Latest news with #KCF
New Indian Express
26-06-2025
- Entertainment
- New Indian Express
Hesham Abdul Wahab Interview: 'Kerala Crime Files 2 has opened bigger doors for me'
In cinema, we often see actors talking about stereotyping since this tendency to be boxed into a particular kind of role hampers their desire to be versatile. Interestingly, these concerns extend to technicians as well. One such person is Hesham Abdul Wahab. The composer, who often operates in the feel-good space, is currently ecstatic about breaking the shackles with Kerala Crime Files 2 (KCF 2), an investigative thriller series. "I've always loved the thriller genre and enjoyed working on them. I've worked on films like Chuzhal, Ini Utharam, and the first season of KCF. The reception for the new season has been highly encouraging, and I consider it a validation of all my efforts. It's a massive confidence booster as I feel I don't have to prove my versatility anymore," says Hesham with glee. As the JioHotstar series continues to garner a largely positive response, we discuss with Hesham the added scope for music in the second season, its emotional layers, and his career in general. Excerpts
The Hindu
25-06-2025
- Entertainment
- The Hindu
Cinematographer-writer Bahul Ramesh on scripting the second season of the web series, ‘Kerala Crime Files'
Bahul Ramesh, who joined the list of cinematographers-cum-scriptwriters in Malayalam cinema with Kishkindha Kaandam, the acclaimed slow-burning thriller by Dinjith Ayyathan, is back again as scenarist with the second season of the web series, Kerala Crime Files: The Search for CPO Ambili Raju. Directed by Ahammed Khabeer, the series is being discussed for its taut screenplay, nuanced character arcs and novel themes. The action is set in the fictitious Kaniyarvila police station limits in Thiruvananthapuram. The officers posted there are being transferred because of their alleged nexus with criminals. When, Ambili Raju (Indrans), one of the cops, goes missing, the newly-appointed officers, Circle Inspector Kurian (Lal) and Sub Inspector Noble (Arjun Radhakrishnan) and their team start the investigation, which eventually leads to shocking revelations about Ambili and his special bond with an ex-convict Ayyappan (Harisree Ashokan). But as the narrative move towards the climax, more truths emerge, eventually leading to apprehending the culprit. In a free-wheeling conversation with MetroPlus, Bahul says that he did not put pressure on himself thinking it was the second season of a successful show. 'Ahammed ikka (Ahammed Khabeer, director of both seasons of KCF) contacted me in September 2023 asking if we could work on the new season. I had just finished Kishkindha Kaandam. He had only a month to pitch the story idea to the streaming platform. It is difficult for me to arrive at a thread just like that, my stories usually develop only once I start writing. I also wanted to give Ahammed enough time to find another story/writer if my idea did not work. However, he was confident and his only request was to include a few characters from the first season so that the viewers are reminded of the franchise,' Bahul says. Bahul became friends with Ahammed at LV Prasad College of Media Studies, Chennai, where he studied cinematography and Ahammed had done an internship. 'Even though he had interned much before I joined, we met through mutual friends. I looked forward to working with him, irrespective of the format or my designation. Jithin Stanislaus, the series' DOP, is also a senior,' he says. The writing for KCF did not involve a lot of research as many would think. 'I have put down the basic things I know, corroborated by what I read in the newspapers, saw on social media, or heard from others. There was no reference for the police characters. Once I finished the script, I fact-checked with experts and consulted a police officer who had helped Ahammed ikka in the first season. It was he who gave us the term passport adichu kitti, a phrase that the police use for transfer orders.' Bahul's expertise, when it comes to character development, is on show in KCF as it was in Kishkindha Kaandam. The way he peels layers of the characters is a mainstay of the story. However, Bahul stresses that it is not deliberate. 'I don't design my characters. The focus is on writing original dialogues and when I do that, the layers show as a byproduct of the process. I don't finalise the story and then write. The narrative develops as I work scene by scene,' he explains. In the context he mentions the scene where Ambili asks his daughter to go to Ayyappan's house and enquire about him. 'Her reluctance to go there hints at tension between the two characters. At the same time, I did not want the daughter's character to be one-dimensional. It was only after establishing this premise that I worked out the relation between Ambili and Ayyappan.' Bahul stresses that he was not concerned about adapting his writing to the web series format, especially arriving at a cliffhanger after each episode. 'I didn't follow that template. I wanted to keep it organic, without gimmicks. It was about pushing the envelope and arriving at a situation naturally, as I travelled with my characters.' In fact, he had 'an interesting way' to fix the duration of each episode. 