Latest news with #Libertines
Scottish Sun
06-07-2025
- Entertainment
- Scottish Sun
Iconic music star, 46, captains non-league side and takes kick-off before being subbed within minutes
The star played a gig just hours later UPFRONT-MAN Iconic music star, 46, captains non-league side and takes kick-off before being subbed within minutes ICONIC music star Pete Doherty swapped the stage for the pitch as he took part in a non-league football match. The Libertines frontman, 46, walked out and took the kick off for Isthmian League South East Division side Margate. Advertisement 4 Iconic music star Pete Doherty led non-league side Margate out for their pre-season friendly on Saturday Credit: @margate_fc 4 Doherty was captain and even took the kick off before being substituted moments later Credit: @margate_fc 4 Doherty 'signed' for Margate earlier in the week Credit: @margate_fc 4 The indie music icon is the co-frontman of The Libertines Credit: Getty Wearing his iconic hat - and the captain's armband - Doherty led Margate out on the pitch for their pre-season clash with Tonbridge Angels on Saturday. Margate had announced earlier in the week that they had "signed" Doherty and that the star would be making his debut against Tonbridge. A statement read: "We are delighted to announce that we have signed Pete Doherty to make his Margate debut tomorrow against Tonbridge Angels. "See you there, 2:45pm kick-off". Advertisement READ MORE ON FOOTBALL BALLING HIS EYES OUT Donnarumma bursts into tears on pitch after Musiala horror injury However, those hoping to see the indie guitarist play the full 90 minutes were let down after he took the kickoff and was substituted just a few moments later. Perhaps Margate could have done with Doherty up top for longer after they ultimately fell to a 3-2 defeat on the day. Nonetheless, fans loved seeing Doherty make a brief cameo. On social media, one wrote: "The living legend Mr Pete Doherty wearing number 10". Advertisement CASINO SPECIAL - BEST CASINO BONUSES FROM £10 DEPOSITS While another added: "Pete Doherty playing for Margate FC… never thought he'd be 'The Man Who Would Be Wing'." - a play on The Libertines' tune The Man Who Would Be King And a third posted: "Jacob Adams has shared a pitch with Pete Doherty, what a world we live in". The Libertines have sponsored Margate's kits since 2018/19 season and continue to adorn the front of their shirts for the upcoming campaign. Advertisement After the game came to a close Doherty was straight back to his usual job, headlining a homecoming gig down the road at Margate venue Dreamland amusement park.
The Irish Sun
06-07-2025
- Entertainment
- The Irish Sun
Iconic music star, 46, captains non-league side and takes kick-off before being subbed within minutes
ICONIC music star Pete Doherty swapped the stage for the pitch as he took part in a non-league football match. The Libertines frontman, 46, walked out and took the kick off for Isthmian League South East Division side Margate. 4 Iconic music star Pete Doherty led non-league side Margate out for their pre-season friendly on Saturday Credit: @margate_fc 4 Doherty was captain and even took the kick off before being substituted moments later Credit: @margate_fc 4 Doherty 'signed' for Margate earlier in the week Credit: @margate_fc 4 The indie music icon is the co-frontman of The Libertines Credit: Getty Wearing his iconic hat - and the captain's armband - Doherty led Margate out on the pitch for their pre-season clash with Tonbridge Angels on Saturday. Margate had announced earlier in the week that they had "signed" Doherty and that the star would be making his debut against Tonbridge. A statement read: "We are delighted to announce that we have signed "See you there, 2:45pm kick-off". READ MORE ON FOOTBALL However, those hoping to see the indie guitarist play the full 90 minutes were let down after he took the kickoff and was substituted just a few moments later. Perhaps Margate could have done with Doherty up top for longer after they ultimately fell to a 3-2 defeat on the day. Nonetheless, fans loved seeing Doherty make a brief cameo. On social media, one wrote: "The living legend Mr Pete Doherty wearing number 10". Most read in Football CASINO SPECIAL - BEST CASINO BONUSES FROM £10 DEPOSITS While another added: "Pete Doherty playing for Margate FC… never thought he'd be 'The Man Who Would Be Wing'." - a play on The Libertines' tune The Man Who Would Be King And a third posted: "Jacob Adams has shared a pitch with Pete Doherty, what a world we live in". The Libertines have sponsored Margate's kits since 2018/19 season and continue to adorn the front of their shirts for the upcoming campaign. After the game came to a close Doherty was straight back to his usual job, headlining a homecoming gig down the road at Margate venue Dreamland amusement park.
