Latest news with #LordsofDogtown
Los Angeles Times
6 days ago
- Entertainment
- Los Angeles Times
‘Lords of Dogtown' hits 20, plus the week's best movies
Hello! I'm Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies. Sometimes you go to a film screening and you come to realize that it is happening under optimal conditions, that the particular combination of movie, audience, circumstances and environment make for an ideal, likely never-to-be-repeated event. Such is what happened last Saturday when I went to the Academy Museum to see Walter Hill's 1984 'Streets of Fire' projected from a beautiful archival 70mm release print. Taking place in the museum's downstairs Ted Mann Theater (some folks prefer its sight lines to those of the larger David Geffen), the screening was sold out, and there was a buzzing and expectant energy in the room before the show started. Told in neon-drenched tones with a graphic visual style, the film, which bills itself as 'a rock & roll fable,' opens with a spectacular musical number that grabbed the audience and never let go from there. The story concerns a singer (Diane Lane) kidnapped by a local gang leader (Willem Dafoe) and her adventurer ex-boyfriend (Michael Paré), who reluctantly agrees to bring her back. In a conversation after the movie with K.J. Relth-Miller, the museum's director of film programs, Hill admitted that the last time he had watched it was 'about a week before it came out.' 'It's a curious movie,' said Hill, 83. 'I wanted to make a music movie and I got interested in the idea of, could I mix the action genre and the music? My previous film ['48 Hrs.'] had been a very big hit and I knew that you got to do one that they probably would never have made otherwise. And so I didn't want to blow the chance.' Hill also admitted, 'I can see mistakes that we made in it,' specifically a moment when Paré hits Lane to knock her out. 'I promise you, I wouldn't do it today,' he said. An idea that came up through the conversation was how to subvert tried-and-true story conventions and genre tropes. Hill recalled something that director Sam Peckinpah once told him. 'I remember I had a conversation once on the other side of the fence with Peckinpah when I was writing 'The Getaway,' ' Hill said. 'And I said, 'Yeah, we could approach it that way, but it's probably a cliché.' And he looked at me and he said, 'You know what a cliché is?' — I knew I was in trouble — and he said, 'Cliché is something that works.' ' On Thursday Vidiots will have a 20th anniversary screening of 'Lords of Dogtown' with director Catherine Hardwicke in person. Set in the 1970s, the film tells the story of how a group of Venice kids — the so-called Z-Boys — reinvented the sport of skateboarding, injecting it with daredevil tricks and a rebellious attitude. The cast includes Emile Hirsch, Michael Angarano, John Robinson, Victor Rasuk and Heath Ledger. Rachel Abramowitz wrote about the film's production, including how some of the real-life figures portrayed in the movie participated in the shoot, sometimes even acting as the skating doubles for the actors playing them. At one moment, Hardwicke was standing on the edge of a drained-out pool for the skaters to use and took a wrong step and fell in, knocking herself out and fracturing an orbital bone in her face. Yet even that never dimmed her enthusiasm. As Abramowitz noted, 'With her laid-back assurance and distinct vision, Hardwicke has been able to corral a lot of difficult personalities — some who have not always gotten along, as the movie well documents. Almost all the original Z-Boys and scenesters have worked on the film in various capacities, and the actors seem to look up to her.' At one point Hardwicke's direction to a group of actors in a scene was simply, 'Just keep hanging and loving life and thinking how bitchin' we are.' In his review of the film, Kevin Thomas called Hardwicke 'an inspired choice, given the insight and compassion for troubled, reckless teens she revealed so memorably in 'Thirteen.' ' He added, 'The film never loses its heart, as the limelight and spiraling competition strain friendships and incite ugly behavior but reveal a youthful vulnerability that makes the three engaging and their sometimes obnoxious, self-defeating behavior understandable under the circumstances. As in 'Thirteen,' Hardwicke has been able to inspire unsparing portrayals from young actors. … 'Lords of Dogtown' is as beautifully structured as one of the Z-Boys' graceful and intricate maneuvers. It is economic yet possesses depth and is visually striking, capturing an idea of what life is like in a