Latest news with #K-serials
India Today
10-07-2025
- Entertainment
- India Today
Tulsi's return is good news for all. Kyunki saas bhi kabhi viewer thi
Every night at 10.30 pm, the camera would glide over the grand Virani household, the mansion's golden-hued walls, the women's rustling silk sarees, and, at the centre of it all, with folded hands, Tulsi Virani. Calm, composed, draped in a crisp sari, she stood like a strong compass in a choppy sea of family drama. Would she forgive Mihir again? Expose Payal's latest plan? Banish a scheming bahu with nothing but quiet conviction? Viewers across the country paused their own lives to find was Kyunki Saas Bhi Kabhi Bahu Thi, not just a TV show, but a nightly ritual that ran from July 3, 2000, to November 6, 2008, across 1,833 episodes. And now, after years of silence, Tulsi, played by Smriti Irani, is returning, and it is good news for what Kyunki offered hasn't really been replaced. There's a big content gap. Love it or hate it, Kyunki had a massive fan following. Kyunki Saas Bhi Kabhi Bahu Thi ran for over eight years because it made an emotional investment. Characters were familiar, conflicts were constant but rooted in family, and it gave women, especially homemakers of the time, a sense of visibility and is not to say that Kyunki and the other K-serials of that time weren't steeped in traditional, often rigid, family structures, ones that rarely gave women the room to simply be, let alone grow. More often than not, they reinforced the idea that a woman's worth lay in her sacrifice, her ability to KAPOOR ON KYUNKI SAAS BHI KABHI BAHU THI REBOOTKyunki 2 will have to reckon with that legacy for the older viewers, and update itself for a new Kapoor, the maker of the show, hinted at that when she answered the issue of why Kyunki was returning."Kyunki' is coming back... with an intent to impact, entertain, probe thoughts and, most importantly, to inspire," wrote shift to thrillers, reality TV, and youth-driven plots left behind a massive audience that never really left; they were just overlooked. Tulsi's return could work if it honours that memory while speaking to today's world. The saas-bahu dynamic hasn't disappeared, it's just changed need for family drama still runs deep. Loyalty, betrayal, forgiveness: these themes still work. Viewers moved to YouTube, Pakistani and Turkish shows, and reruns. A Kyunki comeback isn't just nostalgia, it's meeting the demand of a content-starved KYUNKI AND TULSI WORKED FOR INDIAN VIEWERSKyunki Saas Bhi Kabhi Bahu Thi worked because it hit Indian television like a cultural thunderstorm, just when the country was ripe for in 2000, the show arrived at a moment of deep social and economic had opened up its economy, cable TV had exploded into middle-class homes, and women were becoming a more visible part of public life. Yet inside those homes, traditional values still held offered the perfect blend: a modern format wrapped in a conservative, family-first Irani's Tulsi wasn't just a daughter-in-law; her upper-class life was both aspirational and relatable for K-serials followed suit, riding the same wave of emotionally charged family Kahaani Ghar Ghar Ki explored the quiet strength of Parvati, the ideal daughter-in-law navigating a joint family's power struggles, Kasautii Zindagii Kay turned love and sacrifice into destiny's favourite WAS UNDERGOING A K-MOVIES ERA OF ITS OWNKyunki Saas Bhi Kabhi Bahu Thi came after Hindi movies based on joint families like Hum Aapke Hain Koun (1995) and Hum Saath Saath Hai (1998) became Star Plus transitioned to a Hindi channel in 2000, it needed a superhit serial, and followed the Bollywood came that year on Star Plus. The others followed entered its "K" era too. Karan Johar's Kabhi Khushi Kabhie Gham (2001), with its designer sarees and grand family feuds, shared the same emotional and K-films of that time pushed one big idea: no matter the conflict, the great Indian family comes Indian family still remains there, while shows, even one titled Family Man, lack the family and its bitter-sweet storytelling was over the top, but its questions were happens when ambition enters an arranged marriage, when a daughter-in-law chooses conviction over quiet? It mirrored women caught between tradition and OF INDIAN VIEWERS SWITCHED TO PAK, TURKISH SHOWSYears later, Anupamaa (2020) picked up where the K-serials had left. She wasn't Tulsi. She was a homemaker who didn't ask for respect until life forced her to. But like Kyunki, she put a middle-aged woman's emotional world back at the centre of primetime. The daughters-in-law who once saw Tulsi now saw themselves in Anupamaa, overworked, overlooked, and finally finding a works and is a top-charter because it trusts its audience. Its domination of the charts shows that there is a demand for family Kasautii Zindagii Kay reboot missed that mark. Sleeker, shinier, but not quite there. The original had ache, love tangled in sacrifice and fate. The reboot had surface, but lacked Indian TV drifted into noise, background scores, serpents, and endless plots, viewers switched dramas like Humsafar or Zindagi Gulzar Hai brought back intimacy, moral grey, and silence that meant dramas offered scale, lush visuals, strong arcs, and a world where faith, loyalty, and family still held ground."I said let's do this! Let's create a show that's not afraid to raise important questions, that sparks conversations, and stands out in a time dominated by visual gimmicks," wrote Ekta Irani as Tulsi in Kyunki might become a magnet and help in the diversification of the bouquets being offered by the Indian content TELEVISION TO SMARTPHONE: DID KYUNKI EVER LEAVE?And Kyunki hasn't vanished. It lives on in memes, reels, and pop-culture strength, Baa's blessings, Mihir's resurrections, now nostalgic jokes even Gen Z knows "Mihir mar gaya" are internet a reboot hold both reverence and ridicule?But then, she won't return to the living room. Her resurrection