Daily Mirror
02-07-2025
- Entertainment
- Daily Mirror
Pete Doherty hints at huge plans just weeks after death of Babyshambles star
Pete Doherty has teased there are plans in place for The Libertines to release new music after their successful performance at Glastonbury at the weekend Fans of the Libertines rejoice - the band is ready to make new music. The news comes just weeks after the heartbreak of Babyshambles star Patrick Walden's death. The tragic news saw Libertines frontman and former Babyshambles bandmate Pete Doherty pay tribute. Pete had previously created Babyshambles when he was driven out of The Libertines due to his drug habit. But now, after returning to the Libertines, Pete and fellow band mate, Carl Barat, have teased they ready to share new tunes with the world. Despite releasing new music as a solo act earlier this year, Doherty admitted there could be original Libertines songs thrown out there too after a successful Glastonbury. When Speaking to NME, Pete was asked about any future tunes, and he admitted: "We did have quite a strong idea". When he was then probed on any plans to release new music soon, in his unique way, he joked: "I just released an album ['Felt Better Alive'] a month and a half ago, man! What do you want? Blood?' He went on: "Anyway, I have to say all in all, it's a game of two halves. At the end of the day, you're either chuffed as a lad or sick as a parrot." And he added his delight at one moment in Glastonbury. "Did you see that fan with The Simpsons flag?," he said. "It had Carl and me really fat with a 'tasch playing the guitar. The f***? Happy days, man." He then joked that he would always be ready for an appearance in the iconic cartoon. During their sat on the Pyramid Stage on Saturday, the band tried to start a 'Free Palestine' chant during their performance. However, they failed as the microphone wasn't on. The band was met with a huge crowd on the day as they performed a number of their biggest hits, including Can't Stand Me Now and Don't Look Back into the Sun. But as they waved goodbye to the vast crowd, Gary Powell decided to stay on and hold up a Palestine flag that was on stage during their performance. And as he attempted to get a chant going, his efforts were foiled as the microphone was off, which meant Gary's chant wasn't heard by fans. A source told the Mirror at the time: "The camera was zoomed in on his mouth so everyone could clearly see he was mouthing the phrase 'free free Palestine' but the mic was muted. "Those at the front tried to get the chant going on his behalf, but it fizzled out, and he gave up and left the stage. Fans leaving debated if it was intentional as he picked up and waved the flag before heading to the mic."
The Guardian
01-07-2025
- Entertainment
- The Guardian
‘Glastonbury's definitely still medieval!': The Libertines' Pete Doherty and Carl Barât interviewed at the festival
On the final day of Glastonbury, the Libertines are due on the Pyramid stage for an afternoon show. But first, their co-frontmen, Pete Doherty and Carl Barât, make a stop by the Astrolabe stage for the last of Guardian Live's in-conversations at this year's festival. 'They are the greatest British rock band of the last 25 years,' says Guardian critic and today's host, Miranda Sawyer. And Doherty and Barât are two of the most notorious hell-raisers in indie-rock. But this is a changed band, perhaps, who stop for a photograph with Mr Tumble before they walk onstage. They kick off the talk with fond memories of Glastonbury, a place that has long been 'part of the mythology of the band,' says Doherty. For him, it was running into his sister, AmyJo, having not seen her in three years. 'I heard this couple fighting in the mud.' But then he realised: 'I know that voice. It was AmyJo. She was having a full on barney with her boyfriend at the time. We had a massive, warm embrace and a little cry.' Barât's Glasto experience was emotional in a different way. 'It was a bit of a rite of passage when I was kid – to go over the fence. When I finally got through, the festival opened up before me and it was so exciting. I didn't have any money, so I got food in the Hare Krishna tent and I slept in a Christian Aid tent. I woke up at four in the morning and I heard this rattling – I was getting sprayed. There was some fella pissing on my blanket.' Sawyer notes the similarities between the spirit of Glastonbury and the thrust of the Libertines' songs about Albion and 'Merrie Old England'. The pair agree. 