very fast lane.' James Baldwin's book-length essay 'The Devil Finds Work,' completed in 1975 and first published in 1976, mixes personal memoir with insightful film criticism to become a singular work. The UCLA Film and Television Archive is launching a series to celebrate the book and Baldwin. The series opens with an evening of excerpts from relevant Baldwin-related projects, including Raoul Peck's 2017 documentary 'I Am Not Your Negro,' along with Karen Thorsen's 1989 doc 'James Baldwin: The Price of a Ticket.' Where this series should get really interesting is the decision to have most of the screenings include a reading from 'The Devil Finds Work' by some pretty noteworthy names, including author Roxane Gay, podcasters Sam Sanders and Zach Safford and actors LisaGay Hamilton, Justice Smith, Nic Ashe, Marc Anthony Howard, Kendale Winbush and filmmaker Raven Jackson. Among the films being screened are Jack Conway's 1935 'A Tale of Two Cities,' John Huston's 1942 'In This Our Life,' Julien Duvivier's 1942 'Tales of Manhattan,' William Friedkin's 1973 'The Exorcist,' and Norman Jewison's 1967 'In the Heat of the Night.' 'Powwow Highway' The Philosophical Research Society will host a screening on Friday of Jonathan Wacks' 1989 road comedy 'Powwow Highway,' which won a prize at that year's Sundance Film Festival and has since been entered into the National Film Registry. Produced by George Harrison's production company Handmade Films and the directing debut of Wacks, best known at the time as a co-producer on 'Repo Man,' the film was noteworthy for its depiction of Native American life. With a cast that also includes Wes Studi and Graham Greene, 'Highway' stars Gary Farmer, later seen in 'Dead Man' and the recent series 'Reservation Dogs,' as Philbert Bono, who sets out on a journey to help his estranged sister and renew his sense of self. In a review at the time, Sheila Benson called the film 'a little zinger of a comedy with a rare backbone of intelligence.' Austin Powers triple-bill As part of its 'Summer of Camp' series, the Academy Museum will present on Sunday a triple feature of all three Austin Powers spy spoofs, 1997's 'Austin Powers: International Man of Mystery,' 1999's 'Austin Powers: The Spy Who Shagged Me' and 2002's 'Austin Powers in Goldmember.' Jay Roach, director of all three pictures, will be there in person. I don't why, but the idea of watching all three of these movies together just makes me laugh all on its own. An unlikely cultural phenomenon that spawned catchphrases and Halloween costumes, the films are about a British secret agent (Mike Myers) in the Swinging 1960s who is reawakened from cryogenic sleep in the modern day to face off against against his archenemy, Dr. Evil (also Myers). The films feature a cavalcade of guest stars, including Elizabeth Hurley, Michael York, Robert Wagner, Heather Graham, Michael Caine and Beyoncé in her film debut. In his review of 'The Spy Who Shagged Me,' Kenneth Turan wrote, 'As these films and his earlier 'Wayne's World' demonstrate, Myers has a singular talent for skit humor. Seeing him play both the sniggering snaggletoothed Austin, 'the man who put the grr in swinger,' and the fussy, pinky-waving Dr. Evil is to see a gifted performer who knows his strengths and is not afraid of playing to them. You can get away with an awful lot of gross, juvenile humor if you've got that to fall back on.' 'Oh, Hi!' Writer-director Sophie Brooks' 'Oh, Hi!' premiered earlier this year at Sundance and hits theaters this week. Described by its co-star Molly Gordon as a 'rom-com gone wrong,' the film is about a young couple (Gordon and Logan Lerman) who spend a romantic weekend together until he admits he doesn't consider what they have going to be a committed relationship. He says this while handcuffed to a bed, and she decides to leave him there until he changes his mind. In her review, Amy Nicholson wrote, 'Pointedly and inevitably, our leads regress into Mars-Venus caricatures — he's the jerk, she's the psycho — as Brooks vents her frustration that gender tropes haven't evolved. And not for lack of trying. For months, Isaac has whipped up homemade scallop dinners, while Iris patiently played it cool. The film's core question is: How have men and women worked so hard to overcome toxic archetypes and still wound up stuck here?' I wrote a profile of Gordon, who shares a story credit on the film and is also a producer. Now perhaps best known for her supporting role on the series 'The Bear,' Gordon has also appeared in films such as 'Shiva Baby,' 'Booksmart' and 'Theater Camp,' the latter which she co-directed and co-wrote. 