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Los Angeles Times
7 days ago
- Entertainment
- Los Angeles Times
The Altons proudly share the oldies sound of East L.A. with the world, even as their hometown is ‘targeted' by ICE
It's a summery, late-afternoon Saturday on the backyard lawn of LA Plaza de Cultura y Artes, with the kind of warmth and variety of sounds, sights and smells that have defined weekends in many Los Angeles neighborhoods for generations. This one happens to be for a KCRW Summer Nights event headlined by East L.A. soul revivalists the Altons, but the blend of demographics, cultures and backgrounds on display gives it an authentically local feel that could be mistaken for an informal block party in any decade — except perhaps for the screen printer creating band merch and a design of Snoopy humping an ice cube with an expletive about Immigration and Customs Enforcement. That same blend of history and cultures that has brought Los Angeles together across generations is also what's given the Altons their signature sound and made them one of the city's latest breakout stars. When they go on tour and bring their unique blend of soulful 'oldies,' modern rock and bilingual R&B around the world, they aren't just sharing their music but also their culture. 'On any given weekend, you can have some party down the street playing cumbia or music that your parents grew up on, their next door neighbor might have a punk rock show, and another guy down the street that's just listening to oldies and Art Laboe,' vocalist and guitarist Bryan Ponce explains about the roots of the Altons' diverse sound stemming from their collective Los Angeles childhoods. 'We all grew up on all of this music that we'd hear in our neighborhoods, so all of our influences just came together and came out in our music.' For a band that started with modest expectations nearly a decade ago, the Altons now find themselves heading out on international tours and playing to thousands of people at a time — as they will Saturday when they rock the Oldies 2 Souldies show with Los Lonely Boys at the Greek Theatre. And while their rise has been more of a gradual incline than anything particularly stratospheric, they've carved their own path without compromise. They're willing to fuse genres, languages, tempos and sounds as they see fit and based on what they feel will work best for the songs and messages they're wanting to deliver instead of catering to what may be popular in the moment, a choice that's made them the face of the 'oldies revival' now that millennials and Gen Z are falling back in love with tunes from their grandparents' day. 'It's incredible to play a show where a grandmother's there with her daughter and grandkids, and just have multiple generations of people come together,' vocalist Adriana Flores says. 'There's not a lot of shows that I would even take my dad to, so I think it makes the music even more special and I'd like to be one of the bands shedding the light on what's been happening in L.A. We've been doing it for years and just sharing the types of music we like — which is the retro sound of soul mixed with other elements. We like to show people what's been happening in L.A. that's not just Hollywood.' That desire to show the 'real' L.A. that they know and love is a driving force for the Altons, particularly as they go further and further from home. All of them — Flores and Ponce along with Joseph Quinones on guitar/backup vocals, Chris Manjarrez on bass, Christian 'Elyzr' Meraz on keyboards and drummer Caitlin Moss — are proud to represent their East L.A. roots for those who only see the California that gets presented on television. The group eagerly reminisces about a fan they met at a show in France who had never set foot in California but loved the culture so much that he dressed the part of a classic cholo. 'He looked like he could have been related to me or went to school with me,' Ponce says with a laugh. 'He was bald, he had the Locs on, the Pendleton on and he was screaming our neighborhoods.' They recall the times they've felt like cultural ambassadors bringing their hometown heritage to cities like Boston. But the self-placed weight of representing and sharing their lifelong culture isn't always all fun and games. Just a matter of weeks before they were walking through the halls of LA Plaza's museum to see their brand-new exhibition on the importance of East L.A. musicians, they were on tour in the U.K. feeling helpless as they watched the ICE raids and protests flood the city. 'You couldn't really grasp what was going on,' Ponce says. 'I would watch videos and see stuff online, but I didn't really see it until we came home for a couple of days before we left again. [Manjarrez] and I live close to each other, and we started seeing videos of all these places and stores and people in our community. It was just devastating to have to leave again and see that they're getting even closer to your house and seeing it happening on your street. You're trying to go and play music to entertain people, but you're also trying to find a balance. It's like 'Are we going to speak on what's going on?' Because some people thought that L.A. was burning down, and that's not really the case.' 'Watching the community go through something so heartbreaking while being away was really difficult,' Flores adds. 'It was really tough seeing our community being targeted, but I'd like to believe that music and being creative and spreading joy is a form of resistance. I hope that people can come to our shows and escape. Even though this is way bigger than us, we have to use our platform to be vocal about what's going on. It's scary times, but another scary time was the '60s when the whole civil rights movement was happening, and some of the best music came out of that because people were finding that outlet and creating.'