'It's definitely still medieval,' says Doherty, perhaps thinking of the Stone Circle at 6am. 'There's people with chicken powered bicycles and people who are living in the rhythms of the stars and the planet, or trying to make a stand in this time where it's probably more difficult than ever. Or trying to be in touch with the land or what's left of it.' An audience with Pete Doherty and Carl Barât answering reader's questions is what it must be like to be on their tour bus. Or a fly on the wall when they shared a flat together in Camden in the mid-2000s. Their wisecracking banter has a tendency to veer off into the surreal, or the profound, with the occasional lighthearted jibe. Sawyer asks about being in a lineage of songwriting partnerships with a push-pull tension, one they mined their relationship for their songs like Can't Stand Me Now. At one point, the pair even had security guards to protect them from each other. 'But we didn't really discuss it well,' says Doherty to his bandmate. 'You're always good for the arguments but less good at discussing and understanding the love affair.' Their last album, however, All Quiet on the Eastern Esplanade, was about a different relationship – with Margate in Kent. 'We were running a hotel,' says Barât. 'And we got so wrapped up in it. I woke up one day and realised I was like Basil Fawlty. I was so stressed all the time.' They've since turned it into a recording studio, where they made the album and give studio time to up-and-coming bands 'so they can afford to go and do demos. It's community building.' It's time for readers' questions, which range from the future of the music industry to – one for the heads – Doherty's favourite cheese. Asked what their favourite support act of the past 20-odd years has been, they chorus 'Chas and Dave', or the time they went on after a Guns N' Roses tribute act called Guns N' Noses. 'The guitarist was called Slosh,' laughs Barât. Another reader wanted to know if Doherty's opinion on Oasis had changed since he notoriously appeared on MTV in 1997, saying: 'I subscribe to the Umberto Eco view that Noel Gallagaher's a poet and Liam's a town crier.' 'Yeah, I think that still works in a way,' he replies. Next up, Doherty evangelises about his favourite episode of BBC radio comedy Hancock's Half Hour broadcast: 'The Poetry Society [episode] is my go-to. When we used to share a flat, I used to always put that one on for you,' he says to Barât. 'He fancied himself as a bit of a poet and he's in with all these bohemians that hang around.' That sounds familiar. But the musician is also up on contemporary culture. In response to a reader question about new books, he says: 'There's a novel called England Is Mine about a kid who gets turned to online extremism by a young English writer called Nicolas Padamsee. I ran into him at random yesterday; it's a beautiful first novel. It inspired me and made me want to get back to myself.' Sign up to Sleeve Notes Get music news, bold reviews and unexpected extras. Every genre, every era, every week after newsletter promotion Talk turns to nostalgia for the mid-2000s, when the Libertines swaggered on to the London scene with 2002 album Up the Bracket, produced by Mick Jones of the Clash, and combusted in a blaze of scandal and infamy. A reader asked: what is the one thing you would both change if you had a time machine and could travel back to the early 2000s? 'My first thought is to try and get involved in some historical events like, I don't know, contact the New York police on the morning of 9/11 or something,' says Doherty, fancying himself as a hero. 'That's not funny, is it? But something like that, I don't know. Or just place some bets on certain horses and cup finals, proper Back to the Future vibes. Nothing really in my own life, because I wouldn't want to tamper with the ….' He pauses. 'There's a few things, maybe. Yeah, so much.' 'No, I wouldn't change anything,' chimes Barât. 'Apart from averting catastrophes.' If the Libertines could have avoided implosion, would they have achieved global rock dominance? 'I mean, I don't think we know what to do with dominance,' says Barât. The talk concludes with what there is to look forward to about the Libertines' live show on the Pyramid. Do they have anything special up their sleeve for the afternoon Glastonbury crowd? 'We're gonna have the shipping forecast as the intro music, that's gonna be a lovely moment,' says Doherty. 'Other than that, it's the same old shit.'
