Latest news with #Madhumita
Time of India
22-07-2025
- Entertainment
- Time of India
Chinni: A heartfelt story of a daughter's struggle to reunite with her mother
One of the much-loved Telugu television fiction shows, Chinni revolves around a young girl named Chinni and her deep bond with her mother, Kaveri. The show takes viewers on an emotional journey, exploring themes of maternal love, separation, and the social challenges that shape their lives. The story begins with Chinni, who is born and raised in prison due to her mother Kaveri's incarceration. Despite growing up in harsh conditions, Chinni remains determined to free her mother and reunite with her, holding on to their unbreakable bond. Her journey is one of immense courage and perseverance, navigating a world filled with obstacles, with love as her only anchor. After spending ten years in prison with her mother, Chinni is taken away by an NGO worker, Radhika, to an address given by Kaveri. This brings her to Satyam, Kaveri's brother, and his family, including his wife Sarala and their children. While Chinni faces hostility from Sarala, Kaveri continues to worry about her daughter's safety and future. Chinni forms a close friendship with Chandu, who recognizes her talent, while another conflict brews as Balaraju attempts to take over Kaveri's property. Kavya Sri delivers a heartfelt performance as Kaveri, alongside Baby Sridevi, who plays young Chinni. Actor Nikhil Maliyakkal plays a pivotal role, reuniting on-screen with Kavya Sri after their earlier successful collaborations. Ravi Kiran stars as Satyam, Sushma Kiron as Sarala, and Esha Manohari Priya was introduced as Nagavalli, the vengeful sister of Parvati, intensifying the drama. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Gold Is Surging in 2025 — Smart Traders Are Already In IC Markets Learn More Undo A significant plot twist shook viewers when the show underwent a dramatic generational leap. Leaving the audience surprised, the key characters like Satyam and Kaveri are killed off. Chinni re-emerges as a new character, Madhumita, now living in Rajahmundry and pursuing her education, all while haunted by her mother's tragic death. The storyline introduces new characters, including Mahi, Chandu's friend and Deva's son. Madhumita struggles to reconcile with her past while uncovering the mystery surrounding her mother's killer. In the latest episodes, the narrative continues to focus on Madhumita's evolving relationships and challenges. A new character, Lohitha, stages a fake birthday celebration, presenting a gift to Varun. Meanwhile, Madhumita reconnects with Mahi, reigniting past tensions. The introduction of Viren Srinivas as a potential antagonist adds intrigue to the story. Despite some criticism over its drastic narrative changes, Chinni maintains its emotional depth, focusing on themes of love, loss, identity, and justice. With gripping drama and powerful performances, the show continues to captivate its audience. Chinni airs Monday to Saturday at 7 PM on Star Maa.
News18
18-07-2025
- Entertainment
- News18
When Sridevi Was Almost Cast In A Rom-Com By Kaalidhar Laapata Director
Madhumita revealed that Sridevi had agreed to do a rom-com film with her but passed away before the project could go on floors. Bollywood icon Sridevi was last seen in the 2017 film MOM before her tragic demise. Kaalidhar Laapata director Madhumita recently revealed that the English Vinglish star had agreed to do a film with her but passed away before the project could begin. The film was shelved after the actress passed away. During an interview with SCREEN, Madhumita revealed that Sridevi had agreed to do a rom-com film with her. Recalling her meeting with the late actress, Madhumita shared that she had written a script for Sridevi and went on to pitch it. 'She (Sridevi) said yes. It was the sweetest thing ever. This was right after English Vinglish had come out. I went to her house. It was a fun rom-com story. I narrated the story to her, and she really liked it," Madhumita shared. She explained that they had planned to make the film in three languages – Tamil, Telugu, and Hindi. Madhumita further shared that she met Boney Kapoor for inputs on the Hindi adaptation. 'I met Mr. Boney Kapoor as well. There were some suggestions he had on how to make it best for the Hindi audience," she revealed. The director expressed deep sorrow for Sridevi's sudden and unfortunate demise. Madhumita shared that she felt casting anyone else would seem like a compromise, and therefore she shelved the script forever as an homage to the late actress. During the interview, Madhumita was also seen talking about her first Hindi feature film, Kaalidhar Laapata, which premiered on ZEE5 earlier this month. The film stars Abhishek Bachchan in the lead role alongside Zeeshan Ayyub and child actor Daivik Bhagela. Kaalidhar Laapata is a Hindi remake of Madhumita's 2019 Tamil film K.D. The project is backed by Zed Studios and Emmay Entertainment. Recalling Abhishek Bachchan's reaction to the script, the director stated, 'After hearing the story for 30-40 minutes, he said, 'When are we starting the shoot?' He was ready to go. It was very respectful. AB sir was so attentive, listening and asking questions." Madhumati added that she wanted to show a side of Abhishek Bachchan that no one had seen yet. First Published: July 18, 2025, 16:51 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Time of India
17-07-2025
- Entertainment
- Time of India
