Latest news with #JurassicWorldRebirth
Forbes
19 hours ago
- Entertainment
- Forbes
Which Cinema Format Should You Choose For ‘Jurassic World Rebirth'?
Dolby Dinosaurs are big. Very big. Of course, they can be small as well, but we don't go to the cinema to see the small ones come to life. Oh no. We go to see the big ones. The new movie, is, of course, Jurassic World Rebirth, which is chomping its way through theaters from July 2nd. Wot No IMAX? As the biggest cinema format out there, it's a surprise, therefore that the movie will not be getting an IMAX release. Some have suggested that this is because the director, Gareth Edwards, chose to shoot on 35mm film, and while this doesn't lend itself to an IMAX expanded aspect ratio, it wouldn't have precluded it from getting an IMAX DMR pass, so it could be shown on the largest screens. More likely, it's simply down to IMAX congestion, with the F1: The Movie blocking its path, in a maneuver presumably deemed legal by the stewards. There are rumors of an IMAX 3D release in China, however, presumably to cater for the popularity of 3D in that region and the availability of local IMAX screens. While the lack of IMAX for the rest of us is something of a disappointment it does open the path for the other premium formats. At the top of the technical tree in terms of image quality is the HDR by Barco format and this is listed as a 'Coming Soon' on the format's website. However, while there may be 30 to choose from by the year's end, there are only a handful of screens that support this format at the moment, so for most, it won't be an option. Dolby Lights The Way That leaves Dolby Cinema as the premium format to seek out for Jurassic World Rebirth. This offers a brightness level of 108 nits, which is very high for a cinema. This leaves plenty of space for the extended dynamic range images, with Dolby Vision creating truly deep blacks and bright whites, along with a wide color gamut. Essentially, it will allow for the beauty and texture of the film stock that the movie was shot on to come through. Excitedly for stereoscopic fans, the film is even getting a Dolby Vision 3D release, (48 nits if you were wondering about the comparative light loss — which I know you were), and having not seen this since the release of Avatar: The Way of Water – and it happens to be the ticket I have pre-booked. Dolby Cinema is also known for its immaculate, modern theaters, complete with comfy seats and optimized layout. The Dolby Atmos audio is also a treat for the ears, which, along with serious bass slam, offers the ability to place sounds precisely in the 3D space to heighten the immersion. I'm looking forward to it already. If you can't get to a Dolby Cinema, then try to find a premium larger format (PLF) screen. These offer an experience that's close to that of Dolby, with a floor-to-ceiling 4K laser projection, which means a bright, clear and sharp picture, albeit without the dynamic range goodness of Dolby. You do get Dolby Atmos audio, though, and the seating is normally better than standard so it will be worth the outlay. PLFs all have different brand names according to the cinema chain, so in the USA, look out for names such as Prime at AMC, Regal RPX, Cineplex UltraAVX, and Cinemark XD, while in the UK they are called Cineworld Superscreen, Odeon iSense, or OmniplexMAXX. Shake It Up In 4DX Those are your premium formats taken care of, but if you want a format that will put a smile on your face, then try 4DX, which, for Jurassic World Rebirth, is combined with RealD 3D. The screen will likely be a 2K Xenon and the audio will be a conventional 'flat' surround sound format, but you'll likely be hanging onto your seat too much to notice – quite literally. 4DX has chairs that move, throwing you around in sync with the action on screen, along with thumbs in the back for bangs and crashes, splashes or water, blasts of air, and flashes of light. I'd expect it to be a great fit for Jurassic World Rebirth. I'd be less inclined to choose ScreenX. This offers additional images down the sides of the theater. While much of this extra-wide footage is especially created for the movie, I'd prefer a larger screen and better sound mix of the other formats. The screens down the side can be more distracting than immersive, and theaters are not always well optimized for the format: I've even seen an Exit sign in the middle of the side screen. Finally, you could go to a regular screen showing it in 3D. If you know the screen has a laser projector, this might be acceptable, but unless you can be sure, it's a risk: many screens still have projectors that use old Xenon lamps, which lose brightness as they age, which will be exacerbated by the 3D glasses. If you don't want to risk it or don't enjoy 3D motion blur (oh, where art thou' TrueCut Motion) for Jurassic World Rebirth, then a standard 2D screen will be a safer option. Or at least as safe as things can be. After all, you know how slack those 'Dinosaur Supervisors can be. (Only kidding Phil, we love ya…). Related Reading Can Avatar: The Way Of Water's TrueCut Motion Tech Save High Frame Rate Cinema? Barco Light Steering Uses AI Tech To Brings True HDR To The Big Screen Vue And Barco Partner To Bring Laser Projection To Over 1000 Screens Star Wars: Revenge Of The Sith Returning To Theaters For 20th Anniversary
Newsweek
19 hours ago
- Entertainment
- Newsweek
Scarlett Johannsson Offers Major Update on Disney Adaptation
