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Merpire — Milk Pool
Merpire — Milk Pool

ABC News

time13-07-2025

  • Entertainment
  • ABC News

Merpire — Milk Pool

Four years on from her Double J featured debut album Simulation Ride , Merpire dives into her second , Milkpool. Armed with a natural gift for hooky indie-rock that's emotive, memorable and comfortable, her songs are often playful yet mature, capable of tension and tenderness, and very relatable. Observe how she renders the simultaneous thrill and fear of a crush that develops into something serious in three unique ways across the album's opening triptych — easily some of the Melbourne/Naarm artist's strongest material to date. 'Leaving With You' instantly snares you with its grunge-laced, earwormy riff and killer chorus: 'I only stay in the hope of leaving with you I run away with the thought of it coming true' Following that strong opener, 'Premonition' rewires similar feelings into sensual synths and gorgeously restrained atmosphere. 'When we hug/And f**k around/I get a premonition' , Merpire sings, twisting the expletive into a magically melismatic flourish. She's called it her "horniest song" yet, but then along comes 'Bigger' and its saucy chorus regarding fingers in mouths and rebuffing of romantic advances "going south". The vivid lyrics are perfectly pitched against catchy melodies and full-band groove that's fun rather than merely flirtatious. 'Fishing' is a charismatic, crunchy ode to community, specifically the local music scene in which Merpire (real name Rhiannon Atkinson-Howatt) is firmly planted. Her roots spread from co-founding successful COVID-era streaming series ISOL-AID, to being one half of indie-pop duo Wilson's Prom, and opening shows for the likes of Fanning Dempsey National Park, Magic Dirt, Ball Park Music, and more. Milkpool takes a darker turn on the elegantly brooding 'Rosanna', which captures the fatalism of a disintegrating relationship with understated plucks and moody keyboards. ' No matter how good we get, I think we're in trouble' , Merpire laments, her vocals eventually digitally fractured against restless drums and wiry guitars. Meanwhile, the introspective, acoustic 'Cinnamon' demonstrates her songwriting is just as effective when working with just a few key ingredients. Back-to-back, these tracks show how Merpire has developed from Simulation Ride . She's now as confident leaning into bigger, more layered arrangements — alongside co-producer James Seymour — as she is paring back, such as the raw closer 'You Are Loved' where the scrapes of acoustic strings cuts as sharply as her yearning refrain of ' I am trying to remember I can be loved '. Late album stand-out 'Internet' is a tender, piano-led number where the lovestruck singer punches questions into a search engine — both banal and profound. Between the song's blooming dynamics nestles a canny interrogation of how being online risks eroding meaningful connection: ' Wait … don't worry, my algorithm's working this one out.' It's a great example of how the album smartly tows the line between serious and humorous. After all, Milkpool is named in honour of Merpire trusting her artistic instincts while wading into the unknown. And a classic joke from The Simpsons. These 11 tracks possess immediate charm, but the more time you spend with them, the more their sincere takes on familiar subjects — love, lust, self-worth — reveal themselves to be unique. Fans of Mitski and Japanese Breakfast will find plenty to love about Milkpool, which makes a convincing case for enshrining Merpire in a lineage of talented homegrown artists, from Courtney Barnett and Julia Jacklin to Angie McMahon and good friend Ruby Gill. Milk Pool is out now. Catch Merpire at the following dates: Friday August 15— Junk Bar: Turrbal Jagera Land, Brisbane Saturday August 16 — Lazy Thinking: Gadigal Land, Sydney Sunday August 17 — Smiths Alternative: Ngunnawal, Canberra Thursday August 21 — Merri Creek Tavern: Wurundjeri Woi Wurrung, Melbourne (sold out) Thurs August 28 — Merri Creek Tavern: Wurundjeri Woi Wurrung, Melbourne (sold out)

Chit Chat: Merpire on new album Milk Pool, writing horny songs, and her 'chin music' guilty pleasure
Chit Chat: Merpire on new album Milk Pool, writing horny songs, and her 'chin music' guilty pleasure

ABC News

time04-07-2025

  • Entertainment
  • ABC News

Chit Chat: Merpire on new album Milk Pool, writing horny songs, and her 'chin music' guilty pleasure

