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Indian Express
4 days ago
- Entertainment
- Indian Express
Designer Rahul Mishra, artist Gustav Klimt, and a long tradition of art inspiring fashion
Over the last week, several posts featuring the works of Indian fashion designer Rahul Mishra at the Paris Haute Couture Week have amassed thousands of views and likes on social media. This has happened even as high fashion is not always considered accessible to wider audiences. It's not available to purchase on a mass scale, and the designs themselves are often more conceptual than practical. Once in a while, however, runway designs evoke popular interest and agreement on their quality and beauty. In Mishra's case, it was not only the glittery dresses in gold and yellow hues or the floral themes that stood out, but the inspiration he took from the paintings of celebrated 19th-century Austrian artist Gustav Klimt. The extraordinary PAINTINGS of Gustav Klimt referenced by ✨Rahul Mishra✨ in his Fall/Winter 2025 Couture collection.🪡 — La Mode Unknown (@LaModeUnknown) July 7, 2025 Fashion has long taken inspiration from the world of art, and there are reasons why the collaborations work, even as they generate debates and disagreements about the nature of art itself. At a surface level, there are obvious similarities in the realms of art and fashion. Designers begin their work by drawing sketches as the prototype for clothes, and depictions of fashion and clothing are often central to paintings. American fashion historian Valerie Steele wrote in the anthology book Fashion and Art (2012), 'Both fashion and art are aspects of visual culture, involving form, color, and texture… Like art, fashion can be technically and conceptually rich.' Mishra also noted this commonality, telling Vogue India in an interview, 'I kept coming back to this quote by Monet. He said, 'Everyone's trying to paint a bridge, a flower, a tree, a river, but I'm trying to paint the air—the space where the boat, the hut, the bridge and the woman exist.' And I felt like that's what I was doing, creating air, because how do you turn an emotion into something real? Into fabric, into form, into something wearable? The task was to capture emotion'. In discussions on these connections, mentions of the iconic French designer Yves Saint Laurent frequently appear. He once called himself a 'failed painter', having often taken inspiration from his favourite works of art. The most well-known of these was the Mondrian dress, featuring blocks of white, red, yellow and blue, almost lifting artist Piet Mondrian's abstract paintings from the canvas and directly placing them on cloth. An article on the website of New York's Met Museum says, 'The purity of Mondrian's simple lines and color blocks resonated deeply with Saint Laurent, inspiring him to create a collection of twenty-six designs… With strategic darts and seams, he transformed abstract paintings into three-dimensional cocktail dresses that maintained geometric alignment on the body.' The article argued that not only did it popularise Mondrian's works within the cultural elite, but the designer's ready-to-wear line made the artist more accessible to a wider clientele. It also birthed inexpensive copies. 'Whether or not it was his intention, Saint Laurent expanded the reach of artworks beyond the confines of museum walls and into human lives. At the very least, he challenged perceptions by demonstrating that women, irrespective of their race or class, deserved to wear works of art,' it said. Saint Laurent also based shirts and jackets on the works of Vincent Van Gogh and Pablo Picasso. In Mishra's case, using Klimt as a source is, in a way, coming full circle. The Austrian painter is renowned for his detailed paintings that often captured women, with some featuring and inspired by his long-time partner, designer Emilie Floge. Portrait of Emilie Flöge (1902) shows her in a dark, loose blue dress. This was inspired by Floge's designs, which rejected the tight corsets of that era. Where the two diverge Not everyone agreed that the two worlds should be equated. 