Latest news with #Longchamp
The Star
2 days ago
- Business
- The Star
Go on a fashionable cafe-hopping holiday in France
Cafe Longchamp opened in early June. — AFP Hot on the heels of Longchamp, Lacoste is the latest French luxury label to announce the opening of its own cafe. Although these stylish new hangouts haven't signed up any famous French chefs, their opening highlights the growing crossover between the worlds of high fashion and gastronomy, all while bringing the brands closer to their followers. The date is set for July 10 in Monaco. Tennis fans, and in particular spectators of the Rolex Monte-Carlo Masters, have already had a sneak preview of the new Cafe Lacoste – a location bearing the logo of the famous brand with the crocodile logo, now helmed by British designer Pelagia Kolotouros. The cafe promises visitors a chic coffee break at the Le Meridien Beach Plaza hotel. On the menu are a revisited club sandwich with tarragon mayonnaise, a Caesar salad topped with grated beef karasumi and a miso sauce, as well as a bowl of grains and green vegetables seasoned with a Menton lemon vinaigrette. The dishes are created by restaurateur Riccardo Giraudi and are served in a lawn-green setting, echoing Lacoste's signature shade. The green crocodile has also inspired a pistachio dessert, while the clay courts on which many of the brand's sponsored tennis players shine – such as at Roland Garros and Monte Carlo – have inspired a delightfully retro tiramisu. And since this is indeed a cafe, the new venue will serve a range of lattes, including pistachio and vanilla versions. Cafe Lacoste will be open all summer until 2am until September, then from 9am to midnight between October and April. And this isn't the only place to share a cappuccino or grab a quick bite to eat while looking stylish around France and its environs this summer. Lots of fashion brands have opened up their own cafes and restaurants, like Longchamp in Paris. — Pexels Longchamp opened its very first cafe in Paris in early June. This new spot is perfect for meeting up with friends or taking a break, and aims to be a place to hang out at any time of day, from breakfast to after work. Designed in the spirit of a bookshop cafe, Cafe Longchamp offers pastries, croque-monsieur sandwiches made with cooked ham and six-month-old Comte cheese, and a selection of salads made with carefully sourced ingredients, such as Ortiz tuna belly. Everything is intentionally refined, in keeping with the design of the location, whose artistic direction was entrusted to Constantin Riant, a Parisian illustrator and ceramist. The famous cobalt blue, reminiscent of the colour that once adorned the shopfronts of the capital's artisans, gives Cafe Longchamp its unique atmosphere and charm. The almost simultaneous opening of these chic new venues is not entirely coincidental. It is very much indicative of the fashion industry's appetite for venturing into the food world, in the form of cafes and restaurants. And this is not a recent phenomenon. Trailblazer Ralph Lauren opened his first cafes in 2014. And his flagship store in Saint-Germain-des-Pres in Paris was launched in 2017. The union of gastronomy and fashion has also become self-evident with the collaboration between one of the most talented French pastry chefs of his generation, Maxime Frederic, and Louis Vuitton. The chef at Cheval Blanc Paris brings gourmet flair to the iconic French label at Café Maxime Frederic at Louis Vuitton, which opened just over two years ago. Meanwhile, in London's Heathrow Airport, Louis Vuitton chose another well-known French chef, Cyril Lignac, to spearhead its cafe. There are plenty of other examples, like the partnership between Anne-Sophie Pic and Dior, not in Paris, but in Japan (Tokyo and Osaka), and China (Chengdu). In the French capital, the Dior restaurant was in the spotlight when it opened in 2022 thanks to the aura of the chef responsible for giving the eatery its culinary identity: Jean Imbert. – AFP Relaxnews
Daily Mirror
24-06-2025
- Entertainment
- Daily Mirror
MAFS star arrives at court with bodyguard as ex-groom takes legal action
Married At First Sight star, Jacqui Burfoot, arrived at court in Australia today after her onscreen hsuband, Ryan Donnelly, applied for an Apprehended Violence Order (AVO) against her Married At First Sight's Jacqui Burfoot was seen at Sydney Court House today after her former onscreen husband filed for a protection order against her. Ryan Donnelly, who married Jacqui on the Australian version of the reality show last year - before they chose to separate during the Final Vows ceremony - applied for an Apprehended Domestic Violence order against the 29-year-old after his ex was granted an interim restraining order, preventing Ryan from talking about her on social media. Jacqui sent an email opposing the restraining order, but Magistrate Shane McAnulty told the court he was unwilling to grant the order in her absence and asked the parties to prepare submissions before the matter returned to court on June 24. Seen arriving at court today, under an umbrella with her new fiancé, Clint Rice, and burly