Latest news with #Macai
Malay Mail
04-07-2025
- Entertainment
- Malay Mail
Malaysia Tamil-language film ‘Jagat' Re-release and spiritual sequels rescheduled to align with cultural dates, ‘Neer Mel Neruppu' officially retitled ‘Blues'
KUALA LUMPUR, July 4 — As announced back in April, Malaysian Tamil-language film Jagat (2015) will return to the big screen for a nationwide re-release, in conjunction with its 10th anniversary, together with two new feature films serving as spiritual sequels titled Macai, a gritty crime drama, and Neer Mel Neruppu (Fire on Water), a satirical romantic drama. Poketplay, the distributor behind all three films, has announced that Neer Mel Neruppu has been officially retitled as Blues. This new title more accurately reflects the tone and spirit of the film's latest edit — an audience-friendly cut shaped by insights gathered from festival screenings and feedback along the way. Blues represents a fresh chapter in the trilogy, crafted to resonate more deeply and reach a broader audience. In addition, to ensure each film receives the platform and attention it truly deserves, the release dates for all three titles have been rescheduled as follows: Jagat – August 29, 2025 Macai – September 18, 2025 Blues – November 6, 2025 These newly announced dates have been strategically aligned with key cultural moments to maximise visibility and impact, with Jagat returning to cinemas during Merdeka month — a symbolic time for reflection and renewal. Macai follows shortly after Malaysia Day, capturing the national spirit, while Blues arrives post-Deepavali, aiming to reach a broader audience amidst festive momentum. The landmark Malaysian film Jagat, by director Sun-J Perumal, is widely regarded as one of the finest Tamil-language films produced in Malaysia, and anticipation for both Macai and Blues continues to build. Save the dates — the cinematic journey begins, honouring the depth and diversity of Malaysian storytelling.
New Straits Times
12-05-2025
- Entertainment
- New Straits Times
#SHOWBIZ: Sun-J marks Jagat's 10th anniversary with re-release, sequels
MALAYSIAN Tamil-language film 'Jagat' (2015) returns to the big screen on May 23 for a nationwide re-release, marking its 10th anniversary. Joining the celebration are two new feature films serving as spiritual sequels titled 'Macai', a gritty crime drama premiering on July 24, and 'Fire On Water', a satirical romantic drama debuting on Sept 18. While each film is a standalone, both explore alternate life paths for Appoy, the young protagonist of the original story. EAST MALAYSIA Its director, Shanjhey (Sun-J) Kumar Perumal, 45, revealed that 'Jagat' will be screened in cinemas in Sabah and Sarawak for the first time, along with 'Macai' and 'Fire On Wate'r. Regarded as one of the best Tamil-language films from Malaysia, 'Jagat' grossed over RM330,000 at the box office and took home the Best Picture and Best Director awards at the 28th Malaysian Film Festival. In a recent interview with NST, Sun-J said: " 'Macai' is a gritty crime thriller, and 'Fire On Water' a satirical romantic drama. While each stands alone in terms of genre and narrative, they are thematically linked through a shared origin: the crucial turning point faced by Appoy, the young protagonist of 'Jagat'. "In the haunting finale of 'Jagat', Appoy appears to be on the cusp of entering the criminal underworld. But what if he has chosen another path? "These two films explore divergent possibilities born from that moment. 'Fire On Water' reimagines Appoy as a thoughtful, academically inclined youth who eventually becomes a filmmaker, using cinema as a means to explore questions of identity, love, and artistic truth. 'Macai', on the other hand, envisions the darker path — Appoy's descent into drugs, violence, and systemic entrapment." SPIRITUAL Sun-J said that together, they function as spiritual sequels to 'Jagat', exploring parallel realities that illustrate how a single decision can lead to radically different destinies. Development on both films began between 2018 and 2021, with production spanning from 2022 to 2024. "I discovered actor Harvin Raj while I was shooting a documentary for MySkills Foundation — an organisation that came on board as a co-producer for 'Jagat'. "I first saw him at the Tamil school in Melawati. There was something about him — his boyish look, his innocence, and the quiet intensity in his presence — that immediately struck me. "I instinctively felt he was meant to be the lead," said Sun-J. The greatest challenge in all three films was securing both the budget and the right talent. "Although my budgets for 'Macai' and 'Fire On Water' were each roughly double what I had on 'Jagat', they still amounted to only about a quarter of the financing typical for mainstream Malaysian Tamil or Malay releases. "Even with accolades like Best Film and Best New Director under my belt, finding investors willing to back a Malaysian Tamil feature remains an uphill battle. "Thankfully, government creative‐industry grants allowed me to match the original budget for — effectively doubling my resources for each subsequent production. "To make every ringgit and every crew member count, I wore multiple hats — director, producer, meticulously overseeing every department." UNIVERSAL Sun-J's stories tap into a universal truth about the human condition — yet they aren't inherently crafted for mainstream tastes. "My goal has always been to bridge that gap, to engage a wider audience without sacrificing authenticity or emotional honesty." Sun-J is fortunate to build ongoing collaborations with three exceptional talents. First, Karnan Kanapathy who appeared as the minor character Rocho in 'Jagat' but went on to carry the leads in 'Macai' and 'Fire On Water'. Second, Kuben Mahadevan, who played Appoy's father Maniam in 'Jagat', and took on the role of the henchman lead in 'Macai' and embodied Appoy's loyal friend in 'Fire On Water'. Third, Tinesh Sarathi Krishnan who debuted as Chicago in 'Jagat' and later portrayed a pivotal middle‑aged character in 'Fire On Water'. "Both Karnan and Tinesh were nominated for Best Actor at the same BMW Shorties competition — Karnan ultimately swept the award," said Sun-J. Sun-J said that while Malaysian Tamil cinema has undeniably advanced in technical quality — thanks largely to more affordable, high‑performance equipment — its storytelling and sensibilities remain, for the most part, heavily indebted to South Indian formulas. "Aside from Shobaan's 'Simple Manushan', which breaks the mould, few features depart from that influence. "However, a new wave of filmmakers is beginning to flip the script. "Ananth Subramaniam's short 'Bleat' is slated for Cannes' Critics' Week, while Krityishaa Karunagaran swept multiple categories — including Best Short Film — at the latest BMW Shorties for 'Tomorrow is Spring'. "Within a few years, I'm confident we'll see Malaysian Tamil features that honour our cultural roots and assert a fresh, autonomous aesthetic — stories that are unmistakably ours, told with both technical confidence and creative daring," said Sun-J. BRIDGE He added: "We can bridge gaps between Malaysia's many communities, fostering empathy and shared understanding among Malaysians themselves. "Beyond our shores, too, the opportunity is vast, for example with some 80 million Tamil speakers around the world, the non‑Malay/non‑English market dwarfs our local audience — but has so far been largely focused on South India. "I believe that, with time — and strategic government support to help fund and distribute multilingual Malaysian stories — these boundaries will eventually fall." Sun-J concluded that with such interventions, he is confident the non-Malay and non-English Malaysian cinema can break through market constraints and claim its place on the world stage.
