Latest news with #Mattiussi
Fashion Network
26-06-2025
- Entertainment
- Fashion Network
Après an AMI fashion moment, le déluge
Just when you thought you were about to expire for the lack of a dramatic shows in the current European runway season, along comes Alexandre Mattiussi, and the gods of light and rain, to provide a proper fashion moment. See catwalk Alexandre's location could not have been bettered. One of Paris's greatest roundabouts, the Place des Victoires, centered around a massive bronze equestrian statue of Louis XIV in all his glory. Underlining his growing reputation, and CEO Nicolas Santi-Weil's powers of persuasion, city hall let AMI close off the square for the day. Allowing Mattiussi to set up two wide circles of wooden school chairs for guests, while hundreds of fans gathered at windows in 18th century townhouses overlooking the show. A perfect setting provided the weather was inclement, which it was, just. Drops of rain speckled shirts and blouses even as the show began. The models circling the statues in tighter circles, before finally gathering at the base of the statue. It's a beautiful square, once graced by flagship stores for the likes of Mugler, Kenzo and Boss, where AMI now has its showroom and design studios. Mattiussi may not have the theatrics of certain designers, nor the draping skills of others, but what he does is a brilliant instinct for Parisian chic. Every single look in this co-ed show had pep and élan, in a first-rate fashion display. See catwalk Adding to the magic, Maurice Ravel's "Boléro" boomed out, in a particularly charged version from the Brussels Philharmonic. As the show opened with some great satin redingotes, jaunty blazers and crisp flared pants for women. While for guys, one got frilly checked shirts, suede second-skin overshirts or oversized artists smocks. Very savvily, Mattiussi conjured up a whole new cocktail dress with a mega side buckle matching the material, whether pale gray suede or faded gold. His skirts were wide and to the knee, sweaters were forgiving, but everything whispered cool, debonair and French. The mood was upbeat, even before the show, as the crowd applauded in hundreds of students to the standing section wearing black T-shirts reading Place des Victoires. The Sun King looking down benevolently, even as the sky grew darker and then black, as the cast stuck close to the statue. A huge burst of applause greeting Alexandre as he trotted around the square for his bow. Exiting just as an evil wind from the west, the sort one gets Paris late evenings in June, announced a thunderstorm. And the heavens opened in a torrential downpour. The audience scattering out of the show. Talk about a veritable deluge. Old Louis must have got a kick. See catwalk Talk about lucky timing. The gods of light and rain didn't so much bless Alexandre Mattiussi, as grab him in a loving embrace. Couldn't happen to a nicer guy.
Fashion Network
26-06-2025
- Entertainment
- Fashion Network
Après an AMI fashion moment, le déluge
Just when you thought you were about to expire for the lack of a dramatic shows in the current European runway season, along comes Alexandre Mattiussi, and the gods of light and rain, to provide a proper fashion moment. See catwalk Alexandre's location could not have been bettered. One of Paris's greatest roundabouts, the Place des Victoires, centered around a massive bronze equestrian statue of Louis XIV in all his glory. Underlining his growing reputation, and CEO Nicolas Santi-Weil's powers of persuasion, city hall let AMI close off the square for the day. Allowing Mattiussi to set up two wide circles of wooden school chairs for guests, while hundreds of fans gathered at windows in 18th century townhouses overlooking the show. A perfect setting provided the weather was inclement, which it was, just. Drops of rain speckled shirts and blouses even as the show began. The models circling the statues in tighter circles, before finally gathering at the base of the statue. It's a beautiful square, once graced by flagship stores for the likes of Mugler, Kenzo and Boss, where AMI now has its showroom and design studios. Mattiussi may not have the theatrics of certain designers, nor the draping skills of others, but what he does is a brilliant instinct for Parisian chic. Every single look in this co-ed show had pep and élan, in a first-rate fashion display. See catwalk Adding to the magic, Maurice Ravel's "Boléro" boomed out, in a particularly charged version from the Brussels Philharmonic. As the show opened with some great satin redingotes, jaunty blazers and crisp flared pants for women. While for guys, one got frilly checked shirts, suede second-skin overshirts or oversized artists smocks. Very savvily, Mattiussi conjured up a whole new cocktail dress with a mega side buckle matching the material, whether pale gray suede or faded gold. His skirts were wide and to the knee, sweaters were forgiving, but everything whispered cool, debonair and French. The mood was upbeat, even before the show, as the crowd applauded in hundreds of students to the standing section wearing black T-shirts reading Place des Victoires. The Sun King looking down benevolently, even as the sky grew darker and then black, as the cast stuck close to the statue. A huge burst of applause greeting Alexandre as he trotted around the square for his bow. Exiting just as an evil wind from the west, the sort one gets Paris late evenings in June, announced a thunderstorm. And the heavens opened in a torrential downpour. The audience scattering out of the show. Talk about a veritable deluge. Old Louis must have got a kick. See catwalk Talk about lucky timing. The gods of light and rain didn't so much bless Alexandre Mattiussi, as grab him in a loving embrace. Couldn't happen to a nicer guy.