bodyguard, Jacqui smiled for the cameras, sporting a trench coat, cream dress, Longchamp bag and brown ankle boots. This was the first time the reality star has come face-to-face with Ryan since filming for MAFS wrapped in November last year. She did not say anything to reporters about the allegations outside court after the matter was adjourned. Her barrister, Marcia Edwards, said it would be prejudicial for her to speak. Later, Ryan's lawyer, Daniel Wakim, said his client still wanted protection and he would talk with Jacqui's lawyers about resolving the matter. "We're yet to see what the respondent has to put on in relation to my client's fears,'" he said. Ryan told reporters he was struggling emotionally, claiming his ex onscreen wife had posted about him "almost incessantly". Claiming he never thought his on-screen marriage would turn out this way, he said: "It wasn't the adventure I had planned I wanted to have this amazing chapter of my life and have a comfortable circle, and leave amicably and as friends." The matter will return to court on July 29. Back in April, Ryan told reporters, along with his representative Shirin Razi from Azadi Lawyers, that he suffered "a lot of harm" and was targeted by trolls as a result of 'malicious' claims Jacqui made about him online. "An individual has tried to destroy my life, my potential for career options, collaborations... with false allegations, so men can be victims as well," he said outside the courthouse, adding that he "was very afraid" at one point. Ryan also said he thought the proceedings were a valuable use of the court's time and believed he would "have an extremely strong case" for defamation action against his on-screen wife. However, the reality star refused to comment on whether he would stop posting about Jacqui while insisting MAFS is a "programme that can do wonderful things for people".
Vogue Singapore
24-06-2025
- Entertainment
- Vogue Singapore
The Longchamp X Constantin collab presents a new house emblem
For decades, the family-owned house of Longchamp has been the epitome of quiet luxury—a brand that has not just embraced the term but defined it long before it became a fashion buzzword. What began as a humble family business crafting leather-covered pipes has now evolved into a powerhouse of French craftsmanship. Since its inception in 1948, the maison has consistently championed artisanal excellence, with the hand—both of the artisan and the designer remaining central to its one-of-a-kind story and heritage. This commitment to true craftsmanship carries through to each new range, including the house's latest fall 2025 collection, curated in a poetic collaboration with Parisian artist and ceramist Constantin Riant. Courtesy of Longchamp Known for his work rooted in graphic simplicity and manual gestures across illustrations, paintings, and ceramics, Riant draws inspiration from the 'Paris' of local artisans—the upholsterer shops and booksellers that line neighbourhood streets to the luthier and the picture framers. This collection is an ode to the ones that keep the city's creative heart beating. One that feels like a quiet walk through the very soul of Paris—unlike the polished, postcard-perfect version, but the layered, lived-in city one, where art is tucked into every nook and cranny, and there is a certain beauty in the ordinary. The collection comprises of six exclusive pieces, each rendered in a classic palette of cobalt blue and white—a nod to Riant's ceramic roots and the utilitarian charm of traditional workwear. A standout is the 'Les Artisans de Paris' silk scarf, adorned with Riant's hand-drawn illustrations of local shopfronts—from booksellers to florists—each a love letter to the hidden artistic corners of the city. The collection features an array of sturdy cotton jackets and painter-style overalls, graphic T-shirts, and an updated version of the iconic Le Pliage tote bag. And if you look closer, you'll spot the maison's new emblem designed by Riant—a visual story blending symbols of Longchamp's legacy and dedication to craft, from leatherworking tools and the first leather-covered pipes to ships and planes. This emblem appears throughout the collection as a modern seal of craftsmanship and creativity. In an interview with Vogue Singapore , Riant and Longchamp's general manager and creative director Sophie Delafontaine open up about their creative process, shared appreciation for craftsmanship and the making of the fall 2025 collection. Courtesy of Longchamp How did you encounter Constantin's work? What is it about his vision that made him the perfect collaborator for this collection? Sophie Delafontaine: I've known Constantin for several years and have followed his work since the beginning. Our shared passion for craftsmanship and artistry field made this collaboration a natural fit, as our two worlds align perfectly. I wanted to illustrate the beauty of artisans through the eye of a native artist who could capture the city atmosphere and its artisanal heritage. Constantin imagined a poetic universe while celebrating those who bring the capital to life. How does this collaboration reflect