The Guardian
30-06-2025
- Entertainment
- The Guardian
‘Glastonbury's definitely still medieval!': The Libertines' Pete Doherty and Carl Barât interviewed at the festival
On the final day of Glastonbury, the Libertines are due on the Pyramid stage for an afternoon show. But first, their co-frontmen, Pete Doherty and Carl Barât, make a stop by the Astrolabe stage for the last of Guardian Live's in-conversations at this year's festival. 'They are the greatest British rock band of the last 25 years,' says Guardian critic and today's host, Miranda Sawyer. And Doherty and Barât are two of the most notorious hell-raisers in indie-rock. But this is a changed band, perhaps, who stop for a photograph with Mr Tumble before they walk onstage. They kick off the talk with fond memories of Glastonbury, a place that has long been 'part of the mythology of the band,' says Doherty. For him, it was running into his sister, AmyJo, having not seen her in three years. 'I heard this couple fighting in the mud.' But then he realised: 'I know that voice. It was AmyJo. She was having a full on barney with her boyfriend at the time. We had a massive, warm embrace and a little cry.' Barât's Glasto experience was emotional in a different way. 'It was a bit of a rite of passage when I was kid – to go over the fence. When I finally got through, the festival opened up before me and it was so exciting. I didn't have any money, so I got food in the Hare Krishna tent and I slept in a Christian Aid tent. I woke up at four in the morning and I heard this rattling – I was getting sprayed. There was some fella pissing on my blanket.' Sawyer notes the similarities between the spirit of Glastonbury and the thrust of the Libertines' songs about Albion and 'Merrie Old England'. The pair agree. 'It's definitely still medieval,' says Doherty, perhaps thinking of the Stone Circle at 6am. 'There's people with chicken powered bicycles and people who are living in the rhythms of the stars and the planet, or trying to make a stand in this time where it's probably more difficult than ever. Or trying to be in touch with the land or what's left of it.' An audience with Pete Doherty and Carl Barât answering reader's questions is what it must be like to be on their tour bus. Or a fly on the wall when they shared a flat together in Camden in the mid-2000s. Their wisecracking banter has a tendency to veer off into the surreal, or the profound, with the occasional lighthearted jibe. Sawyer asks about being in a lineage of songwriting partnerships with a push-pull tension, one they mined their relationship for their songs like Can't Stand Me Now. At one point, the pair even had security guards to protect them from each other. 'But we didn't really discuss it well,' says Doherty to his bandmate. 'You're always good for the arguments but less good at discussing and understanding the love affair.' Their last album, however, All Quiet on the Eastern Esplanade, was about a different relationship – with Margate in Kent. 'We were running a hotel,' says Barât. 'And we got so wrapped up in it. I woke up one day and realised I was like Basil Fawlty. I was so stressed all the time.' They've since turned it into a recording studio, where they made the album and give studio time to up-and-coming bands 'so they can afford to go and do demos. It's community building.' It's time for readers' questions, which range from the future of the music industry to – one for the heads – Doherty's favourite cheese. Asked what their favourite support act of the past 20-odd years has been, they chorus 'Chas and Dave', or the time they went on after a Guns N' Roses tribute act called Guns N' Noses. 'The guitarist was called Slosh,' laughs Barât. Another reader wanted to know if Doherty's opinion on Oasis had changed since he notoriously appeared on MTV in 1997, saying: 'I subscribe to the Umberto Eco view that Noel Gallagaher's a poet and Liam's a town crier.' 'Yeah, I think that still works in a way,' he replies. Next up, Doherty evangelises about his favourite episode of BBC radio comedy Hancock's Half Hour broadcast: 'The Poetry Society [episode] is my go-to. When we used to share a flat, I used to always put that one on for you,' he says to Barât. 'He fancied himself as a bit of a poet and he's in with all these bohemians that hang around.' That sounds familiar. But the musician is also up on contemporary culture. In response to a reader question about new books, he says: 'There's a novel called England Is Mine about a kid who gets turned to online extremism by a young English writer called Nicolas Padamsee. I ran into him at random yesterday; it's a beautiful first novel. It inspired me and made me want to get back to myself.' Sign up to Sleeve Notes Get music news, bold reviews and unexpected extras. Every genre, every era, every week after newsletter promotion Talk turns to nostalgia for the mid-2000s, when the Libertines swaggered on to the London scene with 2002 album Up the Bracket, produced by Mick Jones of the Clash, and combusted in a blaze of scandal and infamy. A reader asked: what is the one thing you would both change if you had a time machine and could travel back to the early 2000s? 'My first thought is to try and get involved in some historical events like, I don't know, contact the New York police on the morning of 9/11 or something,' says Doherty, fancying himself as a hero. 'That's not funny, is it? But something like that, I don't know. Or just place some bets on certain horses and cup finals, proper Back to the Future vibes. Nothing really in my own life, because I wouldn't want to tamper with the ….' He pauses. 'There's a few things, maybe. Yeah, so much.' 'No, I wouldn't change anything,' chimes Barât. 'Apart from averting catastrophes.' If the Libertines could have avoided implosion, would they have achieved global rock dominance? 'I mean, I don't think we know what to do with dominance,' says Barât. The talk concludes with what there is to look forward to about the Libertines' live show on the Pyramid. Do they have anything special up their sleeve for the afternoon Glastonbury crowd? 'We're gonna have the shipping forecast as the intro music, that's gonna be a lovely moment,' says Doherty. 'Other than that, it's the same old shit.'
