Latest news with #MarcheduFilm
Time of India
13-06-2025
- Entertainment
- Time of India
Popularity of red carpet shouldn't overshadow cinema: Boman Irani on Cannes Film Festival
Actor-director Boman Irani says he understands the glamour aspect of the Cannes Film Festival but believes the spotlight should remain on the artistes who are finally getting their moment in the sun. Irani, who attended the film gala last month for the screening of Anupam Kher 's director "Tanvi The Great" at the Marche du Film, said what filmmaker Payal Kapadia and Neeraj Ghaywan have achieved at the festival is inspiring. "There is nothing wrong with having the red carpet, people and the glamour. The glamorous side of the world gets represented far more strongly than the cinematic side of it. However, what happens is that everything goes hand in glove. "But there has to be a bit of imbalance at this point of time. I saw a photograph of Payal and Neeraj Ghaywan together; to me, that's the festival. People who love cinema will find inspiration in what Payal and Neeraj have done," the 65-year-old actor told PTI in an interview. Ghaywan's second feature film "Homebound" received a nine-minute standing ovation at the prestigious film festival following its screening in the Un Certain Regard section. He had earlier premiered his acclaimed debut feature Masaan at Cannes in 2015. Kapadia made history in 2024 by becoming the first Indian filmmaker to win the prestigious Grand Prix -- the second-highest honour at Cannes -- for her debut feature "All We Imagine As Light". by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Modern Racking Systems That Improve Workflow Search7 Learn More Undo This year, she returned to the festival as a member of the main competition jury. Irani said the achievements of the two filmmakers at Cannes have made them popular all over the country. "If Payal had gone there 15 years ago and won, I think it would have been a small little article in the newspaper and forgotten about. But today, thanks to all of this, Payal is now a household name. "Neeraj is a household name, and it's so beautiful to see the two of them also walking during the red carpet with great aplomb, which makes me feel beautiful about it," he added. Irani, who made his directorial debut with "The Mehta Boys" earlier this year, said he has no issues with people, "who don't understand or are not interested in cinema", attending Cannes and walking the red carpet. "To each his own. As long as the festival is getting a lot of benefit out of that through whoever, I don't know whether I can call them influencers or whatever, the glamour side of it, it's fine. But the immense popularity of the red carpet should not overshadow the cinematic achievement," the actor added. During his time at Cannes, Irani also seized the opportunity to watch Spike Lee 's film "Highest 2 Lowest". "I was there for Spike Lee's film, Denzel Washington, all of them were there, it was so beautiful (to see them). At the end of the day, everybody is there to have a good time, humble people talking about their movies, cinema, and talking to anybody and everybody. It's so wonderful." On the acting front, Irani is gearing up for the release of his upcoming movie, "Detective Sherdill", fronted by Diljit Dosanjh. It is slated to release on June 20 on ZEE5. The actor expressed his fondness for detective films and reminisced about iconic characters like Karamchand and others. "I find Byomkesh Bakshi, Karamchand, Sherlock Holmes, Miss Marple, and Hercule Poirot to be some of my favourites, they all are so amazing," Irani said. "Detective Sherdill" is produced by Ali Abbas Zafar and Himanshu Mehra, and directed by debutant Ravi Chhabriya. The film also features Diana Penty, Banita Sandhu, Sumeet Vyas, and Chunky Pandey among others.