will be on millions of content habits have shifted. With cheap data and rising digital access in Tier-2 and -3 cities, the small screen now fits in your the new Kyunki stream on YouTube? Drop weekly on Hotstar? Air on TV? Will Gen Z watch it ironically, or sincerely?advertisementKYUNKI THIS MIGHT HELP SMRITI IRANI RECONNECTBefore she made her mark as a politician and became a Lok Sabha MP, Kyunki was the biggest thing that happened to Smriti fought hard and beat Congress MP Rahul Gandhi in the Nehru-Gandhi bastion of Amethi. She went on to become a Union minister. Smriti Irani is no longer an MP but is a senior BJP leader and part of several important government there is also a part of Irani that extends beyond politics, and she might find Kyunki useful in reconnecting with Chief Minister Conrad Sangma uses the guitar. Late Congress leader and Union minister Ajit Kumar Panja used the stage to SAAS BHI KABHI BAHU THI: LIMITED SERIES, UNLIMITED IMPACT?An active politician, Smriti Irani cannot devote all the time to shoots. Kyunki Saas Bhi Kabhi Bahu Thi is, therefore, returning as a limited there will also be the undeniable shadow of her political journey on have seen her evolve from a righteous bahu to a Union Cabinet minister. Will she be a more assertive protagonist or a more softened return to emotional storytelling?Tulsi had an imprint on Irani, at least during her initial years as a politician. The politician might leave an imprint on Tulsi the makers get it right, Tulsi might just become timeless. After all, Kyunki's broadcaster, Star Plus, says, "Rishta wahi, soch nayi" (the relationship stays the same, but the thinking evolves). And the return of Kyunki and Tulsi Virani might be a good news for all.- EndsMust Watch
Indian Express
04-07-2025
- Entertainment
- Indian Express
‘Ekta Kapoor ruined Indian culture with her TV shows,' says Pahlaj Nihalani: ‘Erotic films were rare, now sex is everywhere'
25 years ago, Ekta Kapoor launched her first batch of K-serials, and soon enough, the popularity of shows like Kyunki Saas Bhi Kabhi Bahu Thi and Kahaani Ghar Ghar Kii, skyrocketed. Her saas-bahu serials became culture-defining over the next decade, so much so that they continue to influence the Indian television space. While the folks associated with these shows made massive profits from them, others saw them as regressive. Recently, producer Pahlaj Nihalani blamed Ekta Kapoor for ruining that idea of Indian culture. In a chat shared on Learn From The Legend's YouTube channel, Pahlaj said the Bollywood is 'not making Hindi pictures for the masses anymore.' He said, 'Shah Rukh Khan, who was known for romancing in films like Dilwale Dulhania Le Jayenge, even he is holding a gun. That is working now.' He then continued to say that films like RRR and Kalki 2898 AD are inspired by Mahabharat and Ramayana, and implied that films presenting ancient Indian mythological texts were working for the masses. He said, 'Films like RRR, they are fully based on Ramayana and Mahabharat, even in Kalki, the end was all about Mahabharat. People are taken in by Indian culture but we are force-feeding people that one woman can get married to three men…' Pahlaj then proceeded to blame Ekta Kapoor for portraying the practice of polygamy in many of her shows, but insisted that it was only the women who were shown to be getting married multiple times. 'Ekta Kapoor, the great… I mean men are not allowed to get married twice but she gets women married three times… Our culture has been ruined,' he said and added, 'Earlier, erotic movies were made rarely, now there's sex everywhere.' ALSO READ | KBC turns 25: Writer who gave Amitabh Bachchan lines like 'lock kiya jaye' says actor 'very charged up' about Season 17 In the same chat, Pahlaj also mentioned that until the early 2000s, none of the actors interfered with the casting process of the film but the first actor who put a condition with regard to this was Akshay Kumar. 'Earlier, producers and directors used to cast and heroes wouldn't interfere in casting. The first actor to interfere in casting with me was Akshay Kumar in Talash in 2002. He told me that 'we can start the movie tomorrow, and you can give me any amount that you want, but the heroine of this film will be Kareena Kapoor.' It was one of the most costly film of that time, it was made in Rs 22 crore. This was the first time in my career that an actor had demanded a certain cast,' he said. Pahlaj has produced films like Andaz, Aankhen in the 1990s, and in the recent years, he produced Govinda-starrer Rangeela Raja and a sequel to Neha Dhupia-starrer Julie, albeit with a different cast. Pahlaj remains a controversial figure, for producing films with suggestive themes and his tenure as the CBFC chairperson. ALSO READ | Ramayana Teaser Out: Ranbir Kapoor's first look as Ram, Yash as Ravan in mythological epic; credits are a reminder of Game of Thrones Previously, Varun Badola, in a chat with the YouTube channel Zindagi with Richa, was asked if Ekta was responsible for 'ruining' Indian television and he said, 'More than spoiling the content on TV, Ekta Kapoor changed the face of Indian television, whether for the good or the bad. She went from strength to strength because the shows were earning money. In our industry, when corporates get involved, they don't care about the art form; they just want to earn money. Once Ekta had said in an interview that if you want to make a show your way, put your own money and make it, and she wasn't wrong. You have to deal with so much pressure otherwise.' Actor Mukesh Khanna also criticised Ekta Kapoor, specifically for her show Kahaani Hamaaray Mahaabhaarat Ki, and shared with Siddharth Kannan, 'If you look at the Pandavas and their costumes in Ekta Kapoor's show, they were looking like models, exposing their bodies. Bheem wasn't looking like Bheem, and neither was Arjun. If you look at five of them together, you won't be able to recall who was who.'
