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Is this the best movie of the 21st century? 500 Hollywood power players think so.
Is this the best movie of the 21st century? 500 Hollywood power players think so.

USA Today

time8 hours ago

  • Entertainment
  • USA Today

Is this the best movie of the 21st century? 500 Hollywood power players think so.

The people have spoken, and the best movie released since Jan. 1, 2000, has been chosen. And by people, we mean the 500 or so actors, directors, writers and other Hollywood power players The New York Times surveyed for its 100 best movies of the 21st century ranking, which came out with its top 20 on June 27. The likes of Pamela Anderson, Nicholas Sparks, Stephen King, Simu Liu, Sofia Coppola, Danielle Brooks, Brian Cox, Ava DuVernay, Molly Ringwald, Rachel Zegler and Mel Brooks had their say — and yes, you can even see each of their top 10 picks, Letterboxd style. Oscar-winning director Coppola apparently took a shining to the 2004 Pixar classic (and fellow Oscar winner) "The Incredibles," while Julianne Moore admitted she's not above a raunchy comedy like "Superbad" and "The 40-Year-Old Virgin." And Sparks isn't only watching soppy romances; he's also enjoying dramas like "Inception" and "Gladiator." Undeserved Oscar winners – and the ones that should have won What's the best movie released since 2000? None other than Bong Joon Ho's "Parasite," which in 2020 became the first ever non-English film to earn the best picture Oscar, ranked as the No. 1 highest-voted film in the NYT's survey. And no wonder, because it earned an eye-boggling 99% "fresh" rating from nearly 500 film reviews on Rotten Tomatoes. In 2019, USA TODAY's film critic Brian Truitt was close to giving the social commentary thriller full marks (he ended up giving three and a half of four stars). The Korean film "is expertly paced with its reveals, never falls apart (even when it descends into bloody chaos) and also features outstanding acting performances," he noted in his review. In case anyone was wondering, director Bong did not include any of his own films (which includes the recent "Mickey 17" as well as 2017's "Okja" and 2013's "Snowpiercer) in his top nine ranking. New on streaming: From 'Minecraft' to 'KPop Demon Hunters,' what to watch right now The top 20 films since 2000 The top 20 highest-voted films were as follows:

This Stupidly Simple Trick Helped Me Reduce My Screen Time by a Third
This Stupidly Simple Trick Helped Me Reduce My Screen Time by a Third

Vogue

time21-06-2025

  • Entertainment
  • Vogue

This Stupidly Simple Trick Helped Me Reduce My Screen Time by a Third

Earlier this year, I read a book that changed my life: Jenny Odell's How to Do Nothing. First published in 2019 and gifted to me by a friend and colleague shortly thereafter (thank you, Emily Chan), I had initially resisted opening it because I'd assumed that it was a self-help book that would tell me to switch off and decamp to a yurt in the countryside, living off the land and staring at the sky for entertainment. But no: Odell's tome is actually an art book disguised as a self-help book. She is an artist, writer, and academic who uses examples within contemporary art to make us consider the mechanics of the attention economy—how it keeps us absorbed, addicted, anxious, and unable to fully focus on anything beyond our devices. It is, very staunchly, not a book filled with tips and tricks, but one which seeks to reframe your thinking and make you more aware of the digital stimulants constantly competing for your attention—the ads glowing brightly in an attempt to catch your eye, the apps designed to keep you scrolling endlessly, and the bombardment of notifications that compel you to work through them before you can do anything else. Since reading it, I've become so much more conscious of how I interact with my phone. It's all well and good to be on it, or on your laptop, when you actually have something to do, but what about when you don't? Why am I listlessly swimming through a stream of content when I don't need to be? It's how I realized that I love the Letterboxd app—it's generally pretty dark, unstimulating, and free of notifications, which means I can pop on to look at it and easily pop out again. It's also how I reassessed my relationship with Duolingo. The latter is an app designed to keep users coming back daily, with its emphasis on streaks and leaderboards, but I came to understand that I could just tap into it when I wanted to learn something and then choose to put it away at other times. Yes, the app punishes me for not maintaining my streak (I have often seen the green owl mascot crying at my lack of consistency), but this is my small, intentional act of resistance.

Carrie Coon Reveals Her Husband Tracy Letts' Unique Vice: 'He Doesn't Do Drugs or Buy Cars'
Carrie Coon Reveals Her Husband Tracy Letts' Unique Vice: 'He Doesn't Do Drugs or Buy Cars'

Yahoo

time17-06-2025

  • Entertainment
  • Yahoo

Carrie Coon Reveals Her Husband Tracy Letts' Unique Vice: 'He Doesn't Do Drugs or Buy Cars'

