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San Francisco Chronicle
21-06-2025
- Entertainment
- San Francisco Chronicle
Review: Metallica omits its biggest hit on first night of Levi's Stadium stand
Is a Metallica concert in 2025 complete without 'Enter Sandman'? The fans gathered at Levi's Stadium for the chilly first night of an epic weekend residency didn't seem to notice its omission. With a full clip of metal classics stretching more than four decades, a stadium full of black-clad day-ones and their offspring, and a 'no repeats' setlist in place across two nights, Metallica's signature hit took a rare night off. Still, Metallica's Friday night, 16-song set was career-spanning, touching upon multiple eras. They turned back the clock to 1983 with thrash metal templates 'Hit the Lights' and 'Seek and Destroy.' Well-oiled headbangers 'Creeping Death,' 'Sad But True' and 'Battery' inspired hearty chants. Lead guitarist Kirk Hammett even shouted out the local metal community, specifically the burgeoning RBS movement led by Sunami, Drain, Scowl and others. 'The Bay Area is so metal,' said Hammett. Singer and guitarist James Hetfield, too, flexed his regional knowledge, confidently bellowing 'Santa Clara' as opposed to 'San Francisco' like other headliners. At 61, he still cuts an imposing figure, looking clean and lean in tough leathers. His voice possesses a hefty gruff, chewing up and spitting out lyrics like gristle. 'I have the best job in the world,' Hetfield said, as he surveyed the masses. Openers Ice Nine Kills and Limp Bizkit were a mixed bag. Ice Nine Kills, a metalcore band with a theatrical bent and saxophone, were enthusiastic but more appropriate for dark theaters than late afternoon sunlight. Limp Bizkit fared better with a nostalgic set of millennial rap-rock hits like 'Nookie,' 'My Way' and 'Break Stuff.' Lead singer Fred Durst commented that while serving his country at the Alameda Naval Air Station in the late '80s, he'd often go to shows at the Warfield and the Fillmore. For the main event, Metallica commanded attention using an innovative circular stage that stretched the stadium floor approximately between the 30-yard markers. The intention was for all sections to have the feeling of the band performing right in front of you. And for extended moments, that felt true. The group periodically moved counter-clockwise to perform in each quadrant over the two-hour set. Even Lars Ulrich's drum kit was mobile, disappearing underneath the stage and reappearing in a different spot. Other times, Hetfield, Hammett and bassist Robert Trujillo would splay out across the stage to connect with fans. Speakers were suspended above the stage in a unique trussing system, giving everyone a clear vantage point. That said, the newfangled stage takes some getting used to. When the band was in close quarters performing right in front of you, the show fulfilled its stated mission. But as they circulated to opposite ends, it gave flashbacks to the rotating stage concept at the old Circle Star Theater in San Carlos. To keep up, fans would rely on the eight 360-degree video screens perched overhead on top of towers. Sometimes the video director went overboard with the quick cuts, close-ups and special effects when all you wanted to see was four-on-the-stadium-floor action. The two main jumbotron video boards were turned off for the entirety of the show. Meanwhile, those who shelled out for 'Snake Pit' passes got more than their money's worth. The pit is the filet mignon-like area inside the circular stage. The standing-room-only experience gave diehards the sweaty intimacy they craved for a premium price ($2000 for both nights). During 'Sad But True,' bassist Rob Trujillo rode a platform that crowd-surfed through the pit. Outside of the pit, the general admission floor teemed with folks pressed up against the stage barrier, with up to seven moshpits breaking out in different spots. At the other end of the price spectrum, the view from the upper deck seats (starting at $60, a bargain for a show of this magnitude) was all-encompassing and loud, a decent experience for the price despite the windy conditions — pack a jacket. The band rewarded the audience's decades-long faith with a few special moments. The stage crew plucked a young kid on stage to count off 'Seek and Destroy' ('Do you have the album 'Kill Em All'? Can I borrow it?' asked Hetfield). Hammett and Trujillo debuted 'Primo,' an impromptu bluesy jam. Large, very un-metal Metallica beach balls were set loose towards the end of the show. 'The Day That Never Comes' from the 2023 album '72 Seasons' showed the group's ability to introduce new material without sacrificing momentum, Hetfield beginning the song on a stool then rising like a phoenix to finish it off. Two songs in particular stood out given current events. 