Los Angeles Times
15-05-2025
- Entertainment
- Los Angeles Times
Adrian Quesada, Ozomatli and more. Grand Performances announces 2025 free concert series lineup
Grand Performances, one of Southern California's longest-running outdoor concert series, has announced the musical lineup for its 39th season. The free concert series kicks off at its summer-long venue — the California Plaza in downtown L.A. — with a performance by L.A. band Ozomatli on June 14. 'We're going to be celebrating 30 years of Ozomatli and this was the stage that catapulted them,' Grand Performances President and CEO Rafael González told The Times. 'We've played stages all over the world, but GP always feels like coming home,' said Ozomatli in a statement. 'Thirty years later, L.A. still dances with us — and we're bringing everyone with us to celebrate.' That show is followed up by a tribute to John Coltrane's seminal album 'A Love Supreme,' which is celebrating 60 years since its release, on June 21. Neo soul singer Baby Rose will join singer-songwriter Angélica Garcia on July 26 as part of 'KCRW Summer Nights.' '[Garcia's 2024 album] 'Gemelo' is a fascinating mix of the mystical and the feminine, of self-love and grief, that glides effortlessly from synth-pop to cumbia to trip-hop,' The Times wrote in a review of Garcia's most recent project. 'Songs like 'Color de Dolor' or 'Juanita' slink and shimmy infectiously, even as they channel generational trauma or commune with the dead.' On Aug. 2, Grammy winner Adrian Quesada will play a show in promotion of his forthcoming album 'Boleros Psicodélicos II,' the follow-up to his 2022 Latin psychedelic release 'Boleros Psicodélicos.' Quesada was also nominated for original song at this year's 97th annual Academy Awards alongside Abraham Alexander for writing the track 'Like A Bird,' as featured in the Colman Domingo-led film 'Sing Sing.' (Disclosure notice: De Los is co-presenting Quesada's Grand Performances set.) The annual series comes at a moment when many arts organization are facing budget cuts and being defunded, as was recently seen with NPR and PBS. 'In many instances, the arts is one of the first areas that is cut, and many of my peer organizations across L.A. County are definitely feeling the impact,' González said. 'We're so fortunate because there are so many artists out there that recognize that they need to contribute. Not only do they love playing at Grand performances and being free to experiment and to take risk, but they're also very aware that this is a free service for the community.' The series closes out with a show by Dominican merengue group Oro Sólido on Aug. 23. The music collective is best known for its classic house party track 'El Beeper,' which has collected hundreds of millions of streams across all music platforms. 'We're bringing merengue to Grand Performances,' González said. 'When we have the neighborhoods around the downtown area, you have the mom and pops coming out here.' That community experience is what González believes makes the work of Grand Performances stand out. It's these folks who are coming to celebrate, to hear the music of their lives, to dance, to be with each other,' he said. 'You see folks that you don't necessarily expect to see on Grand Avenue, come to Grand Avenue and make it home.' Since 1987, Grand Performances has hosted free outdoor performances. The organization's focus is on giving a platform to both global and local acts. Previously, acts such as Stevie Wonder, Aloe Blacc and Ana Tijoux have participated in its programming. You can find the full lineup here.