'A dress is neither a tragedy, nor a painting,' said French designer Coco Chanel, 'It is a charming and ephemeral creation, not an everlasting work of art. Fashion should die and die quickly, in order that commerce may survive'. Chanel was known for her infusion of practicality into luxurious clothing, such as suits for women. On the other hand, her contemporary, Italian designer Elsa Schiaparelli, was known for incorporating unusual motifs and styles. She was friends with surrealist artists such as Salvador Dali, even collaborating with him. Chanel once called her 'that Italian artist who makes clothes'. Steele also noted some 'undeniable differences' in the two fields, such as that fashion has an 'obvious utility' which paintings do not. When it comes to high-end artists, a work of art may still be many times more expensive than a luxury handbag or a pair of shoes. 'Moreover, whereas the price of a work of art can escalate dramatically over time, the value of fashion almost always declines after it ceases to be new and only sometimes regains value as collectable vintage,' Steele wrote. That is not to say that fashion doesn't occasionally aspire for longevity beyond mass consumption. The introduction of the book Fashion and Art says, 'Couture, which began in 1850s with (designer) Charles Frederick Worth is a key place to start speculating on the art-fashion nexus. It is when garments start to assume the status of substantive, sculptural objects, which just happen to have the human support to activate them.' Couture began in France at a time when luxury was seeing a revival, and when the royals gave their patronage for the production of goods created by hand, for an exclusive clientele. Mishra's collection was also part of haute couture. Scope for harmony Steeler wrote that today, collaborations between the two forms' artists can 'legitimate the fashion companies' cultural credentials, while also creating buzz and sales. They are undoubtedly useful for the artist also, but primarily in financial terms.' Which raises the question of whether fashion belongs in the rarefied and exalted world of 'art', and if it can be deemed as such. The debate about what comprises art is an old one, and is often seen as being exclusive of newer, more accessible forms of culture. On the other hand, calling everything equally significant can seem ultimately devaluing all forms of art. Saint Laurent was clear about his position. The Met's article says, 'He never likened himself to Van Gogh or Picasso through his interpretation of their works. He was a student of culture and an avid art collector… He emphasized that his homages were the result of a profound admiration of the art form: 'I didn't copy them—who would venture to do that? I wanted to weave connections between the painting and the clothing.'' Rishika Singh is a Senior sub-editor at the Explained Desk of The Indian Express. She enjoys writing on issues related to international relations, and in particular, likes to follow analyses of news from China. Additionally, she writes on developments related to politics and culture in India. ... Read More
Buzz Feed
7 days ago
- Entertainment
- Buzz Feed
ディカプリオの恋人、"元カノ"と同じドレスを着るも…衝撃の結末に【画像】
ディカプリオの恋人、"元カノ"と同じドレスを着るも…衝撃の結末に Leyla Mohammed · undefined NaN, NaN Gisele Bündchen's 2003 Met Gala gown was spotted on Leonardo Di Caprio's girlfriend Vittoria Ceretti during the Bezo's wedding. The rising trend of A-listers recycling past fashion proves archival is the new black. (📷: Getty/IG) — E! Insider (@einsider) July 2, 2025 Twitter: @einsider No but the way Vittoria Ceretti TEARED THE VINTAGE ✨DOLCE & GABBANA✨ DRESS COMPLETELY, same as Gisele Bündchen wore at the Met Gala in 2003, and also the fact that they both dated Leonardo DiCaprio — I'm CRYING for that dress. 😭😭😭 — La Mode Unknown (@LaModeUnknown) June 29, 2025 Twitter: @LaModeUnknown
NDTV
08-07-2025
- Entertainment
- NDTV
At Rahul Mishra's Fall-Winter 2025 Show In Paris, A 163-Year-Old Artist Plays Showstopper