Maison's commitment to supporting emerging artists, while also honoring the dynamism of cultural creativity beyond fashion? SD: Maison Longchamp always had a close relationship with art. Supporting emerging artists is a continuation of that bond, allowing us to maintain a kind of freshness in creativity. Our aim is to act as a springboard for these up-and-coming artists—a catalyst for their visibility—helping their talent and work reach the broadest possible audience. Each new collaboration is both a discovery and a challenge—entering the artist's world, understanding their aspirations, and transforming it all into a Longchamp product that is both aspirational and respectful of our heritage and DNA. For this collection, Constantin Riant—as Parisian, young artist and a highly creative spirit—embodied many values reflecting Longchamp's spirit. Courtesy of Longchamp Let's talk about the emblem—given that it's such a crucial part of the house. What were the guidelines given to Riant with the new design? SD: Constantin did a great work translating Longchamp's codes into a single emblem—from the first leather-covered pipes to the iconic 'Le Pliage' bag, leatherworker's tools as well as a plane and a boat symbolising the brand's international expansion. The idea was to use these symbols to express the connection between past and present in a very visual way—with placed on pieces inspired by artisans' workwear wardrobe such as a painter vest. This emblem truly finds its meaning and brings a more authentic twist to the collection. The scarf is described as the 'star piece' of the collection. Why did you decide to spotlight such a classic accessory, and what does it symbolise? SD: The collaboration is meant as a complete set of six exclusive pieces (bags and ready-to-wear) all reflecting Constantin's universe with his very distinctive blue and white colour palette. The scarf 'Les Artisans de Paris' holds great meaning as it embodies the quintessential Parisian 'flâneur' spirit. It pays tribute to the artisans and their charming shopfronts found throughout the city—an upholsterer, a bookseller, a florist, among others. I love the idea of taking time to explore the city and neighbourhood, and rediscovering the details that make Paris such a unique and inspiring destination. Courtesy of Longchamp Constantin, you've have described this project as exploring Paris like a tourist. What parts of the city inspired you the most during this creative journey? Constantin Riant : I'm often most inspired by the hidden or secluded corners of the city, though I also love the historical centre of Paris like all Parisians. What makes Paris truly remarkable is that each neighbourhood has its own distinct identity, aesthetic, and community. It's this diversity that gives the city its unique charm and richness. Walking along the river Seine banks, whatever the weather is one of my favourites. Courtesy of Longchamp The colours cobalt and white have become your signature as an artist. What do they symbolise to you? CR: Cobalt blue and white are closely tied to my ceramic practice. When I first began working with ceramics, I wanted to use a recognisable colour palette that echoed the tradition of ceramic arts, from Chinese and Japanese vases to Portuguese azulejos and classic French tableware. I found inspiration from traditional slip glazes such as Delft blue and the Bleu de Sèvres, as well as the bright white of porcelain and faience. These tones have since become an integral part of my artistic identity. Longchamp is known for heritage and craftsmanship. How did reimagining the Le Pliage bag for this collection allow you to merge tradition with innovation? CR: I'm very grateful to have had the opportunity to create a new version of the Le Pliage bag by preserving its iconic shape and silhouette, while infusing it with my colour codes, illustrations, and aesthetic. This fusion allowed us a balance between tradition and creative innovation, that resonates with my work. Courtesy of Longchamp You've designed a new logo for the maison. Can you share the story and inspiration behind its design? CR: I loved looking into Longchamp's archives, savoir-faire and craftsmanship to identify key visual elements that would reflect the brand's rich heritage. From there, I created a design that pays tribute to that legacy, reinterpreted with my visual language. Fashion and art have a symbiotic relationship. What kind of dialogue did you and Longchamp aim to create between these two overarching disciplines? CR: I believe that artists offer fashion a fresh perspective, a unique vision and universe to explore. Fashion allows artists to work within new formats and constraints, pushing their creativity in different directions. I think these two disciplines constantly inspire one another and often serve as powerful indicators of future trends and creative movements. It was an incredible opportunity to work on fashion pieces that reflect my own vision, pieces that not only embody my artistic language but also exist within a wearable, living format. Longchamp X Constantin fall 2025 capsule collection is now available in stores.
