Latest news with #MariaCallas
South China Morning Post
4 days ago
- Entertainment
- South China Morning Post
Host to Coldplay and Pavarotti, Athens' Odeon of Herodes Atticus to close for renovation
For visitors to Athens, the ancient Odeon of Herodes Atticus, the theatre at the foot of the Acropolis, is a must-see. Artists revere it for its majestic stage. And for Athenians, it is the touchstone of their summer cultural calendar. The Odeon of Herodes Atticus – known in Greek as the Herodion – recently opened the 70th season of the annual Athens Epidaurus Festival. This edition is the last before the theatre – which first opened in AD161 – closes for maintenance and restoration work that is expected to last at least three years. While theatre and dance grace its stage, music is its cornerstone. Renowned artists who have performed there include Luciano Pavarotti, Frank Sinatra, Coldplay and American-born Greek singer Maria Callas. Its closure will be a profound loss for spectators who enjoy first-class performances under the stars in one of the world's most iconic open-air theatres. 'When [people] think of the Athens cultural scene, everyone thinks of the festival and the Herodion,' said Katerina Evangelatos, the festival's artistic director since 2019. 'It has become a synonym for the festival. It is the heart of the festival.' Denia Mimerini (centre) and Nikos Egglezos (left) of the Greek National Opera prepare ahead of the staging of Puccini's Turandot at the Odeon of Herodes Atticus in Athens, Greece, on June 3, 2025. Photo: AP When the Greek National Opera opened this season's festival with Giacomo Puccini's opera Turandot, it erected temporary structures behind its arched walls to expand the available space for dressing rooms, because underground facilities were not large enough.
Arab News
6 days ago
- Entertainment
- Arab News
Athens' ancient theater closes for three-year restoration
ATHENS: For visitors to Athens, the ancient Odeon of Herod Atticus is the must-see theater at the foot of the Acropolis. Artists revere it for the majestic stage where legends have performed. And for the Greek capital's residents it is the touchstone of their summer cultural calendar. The Odeon of Herod Atticus recently opened the 70th season of the annual Athens Epidaurus Festival, a cherished annual tradition for many Greeks. But this edition marks the last before the theater that's more than 18 centuries old shuts down for maintenance and restoration work that is expected to last at least three years. While theater and dance grace its stage, music is its cornerstone. Renowned artists who have performed here include Luciano Pavarotti, Frank Sinatra, Coldplay, and Greece's own Maria Callas. Its closure will be a profound loss for spectators who have long enjoyed first-class performances under the stars in one of the world's most iconic open-air theaters. 'When (people) think of the Athens cultural scene, everyone thinks of the festival and Herodion,' said Katerina Evangelatos, the festival's artistic director since 2019, calling the theater by its commonly used Greek name. 'It has become a synonym of the festival. It is the heart of the festival.'
CTV News
6 days ago
- Entertainment
- CTV News
Athens' ancient theatre hosts final festival season before closing for three-year restoration
Performers take part in Giacomo Puccini's "Turandot" dress rehearsal by the Greek National Opera at the Odeon of Herodes Atticus during the 70th Athens Epidaurus Festival in Athens, Greece, Friday, May 30, 2025. (AP Photo/Thanassis Stavrakis) ATHENS, Greece — For visitors to Athens, the ancient Odeon of Herod Atticus is the must-see theater at the foot of the Acropolis. Artists revere it for the majestic stage where legends have performed. And for the Greek capital's residents it is the touchstone of their summer cultural calendar. The Odeon of Herod Atticus recently opened the 70th season of the annual Athens Epidaurus Festival, a cherished annual tradition for many Greeks. But this edition marks the last before the theater that's more than 18 centuries old shuts down for maintenance and restoration work that is expected to last at least three years. While theater and dance grace its stage, music is its cornerstone. Renowned artists who have performed here include Luciano Pavarotti, Frank Sinatra, Coldplay, and Greece's own Maria Callas. Its closure will be a profound loss for spectators who have long enjoyed first-class performances under the stars in one of the world's most iconic open-air theaters. 'When (people) think of the Athens cultural scene, everyone thinks of the festival and Herodion,' said Katerina Evangelatos, the festival's artistic director since 2019, calling the theater by its commonly used Greek name. 'It has become a synonym of the festival. It is the heart of the festival.' When the Greek National Opera opened this season's festival with Giacomo Puccini's opera Turandot, it erected temporary structures behind the Roman-era odeon's arched walls to expand available space for performers' dressing rooms. The permanent underground facilities weren't enough. The production also needed more space inside the venue to accommodate the scale of the production. To meet the opera's scenic and casting demands, a crew constructed a wooden, balcony-like platform to partially extend over the orchestra pit. This adaption allowed space for the large cast and complex staging, including the emblematic scene in which the emperor, Turandot's elderly father, is ceremonially rolled out in his towering throne to watch suitors attempt to solve his daughter's riddles — at the risk of execution. The scene requires significant simultaneous on-stage presence by multiple performers. 