'Ahammed ikka said that five episodes could be of 30 minutes, and the last one slightly longer. So, once I wrote the 40-page first episode, I gave it to my father to read. It took him 25 minutes and I gauged that it could be the approximate running time of that episode. That is how I got the meter to anchor my syntax. As I wrote each episode, I took it towards a conclusion, keeping that duration in mind, without twists or cliffhangers. Thus, each episode had an organic ending.' Now that deliberations are on about the 'show, don't tell' approach in the series, especially the climax, Bahul avers that he did not want to take the obvious route. 'It does not have an open ending. We have laid to rest all doubts, without stating the obvious. The answers lie in the final scene when Noble smiles, seeing the pack of dogs, thus declaring that his speculations were right.' Interestingly dogs are integral to the storyline and his exploration of the human-animal bond is heart warming. 'Their roles became important as I started working on the script. We had an expert who helped us execute scenes with the dogs. It was, obviously, difficult to make them act on demand. The director and DOP were patient enough to get the right shot.' About featuring a dog with a cognitive disability, Bahul says that he came across a scenario at a friend's house. 'They had a visually impaired dog. It was disturbing. But that's where I got the idea that a dog with a disability would be an interesting material for the series,' he says. Becoming a writer was a dream Bahul chose to keep on the back burner. 'I knew that scripting films was a gamble. Your story could get rejected and if chosen you don't know when it would become a film. So I decided to focus on cinematography, settle in that space, and then start writing scripts.' That opportunity came during during the lockdown, 'since there was nothing else to do. My first script was based on the theme of lockdown which Dinjith Ayyathan was keen to make into a film. That's when I came up with the story of Kishkindha Kaandam and he felt that we should make that first.' Bahul points out that he does not lose sleep over whether people like his scripts or not. 'I follow my instincts, my intuitions. I am open to correcting my mistakes. This attitude comes from parental conditioning. Thanks to my parents who never forced me to study. I have never been under pressure to perform well. They were happy with whatever marks I got. Once, on the eve of my Plus 1 exam, I was so nervous that I thought I would fail. I told my father this and asked if we could go watch a film. He was game and we watched the late evening show of In Ghost House Inn, which was the only movie playing in theatres then!' He is open to criticism as well. 'I want people to express their opinion, be it negative or positive. It is encouraging that they are at least thinking about it. I believe that such observations help in the growth of the content. Sometimes they surprise me with findings that I had never thought of. It is motivating when someone points out that I have tried to do something different. I never wanted to fall back on something that was easy, convenient or formulaic.' Meanwhile, he has finished the shoot for Dinjith's next movie, starring Sandeep Pradeep, due for release later this year.
Indian Express
20-06-2025
- Entertainment
- Indian Express
Kerala Crime Files Season 2 review: Aju Varghese and Lal return in a sequel that's just as gripping as Season 1, if not better
Kerala Crime Files Season 2 review: Creating a sequel to a series that has impressed viewers is no easy task. It becomes even more challenging when it's planned as an episodic sequel. Although the characters and, to an extent, the setting and tone, may remain the same as the first part, the new installment is built entirely from scratch. It's almost like restarting a race from the starting line after having already run half the track. In the case of Kerala Crime Files Season 2, director Ahammed Khabeer has attempted something similar, completely setting aside the story and hangover of 'Shiju, Parayil Veedu, Neendakara' (the case explored in Season 1) to focus instead on the 'Search for CPO Ambili Raju'. Unlike Season 1, where we were introduced to the central crime in the very first sequence, Kerala Crime Files (KCF) Season 2 takes its time to settle into its world, brilliantly resisting the urge to push viewers to the edge of their seats at the earliest opportunity itself. Throughout the show, writer Bahul Ramesh and director Ahammed Khabeer maintain a steady tempo in the unravelling of the story, and, as a result, the investigation that forms its core. Unlike typical recent mystery films/shows that rely on constant twists and adrenaline-fueled moments to keep audiences on their toes, Kerala Crime Files Season 2 progresses at the deliberate pace set by Bahul and Ahammed at the outset itself, allowing the story to develop organically. Without overt exposition, Kerala Crime Files Season 2 introduces and gradually fleshes out its characters, revealing enough about them through their actions and reactions rather than spoon-feeding the viewers all the time. From the moment we meet CPO Ambili Raju (Indrans), we are given fragments to piece together to understand who he is. Despite being just a CPO at the fictional Kaniyarvila station, Ambili commands significant influence, even over anti-social elements and criminals, thanks to his fearlessness and supposed straightforward nature. But when a departmental reshuffle begins, thus transferring officers with questionable records and illicit ties to other stations, Ambili learns he, too, might be affected. However, before any official communication reaches him, he mysteriously