Fashion Network
26-06-2025
- Entertainment
- Fashion Network
Après an AMI fashion moment, le déluge
Just when you thought you were about to expire for the lack of a dramatic shows in the current European runway season, along comes Alexandre Mattiussi, and the gods of light and rain, to provide a proper fashion moment. See catwalk Alexandre's location could not have been bettered. One of Paris's greatest roundabouts, the Place des Victoires, centered around a massive bronze equestrian statue of Louis XIV in all his glory. Underlining his growing reputation, and CEO Nicolas Santi-Weil's powers of persuasion, city hall let AMI close off the square for the day. Allowing Mattiussi to set up two wide circles of wooden school chairs for guests, while hundreds of fans gathered at windows in 18th century townhouses overlooking the show. A perfect setting provided the weather was inclement, which it was, just. Drops of rain speckled shirts and blouses even as the show began. The models circling the statues in tighter circles, before finally gathering at the base of the statue. It's a beautiful square, once graced by flagship stores for the likes of Mugler, Kenzo and Boss, where AMI now has its showroom and design studios. Mattiussi may not have the theatrics of certain designers, nor the draping skills of others, but what he does is a brilliant instinct for Parisian chic. Every single look in this co-ed show had pep and élan, in a first-rate fashion display. See catwalk Adding to the magic, Maurice Ravel's "Boléro" boomed out, in a particularly charged version from the Brussels Philharmonic. As the show opened with some great satin redingotes, jaunty blazers and crisp flared pants for women. While for guys, one got frilly checked shirts, suede second-skin overshirts or oversized artists smocks. Very savvily, Mattiussi conjured up a whole new cocktail dress with a mega side buckle matching the material, whether pale gray suede or faded gold. His skirts were wide and to the knee, sweaters were forgiving, but everything whispered cool, debonair and French. The mood was upbeat, even before the show, as the crowd applauded in hundreds of students to the standing section wearing black T-shirts reading Place des Victoires. The Sun King looking down benevolently, even as the sky grew darker and then black, as the cast stuck close to the statue. A huge burst of applause greeting Alexandre as he trotted around the square for his bow. Exiting just as an evil wind from the west, the sort one gets Paris late evenings in June, announced a thunderstorm. And the heavens opened in a torrential downpour. The audience scattering out of the show. Talk about a veritable deluge. Old Louis must have got a kick. See catwalk Talk about lucky timing. The gods of light and rain didn't so much bless Alexandre Mattiussi, as grab him in a loving embrace. Couldn't happen to a nicer guy.
Vancouver Sun
22-05-2025
- Business
- Vancouver Sun
West Vancouver, Oak Bay's history of being "anti-development" has limited opportunities for new housing, finds provincial advisers
Both West Vancouver and Oak Bay's history of turning down developers has scared off potential developers, making it difficult for the two municipalities to build more housing. That finding was detailed in new reports released Thursday by Housing Minister Ravi Kahlon that examined why the two communities had fallen short of provincially mandated housing targets. Under that mandate, West Vancouver had been tasked with building 220 new housing units over the first 12 months of the five-year plan imposed by the province, but only managed to construct 56. Start your day with a roundup of B.C.-focused news and opinion. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Sunrise will soon be in your inbox. Please try again Interested in more newsletters? Browse here. Oak Bay, meanwhile, had been tasked with building 58, but only completed 16. Capilano University instructor Ron Mattiussi, a former director of planning and chief administrative officer for the City of Kelowna, found that while West Vancouver Mayor Mark Sager and his council seem 'somewhat supportive of increasing housing stock' they are also resistant 'to any form of densification that impacts the character of neighbourhoods.' He said that the current requirements for a preliminary application and public meeting before the council considers any project has driven developers away. 'The District of West Vancouver has had a well-deserved reputation as an affluent enclave resistant to change,' concluded Mattiussi. Final thoughts were much the same in Oak Bay where James Ridge, who has previously served as the deputy chief administrative officer for the City of Vancouver and the chief administrative officer for the District of North Vancouver, found the community has a 'long-standing reputation for being anti-development.' He said that there is no evidence the current council under Mayor Kevin Murdoch is trying to get around its requirements under the Housing Supply Act but rather that developers are spooked by past experiences and the current process for approvals is too cumbersome. 