'King Nothing' felt kismetic given the recent 'No Kings' protests ('Just want one thing/ Just to play the king/ But the castle's crumbled/ And you're left with just a name'). The anthemic set closer 'Master of Puppets' was equally prescient and cataclysmic. A song about drug addiction, the crowd participated in primal scream therapy — chanting 'Master! Master!' with vigor — an activity that Hetfield encouraged early on and hopefully carries on to Sunday night and beyond. 'I hope you came here to do the same thing I did, which is to get all the ugly crap out,' he said. 'Get it out, leave it right here, and breathe in all the good stuff, alright? We're here to make you feel good.' Setlist: 'Creeping Death' 'Harvester of Sorrow' 'Hit the Lights' 'King Nothing' '72 Seasons' 'If Darkness Had a Son' 'Primo (Kirk and Rob doodle)' 'The Day That Never Comes' 'Cyanide' 'Orion' 'Nothing Else Matters' 'Sad but True' 'Battery' 'Fuel' 'Seek & Destroy' 'Master of Puppets'
The Independent
19-06-2025
- Entertainment
- The Independent
Why Glasgow's food scene made me question living in London
As someone who grew up in – and still lives in – London, I've always pictured myself staying put. But lately, the mass closure of venues and pubs, the cost of living that means you can't breathe outside your house without spending 20 quid, and the audacity of landlords (posting a picture of a pile of dirty clothes instead of the room itself – seriously) has left me a bit disillusioned with the Big Smoke. It wasn't until I found myself in Glasgow 's Cat House – surrounded by sweaty Scottish grebos, Limp Bizkit's 'My Way' annihilating my eardrums, sipping on a £4 vodka lime soda (yes, four pounds) after a fantastic day of eating and exploring – that I started to seriously wonder if I was living in the wrong city. Speaking of eating: as much as I was tempted to try my first pizza crunch, it would have been plain silly considering what Glasgow's food scene has to offer. My first taste of this was at Margo on Miller Street. An extremely cool two-storey restaurant that oozes stylish sophistication, it's the sort of place where you'd be content if the food were merely fine – but it's not. Far from it. Unassuming 'chipsticks with taramasalata' turn out to be golden, 1000-layer potatoes the length of my forearm, perfect for plunging into expertly whipped fishy meze. Pork belly with beetroot ketchup is wonderfully fatty, juicy and earthy. Skate wing swimming in a lemony, buttery mussel sauce is cooked to the kind of perfection that reminds me why I eat out – there's no way I'd nail fish like this at home. The dense and fudgy 'bare bones chocolate nemesis' makes it into my top two desserts of all time, and at £7 it's less than half the price of The River Cafe's signature pud. For an aperitif, digestif or both (I won't judge), head downstairs to Sebb's basement bar – owned by the same group, Scoop. Boring cocktails these are not. A cherry sour with a lemon meringue head is obscenely good, as is the peach picker, which somehow tastes more of peach than an actual peach. As a very recent martini convert, I'm still kicking myself for missing their salty, vinegary 'chip shop' version, complete with an enormous pickled onion. They do the classics too, but I'd recommend being adventurous – Sebb's knows their way around a shaker. Just a short subway ride away on Great Western Road – that's right, Glasgow has a subway, take that TfL – is Michelin-starred Cail Bruich, one of only two starred restaurants in the city (the other is Unalome) and the only starred kitchen in Scotland headed by a woman: Lorna McNee. The menu packs in so much without spreading itself thin. It's supposedly seven courses but don't be fooled – it's closer to 10 once you include snacks, bread and dessert bites. Standouts include west coast brown crab atop a creamy Thai green sauce full of garden herbs, offset by crispy Granny Smith apple. It's fresh and creamy, rich and light – total balance and skill. Isle of Skye langoustine, bisque and ravioli topped with XO brings layered, umami flavours that just demand you sit back and let them unfold, grinning like an idiot. I could go on and on, but one that stuck with me was a teensy choux pastry filled with molten cheese – a reverse fondue so warm and comforting it was basically a hug in a bite. It's not just fine dining where women lead the way. There's B Corp-certified Dear Green coffee roasters, founded by Lisa Lawson in 2011 and named Roast Magazine 's 2024 Roaster of the Year – proof they care as much about ethics and the environment as they do about making bloody great coffee. Gaga, owned by Julie Lin, celebrates her Scottish and Malaysian heritage. As someone who recently discovered a mild allergy to prawns, gluten and peanuts, something has to be truly splendid to justify the inevitable eczema flare-up; I can confirm that a deep-fried prawn