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Fears anti-Semitism plan could dull artistic expression
Fears anti-Semitism plan could dull artistic expression

The Advertiser

time6 days ago

  • Entertainment
  • The Advertiser

Fears anti-Semitism plan could dull artistic expression

Emerging Palestinian artist Lana Kalis recently staged her first exhibition, titled My Family in Palestine. Held at The Blue Room Theatre in Perth, the show combined traditional embroidery techniques with photos of her family in Palestine when it was under the control of the British Mandate, before the establishment of the state of Israel in 1948. The exhibition was a deep reflection on the artist's heritage, but it's shows like hers that some fear could be affected by the anti-Semitism plan the federal government is considering. "I've lived with the impact of erasure and silencing throughout my life ... I feel it's my responsibility as an emerging artist to share our family story and to stand for our shared humanity," Kalis said. She has been examining her family photos intensely since the death of her father two years ago, and says it has been an honour to pay tribute to him and share her history. The artist used a type of cross-stitch found on garments known as thobes to embroider the photographs, which were printed on fibrous Japanese washi paper. Despite its focus on family history, the exhibition came with a trigger warning pointing to the discussion of "the ethnic cleansing, genocide and displacement of Palestinian people". While she supports measures to stamp out anti-Semitism and all forms of racism, Kalis believes criticism of actions by the state of Israel should not be restricted. "By their very nature, restrictions on criticism of the state of Israel undermine democracy and creative expression," she said. "We don't want people to be too scared to express themselves as artists because of being worried about being accused of anti-Semitism." The report by anti-Semitism envoy Jillian Segal has given rise to concerns its proposed measures could stifle legitimate criticism of the state of Israel. The report recommends the adoption of the International Holocaust Remembrance Alliance's controversial definition of anti-Semitism, which has been criticised for conflating anti-Semitism with criticism of the state of Israel and Zionism. The recommendations include provisions for terminating funding to festivals and cultural institutions that promote, facilitate or do not deal effectively with hate or anti-Semitism. The envoy's office would also work with the federal and state governments to implement initiatives to monitor and counter anti-Semitism within the arts under the plan. Emerging Palestinian artist Lana Kalis recently staged her first exhibition, titled My Family in Palestine. Held at The Blue Room Theatre in Perth, the show combined traditional embroidery techniques with photos of her family in Palestine when it was under the control of the British Mandate, before the establishment of the state of Israel in 1948. The exhibition was a deep reflection on the artist's heritage, but it's shows like hers that some fear could be affected by the anti-Semitism plan the federal government is considering. "I've lived with the impact of erasure and silencing throughout my life ... I feel it's my responsibility as an emerging artist to share our family story and to stand for our shared humanity," Kalis said. She has been examining her family photos intensely since the death of her father two years ago, and says it has been an honour to pay tribute to him and share her history. The artist used a type of cross-stitch found on garments known as thobes to embroider the photographs, which were printed on fibrous Japanese washi paper. Despite its focus on family history, the exhibition came with a trigger warning pointing to the discussion of "the ethnic cleansing, genocide and displacement of Palestinian people". While she supports measures to stamp out anti-Semitism and all forms of racism, Kalis believes criticism of actions by the state of Israel should not be restricted. "By their very nature, restrictions on criticism of the state of Israel undermine democracy and creative expression," she said. "We don't want people to be too scared to express themselves as artists because of being worried about being accused of anti-Semitism." The report by anti-Semitism envoy Jillian Segal has given rise to concerns its proposed measures could stifle legitimate criticism of the state of Israel. The report recommends the adoption of the International Holocaust Remembrance Alliance's controversial definition of anti-Semitism, which has been criticised for conflating anti-Semitism with criticism of the state of Israel and Zionism. The recommendations include provisions for terminating funding to festivals and cultural institutions that promote, facilitate or do not deal effectively with hate or anti-Semitism. The envoy's office would also work with the federal and state governments to implement initiatives to monitor and counter anti-Semitism within the arts under the plan. Emerging Palestinian artist Lana Kalis recently staged her first exhibition, titled My Family in Palestine. Held at The Blue Room Theatre in Perth, the show combined traditional embroidery techniques with photos of her family in Palestine when it was under the control of the British Mandate, before the establishment of the state of Israel in 1948. The exhibition was a deep reflection on the artist's heritage, but it's shows like hers that some fear could be affected by the anti-Semitism plan the federal government is considering. "I've lived with the impact of erasure and silencing throughout my life ... I feel it's my responsibility as an emerging artist to share our family story and to stand for our shared humanity," Kalis said. She has been examining her family photos intensely since the death of her father two years ago, and says it has been an honour to pay tribute to him and share her history. The artist used a type of cross-stitch found on garments known as thobes to embroider the photographs, which were printed on fibrous Japanese washi paper. Despite its focus on family history, the exhibition came with a trigger warning pointing to the discussion of "the ethnic cleansing, genocide and displacement of Palestinian people". While she supports measures to stamp out anti-Semitism and all forms of racism, Kalis believes criticism of actions by the state of Israel should not be restricted. "By their very nature, restrictions on criticism of the state of Israel undermine democracy and creative expression," she said. "We don't want people to be too scared to express themselves as artists because of being worried about being accused of anti-Semitism." The report by anti-Semitism envoy Jillian Segal has given rise to concerns its proposed measures could stifle legitimate criticism of the state of Israel. The report recommends the adoption of the International Holocaust Remembrance Alliance's controversial definition of anti-Semitism, which has been criticised for conflating anti-Semitism with criticism of the state of Israel and Zionism. The recommendations include provisions for terminating funding to festivals and cultural institutions that promote, facilitate or do not deal effectively with hate or anti-Semitism. The envoy's office would also work with the federal and state governments to implement initiatives to monitor and counter anti-Semitism within the arts under the plan. Emerging Palestinian artist Lana Kalis recently staged her first exhibition, titled My Family in Palestine. Held at The Blue Room Theatre in Perth, the show combined traditional embroidery techniques with photos of her family in Palestine when it was under the control of the British Mandate, before the establishment of the state of Israel in 1948. The exhibition was a deep reflection on the artist's heritage, but it's shows like hers that some fear could be affected by the anti-Semitism plan the federal government is considering. "I've lived with the impact of erasure and silencing throughout my life ... I feel it's my responsibility as an emerging artist to share our family story and to stand for our shared humanity," Kalis said. She has been examining her family photos intensely since the death of her father two years ago, and says it has been an honour to pay tribute to him and share her history. The artist used a type of cross-stitch found on garments known as thobes to embroider the photographs, which were printed on fibrous Japanese washi paper. Despite its focus on family history, the exhibition came with a trigger warning pointing to the discussion of "the ethnic cleansing, genocide and displacement of Palestinian people". While she supports measures to stamp out anti-Semitism and all forms of racism, Kalis believes criticism of actions by the state of Israel should not be restricted. "By their very nature, restrictions on criticism of the state of Israel undermine democracy and creative expression," she said. "We don't want people to be too scared to express themselves as artists because of being worried about being accused of anti-Semitism." The report by anti-Semitism envoy Jillian Segal has given rise to concerns its proposed measures could stifle legitimate criticism of the state of Israel. The report recommends the adoption of the International Holocaust Remembrance Alliance's controversial definition of anti-Semitism, which has been criticised for conflating anti-Semitism with criticism of the state of Israel and Zionism. The recommendations include provisions for terminating funding to festivals and cultural institutions that promote, facilitate or do not deal effectively with hate or anti-Semitism. The envoy's office would also work with the federal and state governments to implement initiatives to monitor and counter anti-Semitism within the arts under the plan.

