, as happened in a rarefied and refined couture show from Ashi Studio on a steamy Tuesday evening. See catwalk This season, the Saudi-born Ashi's inspiration came from the flea markets of Paris, though the real source was an evocative invocation of Paris couture. At times the show felt a little like a fashion tutorial, where Ashi was determined to show his atelier was capable of matching any of the great Paris houses. A tutorial he passed with honors, from the remarkable silver sequinned gown over which flew small, embroidered birds, to the two playful monkey clambering over a leather corset. There were echoes of other couturiers – Galliano, McQueen and Gaultier - but all very much on Ashi's term. Nothing was copied in this show. Neither the superb white bustier dress with long train, nor the magnificent Restoration moll ecru lace dress with tulip sleeves See catwalk Ashi's beige silk coat sprouting micro feathers was also excellent. And full marks to stunning cut-out corset dress with a train decorated with curling stays. Staged with subtlety inside a triangular shaped Haussmann-era building in the 16th arrondissement in classic salon style, with an ecru carpet and matching ottomans for seats, it felt like a quintessential Paris moment. Which was surprising, as Ashi has built his reputation on evoking the raw desert and gritty topography of his native land. But also great news, since this show marked Ashi out as a couturier determined not to rest on his laurels, but experiment and broaden his creative spectrum.
Yahoo
05-06-2025
- Yahoo
Homeland Security arrests 11 people, Bus driver speaks out on safety issues, Warm weather returns, Mixed-income housing project, ‘La Chicanita' honored
City of Albuquerque fines Comcast over incomplete jobs and exposed wires Grindstone Lake restocked with rainbow trout New Mexico man found guilty of kidnapping and conspiracy Teen charged in Albuquerque bicyclist's death will stay in custody Two Albuquerque restaurants make Yelp's 'Top 50 Cheap Eats' list Lavender in the Village Festival moving to new space in 2025 [1] Homeland Security: 11 people arrested at New Mexico dairy were 'undocumented' – The United States Department of Homeland Security Investigations arrested 11 undocumented workers after executing a search warrant at a New Mexico dairy farm. HSI said the migrants working at the Outlook Dairy Farm in Lovington had counterfeit green cards and used them to illegally obtain work. [2] Albuquerque bus driver speaks out on her experience of safety issues on Central route – While ABQ Ride said it has improved security on city buses, some drivers are saying they are still dealing with safety hazards at work. Denise Muniz Archibeque has driven a bus for the past year, mainly on Central Ave. She said drivers endure verbal abuse, threats, and frequent physical assaults. She called for a change to the city's Zero Fares Program, which allows anyone to ride the bus for free. City Councilor Nichole Rogers rejected the idea. ABQ Ride declined an interview but said that within the past year, they've invested in protective barriers around bus drivers and tightened rules for rider behavior. [3] Storm system moves out of New Mexico, warm temperatures return – Muggy conditions are still present in the wake of Wednesday's widespread thunderstorms with lingering rainfall across far-Southeast New Mexico, as well as parts of the Four Corners, with somewhat-gusty winds. Near-freezing temperatures are confined to the higher peaks of the Northern Mountains, while elsewhere, is mostly starting off in the upper 40s, 50s, and 60s. [4] New mixed-income housing project underway in Albuquerque – Construction is underway on a new mixed-income apartment complex in Albuquerque. Wednesday, Sol Housing and city officials broke ground on the complex located at Central Ave. and Alcazar St., just east of Louisiana. They say it is designed to provide affordable housing for older adults and those with accessibility needs. [5] Famed singer and lawyer Debbie 'La Chicanita' Martinez honored with historic marker – A program that shares the stories of remarkable women in New Mexico's history is honoring a late singer hailed as a trailblazer in the New Mexico music scene. Debbie 'La Chicanita' Martinez was a household name for Hispano families in the southwest and a star of the unique Nuevo Mexico sound of the 50s. The late singer is now being honored with a historic marker at EXPO New Mexico for her legacy in transforming New Mexican music and breaking into a male-dominated mariachi scene. After losing her hearing in her early 20s, Martinez earned degrees in business and law. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