Daily Mail
23-06-2025
- Entertainment
- Daily Mail
Middleton women stun punters at Royal Ascot with matching feature that has an emotional family throwback
They say fashion runs in the family, and when your matriarch is Carole Middleton, it appears that so too does a wardrobe worth recycling. Cementing her status as the ever-glamorous and ever-practical head of the Middleton clan, Carole has once again opened her designer-filled closet to her nearest and dearest. And this time, it was daughter-in-law Alizée Thevenet who got to raid the rails. The stylish mother-daughter-in-law duo showcased their shared fashion staples on day two of Royal Ascot, bonding over a borrowed hat and pastel ensembles. Alizée, the French wife of James Middleton, elegantly dressed for the sunshine in a Longchamp maxi dress, topped with a feathered Juliette Botterill hat borrowed from Carole's wardrobe. The millinery marvel made a royal appearance once before, when Carole wore it at St James's Palace to celebrate the christening of Prince Louis. It wouldn't be the first time that Alizée has borrowed something from her mother-in-law's closet. For her wedding to James Middleton in 2021, she wore Carole's wedding dress. 'My something borrowed was in fact my dress from my mother-in-law Carole who last wore it 41 years ago on her wedding day in June, 1980,' Alizée shared following her nuptials. 'While talking about dresses with Carole and sharing ideas during lockdown for inspiration, I tried on her wedding dress and fell in love with it.' Alizee added: 'It fitted me perfectly and was exactly what I wanted. It always troubled me that wedding dresses are only worn once so it was amazing to give such a beautiful dress a second lease of life.' But it's not just Alizée who has dipped into Carole's collection. Over the years, Kate Middleton and her sister Pippa have also been spotted wearing pieces from their mother's wardrobe, as well as frequently sharing with each other. Carole, now 70 and looking as stylish as ever, has clearly instilled in her children not just a strong sense of family, but also an enviable eye for timeless fashion. Known for her love of British designers, well-tailored blazers and polished yet approachable elegance, she's long been the quiet style force behind daughters Kate and Pippa. Now, it seems, she's doing the same for her daughter-in-law. Kate Middleton's mother, Carole, showed she has the same taste in clothes as her daughter when she showed up to Royal Ascot in 2022 in a very familiar pink dress. The Me + Em frock was first seen during a visit the year before with young cancer patient, Mila Sneddon at Holyrood House in Scotland What you see with the Middleton women is a shared fashion philosophy. They invest in quality pieces, and they aren't afraid to bring them out again and again. But more than that, they know the value of a classic silhouette. Carole's wardrobe from 30 years ago wouldn't look out of place on the high street today. Think timeless tailoring, flattering lines, and a consistent preference for natural tones and structured shapes.
Daily Record
20-06-2025
- Entertainment
- Daily Record
Royal Ascot 2025 Day 5 tips and best bets as Topgear tipped to rev-up punters
Daily Record tipster Garry Owen has you covered for Royal Ascot Day 5 ROYAL ASCOT DAY FIVE TIPS 2:30 MOMENTS OF JOY 3:05 REBEL'S ROMANCE 3:40 TOPGEAR (NAP) 4:20 MARVELMAN 5:00 SYMBOL OF HONOUR 5:35 BEST SECRET 6:10 DALLAS STAR GARRY'S DOUBLE: TOPGEAR (NAP) AND MARVELMAN Topgear (3:40) will be revved-up for the Queen Elizabeth II Jubilee Stakes on Day 5 of Royal Ascot. Christopher Head's charge showed potent speed when bagging a hat-trick over six furlongs at two. He held his form well over trips around a mile for the remainder of his career with Fabrice Chappett. The bay was also placed in good company over that distance on his first few starts for his new yard. He benefitted from a return to seven when cosily defeating Ten Bob Tony on a Longchamp Group 3. The six year-old hit new heights by routing Royal Scotsman in the Group 2 Challenge at Newmarket. He was even better when bolting-up from the talented Sajir on his return at Longchamp recently. The French raider looks ideally-suited to this testing six so he can power to his first Group 1 success. Moments of Joy (2:30) looks another smart juvenile for Aidan O'Brian in the Chesham Stakes. The filly wasn't overly well-fancied