Latest news with #MichaelRider
Elle
3 days ago
- Entertainment
- Elle
This Low-Key, Affordable Sneaker Is About to Have Its Biggest Comeback Yet
Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. If you need any further proof that the '80s are back in a big way, look no further than the runways. Yuppies, power suits, and oversized accessories are all enjoying a renewed moment in the mainstream. Luxury fashion is once again experimenting with indulgence, and styling stood out as a huge factor across recent collections (especially as men's fashion week becomes an increasingly popular event). Amid the excess, one simple sneaker, which has ebbed and flowed in popularity over the past 100-plus years, is finding its way back into the limelight: Keds. The biggest hint as to the shoe's revival? The rise of the ultra-minimalist sneaker. The silhouette feels like a natural progression of the already trending ballet styles seen across brands like Puma and Louis Vuitton. Not to mention the Nike Air Rift, which is finally getting the funky footwear appreciation it deserves. Even high-fashion circles are not immune: Michael Rider's debut for Celine was filled with low-key leather footwear. Seeing his relaxed contemporary-dance-like shoes pad down the runway with beautifully crafted jackets and wide-legged tailored trousers felt simultaneously modern and nostalgic—an increasingly common aesthetic combination given designers' current penchant for re-editioned accessories and '80s styling. Gone are the days of circa-2018 chunky dad sneakers that were too heavy to pack in your suitcase for fear of an overweight luggage fee. With the simple sneaker renaissance, there's no doubt we're about to see Keds return to embody the sense of high-low dressing and ultimate sartorial ease that defined its 20th-century heyday. Birthed in 1916, the canvas and rubber shoe initially gained popularity as one of the first pairs of athletic sneakers; however, its stylish appeal quickly escalated as it graced the feet of stars including Marilyn Monroe in Clash by Night (1952) and Audrey Hepburn in Two for the Road (1967). Yoko Ono even wore Keds as a part of her bridal ensemble for her nuptials with John Lennon. Jennifer Grey famously sported them in Dirty Dancing, further catapulting the shoe into stardom and permanently associating the silhouette with that carefree '80s prep-meets-aerobics-workout look. Cut to the 21st century, and the sneaker experienced its first renaissance as the brand continued to tap into celebrity power, partnering with The O.C.'s Mischa Barton as the face of its mid-2000s campaigns. Some celebrities and former spokespeople, like Lana Del Rey, never stopped wearing them either. (Perhaps that's why her style has always remained so relatable to her fans.) Of course, Keds aren't the only 2000s It item to begin to trickle back into the mainstream. Following recent celebrity co-signs, including Charli XCX at Glastonbury and Timothée Chalamet in New York City, McQueen skull scarves are bringing nostalgia back in all the right ways. Not to mention that, also on the Celine runway, a new version of the Phantom bag made a reappearance. Although, in comparison to these other accessories, the shoe can point to nearly a century of style longevity—the ultimate proof that the fashion tides always come back around.
Daily Mail
10-07-2025
- Entertainment
- Daily Mail
The stats don't lie - this is the best designer bag to buy on the second hand market right now
When, last October, Hedi Slimane announced he was stepping down as the creative director of Celine after a seven-year run, everyone was eager to hear news about who would be his successor. Just a couple of hours later it was confirmed that Michael Rider, the former creative director of Polo Ralph Lauren, would be taking over the post. Earlier this week, Rider made his Celine debut at Paris Couture Week and to say it had everyone talking would be an understatement. The show was staged at the French fashion house's headquarters on Rue 16 Vivienne, and referenced some major eras of Celine's past. Not unexpected for the American designer, who is no stranger to the brand and served as its design director under Phoebe Philo from 2008 to 2018. There were Hedi Slimane-esque skinny trousers, shrunken jackets and slim-cut shirts, though with a preppy twist; Rider also channeled Phoebe Philo through minimalist tailoring, silk scarves – tied at the neck, tucked under lapels or slung over shoulders – and the reissue of Philo's iconic Phantom bag, tapping into the oversized It-bag resurgence. With its unstructured silhouette and expandable side panels, the Phantom was first introduced in 2011 and became a street style hit among A-listers and fashion bloggers (as they were referred to in the mid 2010s) alike. Rider's revival is still oversized and slouchy, but features more sculptural handles and streamlined seaming. The reissued Phantom is already one of the most-talked about pieces that featured in the 72 looks that Rider sent down the runway on Sunday night. On resale websites such as Sellier, searches for 'Old Céline' designs are up 30%, highlighting the demand. 'Interest in Old Céline has never really faded, but it's absolutely resurging now,' says its founder and CEO, Hanushka Toni. 'What's driving this isn't just nostalgia, but a renewed appreciation for Phoebe Philo's minimalist approach to design. Her pieces continue to resonate with both long-time fans and a new generation discovering her work.' Currently, an 'old' Phantom averages between £800 and £1,300 on Sellier, depending on the size and condition, but it has become increasingly difficult to find one in good condition on the secondary market. 'Buyers should expect to pay a premium,' says Toni. 'As demand continues to grow, we anticipate the resale value could rise by 15–20% over the next year.' So, what does that mean for anyone who's been thinking about buying an Old Céline bag on the second hand market? 'Now is the moment,' says Toni. 'The pieces are becoming harder to find and as demand rises, so will the prices, making it both a smart investment and a meaningful addition to any wardrobe.' Her advice? 'Focus on neutral colours, good structure and always ensure authenticity.'