Hindustan Times
13-06-2025
- Entertainment
- Hindustan Times
Popularity of red carpet shouldn't overshadow cinema: Boman Irani on Cannes Film Festival
Mumbai, Actor-director Boman Irani says he understands the glamour aspect of the Cannes Film Festival but believes the spotlight should remain on the artistes who are finally getting their moment in the sun. Irani, who attended the film gala last month for the screening of Anupam Kher's director "Tanvi The Great" at the Marche du Film, said what filmmaker Payal Kapadia and Neeraj Ghaywan have achieved at the festival is inspiring. "There is nothing wrong with having the red carpet, people and the glamour. The glamorous side of the world gets represented far more strongly than the cinematic side of it. However, what happens is that everything goes hand in glove. "But there has to be a bit of imbalance at this point of time. I saw a photograph of Payal and Neeraj Ghaywan together; to me, that's the festival. People who love cinema will find inspiration in what Payal and Neeraj have done,' the 65-year-old actor told PTI in an interview. Ghaywan's second feature film "Homebound" received a nine-minute standing ovation at the prestigious film festival following its screening in the Un Certain Regard section. He had earlier premiered his acclaimed debut feature Masaan at Cannes in 2015. Kapadia made history in 2024 by becoming the first Indian filmmaker to win the prestigious Grand Prix the second-highest honour at Cannes for her debut feature "All We Imagine As Light". This year, she returned to the festival as a member of the main competition jury. Irani said the achievements of the two filmmakers at Cannes have made them popular all over the country. 'If Payal had gone there 15 years ago and won, I think it would have been a small little article in the newspaper and forgotten about. But today, thanks to all of this, Payal is now a household name. "Neeraj is a household name, and it's so beautiful to see the two of them also walking during the red carpet with great aplomb, which makes me feel beautiful about it," he added. Irani, who made his directorial debut with "The Mehta Boys" earlier this year, said he has no issues with people, "who don't understand or are not interested in cinema", attending Cannes and walking the red carpet. "To each his own. As long as the festival is getting a lot of benefit out of that through whoever, I don't know whether I can call them influencers or whatever, the glamour side of it, it's fine. But the immense popularity of the red carpet should not overshadow the cinematic achievement,' the actor added. During his time at Cannes, Irani also seized the opportunity to watch Spike Lee's film 'Highest 2 Lowest'. 'I was there for Spike Lee's film, Denzel Washington, all of them were there, it was so beautiful . At the end of the day, everybody is there to have a good time, humble people talking about their movies, cinema, and talking to anybody and everybody. It's so wonderful.' On the acting front, Irani is gearing up for the release of his upcoming movie, 'Detective Sherdill', fronted by Diljit Dosanjh. It is slated to release on June 20 on ZEE5. The actor expressed his fondness for detective films and reminisced about iconic characters like Karamchand and others. 'I find Byomkesh Bakshi, Karamchand, Sherlock Holmes, Miss Marple, and Hercule Poirot to be some of my favourites, they all are so amazing,' Irani said. 'Detective Sherdill' is produced by Ali Abbas Zafar and Himanshu Mehra, and directed by debutant Ravi Chhabriya. The film also features Diana Penty, Banita Sandhu, Sumeet Vyas, and Chunky Pandey among others.
Hindustan Times
04-06-2025
- Entertainment
- Hindustan Times
Minu Bakshi on her film being screened at Cannes film festival 2025: It's incredible
Author, poet, singer- Minu Bakshi wears many hats. And now, she has added another feather- her film, I Am, I Can, which traces her journey so far and the lives she touched through her art, was screened at the Cannes film festival recently. A post shared by Minu Bakshi (@minubakshi) She shared a video on her Instagram account recently, which captured the special moment. As someone filmed her reaction, Minu said, 'It is incredible to be at the Cannes. We can dream about these things... what better can I expect from life?' The screening took place at the Marche du Film section of Cannes. "The next stop is screening the film at the major red carpet section. Yahaan se bas upar hi jaana hai (I have to rise further above) But even the sky has never been the limit for me,' she added.
India Gazette
28-05-2025
- Entertainment
- India Gazette
Assamese short film 'Ansuni Chinkhe' receives warm reception at Cannes Marche du Film screening
Guwahati (Assam) [India], May 28 (ANI): 'Ansuni Chinkhe' (Unheard Whispers), a socially charged Assamese short film directed by Partha Sarathi Mahanta, Commissioner of Police, Guwahati, has made a significant mark on the global stage following its recent online screening at the prestigious Marche du Film, the business counterpart of the Cannes Film Festival. A deeply thought-provoking film with a powerful message, 'Ansuni Chinkhe' was showcased to an international audience of film professionals, critics, and distributors during the Marche du Film's online screening segment. Viewers and professionals praised the film for its artistic execution and the depth with which it handled socially pressing issues, particularly those affecting women and marginalised voices. Narrated by National Award-winning actress Seema Biswas, the film portrays the challenging yet powerful story of a young girl in India, shedding light on the obstacles she faces from birth through adulthood. The short film explores the inherent contradictions in Indian society, where women are revered as goddesses on one hand, yet subjected to brutal discrimination and violence on the other. Mahanta said the story begins even before birth, spotlighting the grim reality of female feticide. 