Merpire is charming us with a very accurate, impression of a crow. The occasion? The independent singer-songwriter's second album, Milk Pool. The impetus, however, is the lush flora and fauna surrounding her at the Pioneer Women's Memorial Garden, a location she hand-picked for this interview after describing the record as a "garden of possibility". As Merpire, Rhiannon Atkinson-Howatt is a well-connected figure in the Melbourne/Naarm music scene. She co-founded the COVID-era streaming event ISOL-AID, was one half of indie-pop duo Wilson's Prom, and lately seems to be the go-to name when touring artists need a local support act. As evidenced by her crow mimicry, she also has a great sense of humour, which feeds into songs that are at once playful yet mature, and very relatable. Those qualities are all over the new album. Like her 2021 debut, Double J Feature Album Simulation Ride, it exhibits her knack for hooky indie-rock that's emotive, memorable and comforting. To mark its release, we caught up with Merpire for a chin wag that took in second albums, horny songs, and "chin music". Milk Pool is a couple of things. It tells you my more serious side of approach to music, as well as humorous side. This is more for millennials and above, but if anyone remembers the episode of The Simpsons when they get a pool and Bart has broken his leg. He's sitting by the pool and he's asking, 'Sign my cast? Sign my cast?' And no-one signs it. And then Milhouse goes past and he goes to write his name but he's looking at the pool and writes 'Milpool'. That's just me. When I think too seriously about music, I have to counteract it with something that I find funny. So, there's that side of the album name. But then also it's representative of how approaching making music is for me, by reminding myself just to wade into the unknown, like a pool of milk. You can't see where you're stepping. It could be scary, but you just have to trust that you're gonna carry yourself through and find something to write. I love me some sunflowers. There's some happiness, a couple of songs that are more about being open like a sunflower and welcoming friendship. But then maybe there's some also dark-petalled flowers as well. Dark-petalled flowers!? I don't know my flowers, how embarrassing! Maybe dark roses. I think to be easier on myself, in terms of everything it takes releasing an album. From writing it and recording it, coming up with the visuals, maybe having marketing on board and radio, plugging it, all that kind of stuff. You're always learning how to do each of those things a little bit better, or more in line with yourself. Also, an approach I want to take once the songs are out is to really let them be however and whatever other people need. That might mean interpreting the lyrics or the emotions in their own way, and I think that's the beauty of music that I'm remembering. Favourite second album by another artist? Maybe Chutes Too Narrow by The Shins. Lots of good songs on the second album! Definitely the development phase. It makes it a bit easier the fact that when I write, I'm already dreaming up the scenes and what the visuals could look like. I do really need that time with the songs and to walk around gardens like this and just kind of soak up my surrounds. I love TV and movies; there's not a moment that goes by where if I'm with a friend, I'm like, 'Imagine if there was a scene just now and then this thing happened, and then, like, the camera came over here and we were like, whoa!' That's just how my brain works. It's easier directing videos when I can see angles and cuts in my mind. I think the hardest part though is when I have a limited budget, so then I have to limit the visuals. But that's also exciting to see what can come from almost nothing. I guess maybe it was a bit more of a tag line for people to be like, 'Oh, I better listen to this if it's the horniest song she's ever written.' And then with 'Bigger', even hornier, they're like 'What?!' That's how I wanted that to happen. So, it was a bit sneaky, but I always knew that. I found it easy to write about because I think as much as early crushes are so difficult and challenging, they're also so exciting. Especially for someone that writes. I was really inspired by the first fantasy novel that I read by Patrick Rothfuss, The Name of the Wind, from the Kingkiller Chronicles. If anyone wants to delve into that realm, not a particularly sexy trilogy of books. But there are little sexy moments, and that's kind of what inspired me to think back to having big crushes and all the feelings that happen around that. Chin music! [Laughs] OK, it's anything that requires your chin to sing like this [juts chin out]. Like the bands Live, Pearl Jam or Creed. [Begins singing the latter's hit, 'Higher'] The 'ers' have to be right there in the back of your throat. That's my guilty pleasure, rocking out to those songs. They're my karaoke songs every single time. That's chin music. Who's next? I would love to play with Middle Kids one day. They're on the bucket list. That's probably the top one. I would say. I'd also love to play with Angie McMahon again, also Julia Jacklin. And Armlock — they're really, really cool. Oh my goodness, there's so many! I recently did some backing vocals for Bec Sykes' album launch. I just hit her up on Instagram and said, 'Hey, I really love your songs. I'm always singing harmonies to them. I know you've got an album launch coming up. Would you be so kind as to let me sing some if you needed them?' It just so happened that her backing vocalists had gone overseas, so she was like, 'Yeah, please.' And it was such a pleasure. It's probably going to be dog related, or babies getting pushed over by a dog. Or it'd be something really unhinged like… Actually, I know! Someone had made an imaginary dream rollercoaster. It takes you through the whole ride as if you're in a seat. At the top of the video, it's got the velocity you're travelling at, slightly increasing it by the end of it. You're travelling at like, 10 Gs. Then, it's going crazy — it goes through the core of the Earth and it's just stupid. But it's very funny. Milk Pool is out now. Catch Merpire at the following dates: Friday August 15— Junk Bar: Turrbal Jagera Land, Brisbane Saturday August 16 — Lazy Thinking: Gadigal Land, Sydney Sunday August 17 — Smiths Alternative: Ngunnawal, Canberra Thursday August 21 — Merri Creek Tavern: Wurundjeri Woi Wurrung, Melbourne (sold out) Thurs August 28 — Merri Creek Tavern: Wurundjeri Woi Wurrung, Melbourne (sold out)

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