'It's like entering a temple' Giorgos Koumendakis, the Greek National Opera's artistic director, describes the Herod Atticus Odeon as 'a strained, fatigued space' which still commands widespread veneration. 'People who are conscious, cultivated, educated — who understand what this space is, its historical significance, the importance of the festival, and the history of the Greek National Opera — respect it deeply and enter it almost reverently,' said Koumendakis. 'It's like entering a temple — a temple of art — and it truly has an impact. I can see it from the singers and the orchestra, too. When they come here, they genuinely want to give their all." During previous restoration and conservation projects, the Herod Atticus Odeon had surfaces cleaned, cracks filled with grout and new seating installed. This time, the scope of the work will depend on findings from the studies still underway. Culture Minister Lina Mendoni said that although the venue's closing date is certain, at the end of summer, its reopening is not. 'This will depend on the problems that the studies will reveal,' she said in an interview to Greek radio station Skai last month. 'What is certain is that at least three years will be needed.' A long intermission The closure of the Herod Atticus means the Athens Epidaurus Festival will need to consider alternatives for the next few years. Evangelatos reflected on the festival's 70 years, noting that it began during Greece's turbulent postwar years of political division and economic hardship. 'It's a miracle of survival and artistic legacy,' she said. On the festival's opening night, the backstage area was abuzz with final preparations, with wigs styled, masks adjusted and costumes touched up. Soprano Lise Lindstrom, who starred as Turandot, took in the gravity of the setting. 'It's an absolutely magical atmosphere here. To be able to stand on the stage and look directly up and see the Acropolis is a little bit mind-blowing, I have to admit,' she said. 'And then also to look out and see all the people sitting there and just being so absorbed into the performance. It's very, very powerful and magical.' All eyes were on Lindstrom as she took center stage beneath the stars — marking the start of a final season before a long intermission. Theodora Tongas, The Associated Press
Yahoo
6 days ago
- Entertainment
- Yahoo
Musical roots: Austria's JJ opens up on Eurovision 2025 win, dream collaborators and what comes next
What do you get when you combine the soaring soprano stylings of Maria Callas, the drama of '90s divas like Celine and Whitney, and the bass-heavy, brat-pop chaos of Charli XCX? You get a winning Eurovision song. JJ, Austria's newly crowned champion of the 2025 Eurovision Song Contest, brought all of that and more with his electrifying song "Wasted Love". Euronews Culture caught up with the rising star to unpack the whirlwind of the final - from early morning rehearsals to the surreal moment his name was announced as the winner. The 24-year-old singer also reflects on his musical upbringing between karaoke nights and classical symphonies, and shares what's next for his music career now that the trophy is his. Related Austria's Eurovision winner JJ calls for Israel to be banned from contest Spanish Prime Minister Pedro Sánchez calls for Israel to be excluded from Eurovision over Gaza war Euronews Culture: So, JJ, first of all, how are you? How have things been? JJ: Yeah good. Very busy. I've been traveling around a lot, but I'm enjoying every moment. It's so fun. Please walk us through the day of your Eurovision win, from waking up to taking home the trophy. So I woke up, I think, around 7:30 because we had to leave at 8 to head to the arena. Once we got there, we did a bit of press, then hair and makeup, and had a rehearsal in one of the vocal warm-up rooms. We went through the song once or twice - kind of like a performance run-through, including how I would move on stage. Then we had the family show, which I think started at 1 PM. That was basically the dress rehearsal for the evening show. It was fun, and the crowd was already wild. They were so loud - it was just an insane feeling. We also rehearsed the flag parade, and then I got to perform. While I was sitting there, I just thought, 'Okay, you just have to perform now. Tonight, soak in the moment, because this is the last time you're going to be on that stage." And yeah, it was so fun. I could really feel the energy of the crowd. After I came off stage, we did a bit more press - lots of interviews and TikToks and things like that. Then I took a one-hour nap because I needed some rest. Then it was the same thing again: waking up, having what I'd call a late lunch or early dinner, vocal warm-up, and then the show started. It became a routine by then - my semi-final was on Thursday, so I had the same schedule from Thursday to Saturday. During the final I thought I felt really present, but looking back now, it all feels like a blur because everything happened so fast - I didn't even have time to process it. When I finally had a bit of downtime before my nap, that's when I could actually reflect on what just happened. But overall, it was such a fun experience. And the more I think back, the more memories come up. I'll be like, 'Oh yeah, that happened too.' How did it feel when your name was announced as the winner? That was just crazy. We'd been there all day, and the three-hour show felt so long. I was really