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Podcast Corner: New show offers insight into Jerry Springer
Podcast Corner: New show offers insight into Jerry Springer

Irish Examiner

time13-05-2025

  • Entertainment
  • Irish Examiner

Podcast Corner: New show offers insight into Jerry Springer

Jerry Springer died over two years ago and so far in 2025 we've had the two-part Netflix documentary Jerry Springer: Fights, Camera, Action, and now Final Thoughts: Jerry Springer, a nine-part documentary exclusive to Audible and likely for a wider release later this year. It's hosted by Leon Neyfakh, who's headed Slow Burn and Fiasco over the years. Those shows - and Neyfakh himself - are meticulous. During the second episode of Final Thoughts, he details a decades-old itinerary for a given day when Springer was running for Cincinnati city council: 'On one Saturday alone, he attended a local civics meeting, a neighbourhood festival, two parades, and a college football game. He then went to a wedding and a high school fair, and closed out the day with a telethon, a church dinner banquet, a cocktail party, and a visit to a local Democratic club.' This is where the podcast outranks the Netflix show - the first four episodes focus on his pre-chat show life rather than the de rigueur outrages for which his show became known. Springer was born in London during the Second World War to Jewish refugee parents, who emigrated to the US a few years later. They always discussed politics around the dinner table; it's where he started pontificating, says his sister. Springer was a city councilman, mayor of Cincinnati, a rising star in the Democrat Party (soundbites compare him favourably to Bill Clinton and he's dubbed 'Kennedy-esque'), and spent a decade as a news anchor. He undertook stunts for causes he believed in, such as sleeping overnight at a prison to explain the circumstances facing inmates. As his news anchor personality grew (was he news or opinion? The line grew every more blurred), stunts included dressing as a homeless man. The podcast naturally hits the same beats as the Netflix documentary from there, as The Jerry Springer Show - 'the worst TV show of all time' - battles for ratings and top spot with Oprah, runs ever crazier plots, is morally questionable with the guests it books, and producers detail the impact it took on their own lives ("Can we get this over with so I can leave? I don't want to do this, I don't know why I'm doing it, I'm tired of talking about the show, it's been a whole lifetime ago," says Richard Dominick, who viewers of the Netflix show will remember and was key to Springer's ascension). The show ran for 27 years and over 4,000 episodes, ending in 2018. Neyfakh ponders the impact it has left and offers a reason for the podcast's raison d'etre: 'It doesn't seem crazy to suggest that this globally iconic show had a real impact on how people treat each other and talk to each other and what sorts of things we're willing to share in public about our private lives. "It also doesn't seem crazy to suggest that Springer softened the ground for well, y'know...'' - cutting to a soundbite about Trump, a soundbite declaring him 'the Jerry Springer Show of politics'. Read More Young Offenders creator Peter Foott to make new film set in Kerry

U.K. Film, TV Production Spend Rebounds in 2024 Thanks to ‘Peaky Blinders' and ‘Knives Out'
U.K. Film, TV Production Spend Rebounds in 2024 Thanks to ‘Peaky Blinders' and ‘Knives Out'

Yahoo

time06-02-2025

  • Entertainment
  • Yahoo

U.K. Film, TV Production Spend Rebounds in 2024 Thanks to ‘Peaky Blinders' and ‘Knives Out'

Film and TV production in the U.K., whose boom came to a grinding halt in 2023 amid the Hollywood writers and actors strikes, rebounded in 2024 and is officially ahead of pre-Covid levels for the first time since the pandemic. According to the British Film Institute, the total spend on film and high-end TV production last year reached £5.6 billion ($6.9 billion), a 31% increase on 2023 when £4.23 billion ($5.37 billion) on 394 productions was spent, and £6.27 billion ($7.72 billion) in the year 2022. More from The Hollywood Reporter Spotify, Warner Music Strike New Multiyear Deal Warner Music Buys Controlling Stake in Catalog Investor Tempo Which Owns Jonas Brothers Rights BBC Studios Buys Stake in Production Firm of 'Jerry Springer: Fights, Camera, Action' Creator U.K. production spend is counted in the statistics for the year in which principal photography started. During 2024, 191 feature films started shooting in the U.K., compared with 207 in 2023, according to the BFI. Among them were Netflix's Peaky Blinders movie and The Fantastic Four. 65% of total U.K. production spend on film was accounted for by productions from the five major U.S. studios and the three major U.S. steaming platforms (Netflix, Apple and Amazon), also representing a 49% increase in spend in 2024 versus 2023. These films include The Running Man, Wake Up Dead Man: A Knives Out Mystery, How to Train Your Dragon, Project Hail Mary, and Jurassic World Rebirth. In comparison, the U.K. recorded 181 high-end TV productions that began principal photography in 2024, compared with 187. In 2024, UK spend was £3.44 billion, a 20% increase on 2023's £2.87 billion (revised to £3.09 billion). The data spotlighted productions on The Immortal Man: A Peaky Blinders Film, The Donovans, Young Sherlock, Man vs Baby and Art Detectives. Domestic HETV productions included Gavin & Stacey: The Finale, Inheritance, Transaction and Man Like Mobeen. Said BFI CEO Ben Roberts: 'The U.K.'s film and TV industries continue to be a powerhouse for creativity, investment and jobs. After a disrupted 2023, including the impact of US strikes, production spend rebounded to £5.6 billion in 2024 — up 31% on the previous year — demonstrating the U.K.'s strength as a world-leading destination for filmmaking. Wicked, made here in the U.K., led the box office, following Barbie's success in 2023, while independent films like Back to Black and One Life helped grow market share.' He continued: 'At the same time, we know these figures don't tell the whole story. The 22% drop in domestic HETV spend is a reminder that many in the industry are feeling the pressure, and what happens next will be critical. Continued investment in skills and infrastructure, alongside strong government support is essential to ensuring the U.K. remains a magnet for international productions while strengthening our independent sector for the future.' Best of The Hollywood Reporter How the Warner Brothers Got Their Film Business Started Meet the World Builders: Hollywood's Top Physical Production Executives of 2023 Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire

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