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Time of India
20 hours ago
- Entertainment
- Time of India
Bollywood's Jam-Packed July: A Month of Overlapping Releases, Big Stars, and Last-Minute Shifts
Bollywood is bracing for an exceptionally crowded July 2025, with numerous high-profile films vying for screen space. The month features a diverse lineup, including action flicks, romantic dramas, and Hollywood blockbusters, leading to intense competition among releases. This congestion creates logistical challenges for exhibitors and distributors, potentially overshadowing mid-budget films and intensifying the pressure for immediate box office success. The month of July 2025 is turning out to be one of the most overcrowded and competitive periods in recent Bollywood memory. What was already a crammed calendar of high-profile releases has now become even more congested with the last-minute inclusion of Nikita Roy, a thriller drama that was originally slated to release on 27th June but has been pushed to a later July date due to lack of screen availability. The film's sudden shift just a day before its intended release reflects the intense tussle for theatre space this month. Exclusive | Kajol CANDID On Horror Fears and Son Yug's Voice Debut In 'Karate Kids: Legends' A Traffic Jam of Releases July kicks off with a clash that already had audiences divided and exhibitors anxious. On July 4, two very different films hit the screens — Akshardham, starring Akshaye Khanna, and Metro ... In Dino, directed by the ever-reliable Anurag Basu. Akshardham is based on Operation Vajra that took place when terrorists had taken control of a section of Akshardham temple in Ahmedabad -Gujarat back in 2202. Metro... In Dino marks Basu's return to the ensemble relationship-drama genre, with an all-star cast of Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Sheikh, Pankaj Tripathi, Konkana Sen Sharma, Anupam Kher and Neena Gupta and soulful soundtrack. Just a week later, on July 11, audiences will be met with another double feature: Maalik, featuring Rajkummar Rao in an out n out commercial action film and Aankhon Ki Gusthakiyaan, a romantic musical starring Vikrant Massey and debutant Shanaya Kapoor. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Doutor: Manter a massa muscular após os 50 anos depende deste hábito noturno Revista do Homem Saiba Mais Undo Both films cater to a very different set of viewers — one at youth and romance-loving audiences — but together they compound the already thin screen allocation. Mid-Month Madness: The Real Crunch The most loaded Friday of the month, however, appears to be July 18. The YRF-backed Saiyaara, directed by Mohit Suri and starring debutant Ahaan Pandey alongside Aneet Padda, is one of the studio's big bets for the year. Combining romance, music, and Suri's signature emotionally intense storytelling, the film was always expected to grab a large number of screens. However, with the newly rescheduled Nikita Roy starring Sonakshi Sinha and directed by her brother Kussh S Sinha also arriving on the same day, things have gotten even tighter. Its addition to the July 18 roster only deepens the mid-month congestion. Also releasing on the same day is Smurfs, an animated Hollywood feature that is expected to pull family and kids' audiences to the theatres, further splitting the box office pie. 'Zaheer & I Are...' Sonakshi Gets REAL About Married Life | Special Bond Behind 'Nikita Roy' Film A Blockbuster Finale: July 25 As if the rest of July wasn't packed enough, the final weekend of the month — July 25 — is poised to be a box office battlefield. Three massive films, all with significant star power and commercial appeal, are scheduled for release on this date. Leading the Hollywood front is Fantastic Four: First Steps, which features Pedro Pascal and Vanessa Kirby in pivotal roles. The superhero reboot is already tracking well globally, and its performance in Indian metros is expected to be strong. Going head-to-head with it is Son of Sardaar 2, starring Ajay Devgn and Mrunal Thakur. The sequel to the 2012 hit is expected to draw in the masses, especially in North India, where the original enjoyed immense popularity. Joining the fray is Param Sundari, a vibrant romantic-comedy backed by Dinesh Vijan and featuring the fresh pairing of Sidharth Malhotra and Janhvi Kapoor. Targeting younger audiences and families, this film will be fighting not only for footfalls but also for space in multiplexes dominated by big-ticket action and superhero fare. A Screen War in the Making The decision to push Nikita Roy to July 18 underscores a much larger issue that's becoming increasingly common in the post-pandemic Bollywood landscape — the lack of breathing room between big releases. With producers eager