'Oh, Hi!' is her first leading role in a film and it was an opportunity she had to create for herself. 'I don't think I've gotten to really show this emotion or this darkness or gotten to be this crazy,' Gordon said. 'It would've been cool if it came with someone else giving me that opportunity, but it just didn't really feel like that was going to happen. So hopefully this shows people that I can do other things. But if not, I will keep trying to make my own things.' TIFF on the horizon The Toronto International Film Festival, which runs Sept. 4-14, made a few program announcements this week which brought the fall festival picture into clearer view. (Festivals in both Venice and New York made clarifying announcements this week as well.) Among the notable premieres at TIFF will be Aziz Ansari's feature directing debut 'Good Fortune,' along with films such as Jonatan Etzler's 'Bad Apples,' starring Saoirse Ronan; David Michôd's 'Christy,' starring Sydney Sweeney; James Vanderbilt's 'Nuremberg,' starring Russell Crowe; Nic Pizzolatto's 'Easy's Waltz,' starring Vince Vaughn; and Alice Winocour's 'Couture,' starring Angelina Jolie. Other Toronto titles that will also be popping up at other festivals include Gus Van Sant's 'Dead Man's Wire,' Guillermo del Toro's 'Frankenstein,' Mona Fastvold's 'The Testament of Ann Lee,' Benny Safdie's 'The Smashing Machine' and Edward Berger's 'Ballad of a Small Player.' Free screening of 'Kerouac's Road: The Beat of a Nation' On Tuesday we will have another free screening event with the documentary 'Kerouac's Road: The Beat of a Nation.' A look at the enduring influence of Jack Kerouac's 1957 novel 'On the Road,' which became a foundational work of late 20th-century counterculture, the film includes Josh Brolin, Natalie Merchant, W. Kamau Bell and Michael Imperioli all reflecting on its personal and cultural impact. Director Ebs Burnough will be there for a Q&A after the screening.
Cosmopolitan
04-07-2025
- Entertainment
- Cosmopolitan
‘Twilight' Director Admits 'Every Studio in Los Angeles' Turned the Movie Down at First
Within the grand limestone walls of Fort Ricasoli in Malta last week, director Catherine Hardwicke gave a masterclass on her craft at the 2025 Mediterrane Film Festival, dissecting specific scenes from her many movies—including Twilight. The movie based on Stephanie Meyer's hit book debuted nearly 17 years ago, but there is still behind-the-scenes intel to be found, and Catherine was generous in sharing her set stories. In her session—called 'Fix It in Prep' and moderated by The Hollywood Reporter's Chris Gardner—Catherine gave intel on her movie, from the color stories of the wardrobe to background on Kristen Stewart and Robert Pattinson's "hold on tight, spider monkey" scene, which did not appear in the book. Catherine also touched on many of her other projects during the masterclass, including Thirteen, Lords of Dogtown, Miss You Already, and her episode of Guillermo del Toro's Cabinet of Curiosities. But the Twilight intel? Unmissable. Read on for Twilight highlights from Catherine's Mediterrane Film Festival masterclass. 'In the Cullen family, they wore the colors of an arctic wolf: silvers, blues, grays, blacks. Those were the only colors they were allowed to wear,' Catherine said. 'If you look at the whole movie, you will never see one human being in yellow, orange, or red. You know, those colors were not allowed.' 'We had 10 different T-shirts for her. She didn't like any of them. When we were shooting, she goes, 'I like your T-shirt.' I'm like, 'Okay,' [so I gave it to her] and I got a different T-shirt. That's what she wears in the movie, the T-shirt I had.' Bella's wardrobe also had a specific color story that mirrored her story arc: 'She had a different color palette, more earth tones [at the beginning], but by the end of the film, she's dressing like the Cullens. She's got the blue jacket and everything.' 'The book has a lot of time where we're thinking about Edward's cheekbones, then again we're thinking about the cheekbones, and again we're thinking about the cheekbones. That doesn't work well in a movie. A book has to turn cinematic.' 'I wanted to do a scene that shows how wonderful it is to be in love with a hot vampire. How does it feel the first time you're madly in love? What could I create for that? So I kind of came up with the idea: Let's do this crazy tree top sequence.' 'Hold on tight, spider monkey. Anybody remember that line? Okay, I started to notice that Rob and Kristen needed a little bit more dialogue. There was too much eyes, eyes. So the night before, I'm writing like 10 different things, and I gave Rob the list asking, 'Which one do you want to say?' And he said, 'I want to say that.' Which is now the classic.' 