Madhumita reveals Sridevi signed a rom-com film before her shocking demise: ‘The script is shelved forever as a homage to her'
Filmmaker Madhumita recently opened up about narrating a rom-com story to the late actress Sridevi , who had agreed to play the lead in the film shortly before her demise in 2018. Sridevi was last seen in 'MOM ' (2017), but she was all set to work on her next film with Madhumita. However, the project was shelved following her untimely passing. Sridevi was all set to do a rom-com with Madhumita Poonam Dhillon Calls Sridevi 'Brilliant', Slams 'Dumb' Tag As Unfair In a conversation with The Indian Express, Madhumita shared that Sridevi had agreed to star in a light-hearted romantic comedy she had written. 'I had written a story for Sridevi ma'am. I had gone and pitched it, and she loved it. She said yes. It was the sweetest thing ever. This was right after English Vinglish had come out. I went to her house. It was a fun rom-com story. I narrated the story to her, and she really liked it. I still remember she made green tea for me herself. She said, 'I love it, let's do it.' We were going to make it in three languages – Tamil, Telugu, and Hindi,' she recalled. Boney Kapoor suggested some ideas for the Hindi version of the movie Madhumita also sought suggestions from Sridevi's husband, producer Boney Kapoor, to develop the Hindi version of the film. He had some ideas about how to make the movie more appealing to the Hindi audience. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like AirSense 11 – Smart tech for deep sleep ResMed Buy Now Undo However, everything came to a standstill following Sridevi's unfortunate demise. The filmmaker admitted she cannot imagine casting anyone else in the role, as the script was written solely with Sridevi in mind. 'I can't imagine another actress doing it. It's very hard for me to think of anybody else but her in that film. I had her in my mind while writing every scene. When she is not around anymore, casting anyone else just seems like a compromise. That's why that script is shelved forever as a homage to her,' she revealed. About Madhumita's 'Kaalidhar Laapata' Meanwhile, the director's latest project, 'Kaalidhar Laapata', premiered on an OTT platform and features Abhishek Bachchan in the lead role. The 'Guru' actor agreed to do the film after listening to about 30–40 minutes of the narration. Madhumita described Abhishek as very attentive, engaged, and curious.
Indian Express
17-07-2025
- Entertainment
- Indian Express
Sridevi signed a rom-com with Kaalidhar Laapata director Madhumita before her demise, Boney Kapoor gave suggestions for Hindi adaptation: ‘I went to her house and she said…'
Late actor Sridevi's final film was MOM, which released in 2017. However, it has now been revealed that she had agreed to do another film but passed away before filming could begin. In an interview with SCREEN, director Madhumita, whose film Kaalidhar Laapata recently premiered on ZEE5, shared that Sridevi had given the green light to one of her rom-com scripts, but tragically died before the project could take off. Recalling her first meeting with the veteran actor, Madhumita shared, 'I had written a story for Sridevi ma'am. I had gone and pitched it, and she loved it. She said yes. It was the sweetest thing ever. This was right after English Vinglish had come out. I went to her house. It was a fun rom-com story. I narrated the story to her and she really liked it. I still remember she made green tea for me herself. She said, 'I love it, let's do it.' We were going to make it in three languages – Tamil, Telugu, and Hindi.' The writer-director also met Sridevi's husband, Boney Kapoor, for inputs on the Hindi adaptation. 'I met Mr. Boney Kapoor as well. There were some suggestions he had on how to make it best for the Hindi audience. But unfortunately, we lost her. And now, the script is remaining in the cupboard. I can't imagine another actress doing it. It's very hard for me to think of anybody else but her in that film. I had her in my mind while writing every scene. When she is not around anymore, casting anyone else just seems like a compromise. That's why that script is shelved forever as a homage to her,' she added. ALSO READ | Sridevi didn't let anyone come too close to her, says Khuda Gawah co-star Kiran Kumar: 'She could do a Sadma as well as a Chaalbaaz' Talking about her first Hindi feature film Kaalidhar Laapata, starring Abhishek Bachchan in the lead role, Madhumita said that the digital release didn't matter to her. 'There is an opinion that one medium of distribution is lesser than another. With amount of time that people have today, we have to realise that there are certain categories of films that the audience wants to go watch at the theatres. We have to be mindful of that. If it's a big scale spectacle, I would not opt for OTT. But with this one, it's a very personal film. You can watch it with your family at home while relaxing. The kind of film decides the medium,' she stated. When asked about Abhishek's reaction to the movie's script, she shared, 'After hearing the story for 30-40 minutes, he said, 'When are we starting the shoot?' He was ready to go. It was very respectful. AB sir was so attentive, listening and asking questions. I wanted to show a side that no one has seen yet and they couldn't have possibly imagined him doing.' Besides Abhishek Bachchan, the film also stars Mohammed Zeeshan Ayyub and child actor Daivik Bhagela in pivotal roles. Backed by Zee Studios and Emmay Entertainment, it is the Hindi remake of Madhumita's 2019 Tamil film K.D.