to capitalize on the school holiday window and pre-Independence Day weekends, July has become the default dumping ground for every film that couldn't find a release date earlier. This traffic jam has created logistical nightmares for exhibitors and distributors. Theatre owners are struggling to allocate screens fairly, and many films — especially mid-budget titles without major studio backing — are at risk of getting overshadowed. August: No Respite in Sight And just when one hopes for some calm after July's chaos, August promises to keep the momentum (and stress) going. Two of the year's most anticipated mega-releases — War 2, featuring Hrithik Roshan and Jr. NTR, and Coolie, a multilingual action extravaganza starring Rajinikanth and directed by Lokesh Kanagaraj — are releasing on the same day 14th August. . Coolie, which also stars Nagarjuna, Upendra, and has a special appearance by Aamir Khan, is generating massive pre-release buzz across South India and Hindi-speaking markets alike. On the other hand, War 2, a sequel to the 2019 blockbuster, is expected to be YRF's biggest release of the year, with high-octane action, a global backdrop, and cross-industry appeal. With such big titles queued up in August, the pressure on July releases to perform quickly — often within just the first weekend — is enormous. Any film that doesn't hit the ground running risks being wiped out before it has a chance to build word-of-mouth. The Takeaway July 2025 is shaping up to be a case study in what happens when too many films chase too little space. While the abundance of releases reflects a revived and vibrant film industry, it also highlights the urgent need for better planning, smarter release calendars, and perhaps even strategic collaborations between studios to avoid unnecessary clashes. For audiences, the month is a treat — an endless buffet of genres, stars, and stories. But for the trade, it's a test of agility, marketing muscle, and luck. With films like Akshardham, Metro... In Dino, Saiyaara, Param Sundari, and Fantastic Four all jostling for attention, only the strongest will survive the July juggernaut. And as the domino effect of delayed releases continues, July may only be the beginning of a bigger reshuffle looming across the industry.
Time of India
a day ago
- Entertainment
- Time of India
Vishnu Manchu's Kannappa takes lead over Kajol's Maa in morning shows
Vishnu Manchu's mythological action film 'Kannappa' has taken an early lead at the Indian box office, earning ₹1.36 crore in morning shows. Kajol's mythological horror film 'Maa' opened with ₹31 lakh. 'Kannappa' is attracting audiences with its grand scale and star power, including Prabhas and Mohanlal. 'Maa,' targeting horror fans, hopes for evening show growth. It's a clash of genres and star power at the box office today, as two contrasting films — Vishnu Manchu's mythological action epic Kannappa and Kajol 's mythological horror Maa — hit theatres across India. And going by the initial figures, Kannappa has taken a clear lead in the morning shows. Exclusive | Kajol CANDID On Horror Fears and Son Yug's Voice Debut In 'Karate Kids: Legends' Early box office data shared by Sacnilk reveals that Kannappa has managed to pull in Rs 1.36 crore from it's morning shows, while Maa opened with a comparatively modest Rs 31 lakh in the same time. The significant difference in collections highlights how Kannappa has capitalized on its mass appeal, visual scale, and genre advantage to draw in audiences, particularly in the South Indian circuits along with the presence of names like Prabhas , Mohanlal , Kajal Agawal and Akshay Kumar . . Directed by Mukesh Kumar Singh, Kannappa is a large-scale retelling of the legendary Shaivite devotee, with Vishnu Manchu leading the charge. The film's larger-than-life portrayal, mythological themes, and slick production have helped it find strong traction among single-screen audiences and in Tier-2 and Tier-3 cities. On the other hand, Maa, featuring Kajol in a poignant mother-centric role, has targeted horror genre fanatics. Its intimate narrative, emotional depth, and performance-driven storytelling are geared more toward multiplex viewers and urban family audiences. However, in terms of sheer footfalls, it appears that Maa is facing an uphill battle on day one but given the genre of the film one would expect a major push with evening and night has been directed by Vishal Furia and backed by Ajay Devgn with pivotal roles played by Ronit Bose Roy , Indraneil Sengupta and Kherin Sharma While Kannappa has clearly won the first round in morning shows, the day is yet to end and the word of mouth for both films will kick in from afternoon onwards.. For now, it's Kannappa that has emerged as the early front-runner in this cinematic face-off.