'The development community expressed frustration with Oak Bay's processing times, fees, and the political decision-making process,' said Ridge, explaining that almost all new developments currently require rezoning and an amendment to the local community plan. Recommendations provided by the pair of advisers include updating community plans and zoning rules to ease development as well as repair relationships with the development community. Mattiussi said the province should also designate the Park Royal/Taylor Way area as an area requiring transit-oriented development, which would allow units of up to 12 storeys in the surrounding community, and order the province to set a deadline for the council to come up with a plan for the area. He also wants to see the district increase housing density near Ambleside Beach and Dundarave. Ridge likewise wants Oak Bay to work with the University of Victory on opportunities for development on the 40-acres that make up Cedar Hill Corners but does not believe Carnarvon Park, which the council had proposed could hold 24 rental units, is suitable for housing. Kahlon has directed that several of the recommendations be implemented, including that Oak Bay give staff more responsibility over minor variances and amend its bylaws to require only one parking stall per unit. As for West Vancouver, the housing minister wants to see council allow for increased density around Ambleside and Dundarave by September 2026 and complete a create a local area plan for the Park Royal/Taylor Way area by the end of next year. He also indicated he plans to designate the Park Royal/Taylor Way area as a transit-oriented development location. 'Let me be clear: This is not about punishing communities or removing authority from locally elected municipal councils,' said Kahlon. 'The goal of local housing targets is centred around working with municipalities to remove unnecessary barriers to affordability and get more homes built for people faster, and ensuring we are building healthy and economically vibrant neighbourhoods for people.' More to come …
Yahoo
19-05-2025
- Entertainment
- Yahoo
Ami Paris Takes Cannes in Style With Daniel Kaluuya, Hunter Doohan
Amid the buzz of Cannes, Ami Paris brought its signature effortless cool to the hidden spot of Fred l'Écailler well off the Boulevard de la Croisette for an intimate lunch celebrating its partnership with the Critics' Week section. Ami Paris creative director Alexandre Mattiussi highlighted the event as one of genuine connection, shared values and love of cinema. More from WWD A$AP Rocky Takes on Crisp White Suit Trend With Miu Miu at 2025 Cannes Film Festival Kering Celebrates a Decade of 'Women in Motion' With Nicole Kidman, Juliette Binoche and Tessa Thompson Halle Berry's 2025 Cannes Film Festival Looks So Far: Chanel Suiting, Shimmering in Custom Gucci and More Mattiussi described Ami's sponsorship not as a business move, but as a gesture of support. 'Sponsoring is a weird word,' he said. 'It's more about being here, with a window to the backstage, and trying to give a chance for everyone to express their best to the world.' The Critics' Week had been without a sponsor since Nespresso departed three years ago, but organizers decided to wait to find the right partner instead of taking on someone simply interested in a big-name endorsement. Mattiussi, who has stepped into producing shoes with director Robin Campillo's feature 'Enzo,' which is in the Directors' Fortnight section this year, said his love of film dates back to his childhood. 'My passion for cinema has been there forever, since I was a kid,' he said. 'I was born and raised in the countryside. The [town] had one movie theater. It was a window to escape to the world.' He added that, at first, the team had tried to find a fancier restaurant for the lunch, but he preferred the laid-back location. 'I said, don't try to find anything. There's nothing like Fred l'Écailler. This is the real Cannes you know. At night, there are kids playing pétanque here. It's the perfect place for us, and the atmosphere is amazing,' he said. Guests including Céline Sallette mingled over rosé — practically a South of France requirement — seafood and fresh veggies from the restaurant's shared plates style menu. Rows of long tables were set under the trees next to the city's public pétanque court. Daniel Kaluuya was clad in a brown suit from Ami, but needed a bit of last-second tailoring. The suit was new, and the pockets were still sewn shut. 'I need to put my hand in my pocket for the photos,' he said. Staff from Ami came to the rescue and opened the stitches so that he looked casual and cool in the snaps. Actor Hunter Doohan, in a breezy sheer Ami shirt, was feeling relaxed. 'I love this look — kind of like a chiffon, see-through shirt moment,' he said, smiling. 'They styled me the other day, and I just loved it.' Though now a rising Hollywood name, Doohan confessed the experience still feels surreal. 'I grew up in Arkansas, so it's a whole new world to me,' he admitted. 'I always just feel lucky to get to go.' The actor, known for his roles in 'Wednesday,' 'Your Honor' and 'Daredevil: Born Again,' said he's a genuine fan of Ami and has attended a few of the brand's Paris Fashion Week shows. 'I wear their stuff — the ready-to-wear looks — in my real life, even. It's nice to go to something you're actually a true fan of.' He described his style growing up as 'early 2000s and 2010s, tragic, with buckle jeans. I'm not sure it can be described as style.' On the cinematic side, he's been seeing films in the selection and praised their uniqueness. The second season of 'Wednesday' is set to premiere in August, he added. But the star remained mum on any plot details. 'Someone from Netflix would show up and kill me,' he joked. Best of WWD A Look Back at SAG Awards Best Dressed Red Carpet Stars SAG Awards Wildest Looks of All Time on the Red Carpet, Photos From the Archive: A Look Back at Marc Jacobs Annual Holiday Party [PHOTOS]