Vogue
09-07-2025
- Entertainment
- Vogue
7 Styling Lessons to Recreate Now From Michael Rider's Celine Debut
Celine creative director Michael Rider—most recently known for his role at Polo Ralph Lauren—made a confident entrance into the spring/summer 2026 season with his debut collection on July 6 in Paris. The designs subtly honored the legacy of his predecessors, notably Phoebe Philo (whom Rider worked with for nine years) and Hedi Slimane, yet he refracted those influences through his signature preppy, slightly collegiate lens, which Sarah Mower likened in her Vogue Runway review to the French version of BCBG, or 'Bon Chic Bon Genre.' Fans of archival classics saw elegant call-backs—like signature bags and pinched-waist tailoring—while playful details, such as raffia bags and oversized pendants, injected charm into the silhouettes. The Style Out: For those immediately inspired by the collection, Rider's debut offers a treasure trove of wearable trends you can lift straight from the runway—and wear right now. Personality-rich jewelry—chunky necklaces and striking pendants—dominated the accessory game, while layered ringer tees, Keds-style shoes, and oversized rugby shirts channeled his penchant for American sportswear. Raffia baskets bring a casual, summer ease, complemented by patterned silk scarf styling and kick-flare trousers. Even a simple gray sweatshirt finds new life when paired with elevated separates. We'll show you how to wear it in our edit below, with seven styling tips we picked up from the show.
CNA
08-07-2025
- Business
- CNA
Celine's new designer Michael Rider makes a strong start
When the first model came out in Michael Rider's debut show for Celine, it was clear Rider planned to respect his predecessor Hedi Slimane's legacy. Skinny jeans are a Slimane trademark and the opening look featured ultra-clingy denim, paired with white boots and a camel-coloured tailored jacket. If there was any doubt as to whether the lean jean is coming back into fashion, there needn't be now. Talking backstage after the show at Celine's headquarters in Paris, Rider said the jeans look was 'like something that was familiar but felt new right now, the right way to start'. The American designer added that when it comes to the different designer eras at Celine, several of which were echoed in the collection, 'I definitely did not want there to be a sense of erasure; it felt right to me to build'. Rider had a direct hand in forming one of those eras, having worked there under Phoebe Philo for nine years from 2008 before he became creative director of Polo Ralph Lauren. Many designers want to reference their house heritage, but when Slimane took the helm at Celine in 2018 he made a volte-face from the luxurious refinement favoured by his predecessor, Philo. Many so-called Philophiles were devastated at the loss of clothes that felt modern, thoughtful and feminist. But Slimane's designs were a commercial success, with annual revenues climbing from around €800 million (US$940 million; S$1.2 billion) in 2017 to €2.6 billion in 2023, according to analyst estimates. Rider takes over a considerably bigger house than he left in 2017 — Slimane added both menswear and fragrance — but he also joins at a challenging time for luxury. 'Celine, like other maisons in the luxury market, is affected, but the maison has exactly what it takes to emerge from periods of turbulence stronger: Through quality and driven by exceptional savoir-faire and creativity,' chief executive Severine Merle wrote via email after the show. 'There are still many territories left for us to explore.' Optimism was running high for Rider's debut, held on the eve of haute couture week in Paris. Some of the seats in the alfresco courtyard were arranged to form the 'Celine' logo underneath a giant Celine scarf, with guests clutching branded umbrellas to shield against the rain. The collection borrowed elements of Ralph Lauren's signature sporty prep in crayon-bright colours mixed with '80s blouson jackets and classic French tailoring. Block colours and clean lines were a foil to armfuls of coloured bangles and rows of rings. Trouser shapes ranged from ultra-skinny to wide tailored culottes, worn with flat Mary Janes and cardigans, and given a more opulent twist with excessive layers of gold necklaces and horn-shaped pendants. Barrel-leg trousers in tan and check came with cinched, pleated waists paired with oversized blazers and nonchalant silk scarves. There was also a dandy element in Chesterfield coats shown, in one example, in white with a white scarf neck top and embellished jeans. Coincidentally, it resembled one of the looks at Jonathan Anderson's recent debut for Dior, and there were other parallels suggesting a trend, such as elevated sweatshirts. It seems like a hybrid dandy bourgeois prep is very much in the fashion ether, offering an alternative to athleisure that takes barely more effort but has a lot more style. 'I think he's making clothes for this new cool girl,' said celebrity stylist Law Roach, who was in the audience. 'We have been seeing all this Y2K fashion and this feels newer and a little bit more modern — easy but not too much of a departure from what we know Celine to be.' Shoes included lace-up heeled shoe boots and Mary Janes as well as soft dance shoes that resembled the pair by Repetto that Serge Gainsbourg used to wear. However, the presence of boxing boots, some with Celine branding, felt a bit predictable as they are already an established trend. Bags are important for the house and alongside logo-printed flat totes, slouchy shoulder bags and huge leather sacks, Rider brought back the Luggage bag from the Philo era. This time, however, the zip resembled a smiley face. 'Having a sense of humour in the luxury space is actually a beautiful thing,' Rider said.
Wall Street Journal
07-07-2025
- Entertainment
- Wall Street Journal
Could an American in Paris Breathe New Life Into LVMH's Celine?
'There was no master plan,' said Celine's new creative director, Michael Rider, backstage at his Paris debut for the LVMH luxury brand. 'It was very intuitive.' That instinctive approach resulted in a men's and women's spring 2026 collection that felt like an art-school student rummaging around in the Celine archive and putting it together for a night out. Rider, 44, previously worked for Phoebe Philo at Celine from 2008 to 2017, and so her era was well-represented with military-inspired jackets and coats, preppy sweaters and Philo-classic handbags, remixed. There were also sequined black dresses and shrunken tuxedo jackets from the playbook of Rider's predecessor, the Lord of Indie Sleaze Hedi Slimane, and beige tailoring recalling 1990s Michael Kors.