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Entertainment gossip and news from Newsweek's network of contributors It's been almost four years since the film "Tower of Terror", based on the popular Disney ride, was announced and there have been very few updates about it. Speaking to Entertainment Weekly, "Jurassic World Rebirth" star Scarlett Johansson finally has some updates on how things are going. Read More: Christopher Nolan Came Close to Directing James Bond "It's a hard nut to crack," Johansson said. "Harder than you think, because the ride itself, there's some lore to it, but it's... I don't want to say thin, but it is, kind of!" The story of the "Tower of Terror" is set in Rod Serling's classic "Twilight Zone". It has to do with five people who are transported to the "Twilight Zone" universe when they board an elevator in the tower after it's struck by lightning. Scarlett Johansson attends the "Jurassic World Rebirth" New York Premiere at Lincoln Center on June 23, 2025 in New York City. Scarlett Johansson attends the "Jurassic World Rebirth" New York Premiere at Lincoln Center on June 23, 2025 in New York went on to say the ride's story "doesn't have so much to dig into." "That's part of the mystery of the ride. It's been a fun project to work on, because it's a blue sky project," Johansson said. "It has also proved to be a hard nut to crack. But we'll crack the case of it. It's taking shape!" It's no secret why Disney is motivated to "crack" this particular "nut." As "thin" as the story of the ride may or may not be, Disney films based on the park rides are not bad investments. All told, the "Pirates of the Caribbean" films have made over $4.5 billion at the box office. Even 2021's "Jungle Cruise" performed well considering it came out during the COVID pandemic. There are outliers, of course, like 2023's "Haunted Mansion," which flopped badly. When the "Tower of Terror" film finally sees the light of day, it won't be the first time. In 1997 Steve Guttenberg and Kirsten Dunst starred in a "Tower of Terror" made-for-TV movie. However, any connection to "Twilight Zone" was left out of the story. The original Tower of Terror stands over 199 feet tall at Disney World, and different versions of the tower have appeared at parks all over the world. It's so beloved that when rumors spread the original would be revamped, pop star Ariana Grande made a request on the "Las Culturistas" podcast that Disney leave it as it is. "Please allow the iconic and tremendous Tower of Terror to stand tall, permanently in the name of historical preservation, spooky honor, and good, old-fashioned fun," Grande said. "I hope that you'll consider this humble plea from a passionate fan." More Movies: 'Lilo & Stitch 2' Already On the Way from Disney 'F1' Director Teases 'Top Gun 3'
San Francisco Chronicle
20 hours ago
- Entertainment
- San Francisco Chronicle
How do you make a 'Jurassic World' movie? With these 'commandments'
NEW YORK (AP) — If you're going to let dinosaurs run amok, it's good to have some ground rules. That's how screenwriter David Koepp saw it, anyway, in penning the script for 'Jurassic World Rebirth,' which opens in theaters July 2. Koepp wrote the original 'Jurassic Park and its 1997 sequel, 'The Lost World. But 'Rebirth,' the seventh film in the franchise, marks his return to the franchise he helped birth. And Koepp, the veteran screenwriter of 'Carlito's Way' and 'Mission: Impossible,' saw it as a chance to get a few things in order for a movie series that had perhaps strayed too far from its foundational character. Inspired by the animator Chuck Jones, Koepp decided to put down a list of nine commandments to guide 'Jurassic World Rebirth' and future installments. Jones had done something similar for the Roadrunner cartoons. His 'commandments' included things like: the Roadrunner never speaks except to say 'meep meep"; the coyote must never catch him; gravity is the coyote's worst enemy; all products come from the ACME Corporation. 'I always thought those were brilliant as a set of organizing principles,' Koepp says. 'Things become easier to write when you have that, when you have a box, when you have rules, when you agree going in: 'These we will heed by.' So I wrote my own, nine of them.' Koepp shared some — though not all of them — in a recent interview. 1. The events of the first six movies cannot be contradicted 'I hate a retcon. I hate when they change a bunch of things: 'Oh, that didn't actually happen. It was actually his twin.' I don't like other timelines. So I thought: Let's not pretend any of the last 32 years didn't happen or happened differently than you thought. But we can say things have changed.' 2. The dinosaurs are animals, not monsters 'On the first movie, anyone working on the movie would get fined for referring to them as monsters. They're not monsters, they're animals. Therefore, because they're animals, their motives can only be because they're hungry or defending their territory. They don't attack because they're scary. They don't sneak up and roar because they want to scare you.' 3. Humor is oxygen. 'You can't forget it.' 4. Science must be real 'The tone that Steven (Spielberg) found and I helped find in that first movie is really distinctive. I haven't gotten to work on a movie with that tone since then. So to go back to that sense of high adventure, real science and humor, it was just kind of joyful.' 'And then there were a number of other rules that I would define as trade secrets. So I'll keep them to myself.'