bao bun with coriander mayo absolutely qualifies. There are clever citrus twists too, like Sichuan fried chicken with orange zest and a spicy blood orange margarita. Don't skip the house pickles or nasi goreng. Then there's glorious Gloriosa, with Rosie Healey as head chef and owner. Sometimes you try something so good it ruins that thing everywhere else. Their springy, oily, bouncy focaccia blew every other version I've had clean out of the water. I don't think I can order focaccia again unless it's from here. Again, gluten worth it – same goes for the paccheri rigati beef ragu. A mountain of butterhead lettuce, shallot, soft herbs and ewe's curd is beautifully tangy and minty, while charred tropia onions with sherry vinegar and aioli taste like spring on a plate. Highly recommended for veggies and pescitarians – they're very well looked after here. If none of the puds tickle your pickle (which I doubt), pop a few doors down to Fat Sal's for proper Scottish ice cream. Their coconut flavour was a resounding 10/10. A trip to Scotland wouldn't be complete without a distillery visit. Despite my fantasy of being as cool as Don Draper, I still can't say I love whisky – but what they produce at Clydeside made me grimace a lot less than usual. I particularly liked their amber-coloured sherry cask, though our lovely tour guide Marnie warned me it could be at risk if nobody drinks actual sherry anymore. So if you like sherry-cask whisky, do your bit and buy some sherry! The last thing we ate before heading back to London with Avanti West Coast – a really nice way to travel, especially in first class, though it's maddening it costs so much more than flying – was a top-notch brunch at Henry's. Their pickle-topped bloody mary kicked aside the remnants of my £4-drink-induced hangover, as did a croissant stuffed with bacon, garlic, honey and brie – just £8. Another reminder that you can't get a breakfast of this standard in London without remortgaging your flat. As I leave, rethinking my entire existence – and whether London is really home after all – I know I've barely scratched the surface of Glasgow's restaurants, boozers, bars and venues, the abundance of gingers that mean I no longer feel like the odd one out, and quite literally the friendliest, funniest people on the planet. A resounding success. Glasgow, you have my heart – and I'm already planning my return.
Scottish Sun
17-06-2025
- Entertainment
- Scottish Sun
Huge US music star cancels Scottish gig just weeks before taking to stage
The musician has vowed to return — but venue bosses say there 'aren't any plans to reschedule' GIG AXED Huge US music star cancels Scottish gig just weeks before taking to stage COUNTRY-rock star Hardy has axed his only Scottish gig this year for the sake of his 'band, crew and family'. The singer-songwriter, 34, pulled the plug on his Jim Bob European tour days before the gig at Glasgow's O2 Academy. 1 Country-rock star Hardy has pulled his only Scottish date His run of shows was due to kick off on Thursday, with some heartbroken fans revealing they had already booked hotels and flights. Hardy has vowed to return — but a post on the venue's website last night revealed there 'aren't any plans to reschedule'. Dates in 23 US cities starting next month are still set to go ahead. Hardy said: 'I have decided to cancel the European leg of the Jim Bob tour. 'It wasn't an easy decision but one I had to make for my band, crew and my family. 'Please know that I love you all and I will be back as soon as I can.' Hardy — real name Michael Wilson Hardy — has won legions of fans for his blend of country, rock and metal and was due to play in the city on June 30. The Philadelphia, Mississippi, musician has released a string of American top 40 records, including The Mockingbird & The Crow, which got to number 4 in the Billboard album charts. The singer has not given any further explanation for the cancellations, which also included dates in Birmingham, Manchester, London and Belfast. Fans shared their disappointment at the announcement online. One said: 'Gutted flights hotels and tickets booked for Glasgow.' Maren Morris sets record straight after saying she is leaving 'toxic' country music Another told how they were due to fly in for the gig. They added: 'It's sad to hear about cancellation of your European concerts. 'Me and my wife have planned to fly to Glasgow from Austria. 'We really enjoy your music and would have loved to finally see you and your band live.' And a third wrote: 'You gotta do what's best dude. 'Big love from Glasgow. 'Will be still rocking out to Hardy all day everyday.' Hardy says refunds will be issued automatically from the point of purchase. Last year's Quit! album combines country and hard rock and features collaborations with Limp Bizkit nu-metal hero Fred Durst and Red Hot Chili Peppers drummer Chad Smith.