'At the time, every studio in Los Angeles turned down Twilight. Nobody thought it would make one penny,' she said. 'I read the script, and I thought the script was terrible. I went and read the book, and I saw why there were fans that were passionate about it. So I said, 'I want to take a meeting,' and I went in there to the meeting and I took the script and said, 'This guy's in the trash can, but we're going to make it closer to the book and here are some ideas.' So they said, 'Okay, we agree with you. Let's hire a screenwriter.'' 'Our bonding was baseball camp, because most people didn't know how to play baseball. I thought, 'How do you bond as vampires?' We can't really go out and drink blood and stuff together. So we did the baseball.' WATCH 'TWILIGHT' HERE
Yahoo
27-06-2025
- Entertainment
- Yahoo
Catherine Hardwicke Praises Heath Ledger, Talks ‘Twilight' at Mediterrane Film Festival Masterclass
Steps away from set pieces featured in the Gladiator franchise inside Malta's historic Fort Ricasoli, veteran filmmaker Catherine Hardwicke delivered an epic two-hour-plus masterclass fitting of its backdrop during the Mediterrane Film Festival on Wednesday morning. Hardwicke, who is also currently serving on the island fest's jury, covered nearly all aspects of the craft for the 'Fix It in Prep' session which was moderated by The Hollywood Reporter. She recalled how she made so many of the films on her resume like the gritty drama Thirteen, the skateboarding pic Lords of Dogtown, the beloved teen vampire classic Twilight, the friendship tearjerker Miss You Already, the genre series Guillermo del Toro's Cabinet of Curiosities and more. More from The Hollywood Reporter BBC Introduces News Paywall for U.S. Users Disney+ Sets July Premiere for Korean Treasure-Hunt Drama 'Low Life' 'Tehran Another View' Features Paintball, Carwalking, and a DJ Dressed up as the Joker (Karlovy Vary Trailer) Twilight lore figured prominently in the discussion, much of which has been documented in anniversary interviews and earlier versions of Hardwicke's presentation, including how star Robert Pattinson hand picked her line 'Hold on tight, spider monkey.' She revealed one unique wardrobe choice for Pattinson's fellow franchise star Kristen Stewart who passed on a selection of shirts presented to her for a kissing scene for Bella and Edward. 'We had 10 different T-shirts for her,' Hardwicke recalled. 'She didn't like any of them. When we were shooting, she goes, 'I like your T-shirt.' I'm, like, 'OK,' [and I gave her my shirt] and I got a different T-shirt. That's what she wears in the movie, the T-shirt I had.' She added that Bella started in the film wearing 'more Eart tones' but by the end of Twilight, as her character has grown closer to Edward and the Cullen family, 'she's dressing like the Cullens' with a blue jacket and more vampire-approved color ways. Hardwicke, who launched the successful franchise based on the best-selling book series, also recalled how she came to direct the first film in the series. 'They gave me the script and said, 'Are you interested in directing any of these?'' she said, noting that it was in development at the time at Summit Entertainment. 'At the time, every studio in Los Angeles turned down Twilight and it was in turnaround. Nobody thought it would make one penny [because it was a young female lead. I read the script and thought it was terrible. I went and read the book and I saw there were a lot of fans that were passionate about it. So I said, 'I want to take a meeting.'' Once she arrived for a meeting with the development team at Summit, Hardwicke claims she offered a bold reaction to the material. 'I took the script and said, 'This goes in a trashcan but we're going to make it closer to the book and what matters in the book. Here are some ideas.' They said, 'OK, we agree with you. We'll hire you.'' The rest is history. Speaking of the past, Hardwicke also recalled how she boarded 2005's Lords of Dogtown starring Heath Ledger, Emile Hirsche and Victor Raskuk about the origins of skateboarding culture in Venice, Calif., in the 1970s. 'David Fincher was supposed to be directing it and he wanted to make it for $75 million,' Hardwicke said of the respected filmmaker who eventually fell out over budgetary and creative issues with executives at Columbia Pictures where it was in development. Hardwicke, coming off the critical success of Thirteen, figured she could find 'a trickier way or cheaper way' to make the film about a sport she was super passionate about. 