disappears, prompting the newly appointed SHO Kurian Avaran (Lal) and SI Noble (Arjun Radhakrishnan) to launch an investigation. As the case unfolds, the officers make more and more startling revelations about Ambili, thus creating suspicions among them that his ex-wife's current husband, Ayyappan (Harisree Asokan), an ex-convict, might be involved in his disappearance. As the probe crosses district borders, Kurian's former colleague Manoj Sreedharan (Aju Varghese), now stationed in Ernakulam district, also steps in. The remainder of the show follows their efforts to unravel the mystery behind CPO Ambili Raju's disappearance. The strength of Kerala Crime Files Season 2 lies in the brilliant way Bahul Ramesh has crafted the narrative, stripping it of unnecessary commercialisation. Take the cliffhangers at the end of each episode, for instance. The first five episodes, out of a total of six, end on intriguing and compelling notes, yet none of them feels contrived. This is mainly because Bahul has deliberately avoided manufacturing hooks just for the sake of suspense. Instead, he has elevated key moments in the narrative organically, prompting viewers to move on to the next episode out of genuine curiosity, creating in them a sense of eagerness to piece together the puzzle and uncover the full picture. Though the script has not reached the spellbinding heights of his work in Kishkindha Kaandam (2024), Bahul ensures that the audience remains emotionally invested, not just in the investigation, but in the broader story and the dramatic aspects too. This is particularly effective because most of the new characters are exceptionally layered and have grey shades as well, and Bahul has completely avoided conveniently painting them in black or white. His skill in crafting strong character arcs, without rushing, and allowing them ample space to unfold naturally is evident here as well. Not just Ambili or Ayyappan, but even supporting characters like Jaismon (Sirajudheen Nazar), the Aashraya Dog Retirement Home in-charge (Jeo Baby) and Dr Raveena (Shibla Fara) are developed with care, without resorting to forced moments just to establish the multiple facets of their characters. However, the one area where Bahul has, unfortunately, stumbled is in the characterisation of Noble, who feels oddly disconnected from the otherwise layered narrative, as if a flat character was plucked from another story and inserted into this one. For example, right from the beginning, we're repeatedly told that Noble is into sports and was a volleyball player. This detail is mentioned multiple times. But in all honesty, it never becomes relevant to the narrative. Although this is his first posting in law and order, the script fails to meaningfully explore his inexperience, rendering the early detailing somewhat pointless. Instead, he's presented for the most part as a capable, though inexpert, officer who rarely makes mistakes. That said, Bahul refrains from giving even Noble any 'superpowers' to draw conclusions out of thin air. He ensures that the officers, much like in real life, unravel each clue slowly, building the investigation step by step. Simultaneously, the way Bahul and Ahammed have shaped the show's narrative and visual language is so effective that, even though we never actually see what happened to Ambili Raju in the end, we are still able to clearly grasp the full picture, thanks to how essential details are woven in at just the right moments. However, if you ask me whether it answers every doubt, I wouldn't give it a full thumbs-up. This season too reinforces the feeling that Ahammed Khabeer truly knows these officers and this setting, as if he has worked alongside them in real life. However, unlike Season 1, where we also witnessed characters at their most vulnerable, Kerala Crime Files Season 2 reserves such emotional depth mostly for the newly introduced ones. As a result, those like Kurian and Manoj come across as flat, and only those viewers who've seen the first season will understand their layers. Those who started watching the show from Season 2 might feel these characters lack depth. Lal and Aju, much like in Season 1, deliver brilliant and precise performances, as if the characters never actually left them. While the writing doesn't offer them the same breadth and depth as the previous installment, both actors still do a splendid job in their respective parts. Arjun Radhakrishnan, whose earlier work included some stiff and manufactured performances (most notably the jarring one in Identity), shows significant improvement here, slipping smoothly into the skin of Noble. Though his dialogue delivery occasionally comes off as too rigid, he compensates for it with his subtle and effective body language. Veterans are veterans for a reason, and Indrans and Harisree Asokan prove that here. Not only do they excel in their respective roles, but when they share the screen in a flashback scene at Ayyappan's home, their chemistry is electric; an example of two masters at work. At several moments, even their glances communicate more than what pages of dialogue could have. At the end of Episode 6, as the credits roll, Kerala Crime Files Season 2 acknowledges the dogs who played key roles in the show. Had the makers not done that, it would have been a serious disrespect. These canine buddies, particularly Simba (Terry), Jo (Robby) and Honey (Tippu), deliver such convincing performances that it's impossible to believe that they aren't professionals. While the new