Time of India
a day ago
- Entertainment
- Time of India
Why Kajol calls her mother Tanuja a Superwoman
Kajol, ahead of her film 'Maa' release, shared insights on motherhood, drawing parallels with her mother, Tanuja. She humorously noted the independent yet demanding nature of her children, Nysa and Yug. Kajol expressed a newfound appreciation for her mother's sacrifices, recalling childhood moments and acknowledging the challenges Tanuja faced raising her and her siblings. As Kajol gears up for his big screen return with mythological-horror film Maa, in a heartfelt and candid conversation with ETimes, actress Kajol opened up about the joys and challenges of motherhood, reflecting on her own experiences and drawing parallels with her legendary mother, Tanuja . The discussion, peppered with warmth and nostalgia, revealed the deep admiration Kajol holds for the woman who raised her. Exclusive | Kajol CANDID On Horror Fears and Son Yug's Voice Debut In 'Karate Kids: Legends' When asked who keeps her on her toes more—her daughter Nysa or her son Yug—Kajol laughed and responded with honesty: 'Both my kids are very, very independent... and both of them are quite whiny also at times.' While Yug demands her time daily, Nysa, who isn't home as often, makes her presence known: 'When she's here, it's fully like, 'I demand your attention. I deserve this.'' But it was when Kajol began speaking about her own mother that the conversation turned deeply emotional. Asked if there had ever been a moment where she felt like she was becoming like her own mother, Kajol didn't hesitate. 'Oh, lots of points. Especially when my kids were younger... and I was yelling at them and making them eat their food. I was like, oh my God, this is exactly what my mother did.' Through parenting, Kajol said, she developed a renewed appreciation for the sacrifices and love that often go unnoticed in childhood. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Adidas Three Shorts With 60% Discount, Limited Stock Available Original Adidas Shop Now Undo 'I troubled my mother so much when I was a kid,' she admitted. 'When I had my daughter, I actually told her, 'Mom, I didn't realize you loved me so much.'' Kajol recalled the sheer dedication with which her mother raised her and her sister and she would single handedly took them on vacations and at times with cousins. 'She used to take all four of us—me, my sister, and two cousins—in a car, drive us to Lonavala, spend the weekend there, and drive us back… alone!' she exclaimed. 'Imagine, I can't even think of taking one child on such a trip.' As Kajol recounted these stories, one thing became crystal clear: her mother was not just a parent—she was a force of nature. 'She was really superwoman,' Kajol concluded with pride. Maa has been backed by Ajay Devgn and directed by Vishal Furia . Another member of Devgn clan, Yug Devgn recently enetered the movies as a voiceover artist with Karate Kid Legends.