'Amy Pascal was the studio head at the time, and she liked skateboarding and grew up in L.A.,' she noted of the high-profile Hollywood executive-turned-producer with whom she took a meeting. 'I walked into the first meeting. I was dressed in my Dogtown t-shirt, I lived in Venice and I had Dogtown swag all over, I had a whole plan for shooting the movie and I had skateboards with me. [Amy] had seen Thirteen and she really liked it. I pitched how to do it for a better budget, and I don't know how but I got the job.' Hardwicke said at several points during the presentation that as a director, she always likes to be where the action is rather than away from the actors sitting in video village. One such anecdote she shared is how during filming one of the surfing scenes in Lords of Dogtown, star Ledger complained that the water was too cold. 'We had been working all day for six hours in the morning, and then after lunch he and the older guys came up and I heard [Heath] say, 'Fuck this, man, it's too cold, I'm not doing this.' At that moment, I swam over to him and he didn't know it was me. I go, 'Hey, Heath, what's up man. I've been in here all morning, it's awesome isn't it?' And he's, like, if she's in here, I can't complain. Let's shoot. Sometimes as a director, you have to do more radical things like you're asking your actors to do. You can't say I want you to do it if you're not doing it yourself. That's my philosophy.' Hardwicke played a scene from the film that featured Ledger, playing the character Skip Englbom, who was based on a real person, as he is shaping a surfboard while singing along to Rod Stewart's 'Maggie May.' She praised Ledger's effortless authenticity and how he was intent on using that track despite its high price tag. 'Look at all his movies, Heath really works with his body. He has a different body posture in every movie and different vocal qualities,' explained the filmmaker. 'Heath wanted the song, 'Maggie May,' and we could not afford the song because they wanted a zillion dollars. On the day, I had [two songs ready] including the one we had permission for and we could afford. At the end, he goes, 'I fucking hate that song, we need to do 'Maggie May.' I had a take of the other one in the can so I wouldn't get fired from my first studio movie, and then we did 'Maggie May' and of course you see it's integral to the scene. He moves with it, and then we went back and got permission.' Near the end of the presentation, Hardwicke also teased her latest film, the indie homeless drama Street Smart starring Isabelle Furhman, Yara Shahidi, Michael Cimino, Daniel Zovatto and Skeet Ulrich. The night before she left for Malta, Hardwicke said she finished working on the music for the film, which is set in Venice and follows a group of unhoused as they navigate the streets with their big dreams. Scenes from the film were shoot in her Venice home, which doubled as the film's production office for the quick 20-day shoot. '[The characters] are all based on real people, and we had one real person [who acts in the film] who really was in the foster care system,' she said of the first time actor who is one of the leads. 'We found housing for him the week before we started shooting with Covenant House, which is a beautiful global organization for kids that have aged out of the foster care system. He got his first apartment and he starred in his first movie.' Best of The Hollywood Reporter The 40 Best Films About the Immigrant Experience Wes Anderson's Movies Ranked From Worst to Best 13 of Tom Cruise's Most Jaw-Dropping Stunts
Yahoo
27-05-2025
- Entertainment
- Yahoo
Mediterrane Film Festival Announces 2025 Jury & Special Programming
The third edition of the Mediterrane Film Festival kicks off next month with a new international jury and lineup of special programming. Taking place June 25-29 in Valletta, Malta with the theme 'We Are Film', the festival's Main Competition titles from across the Mediterranean will be evaluated by a jury of film creatives ahead of the Golden Bee Awards, which will be presented at a gala on June 29. More from Deadline Mediterrane Film Fest Names Ray Calleja & Mark Adams As 2025 Director & Curator Turkish Drama 'Life' Wins Malta's Mediterrane Film Fest As Commissioner Dismisses Budget Concerns Skeet Ulrich, Paris Jackson, Marcia Gay Harden & Virginia Madsen Among 7 Rounding Out Cast Of Catherine Hardwicke's 'Street Smart' The first members of the jury include director Catherine Hardwicke (Thirteen, Twilight, Lords of Dogtown), production designer Rick Carter (Forrest Gump, Jurassic Park, Avatar), costume designer Charlese Antoinette (AIR, Judas and the Black Messiah), set decorator Elli Griff (Glass Onion, Napoleon, Gladiator and Gladiator II), production designer James Price (Poor Things, Speak No Evil, The Iron Claw) and Maltese director Mario Philip Azzopardi (ZOS: Zone of Separation, Habbilni Ha Nirbah). The Mare Nostrum — 'Our Sea' jury, which will judge narrative and documentary films dedicated to sustainability and environmental themes, includes Dublin Film Festival artistic director Grainne Humphreys and Sundance Film Festival senior programmer Ania Trzebiatowska. 