'If a girl child survives and is born, she is often pushed into child marriage, her agency stripped away before she even reaches adolescence. Once married, her identity is dissolved into that of her husband's, whom she is expected to worship as her supreme deity. The physical, emotional, and psychological trauma that follows is heartbreakingly common, yet rarely acknowledged. However, Ansuni Chinkhe is not merely a narrative of suffering. The film not only depicts adversity but also aims to inspire change, serving as a cinematic expression of resistance and empowerment,' Mahanta said. He further said that the woman in the story reclaims her identity as Shakti--the divine embodiment of feminine power--and declares that silence is no longer an option. 'Her unheard whispers rise into a roar as she breaks the chains of oppression and asserts her rightful place in society,' he said. Ansuni Chinkhe's powerful message is magnified by the unique lens of Mahanta- a visionary storyteller who serves as the Chief of Assam Police's Special Task Force. As a law enforcement official with a deep understanding of the societal structures that perpetuate gender injustice, Mahanta brings a rare combination of empathy, authenticity, and insight to the film. Mahanta, who has previously been known for his contributions to public safety and policy reform, ventured into filmmaking as an extension of his commitment to social justice. With Ansuni Chinkhe, he channels his experiences on the front lines of crime and society into an evocative cinematic narrative that bridges art and activism. 'The film is a tribute to the countless women whose voices have been stifled for generations,' Mahanta said. Through 'Ansuni Chinkhe,' the makers aim to spark conversations, break silences, and contribute to a movement in which every woman reclaims her rightful place in society. Prior to its Cannes debut, Ansuni Chinkhe had already garnered critical acclaim on the national festival circuit. The film was honoured at the 17th Jaipur International Film Festival (JIFF) 2025, where it won - Best Director: Dr. Partha Sarathi Mahanta, Best Actress: Seema Biswas. These awards were earned in a highly competitive edition of the festival, which received around 2,408 film entries from 88 countries, reinforcing the film's creative excellence and international relevance. The film's inclusion in the Marche du Film represents a noteworthy achievement for the team behind it and contributes to the growing global presence of Assamese-language cinema. At a time when regional Indian films are steadily gaining global attention, Ansuni Chinkhe stands out as a beacon of how storytelling rooted in local culture and language can have a universal impact. Mina Mahanta and Indrani Baruah, both passionate advocates for social storytelling, produced the film. Their collaboration with Mahanta has resulted in a cinematic piece that is as aesthetically rich as it is socially significant. In a world grappling with gender inequality and systemic violence against women, 'Ansuni Chinkhe' serves as both a mirror and a megaphone. It reflects the lived experiences of millions of women and amplifies the urgent need for cultural and legislative change. Through art, it dares to provoke, educate, and inspire. Following its screening at Cannes, the filmmakers are in discussions for wider digital distribution to ensure that 'Ansuni Chinkhe' reaches broader audiences both in India and abroad. The film team also plans to screen it in academic institutions, gender forums, and film societies to continue the important conversations it sparks. (ANI)
New Straits Times
28-05-2025
- Entertainment
- New Straits Times
#SHOWBIZ: Malaysia, Indonesia partner to boost film industries globally
KUALA LUMPUR: Malaysia and Indonesia are set to form a strategic partnership aimed at elevating their local film industries to international standards, positioning them as a global focus. To achieve this, a specialised team will be established, concentrating on script development and examining the financial structures necessary for film production. The initiative follows a meeting between the National Film Development Corporation (Finas) and an Indonesian delegation, led by Deputy Culture Minister, Giring Ganesha. The discussions took place during the recent Marche du Film event in Cannes, France. Finas chief executive officer, Datuk Azmir Saifuddin Mutalib, said he had previously discussed this collaboration with Indonesian Culture Minister, Fadli Zon, at a film event in Hong Kong. "Among the things we are discussing is producing a film project together. Perhaps a story about culture, especially one that highlights Eastern values," Azmir told BH Online. He added that both nations share many cultural similarities, such as removing shoes when entering a home, eating with hands, and respecting parents, making shared storytelling a natural fit. The Indonesian delegation in Cannes included renowned actors Christine Hakim, Chelsea Islan, Iko Uwais, and Reza Rahadian. Azmir stated that the special team would comprise representatives from both countries to foster collaborative idea generation and creativity. "The current plan is to form a special team that will research and produce the script. There will be representatives from Indonesia and Malaysia." Azmir suggested exploring stories about figures or imams known across the archipelago, such as those recognised in both Malaysia and Indonesia. This bilateral cooperation will also encourage private agencies to provide mutual assistance. "This initiative is not 100 per cent funded by the Malaysian and Indonesian governments. This planning also involves private agencies," Azmir clarified. The partnership aims to produce films not only for the Malaysian and Indonesian markets but also for export to various other countries. "During the discussion, we thought it was time to produce a film for international viewing that tells about our culture and language," he added. Indonesian filmmakers have also expressed interest in Malaysia's success in animated films. Azmir noted: "Our animated films like 'Boboiboy' can be said to be strong, that's why they are interested in doing this two-way collaboration." Conversely, Malaysia acknowledges Indonesia's strong storytelling capabilities and cultural portrayals in films. Azmir believes that combining Malaysia's technical and animation expertise with Indonesia's narrative strengths will lead to a more robust outcome. The discussions have been communicated to Finas chairman, Datuk Hans Isaac, and Communications Minister, Datuk Fahmi Fadzil. Azmir anticipates further engagement with the Indonesian side at both the CEO and ministerial levels.