among a strong Ballydoyle squad on debut at Leopardstown. However, she showed a nice mix of class and guts to brush aside Little Sure Shot by a half-length. The youngster definitely has a bright future so she can deny some promising rivals upped in class. Rebel's Romance (3:05) can turn on the charm for Charlie Appleby in the Hardwicke Stakes. The seven-year-old excelled last season with a quartet of top-level victories across the globe. He warmed-up nicely for this term by comfortably defeating The Foxes in a Grade 3 at Doha. The gelding didn't enjoy the run of the race when fourth in the Sheema Classic at Meydan. He bounced back by outbattling Epic Poet over 1m 6f in the Yorkshire Cup on the Knavesmire. The Godolphin star won't mind returning to a stiff 1m 4f so he can land a slightly weaker race. Appleby can strike again with Symbol of Honour (5:00) in the Wokingham Stakes. The three-year-old wasn't disgraced in decent company over seven furlongs as a two-year-old. He benefitted from returning to six when edging-out West Acre in a valuable event at Meydan. The grey stayed upwardly mobile when decisively defeating Dark Saffron in a similar race there. He wasn't suited by a step-back up in trip when sixth to Cosmic Year in a Newmarket Listed event. The gelding hit back with a vengeance by hammering Ides Of March dropped in trip at Newbury. He then opened his Group 2 account by outpointing Arabian Dusk in the Sandy Lane at Haydock. The son of Havana Grey looks fairly-treated for his handicap debut so he can make his class tell. Marvelman (4:20) looks super-powered for Andrew Balding in the Jersey Stakes. The colt showed promise when second to Bob Mali in a strong six-furlong Salisbury novice. He improved again when chasing home Spirit Of Farhh over an extra half-furlong at Newbury. The three-year-old relished tackling seven when routing Shameful on his return at Kempton. He was then unlucky to encounter Cosmic Year in the Listed Charles II Stakes at Newmarket. That is high-class form so the Kingsclere contender can bag another hot renewal of this Group 3. Best Secret (5:35) can be a rare Gallic handicap winner here in the Golden Gates Stakes. Stephane Wattel's bay made steady progress in three outings in maiden company last term. The three-year-old stayed 1m 2f well when giving Parachutiste on his return at Saint-Cloud. He really excelled himself by hosing-up from Good Speed in a valuable Longchamp handicap. The gelding looks group-class so he can cash-in on a nice piece of placing under James Doyle. Dallas Star (6:10) can sparkle for Andrew Murray in the Queen Alexandra Stakes. The colt was outclassed when well-beaten behind City Of Troy in last season's Derby at Epsom. The bay returned with an easy win at Dundalk only to lose his way again over middle distances. He was revived by a step-up to 1m 6f when chasing home the mighty Kyprios at Leopardstown. The four-year-old then plugged-on well late to take third over two miles at Down Royal recently. Team Amo's hops looked ready to tackle this marathon distance so he can shade a trappy event. Mo of Cairo (4:10) can leave his rivals in the dust on Unite Summer Raceday at Ayr. Kevin Ryan's colt can score with a repeat of his fine debut second to Azizam at Hamilton. Classy Al (4:50) can cap a magnificent week for Jim Goldie in the John Gillespie Handicap. The four-time course winner remains well-treated after crushing Winged Messenger at Hamilton. The Uplawmoor Ace can stay on song with Woohoo (8:08) in the Eco Energy Handicap. The speedster was only denied a four-timer by the progressive Canon's House at Hamilton. That looks respectable form so the gelding can gain compensation in these calmer waters. Westerton (5:25) looks the best of Alan King's raiding party in the Johnstone Rose Bowl. The useful hurdler was a game third to Ecureuil Secret over an inadequate 1m 2f at Epsom. The five-year-old still lurks on an inviting mark so she can strike over this more suitable trip. First Instinct (5:55) can claim the trappy Land O'Burns Stakes for William Haggas. The filly ran another stormer when third to Symbol Of Honour in a Group 2 at Haydock. That was a warm event so the sprinter can resume winning ways down in trip and class. Mecca's Symphony (7.38) can call the tune for Michael Dods in the Bridgend Handicap. The three-year-old can build on her encouraging third behind Frankies Dream at Doncaster.