'As we celebrate 100 years of filmmaking in Malta, we're honoured to welcome an exceptional panel of judges who reflect the depth, diversity, and global reach of contemporary cinema,' said festival director Ray Calleja. 'Together with our festival curator, Mark Adams, we're committed to shaping a programme that not only honours Malta's cinematic past but also champions bold new voices from across the Mediterranean and beyond.' Hosted at the 400-year old Fort Ricasoli, the festival's special programming includes panels, roundtables and masterclasses from notable industry figures, as well as a 20th anniversary screening of Hardwicke's Lords of Dogtown, followed by a filmmaker discussion. Celebrating the centennial of film in Malta, with the 100th anniversary of Sons of the Sea (1925), the festival's theme of 'We Are Film' is meant to represent 'a celebration of film, connecting people through stories, emotions and shared experiences.' Best of Deadline 2025 TV Series Renewals: Photo Gallery 'Poker Face' Season 2 Guest Stars: From Katie Holmes To Simon Hellberg Everything We Know About Amazon's 'Verity' Movie So Far
Yahoo
14-02-2025
- Entertainment
- Yahoo
Isabelle Fuhrman, Yara Shahidi, Michael Cimino, Daniel Zovatto, Sylvester Powell & More Set For Catherine Hardwicke Drama ‘Street Smart'
Filmmaker Catherine Hardwicke is underway in Los Angeles on Street Smart, an indie drama said to mark a return to the gritty, immersive storytelling of her films Lords of Dogtown and Thirteen. Cast for the ensemble piece includes Isabelle Fuhrman (Orphan), Yara Shahidi (Sitting in Bars with Cake), Michael Cimino (Never Have I Ever), Daniel Zovatto (Woman of the Hour), Sylvester Powell (All American: Homecoming), Kaitlyn Kemp (The Razor's Edge), Miles McKenna (Goosebumps), and pro skateboarder Isiah Hilt. Co-written by Hardwicke and 13 Reasons Why's Nic Sheff, Street Smart offers a look into the lives of a lively group of unhoused young adults in the iconic beach town, who come together with humor and a bit of Robin Hood-style larceny, forging unbreakable bonds and redefining what it means to be a family. More from Deadline Nate Bargatze Negotiating To Star In Holiday Family Comedy 'Christmas In Paradise' From Amazon MGM & United Artists' Scott Stuber Aaron Holliday, Jermaine Fowler, Michael Abbott Jr. & Sean Gunn To Star In Indie Horror Pic 'Appofeniacs' From Writer-Director Chris Marrs Piliero Ansel Elgort & Catherine Hardwicke Teaming On 'If You Could See Me Now,' Adaptation Of Cecelia Ahern Novel Poster Child Pictures' Natalie Marciano (Freud's Last Session, How to Build a Truth Engine) is producing alongside New Dimension's Jamie R. Thompson (97 Minutes, Old Henry) and Hardwicke. Executive producers include Gerard Butler & Alan Siegel of G-BASE, Jamie Marshall (Den of Thieves, The Foreigner), Furhman, Zovatto, David Lasky, Michael Arata, and Rebel Entertainment's Rock Jacobs and Batia Parnass. Charitable partners of the production include Covenant House and Safe Place for Youth, both of which focus on assisting unhoused and at-risk young individuals. 'In the wake of the recent tragedies that have profoundly impacted Los Angeles and the Hollywood community, we feel incredibly fortunate to be working in LA,' said Hardwicke. 'We're working together with a crazy cool group of actors and filmmakers to make an intensive, provocative and joyful film.' Fuhrman is represented by UTA and Luber Roklin; Shahidi by CAA and Ryan Nord; Cimino by CAA, Megan Silverman Management and attorney Christopher Abramson; Zovatto by CAA and Luber Roklin; Powell by Pakula/King & Associates and The Rosenzweig Group; Kemp by Innovative Artists; McKenna by UTA, Atlas Artists and Yorn, Levine, Barnes; Hardwicke by CAA and Manage-ment; and Sheff by CAA and Manage-ment. Best of Deadline 2025 Awards Season Calendar: Dates For Oscars, Spirits, Tonys, Guilds & More 'Michael' Cast: Who's Who In The Michael Jackson Biopic Jonathan Majors' Film And TV Roles - Photo Gallery