During a June 16 appearance on The Tonight Show Starring Jimmy Fallon, Carrie Coon revealed that her husband Tracy Letts is a fervent collector of DVDs The White Lotus star said that he owns "over 10,000," adding that more "arrive every day" The couple and their two children watch the movies together and post reviews on LetterboxdCarrie Coon is supportive of her husband Tracy Letts' unexpected vice. During a Monday, June 16 appearance on The Tonight Show Starring Jimmy Fallon, theThe White Lotus actress, 44, spoke with host Jimmy Fallon about Letts' shockingly large collection of DVDs. According to her, he owns "over 10,000" of them and more "arrive every day." "He doesn't do drugs or buy cars. It's fine," Coon jokingly rationalized to Fallon. She also shared how Letts' collection has become something of a family affair. Coon explained that she and Letts, who she marred in 2013, have a shared Letterboxd account where they share reviews of the movies that they're watching. Their two children — son Haskell, 7, and a 3-year-old daughter whose name has not been made public — even join in on the fun. "We used to post them on X, but now it's a hellscape," Coon said about the reviews. "And so now we decided we had to go to Letterboxd because we wanted to continue the tradition because people like the movie-watching lists." "And it turns out a lot of film students don't know things," she added. "Like, they've seen a meme from Deliverance, but they've never seen Deliverance. Or they've never seen An Unmarried Woman. Anyways, tons of films." Speaking about Haskell, the actress said, "We've been posting reviews from my son also because he's the only 7-year-old I know who you put a movie on, and he goes, 'Yes! It's in black and white!' " While their daughter is "a little bit more traditional," Coon added that Haskell is "a total cinephile." Their kids have weighed in on surprising movies. Earlier in 2025, they watched a silent version of The Hunchback of Notre Dame. "The kids were surprisingly into this. The boy gives it a thousand stars," she said, noting Haskell's high praise. "The girl gives it 12 stars (because 12 is her favorite number)." In a review of Dr. Jekyll and Mr. Hyde the family wrote, "The boy gives it 100 stars, 'maybe more.' The girl made it nearly to the end and then called it quits." Coon confirmed that her kids did more than sit through the movie. She said her son "reads the titles out loud and kind of acts them out and then gets really excited. And my daughter sat through the whole thing. She's 3. I think she's just trying to impress her brother. She also likes Frozen, but, you know. One more obvious film that the family reviewed was 2024's The Wild Robot — "The boy gives it so many stars that he doesn't know how many stars he can give it." Another thing that Coon watched with Letts was the third season of HBO's The White Lotus, which she starred in. She told Fallon that the couple tuned in every week to watch the new episodes, adding that she forgot what had happened after filming. For a show that is notoriously shrouded in secrecy, Fallon wanted to know if Coon had a hard time keeping the plot a secret. "They collected our scripts in Thailand. We weren't allowed to have them out. But no, it was not hard because I don't see anyone or do anything or have any friends," she teased, adding, " And I think my parents watched the show, but they haven't mentioned it yet so I don't know for sure. So no, it was easy for me." Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. The White Lotus is now streaming on Max. Read the original article on People

Emma Stone and Ryan Gosling's ‘underrated' thriller now streaming
Emma Stone and Ryan Gosling's ‘underrated' thriller now streaming

Daily Mirror

time04-06-2025

  • Entertainment
  • Daily Mirror

Emma Stone and Ryan Gosling's ‘underrated' thriller now streaming

An underrated crime film from over 10 years ago starring two of Hollywood's biggest stars is currently streaming Ryan Gosling and Emma Stone's forgotten team-up from 2013 has just been added to Prime Video. The A-list Hollywood duo are best known for portraying love interests in the romantic-comedy Crazy Stupid Love and the Oscar-winning musical La La Land. ‌ However, they co-starred together in between these two hits in a wildly different film that's been all but forgotten. ‌ Helmed by Venom and Zombieland director Ruben Fleischer, Gangster Squad received middling reviews when it was first released and was not a huge hit amongst movie buffs. Gosling stars as Sergeant Jerry Wooters, a WWII veteran tasked with bringing down Los Angeles mob leader Mickey Cohen (played by Sean Penn), along with fellow cop Sergeant John O'Mara (Josh Brolin). Stone features in the film as Grace Faraday, an etiquette teacher close to Cohen who eventually falls for Jerry in this glossy send-up of hard-boiled noir thrillers. While Gangster Squad didn't capture audiences' imaginations as much as their other two collaborations, Gosling and Stone fans should definitely take this opportunity to give it another go now it's on Prime Video. Plenty of fans have reassessed the film as an underrated gem, with a Letterboxd reviewer saying: 'Definitely underrated as a movie and I definitely didn't expect it to get such bad reviews on several famous platforms... ‌ 'Although its script and plot were nothing out of the ordinary and original the film's vibes and noir genre were definitely what I loved about it!' Another wrote: 'This one smashed it out of the park for me. I had low expectations going in but came out very pleasantly surprised and to be honest, pretty damn impressed. 'Great cast, superb production design, fantastic shootouts and overall, really well made and hugely enjoyable. I loved it.' ‌ Get 30 days of Prime Video totally free £8.99 £0 Amazon Get Prime Video here Product Description And someone else asked: 'What did this movie ever do to you guys to receive all bad ratings?' ‌ The film received a similar appraisal from a recent Reddit post, as a moviegoer argued: 'Gangster Squad (2013) is actually pretty good. 'This one really surprised me... And just to clarify right off of the bat, I'm not saying I think it deserved any Oscars or anything, but it's way more fun than I was expecting the gangster-movie from the director of Zombieland, Venom, and Uncharted to be... (man, Ruben Fleischer has an odd filmography.)' There are also scores of five-star Google reviews for the film, including one calling it 'CRIMINALLY UNDERATED'. ‌ 'This is the modern day untouchables,' it continued. '1940s LA is such a beautiful setting. The writing for the characters is great. 'A true sense of brotherhood. Sean Penn portrays a terrifying Mickey Cohen. The action is top notch.' Don't let Gangster Squad fall off your radar if you've not yet checked out Emma Stone and Ryan Gosling's most misunderstood cinematic team-up.