glad I performed early because then I could just watch my friends and cheer them on. But the waiting part felt endless. When they finally announced '178,' my team and I were freaking out. There's a video on social media where you can see them flinging me around like I was a fidget toy before pushing me toward the stage. It was all such a blur - so much happened at once. I was full of adrenaline and emotion - I felt every emotion you could think of. And yeah, I was just constantly sobbing. What did you do the night after winning? I performed again, then had to stay on stage for more interviews and official portraits. After that, we went to the press conference at the media center in Basel. I got back to the hotel at 3:30 AM, where I saw my sister and all the other delegations. We had a huge party in the hotel lobby until about 6 AM. So yeah, it was a long night! Where is the trophy going to go? Good question - I have no idea yet. So far, it's just been in my room. But I think we have a glass cabinet in the living room where we keep my grandmother's trophies. I think we'll just make space and put it next to hers. It's really heavy, and I don't have a suitcase for it, so I have to be careful. I don't want a NEMO experience - you know, they had a rough time with theirs breaking. Tell us a bit about your musical background. Can you remember when you first fell in love with music? That was in Dubai, where I grew up. We had karaoke parties every weekend at home - my family would invite friends and relatives. The first karaoke song I learned was 'Because of You' by Kelly Clarkson. Big song... Yeah, crazy, right? For a six-year-old to try and learn that! But it was fun. That was the first time I consciously learned a song. Then the next morning, my dad showed my siblings and me Beethoven - his symphonies - as well as Bach and Mozart. That's when my love for classical music began to grow too. So I basically grew up between both musical worlds, and my love for it just kept expanding. Any other influences that inspire you most? Yeah - Mariah Carey was a big influence. But really, the '90s divas - Celine, Whitney - they were a huge part of my life. My older sister and my mom loved listening to them, so I got a lot of inspiration through them. And I also listened to the radio a lot. I loved Ariana Grande too. So I'd say I'm a mix. And now, especially with the electronic side, my love for Charli XCX has grown even more -especially with her brat album. How did the operatic style come in? Did you learn that formally at school, or…? After going through puberty, I realised that I still had a high singing voice, and I thought it would be a cool party trick to imitate a soprano - like, 'Let's just sing high notes!' So. I started teaching myself by listening to audio recordings of Maria Callas and Montserrat Caballé on YouTube. Since I love imitating voices and sounds, I tried to recreate how they projected their voices. That's how I started learning to sing classically. Later, I got into university and began studying professional vocal technique. So your winning-song "Wasted Love" - it obviously starts as an operatic ballad and then takes off into techno banger. When you were writing the song, how did that idea come about? Did you always know you wanted to end it like that? So it was the three of us in the studio - Tayah, the songwriter; Thomas, the producer; and I. And we'd never worked together before, so this was our first time. They didn't have any experience with classical music, and it was also my first time in a recording studio. So we just let our creative minds flow. We knew we wanted to switch things up - we wanted something that would, you know, gag the people. Then our producer, Thomas, was like, 'What about techno?' And Tay and I were like, 'Okay, we'll see.' We took a quick bathroom break, and while we were gone, he'd already added some EDM/techno elements. When we came back, he was like, 'Guys, I did something.' And then he played it for us - and we were like, "Wow. This slaps." And from that day on, we just kept it. How has life been since winning? Yeah, it's been very fun - pretty busy, because I've been traveling a lot. But I love being in different places, meeting new people - especially with my amazing team. I honestly can't complain. I have the best people behind me, so I'm really happy about that. I do get recognised a lot more. And sometimes, you know, when we're in a rush, I want to take a picture with people, but then I have to start running again. So it's a bit stressful in that sense - but it's fun. It's nice being recognised. So what's next for you? What have you got going on - tour, album? Yeah! So after the whole European press and promotion tour, I'm heading right back into the studio once I get home to make new music - because that's what everyone is very excited for. I'm so looking forward to it. I love being in the studio and experimenting a bit. We've got enough time, and we're gonna let Wasted Love have its well-deserved moment. And while that's still riding its wave, I'll be back in the studio working on what's next. And where do you see your sound going? I'll definitely keep my operatic sound - that's my USP, that's what people know me for. I want to hold on to my musical we'll see how commercial we can go - or what other experimental switch-ups might fit with that operatic sound. But I'm definitely keeping the high notes. If you could team up with anyone - your dream collab - who's top of your list? Obviously, Ariana Grande. But I'd also love to work with Charli XCX. That would be insane.