Fashion designer Rahul Mishra recently unveiled his stunning "Becoming Love" collection at Paris Couture Fashion Week. The intricate embroidery and philosophical allegory, which are hallmarks of his work, blended seamlessly to create a truly breathtaking ensemble. The show was a testament to Mishra's growing influence in the global fashion scene. What Rahul Mishra's Latest Show Was About Rahul Mishra's latest collection explores the seven stages of love, inspired by Sufism. It is a personal and profound offering from Mishra, who weaved eloquent designs that translated the emotions of love into intricate garments. The stunning haute couture presentation drew inspiration from various sources, including the compositions of Austrian symbolist artist Gustav Klimt, evident in the use of golden threads, curved nets, and halo-like constructions that adorned the garments. The extraordinary PAINTINGS of Gustav Klimt referenced by ✨Rahul Mishra✨ in his Fall/Winter 2025 Couture collection.???? — La Mode Unknown (@LaModeUnknown) July 7, 2025 'Becoming Love' And The Seven Stages Of Love "'Becoming Love' delves into seven stages of love, ranging from attraction to death, and draws from various sources like Sufism and classical art, including the works of Gustav Klimt. These stages aren't just human; they transcend all living beings. Each stage represents an emotion, an essence that's tangible yet abstract. It's been one of the most challenging collections I've worked on, almost like crafting seven different collections within one," Mishra said in an interview with Elle magazine. Mishra's designs featured transparent silhouettes, delicate embroidery, and carefully balanced proportions, showcasing a mastery of form and structure that is a testament to his skill as a designer. "Some pieces feature sculptural elements to mimic the shape of a heart, while others explore floral motifs as symbols of love's ephemeral nature. I also referenced Klimt's works, using the weight of gold and black to represent obsession and passion, and the more delicate, ethereal elements for love and reverence," Mishra added. Who Was Gustav Klimt The artist that Rahul Mishra's collection took inspiration from, is among the world's most famous artists. Gustav Klimt's work helped define the Art Noveau style in Europe. The Austrian paitner's works had as their primary subject the female body. Klimt was born in Austria in 1862, and died in Vienna at the age of 55, in 1918. The Kiss, from 1908-1909, is Klimt's most well-known work today. The painting is housed at the Upper Belvedre Museum in Vienna, Austria, and draws millions of tourists each year, who come to marvel at the artwork. Rahul Mishra's latest collection also references The Kiss in one of his creations. At Rahul Mishra's Paris Show Lisa Haydon walked the runway for Mishra's show, wearing a stunning sheer corset dress with floral embroidery and sequins that embodied the essence of the collection. Rapper Cardi B also made an appearance at the fashion event dressed in a red rose gown complete with rose installations. View this post on Instagram A post shared by FashionTV (@fashiontv) Rahul Mishra's designs are not just visually stunning but also intellectually engaging, making him a name to reckon with in the world of haute couture. With this collection, Mishra solidified his position as a leading designer, and his work will undoubtedly continue to be closely watched in the fashion world.
News18
07-07-2025
- Entertainment
- News18
Cardi B's Schiaparelli Look Is A Total Win, But Her Crow Has Left The Internet Divided
Last Updated: At Schiaparelli's show at the ongoing Paris Fashion Week, Cardi B turned heads not just with her outfit but also with her companion - a live crow. The much-anticipated Paris Fashion Week may have only just begun, but Cardi B has already delivered one of its most unforgettable moments. Making a theatrical entrance at Schiaparelli's Fall/Winter 2025/2026 Haute Couture show at the Petit Palais on July 7, the rapper redefined front-row fashion with a head-turning ensemble that blurred the line between high fashion and performance art. For her appearance at the Schiaparelli show at the Paris Fashion Week, Cardi B was draped in a dramatic black fringed gown. Her look was dominated by a massive sculptural beaded neckpiece that cascaded around her shoulders and framed her décolletage. The couture masterpiece was pure Schiaparelli: avant-garde, sculptural, and brimming with surrealist flair. But the element that got everyone talking? A live crow perched on her gloved arm. Held in place by a discreet lead, the crow added a gothic theatricality rarely seen even in Paris' most fashion-forward circles. Cardi B attending the Schiaparelli couture aw25 show — linda (@itgirlbackup) July 7, 2025 OMGGG: Cardi B arrived at the show in ✨Schiaparelli✨ Spring/Summer 2024 COUTURE accompanied by a RAVEN. 