Time of India
2 days ago
- Entertainment
- Time of India
Shah Rukh Khan's 'King' to wrap up first shooting schedule on June 30
Shah Rukh Khan's action-thriller 'King,' directed by Siddharth Anand, is set to wrap its first shooting schedule on June 30 .. The film boasts a stellar cast including Deepika Padukone, Rani Mukerji, and Suhana Khan's debut. Expectations are high for this grand-scale project, aiming for a blend of mass entertainment and emotional depth, slated for a 2026 release. The much-anticipated action-thriller King, starring Shah Rukh Khan in the lead, is set to complete its first shooting schedule on June 30. The film, which went on floors recently, has been filming extensively at YRF Studios in Mumbai, and excitement is steadily building within the industry and among fans. Exclusive | Kajol CANDID On Horror Fears and Son Yug's Voice Debut In 'Karate Kids: Legends' King marks a high-stakes collaboration between Shah Rukh Khan and director Siddharth Anand , known for helming blockbusters like Pathaan and War. This project is being mounted on a grand scale, with a vision to deliver an edge-of-the-seat action spectacle with strong emotional undercurrents. The film is being produced under Shah Rukh Khan's own banner which is known for making films like Main Hoon Na, Om Shanti On, and Jawan. Adding to the buzz is the film's stellar ensemble cast. Alongside Shah Rukh Khan, the movie features Deepika Padukone , Rani Mukerji , Abhishek Bachchan , Jaideep Ahlawat , Anil Kapoor , Arshad Warsi, Jackie Shroff and making her big-screen debut in a lead role — SRK's daughter, Suhana Khan . This powerful lineup has only heightened anticipation, with industry insiders expecting King to be a landmark film that blends mass entertainment with nuanced performances. The first schedule has primarily focused on character-driven scenes and internal studio setups, with major action sequences and outdoor shoots planned for the upcoming phases. According to sources the team is "thrilled with the energy SRK brought to the set," and the chemistry among the cast is already being hailed as one of the film's strongest assets. Director Siddharth Anand, known for his stylish storytelling and slick action choreography, is reportedly taking a grounded yet grand approach for King, aiming to balance massy appeal with sharp emotional depth. With the first schedule nearing completion and post-production already underway in parallel, King is shaping up to be one of the biggest cinematic events on the horizon. The film is expected to hit theatres in 2026, and given the names attached, expectations are nothing short of monumental.
Time of India
3 days ago
- Entertainment
- Time of India
Kajol felt left out on 'Ishq' set; reveals Aamir Khan and Juhi Chawla were 'close': ‘I was not willing to talk to anybody'
'Ishq', the 1997 comedy directed by Indra Kumar, was a big hit at the box office. With Aamir Khan , Juhi Chawla , Kajol and Ajay Devgn in lead roles, the film became popular for its humour and songs. But recently, Kajol revealed that her time on set wasn't as fun as it looked on screen. In an interview with The Mashable, Kajol spoke about feeling alone during the long shooting days, as Aamir and Juhi shared a close bond with director Indra Kumar. This left Kajol and Ajay on the outside, and at times, she felt completely by herself. 'Aamir was very friendly with the director and so was Juhi so these three were a close knit group and then there was Ajay and me. And eventually, it was just me. There were certain days on set when I was not willing to talk to anybody,' said Kajol. 300 days on set was too much Kajol also revealed that 'Ishq' took 300 days to be completed. The long schedule and daily shooting hours made things even more difficult for her. 'We spent 300 days together. That film took 300 days to be made. We have no idea what we did for so many days. We used to spend 8-10 hours on set every day. I can't be talking to all of them at all times. I can try to be social but I can't constantly be chatting,' she explained. Even though Kajol is known to be outgoing, she said even extroverts need some quiet time to recharge. A bond with Ajay Devgn was born Though the group dynamics on set made her feel left out, Kajol shared that she eventually became close to Ajay Devgn. Their bond grew stronger during the filming of 'Ishq'. While they had worked together before in 'Hulchul' (1995), this film brought them closer. Two years after the release of 'Ishq', Kajol and Ajay got married in 1999. Today, they have been married for 26 years and are parents to daughter Nysa and son Yug. On the work front, Kajol will next be seen in 'Maa', a mythological horror film directed by Vishal Furia, releasing on 27th June, 2025. Exclusive | Kajol CANDID On Horror Fears and Son Yug's Voice Debut In 'Karate Kids: Legends'