Asharq Al-Awsat
6 days ago
- Entertainment
- Asharq Al-Awsat
Athens' Ancient Theater Hosts Final Festival Season Before Closing for 3-year Restoration
For visitors to Athens, the ancient Odeon of Herod Atticus is the must-see theater at the foot of the Acropolis. Artists revere it for the majestic stage where legends have performed. And for the Greek capital's residents it is the touchstone of their summer cultural calendar. The Odeon of Herod Atticus recently opened the 70th season of the annual Athens Epidaurus Festival, a cherished annual tradition for many Greeks. But this edition marks the last before the theater that's more than 18 centuries old shuts down for maintenance and restoration work that is expected to last at least three years. While theater and dance grace its stage, music is its cornerstone. Renowned artists who have performed here include Luciano Pavarotti, Frank Sinatra, Coldplay, and Greece's own Maria Callas. Its closure will be a profound loss for spectators who have long enjoyed first-class performances under the stars in one of the world's most iconic open-air theaters, The Associated Press reported. 'When (people) think of the Athens cultural scene, everyone thinks of the festival and Herodion,' said Katerina Evangelatos, the festival's artistic director since 2019, calling the theater by its commonly used Greek name. 'It has become a synonym of the festival. It is the heart of the festival.' When the Greek National Opera opened this season's festival with Giacomo Puccini's opera Turandot, it erected temporary structures behind the Roman-era odeon's arched walls to expand available space for performers' dressing rooms. The permanent underground facilities weren't enough. The production also needed more space inside the venue to accommodate the scale of the production. To meet the opera's scenic and casting demands, a crew constructed a wooden, balcony-like platform to partially extend over the orchestra pit. This adaption allowed space for the large cast and complex staging, including the emblematic scene in which the emperor, Turandot's elderly father, is ceremonially rolled out in his towering throne to watch suitors attempt to solve his daughter's riddles — at the risk of execution. The scene requires significant simultaneous on-stage presence by multiple performers. 'It's like entering a temple' Giorgos Koumendakis, the Greek National Opera's artistic director, describes the Herod Atticus Odeon as 'a strained, fatigued space' which still commands widespread veneration. 'People who are conscious, cultivated, educated — who understand what this space is, its historical significance, the importance of the festival, and the history of the Greek National Opera — respect it deeply and enter it almost reverently,' said Koumendakis. 'It's like entering a temple — a temple of art — and it truly has an impact. I can see it from the singers and the orchestra, too. When they come here, they genuinely want to give their all." During previous restoration and conservation projects, the Herod Atticus Odeon had surfaces cleaned, cracks filled with grout and new seating installed. This time, the scope of the work will depend on findings from the studies still underway. Culture Minister Lina Mendoni said that although the venue's closing date is certain, at the end of summer, its reopening is not. 'This will depend on the problems that the studies will reveal,' she said in an interview to Greek radio station Skai last month. 'What is certain is that at least three years will be needed.' A long intermission The closure of the Herod Atticus means the Athens Epidaurus Festival will need to consider alternatives for the next few years. Evangelatos reflected on the festival's 70 years, noting that it began during Greece's turbulent postwar years of political division and economic hardship. 'It's a miracle of survival and artistic legacy,' she said. On the festival's opening night, the backstage area was abuzz with final preparations, with wigs styled, masks adjusted and costumes touched up. Soprano Lise Lindstrom, who starred as Turandot, took in the gravity of the setting. 'It's an absolutely magical atmosphere here. To be able to stand on the stage and look directly up and see the Acropolis is a little bit mind-blowing, I have to admit,' she said. 'And then also to look out and see all the people sitting there and just being so absorbed into the performance. It's very, very powerful and magical.' All eyes were on Lindstrom as she took center stage beneath the stars — marking the start of a final season before a long intermission.