Fears anti-Semitism plan could dull artistic expression
Fears anti-Semitism plan could dull artistic expression

Perth Now

time6 days ago

  • Entertainment
  • Perth Now

Fears anti-Semitism plan could dull artistic expression

Emerging Palestinian artist Lana Kalis recently staged her first exhibition, titled My Family in Palestine. Held at The Blue Room Theatre in Perth, the show combined traditional embroidery techniques with photos of her family in Palestine when it was under the control of the British Mandate, before the establishment of the state of Israel in 1948. The exhibition was a deep reflection on the artist's heritage, but it's shows like hers that some fear could be affected by the anti-Semitism plan the federal government is considering. "I've lived with the impact of erasure and silencing throughout my life ... I feel it's my responsibility as an emerging artist to share our family story and to stand for our shared humanity," Kalis said. She has been examining her family photos intensely since the death of her father two years ago, and says it has been an honour to pay tribute to him and share her history. The artist used a type of cross-stitch found on garments known as thobes to embroider the photographs, which were printed on fibrous Japanese washi paper. Despite its focus on family history, the exhibition came with a trigger warning pointing to the discussion of "the ethnic cleansing, genocide and displacement of Palestinian people". While she supports measures to stamp out anti-Semitism and all forms of racism, Kalis believes criticism of actions by the state of Israel should not be restricted. "By their very nature, restrictions on criticism of the state of Israel undermine democracy and creative expression," she said. "We don't want people to be too scared to express themselves as artists because of being worried about being accused of anti-Semitism." The report by anti-Semitism envoy Jillian Segal has given rise to concerns its proposed measures could stifle legitimate criticism of the state of Israel. The report recommends the adoption of the International Holocaust Remembrance Alliance's controversial definition of anti-Semitism, which has been criticised for conflating anti-Semitism with criticism of the state of Israel and Zionism. The recommendations include provisions for terminating funding to festivals and cultural institutions that promote, facilitate or do not deal effectively with hate or anti-Semitism. The envoy's office would also work with the federal and state governments to implement initiatives to monitor and counter anti-Semitism within the arts under the plan.