Time of India
15-07-2025
- Entertainment
- Time of India
Abhishek Bachchan's 'Kaalidhar Laapata' director Madhumita talks about her upcoming international horror film: 'I would love to bring together Aishwarya Rai, Taapsee Pannu, Deepika Padukone...'
From Tamil cinema to a Hindi-language debut featuring , director is steadily carving her own space across industries—with heart, humour, and honesty at the core of every story she tells. Tired of too many ads? go ad free now In this candid conversation, Madhumita opened up about dream collaborations, her love for ensemble storytelling, navigating Bollywood sets, and why empathy—not ego—is the true engine behind her work. Excerpts... Your first Hindi film features Abhishek Bachchan — was he on your dream list of actors to work with? Who else in Bollywood would you love to collaborate with and why? Honestly, I was a bit nervous about working with a star like Abhishek, but his professionalism and down-to-earth nature put everyone at ease—including Daivik and myself. I'd love to collaborate with him again. Directing sir has always been a dream—like many, I'm a true fan! But then, there are so many talented actors in India, and I'd love the chance to work with all of them. Can't blame a girl for dreaming, right? Is there a Bollywood actor or actress whose work you deeply admire—maybe someone whose choices or craft you find especially inspiring as a storyteller? I deeply admire anyone—actor, director, or technician—who puts the film above themselves. That selfless dedication to the story and the craft is what truly inspires me as a storyteller. If you could cast any two Bollywood actors in your next film—no budget constraints—who would you pick and what genre would the film be? That is a really tough one. So I'm going to say this. If it is from Bollywood, and I had zero budget restrictions, I would love to bring together a powerhouse ensemble of incredible women for this international horror film that I am developing. Imagine a band of fierce, talented actresses like ma'am, ma'am, ma'am, Shefali Shah ma'am, Tillotama Shome ma'am, ma'am, and ma'am—all in one film. Just the thought of that energy and talent on screen gives me goosebumps! As someone now straddling industries, what's something unique you've observed about Bollywood sets compared to Kollywood ones? Regardless of where I am making the film, being on set is magic and that is magic I love and hope to be creating for a very long time. You have a strong emotional signature in your work—be it Vallamai Tharayo, K.D., or Putham Pudhu Kaalai Vidiyaadhaa. What personal experiences or values shape your storytelling lens the most? I'm drawn to human stories and spend a lot of time observing people, understanding them. At the core of it all, I believe it's important to be a kind and empathetic human being; everything else comes after that. You can always learn and refine your craft as a filmmaker, but for the kinds of stories I want to tell, empathy is essential. Someone I once deeply admired told me that filmmakers are like surrogates. As someone who is naturally sensitive and emotional, I'll admit that comment stung. Tired of too many ads? go ad free now Every film I make feels like a child to me. I truly believe that our sensitivity is what makes us creators—if we don't connect emotionally with our stories, how can we expect audiences to connect with our characters? Ultimately, my hope is that the characters I create linger in the minds of the audience, giving them something meaningful to take home. You're now part of a rising wave of South Indian women directors entering Hindi cinema. How do you hope your voice adds to the larger landscape? I recently read about Jiro Ono, the legendary sushi chef who runs a small restaurant in a Tokyo train station. Every day, he wakes up at 4 am, carefully selects his fish, and dedicates himself to perfecting his craft—one piece of sushi at a time. His routine never changes, but his passion and commitment shine through in everything he does. That's exactly how I see my journey as a filmmaker. I just want to keep making films, honing my craft every day, and loving every minute of it—one story at a time. If my voice adds anything to the larger landscape, I hope it's that quiet dedication to storytelling and the belief that, with consistency and heart, every story can make a difference. For me, it really is as simple as that. With increasing collaborations and remakes, the lines between Bollywood and South cinema are blurring more than ever. As someone who's now worked in both industries, how do you view this shift? As I mentioned earlier, human emotions are universal, so language is no longer a barrier. With the rise of OTT and digital platforms, we now have access to stories from all over the world and find ourselves resonating with narratives from places we've never even visited. I see this as a positive shift—it allows us to learn from global perspectives while also sharing our own culture-specific stories with a wider audience. I truly believe that if you keep your story rooted in its local context and stay authentic to the emotions, it will naturally find a global audience. Authenticity transcends language, and that's what makes storytelling so powerful today.