Yahoo
15-06-2025
- Entertainment
- Yahoo
Heavy Metal Legend, 61, Is a Hot 'Silver Fox' at Recent Concert
Heavy Metal Legend, 61, Is a Hot 'Silver Fox' at Recent Concert originally appeared on Parade. Since April 2025, metal fans have been capturing memorable moments from Metallica's continuation of 2024's M72 World Tour. Long-time fans have shouted out highlights like incredible performances of songs like "Sanitarium," and were equally impressed by openers Pantera and rap metal artist Limp Bizkit. One consistent takeaway? James Hetfield, 61, still looks as incredible as he sounds. "He's actually better looking now," gushed one fan. "James been fine for years but def got more find with his age," proclaimed another. One look at him and it's hard to deny it. A recent video depicts Hetfield with his signature 'stache, toned arms and trim and drummer Lars Ulrich formed the L.A. band in 1981 and are known as one of the "founding fathers" of thrash metal. Their album "Master of Puppets" skyrocketed them to fame in 1986, and the band has gone of so many musical journeys since their formation. By the '90s, Metallica slightly pivoted away from their thrash roots, but came back full circle by their 2008 album "Death Magnetic." That isn't to say they've gone without their hardships. The band weathered a lot of ups and downs, from rotating members, to struggling with addiction, and "flops" like their 2003 "St. Anger" album. Despite the turbulent years, Metallica remains what is considered to be one of the most influential bands of all time. With an impressive 40 plus years of touring under their belt, fans mostly cannot get over how incredible they still sound. The fact that Hetfield is officially a silver fox is just icing on the cake. 🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬 Heavy Metal Legend, 61, Is a Hot 'Silver Fox' at Recent Concert first appeared on Parade on Jun 9, 2025 This story was originally reported by Parade on Jun 9, 2025, where it first appeared.
Yahoo
13-06-2025
- Entertainment
- Yahoo
Report: Seth Rollins Getting New Theme Song
Seth Rollins is set to receive a new WWE theme song. Cory Hays of reported that WWE is teaming up with a well-known music artist to produce a new entrance theme for Seth Rollins. The report states, 'WWE is working with a mainstream artist to create a new theme for Seth Rollins. The exact artist is unknown at this time. The group, which also features Bron Breakker, Bronson Reed, and Paul Heyman, is expected to receive their official Faction name soon as well.' Advertisement Seth Rollins has been using his popular entrance theme since 2021. Although WWE made a few minor changes and later re-released it as 'The Vision,' the tone of the song remained the same. As the theme became popular, fans began singing along to the 'WOAHs' during his entrance. The report states that a mainstream artist is currently working on creating the new theme song. While the name hasn't been confirmed, artists like Metro Boomin and Limp Bizkit's Fred Durst have recently shown interest in creating entrance themes for WWE Superstars such as Ron Killings and Bron Breakker. Since aligning with Paul Heyman, Bron Breakker, and Bronson Reed at WrestleMania 41, Rollins has helped lead the group in creating chaos across the WWE roster. Fans believe the faction might be called 'Vision,' though WWE has yet to confirm the name. Rollins added even more momentum to his faction by winning the Money in the Bank briefcase last weekend. On WWE RAW, he teased a potential cash-in during a fiery segment involving John Cena and CM Punk. Read More: Seth Rollins' Next Feud After Money in the Bank Win Revealed The post Report: Seth Rollins Getting New Theme Song appeared first on Wrestlezone.