Environmentalist Arefa Tehsin hones her listening skills in the forests of Dandeli
Environmentalist Arefa Tehsin hones her listening skills in the forests of Dandeli

Indian Express

time07-06-2025

  • Indian Express

Environmentalist Arefa Tehsin hones her listening skills in the forests of Dandeli

We may think that goddess Kali is named so after her dark complexion, but it is in fact her role as the goddess of time—'kaal' that gives her the moniker, as she flows through the universe like a river. The Kali nadi that descends from the Western Ghats and meanders through dense deciduous forest epitomises the spirit of the terrifying goddess. Shining her thousand jewelled eyes in the sunlight, she lets you believe you are in charge, until she pulls you into a coracle and spins you in circles of surrender. Not too far from Goa, Dandeli is the place where you can spend a few days by this river, not as a tourist but as a devout listener. In 2013, as we deliberated on the following family vacation, my uncle Rafiq recommended this quaint town in Karnataka, one of his frequent escapes when the city grew too tight around his wild soul. My husband Aditya and I picked my parents, aunt and cousin from the Goa airport and drove down to a forest river resort on the banks of Kali. Greeted by a Malabar giant squirrel, the riverine spot immediately endeared itself to my father, a born wildlife enthusiast. 'Who needs mattresses?' his expression said, 'when one can sleep on rocks in such august company!' Wisely, he didn't voice his thoughts to my mother who believes every shadow is a snake until proven otherwise. A strapping guide, who had dabbled in city life but had come to prefer conversations with hornbills, ran us through the activities we could undertake. 'I hope you haven't forgotten to pack your swimwear,' he asked. I looked at him with respect. Only he could dare make this statement to my mum and 70-year-old aunt. While the two Kalis shot him grim looks, he went on undeterred. There was the touristy coracle ride too, but we gave it a pass. We had done that in Tungabhadra by Hampi and had no desire to go spinning again in a giant frying pan, reconsidering life choices. Though the preferred time for a Dandeli visit is the winters, we had chosen May, a hot month, best to see wildlife. The river had a lightness of touch to it, unlike the wild monsoons, and swayed like an old jazz tune. Since the season was not ideal for white-water rafting, you could indulge in boating instead. Depositing my aunt and mum in it (sans their swimwear), we rowed through the brooding forest with whoops of curious langurs, pied kingfishers suspended in air and a chorus of amphibians and cicadas. The oarsman paddled with the serenity of one who has accepted the futility of resisting rivers or relatives. Afternoons and early evenings were perfect for my father testing his luck with angling, swimming or kayaking. Aditya and Himalay's canoe capsized once on the rapids. I stood on the bank shouting instructions. Isn't this how family dynamics work? Everyone is paddling, no one is in control and somehow you make it through. Often, I just let myself be in the ancient currents, sinking in the moment; a vertebrate in suspension with a desire to dissolve in the womb-warm waters. Late evenings were spent trying to spot a flying squirrel as we had tea by the river. Away from mobile signals and Amazon's thoughtful messages about their summer sale with discounts on fat-loss tablets, I sat gazing at the elemental river from the nightly tree house. Crickets struck their maracas. Time lost its sharp edge. Frogs cleared their throat. Was the scratching behind the wooden wall a civet or a ghost from an unwritten manuscript? We stepped out one day to visit the forest office and sanctuary. Though the black panther didn't reveal itself, we did spot the Indian bison (gaur) and crocs sunning themselves — a bunch of aimless retirees. But the showstopper was the forest-run guesthouse; the Old Magazine House was a birdwatcher's rhapsody. The thicket of bamboo seemed to be painted by a sugar-high child with access to all green crayons. Birds flaunted their punk hairdos and Bollywood soundboard voices, judging us by our deodorant and politely ignoring our lens pointing at their butts. On a sunny morning, we went across the river to witness a Malabar Pied hornbill's nesting. The place is called Thesye Hornbill Resort, after all. The nesting phenomenon of these birds is intriguing. The expecting couple finds a suitable tree hollow. The lady seals herself leaving only a small hole to breathe and feed. And yes, poop too! The gent spends days taking care of his darling by bringing food for her and the little ones, once they hatch. When the chicks are ready to face the world, signora breaks the seal. The lady sounds a bit like moi who'll go to lengths to avoid cooking and avail room service. So, if you are expecting amusement parks for your kids or multi-brand showrooms and cannot handle peace, Dandeli is not for you. Rivers are mothers, warriors, goddesses. They are not there to entertain you. But if you are all for lying on your back in the shallows and letting the current decide your itinerary, Kali will surround you with her song. I often wonder what rivers remember. Do they recall the first fish that leapt in joy? The civilisations that sprouted on their skin? The dam that broke its back? We carry the rivers with us after we leave them. But how do they remember us? A floating log with opinions? With her multiple arms, Kali is the quintessential woman, multitasking, tackling all (pollutants, sand miners et al) that is thrown at her, while also finding the time to wet her feet. She's the one who knows when it is time to flow and when to flood. Parallels are drawn between Kali and Sekhmet, the goddess of war and healing in Egyptian mythology. The sun god Ra sent the goddess Hathor to finish his enemies. Hathor took the form of Sekhmet and went on a rampage. Unable to stop the bloodthirsty goddess, Ra created a lake full of red booze. Mistaking it for blood, she drank it till she was tipsy and forgot about wiping out humankind. It is believed that while on a similar killing spree, the uncontrollable Kali left the Devas in swargaloka biting their nails. It was the quick thinking of Shiva, her consort, who threw himself at her feet to contain her rage The take-away philosophy here? When goddesses rage, even gods must kneel—or pour the wine. Arefa Tehsin is a Colombo-based writer and environmentalist