Pink Villa
20 hours ago
- Entertainment
- Pink Villa
Box Office: F1 takes a promising start domestically on preview Thursday; Crushes India predictions but gets subdued response in China
Brad Pitt led F1, directed by Joseph Kosinski is buzzing, thanks to terrific reviews all across the board. The movie has started strong at the domestic box office by amassing little over USD 10 million from Thursday previews, which also includes paid fan screenings. This has set the movie up beautifully for a USD 55-65 million weekend. With very positive reception, we can expect the racing film to leg to USD 200 million, despite some stiff rivals in the form of Jurassic World Rebirth and Superman in the coming weeks. F1 Takes A Solid Start In North America; Movie Crushes Predictions In India But Not In China Internationally, the opening of F1 has been a mixed bag. In India, F1 has taken among the best starts for a non-IP Hollywood movie in India. As per early estimates, the movie's numbers are over Rs 5 crore net. It may even be Rs 6 crore but that shall be known by tomorrow when the final numbers come from all chains. This is an impressive number given the fact that the movie is sharing screenspace with big Indian movies - Sitaare Zameen Par, Maa and Kannappa. A weekend of Rs 20 crore net is on the cards and a Final Destination: Bloodlines like trend should propel this Brad Pitt movie to over Rs 60 crore net. In China, F1 has only grossed USD 2.6 million in two days. USD 900k came on Thursday while USD 1.7 million has come on Friday. The weekend of the movie looks to be around USD 7 million, strictly based on its positive reception. It is the third most preferred movie option of the weekend, below Detective Conan 28 and She's Got No Name. F1 Is A Pricey Movie And Needs Around USD 500 Million To Breakeven Theatrically Made at a production budget of over USD 200 million, the racing movie needs USD 500 million atleast for a theatrical breakeven. There's a lot of work required to get to this number but with the start, the movie may just fancy getting to that number. It is already projected to be Apple TV's biggest weekend opener, so that's a good note to open with. Stay tuned to Pinkvilla for more updates on F1.
Hamilton Spectator
20 hours ago
- Entertainment
- Hamilton Spectator
How do you make a ‘Jurassic World' movie? With these ‘commandments'
NEW YORK (AP) — If you're going to let dinosaurs run amok, it's good to have some ground rules. That's how screenwriter David Koepp saw it, anyway, in penning the script for 'Jurassic World Rebirth,' which opens in theaters July 2. Koepp wrote the original 'Jurassic Park and its 1997 sequel, 'The Lost World. But 'Rebirth,' the seventh film in the franchise, marks his return to the franchise he helped birth. And Koepp, the veteran screenwriter of 'Carlito's Way' and 'Mission: Impossible,' saw it as a chance to get a few things in order for a movie series that had perhaps strayed too far from its foundational character. Inspired by the animator Chuck Jones, Koepp decided to put down a list of nine commandments to guide 'Jurassic World Rebirth' and future installments. Jones had done something similar for the Roadrunner cartoons. His 'commandments' included things like: the Roadrunner never speaks except to say 'meep meep'; the coyote must never catch him; gravity is the coyote's worst enemy; all products come from the ACME Corporation. 'I always thought those were brilliant as a set of organizing principles,' Koepp says. 'Things become easier to write when you have that, when you have a box, when you have rules, when you agree going in: 'These we will heed by.' So I wrote my own, nine of them.' Koepp shared some — though not all of them — in a recent interview. 1. The events of the first six movies cannot be contradicted 'I hate a retcon. I hate when they change a bunch of things: 'Oh, that didn't actually happen. It was actually his twin.' I don't like other timelines. So I thought: Let's not pretend any of the last 32 years didn't happen or happened differently than you thought. But we can say things have changed.' 2. The dinosaurs are animals, not monsters 'On the first movie, anyone working on the movie would get fined for referring to them as monsters. They're not monsters, they're animals. Therefore, because they're animals, their motives can only be because they're hungry or defending their territory. They don't attack because they're scary. They don't sneak up and roar because they want to scare you.' 3. Humor is oxygen. 'You can't forget it.' 4. Science must be real 'The tone that Steven (Spielberg) found and I helped find in that first movie is really distinctive. I haven't gotten to work on a movie with that tone since then. So to go back to that sense of high adventure, real science and humor, it was just kind of joyful.' 5. The tone must never been ponderous or self-serious 'And then there were a number of other rules that I would define as trade secrets. So I'll keep them to myself.'