The 16 Best Movies by Female Filmmakers
The 16 Best Movies by Female Filmmakers

Cosmopolitan

time30-05-2025

  • Entertainment
  • Cosmopolitan

The 16 Best Movies by Female Filmmakers

There's a well-worn (read: tiresome) myth that there just aren't that many great films directed by women. We've gathered here today to shatter that illusion into a million glittering, high-frame-rate pieces. From dreamy indie gems to Oscar-anointed powerhouses, these are the female-directed films that critics adore, film students dissect, and your friend with the Letterboxd addiction is using to impress boys in Brooklyn. This list is far from exhaustive—but it's a solid start. Céline Sciamma's slow-burn queer romance between a painter and her subject unfolds on the windy edges of 18th-century France, simmering with erotic tension and serving some of the most beautiful visuals committed to film. Also, zero men. It's perfect. Stream Now Come for Paul Mescal's short shorts, stay for the devastating emotional autopsy of memory and fatherhood. Charlotte Wells gives us grief as memory, and love as a camcorder flicker. You won't cry until three days later in the shower. Stream Now A dreamy, melancholic portrait of suburban ennui and adolescent mythmaking. Still her most haunting—and debatably best—film. Stream Now Agnès Varda made existential dread look chic before it was cool. This French New Wave classic follows a pop singer in real time as she awaits medical results—and questions everything. Black-and-white, but make it deeply interior and defiantly feminist. Stream Now Now tell me why Twilight feels like an indie. Say what you want, but Catherine Hardwicke kicked off the YA vampire craze with blue-tinted angst and Kristen Stewart's best lip-bite acting. The remainder of the franchise was helmed by a rotating selection of men, but hey, at least we had Forks. Stream Now Chloé Zhao turns economic collapse into a spiritual odyssey, while Frances McDormand poops in a bucket and finds transcendence on the open road. Bleak? Sure. But also strangely liberating. Stream Now Ava DuVernay's blistering documentary connects the dots between slavery and the modern prison-industrial complex with clarity and conviction. Required viewing that doubles as a cinematic mic drop. Stream Now A Western for the modern era, Campion uses the genre to explore repression, queerness, and toxic masculinity—plus, Benedict Cumberbatch plays a cowboy with layers (of emotion and textiles). Stream Now Lorene Scafaria's stripper crime saga is Goodfellas meets Magic Mike, with pole-dancing as economic resistance. in this film is a moment, a movement, a manifesto. It's also a recession story, which feels…timely. Stream Now Possibly the quietest horror film ever made, Kitty Green captures the banality of evil via printer paper and passive-aggression. A single day in the life of a junior assistant at a Weinstein-esque firm becomes a subtle warning about complicity and silence. Stream Now A bisexual panic attack of a film, Emma Seligman traps us in the most claustrophobic Jewish funeral this side of Curb Your Enthusiasm and lets anxiety do the talking. If you've ever been trapped at a family function with your ex and your sugar daddy, you'll relate. Stream Now Kathryn Bigelow's high-octane war thriller drops you into Iraq with a fuse already lit. It's testosterone cinema, sure—but filtered through a woman's gaze that interrogates addiction, masculinity, and the futility of control. Stream Now This is coming-of-age storytelling at its sharpest and most specific. Greta Gerwig's semi-autobiographical teen dramedy is a perfectly imperfect ode to mothers, Catholic school, and Sacramento ennui. Every line is a quote, every feeling a gut punch. It's not boring—it's Sacramento. Stream Now A talky film that shouldn't work—but absolutely does. Sarah Polley's Mennonite #MeToo chamber drama is essentially a 90-minute moral philosophy debate—and it's riveting. Quiet fury, radical forgiveness, and the power of choosing your own exit. Stream Now An iconic meet-cute on a basketball court, this coming-of-age film is singular. It's a sports movie that is also a rom-com that is also a generational Black love story. We still quote 'double or nothing.' Stream Now Eliza Hittman crafts an odyssey out of necessity in this quietly radical, observational tale. Two teens, one unplanned pregnancy, and a bus ride to New York that becomes a study in sisterhood, strength, and the systemic failures of reproductive care. Again, timely. Stream Now

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