season is technically solid, just like the first, there are moments when Jithin Stanislaus' cinematography and Srik Varier's colouring (an issue present in Season 1 as well) feel artificial. Several close-up shots appear amateurish, and the unnecessary delay in ending some random shots, for dramatic effect, detracts from the viewing experience. Hesham Abdul Wahab's score, though largely good, occasionally feels tonally mismatched, making the show veer towards a motivational drama vibe that doesn't align with the narrative. Kerala Crime Files Season 2 cast: Aju Varghese, Lal, Arjun Radhakrishnan, Indrans, Harisree Asokan, Jeo Baby Kerala Crime Files Season 2 director: Ahammed Khabeer Kerala Crime Files Season 2 rating: 3.5 stars Anandu Suresh is a Senior sub-editor at Indian Express Online. He specialises in Malayalam cinema, but doesn't limit himself to it and explores various aspects of the art form. He also pens a column titled Cinema Anatomy, where he delves extensively into the diverse layers and dimensions of cinema, aiming to uncover deeper meanings and foster continuous discourse. Anandu previously worked with The New Indian Express' news desk in Hyderabad, Telangana. You can follow him on Twitter @anandu_suresh_ and write (or send movie recommendations) to him at ... Read More
United News of India
24-04-2025
- United News of India
Absconding KCF terrorist arrested by UP ATS
Lucknow, Apr 24 (UNI) A terrorist of banned terrorist organisation Khalistan Commando Force (KCF), who was on the run for almost 30 years, has been arrested by a joint police team of Noida unit of Uttar Pradesh Anti Terror Squad (ATS) and Sahibabad police under Ghaziabad Commissionerate, an official spokesman said here on Thursday. The spokesman said that the Noida unit of ATS was receiving information that a person Mangat Singh alias Manga, a resident of Timmbodal in Majhita district, Punjab and currently residing in Viveka Nagar in Ghaziabad, was an active member of banned organisation KCF. "An FIR for attempted murder and TADA was registered against him in Sahibabad police station. He was arrested on March 11, 1993 and sent to jail. Manga was absconding for almost 30 years after getting bail on August 16, 1995," he said. He said that the accused Manga's brother Sagat Singh, who was the chief of the KCF, was killed in an encounter in district Vyas by Punjab Police in 1990. "Accused Manga Singh is a criminal against whom cases are registered in Sahibabad. The accused is continuously absconding in these cases and has been avoiding the process of the court," he said. The spokesman said that in a case the court of Additional Civil Judge (Junior Division) Ghaziabad had issued a permanent arrest warrant against the accused on December 12, 2024 and an arrest warrant was also issued on April 8, 2025. "The accused was continuously absconding in the case. A reward of Rs 25,000 was also announced on him by the Ghaziabad police," he said. He said when the intelligence was developed by the Noida Unit ATS through various means, it was found that the accused Manga was residing in village Timmowal under Khilchian police station in Amritsar, Punjab. "Manga was arrested on Wednesday by the joint team of ATS and Sahibabad police," he said. UNI AB PRS
Time of India
23-04-2025
- Time of India
KCF terrorist, elusive for 30 yrs, arrested by UP ATS
Lucknow: The Uttar Pradesh Anti-Terror Squad (ATS) late Wednesday night arrested a long-absconding terrorist of the banned Khalistan Commando Force (KCF), who had been evading arrest for nearly 30 years. The accused, Mangat Singh alias Manga, carried a cash reward of Rs 25,000 and was wanted in multiple cases, including attempted murder and terrorism under (now defunct) the TADA Act. Acting on intelligence inputs, a joint team of the ATS Noida unit and Sahibabad Police traced Mangat Singh to his native village Timmbowal in Amritsar, Punjab, and arrested him on Wednesday. The ATS officials said Manga had gone underground after being released on bail in 1995 and been changing locations and identities ever since. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Co-Founder of Google Brain, Andrew Ng, Is Reported To Have Read Every... Blinkist: Andrew Ng's Reading List Undo He is the younger brother of Sangat Singh, the former chief of the Khalistan Commando Force, who was killed in an encounter with Punjab Police in 1990. The ATS said that like his brother, Mangat, too, was an active member of the KCF and was first arrested in 1993 in Ghaziabad under serious charges, including Section 307 of the IPC, the Arms Act, and the TADA Act. Police said Mangat is a habitual offender, with at least four criminal cases registered against him at Sahibabad Police Station, including robbery, extortion, and criminal intimidation. "Despite multiple court-issued warrants, he managed to dodge the law for nearly three decades," the ATS said. The ATS developed intelligence using technical surveillance and support from central and local agencies before narrowing down his current hideout. Officials confirmed that he had returned to his hometown in Punjab recently, assuming he had dropped off the radar. "His arrest is a significant blow to pro-Khalistan sleeper cells . It also demonstrates the commitment of UP Police to bringing even long-absconding criminals to justice," a senior ATS officer said. Mangat Singh will now face prosecution in the pending cases, and further investigation is underway to trace any recent links with separatist networks, the officer added.