Bears Women sign batter Kalis on loan
Bears Women sign batter Kalis on loan

BBC News

time09-04-2025

  • Sport
  • BBC News

Bears Women sign batter Kalis on loan

Warwickshire have signed Netherlands international batter Sterre Kalis on loan for this summer's inaugural women's One-Day Cup and T20 Blast Bears are among eight clubs to have fully professional teams this season following a restructure of the domestic women's game by the England and Wales Cricket Kalis will also be available for parent club Yorkshire, who have tier two status, for their own County Cup 25-year-old has played five one-dayers and 44 T20 internationals for the Netherlands and has also appeared for Birmingham Phoenix in The score of 126 not out against Germany is the highest in a women's T20 international and she also scored 100 for Northern Diamonds against Thunder in last summer's Rachael Heyhoe Flint Trophy."It gives me the opportunity to play tier one cricket this year and compete at the highest level in the country," Kalis said of the loan agreement."I've heard good things about Warwickshire and it's always exciting to be able to play at Test grounds."The Bears will play their opening 50-over One-Day Cup game against Hampshire at Edgbaston on 23 April.

Spartans are latest power program to offer Pittsburgh OT Jimmy Kalis
Spartans are latest power program to offer Pittsburgh OT Jimmy Kalis

Yahoo

time02-04-2025

  • Sport
  • Yahoo

Spartans are latest power program to offer Pittsburgh OT Jimmy Kalis

Michigan State football has extended an offer to a highly-touted offensive lineman from Pennsylvania. Jimmy Kalis of Pittsburgh announced on Tuesday that he's received an offer from the Spartans. Kalis made the offer from Michigan State known by posting on his social media X account. Advertisement Kalis is an offensive tackle prospect in the 2027 class. He's currently unranked on 247Sports, and is listed at 6-foot-6 and 280 pounds. Michigan State is one of nearly 40 schools to extend an offer to Kalis, according to 247Sports. Some of the more notable programs to offer Kalis includes Alabama, Arizona State, Florida, Florida State, Georgia, Indiana, Kentucky, Michigan, Miami (FL), Maryland, Minnesota, Missouri, NC State, Nebraska, North Carolina, Ohio State, Oklahoma, Ole Miss, Oregon, Penn State, Pitt, Syracuse, Virginia Tech, Washington, Wisconsin and West Virginia. Contact/Follow us @The SpartansWire on X (formerly Twitter) and like our page on Facebook to follow ongoing coverage of Michigan State news, notes and opinion. You can also follow Robert Bondy on X @RobertBondy5. This article originally appeared on Spartans Wire: Jimmy Kalis of Pittsburgh gets offer from Michigan State football

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