🪡 — La Mode Unknown (@LaModeUnknown) July 7, 2025 — ♡🦇 (@sadhotgirI) July 7, 2025 Cardi's companion, the crow, sparked a debate on social media. While one section talked about the theatrics, another called her out for using a live bird. One user wrote, 'Animals are not props." A second user said, 'Sickening." A third user mentioned, 'Using a crow on a leash as an accessory is definitely animal abuse.. she's sick and evil." Long opera gloves and oversized statement earrings completed the look, further amplifying the WAP hitmaker's bold, baroque presence. She posed with commanding confidence before taking her rightful place in the front row. This appearance comes amid renewed chatter about her personal life, but Cardi proved that her commitment to spectacle and fashion remains unshaken. With a new album, Am I the Drama?, dropping this September, and public intrigue around her recent romance with NFL star Stefon Diggs, it's clear Cardi B is once again owning the spotlight: on the runway, in the headlines, and far beyond. First Published:
News18
17-05-2025
- Entertainment
- News18
Cannes 2025 Day 4: Angelina Jolie, Natalie Portman Stun Fans With Their Stylish Looks
Last Updated: The fourth day of the Cannes Film Festival 2025 saw some archival gowns and sculpted silhouettes on the red carpet. Here's a roundup of the best dressed celebrities. All eyes are on the French Riviera as the 2025 Cannes Film Festival has kicked off to celebrate the best of cinema. Celebrities graced the red carpet for the fourth day of this prestigious film festival with their stylish looks. Their looks left their fans mesmerised. From sculpted gowns to some classic vintage silhouettes, let's take a look at the best-dressed celebrities from Day 4 of the Cannes Film Festival 2025. Emma Stone Emma Stone and Pedro Pascal at Cannes Film Festival — Pedro Pascal Daily (@pascalarchive) May 16, 2025 Emma Stone arrived with Austin Butler and Pedro Pascal for the screening of Eddington. In keeping with the dress code, Emma opted for a sleek white gown by Louis Vuitton. The gown had a statement asymmetrical bib detail on the neckline. She paired the dress with dangler-style earrings. Angelina Jolie For the screening of Eddington, Angelina exuded understated elegance on the Cannes red carpet in a serene gown by Brunello Cuccinelli, fresh off the Fall/Winter 2025 runway. The acclaimed actress complemented the ensemble with dazzling diamonds and her effortlessly tousled hair, staying true to her timeless style. Julia Garner Julia Garner in the debut collection of Haider Ackermann for ✨Tom Ford✨ at Cannes Film Festival. 🪡 — La Mode Unknown (@LaModeUnknown) May 16, 2025 Julia embraced vintage-inspired elegance in a lilac fringe Tom Ford by Haider Ackermann creation. Channelling the spirit of 1920s flapper glamour, the look was reimagined through a sleek, modern, high-fashion lens. She finished her look with an earcuff, slicked-back hair, and bold maroon lips. Natalie Portman natalie portman wearing a custom version of the christian dior fw51 gown at the cannes film festival 🤍 — ???????????????????????? (@pradapearll) May 16, 2025 Natalie Portman's presence at Cannes always promises iconic Dior moments, and this year was no different. The actress graced the red carpet in a custom creation by Maria Grazia Chiuri, a contemporary interpretation of Dior's Winter 1951 haute couture look, aptly titled 'Mexico.' Adding to the vintage-meets-modern charm, her delicate diamond accessories brought a refined elegance to the ensemble. Carla Bruni MY FAVORITE Carla Bruni looking STUNNING in a sparkly dress of ✨Vivienne Westwood✨'s 'The Gateway of India' capsule collection at Chopard event during Cannes Film Festival. 🪡I wanna be HER. — La Mode Unknown (@LaModeUnknown) May 16, 2025 In a Vivienne Westwood gown, Carla looked like a dream. Attending the Chopard Trophées at Cannes, the former First Lady of France dazzled in a shimmering gown paired with radiant diamonds, an effortlessly chic reminder of her timeless allure. First Published:
