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Powys County Times
22-06-2025
- General
- Powys County Times
The Battle of Pilleth regaled upon 623rd anniversary
TODAY marks the anniversary of the Battle of Pilleth - one of the most pivotal battles in Welsh history. The battle, also known as the Battle of Bryn Glas, was waged between Knighton and Presteigne by forces loyal to Owain Glyndwr who led a rebellion against the English from 1400-1415. In 1402 the war reached Powys. The war broke out amid turmoil across England with King Richard II dying in prison in 1400 after being overthrown by Henry Bolingbroke who would be declared King Henry IV. An ally of the new king, Reginald Grey, baron of Ruthin, then sparked a Welsh rebellion when he seized lands owned by Glyndwr who was falsely accused of treason. The result was a 15 year war waged across Wales with Powys often centre stage. This almost brings us up to the legendary 1402 battle. In June, Glyndwr and his forces visited Knighton - close enough to the garrison town of Leominster and prompted a confrontation with forces loyal to Sir Edmund Mortimer. The Wigmore Chronicle says the battle site was 'upon the hill called Bryn Glas in Maelienydd near Knighton'. Glyndwr divided his army with his archers armed with the powerful longbow placed on the slopes of the hill while the remainder were concealed in a valley to the left of the hill. As the battle waged several Welsh archers in Mortimer's army defected and loosed arrows against their former comrades with several prominent nobles loyal to the new king falling in battle. Mortimer was captured and King Henry abandoned him to his fate which ironically led to the Marches noble renouncing his allegiance and married Glyndwr's daughter. Legend says the corpses of the fallen English soldiers were mutilated by women who had accompanied the Welsh solders as revenge for past invasions on Welsh soil. However, historians claim this could well have been propaganda as the English nobles sought to deflect the impact of defeat which saw more than 1,000 English soldiers killed. The English dead lay unburied and the stench caused the area to be avoided for months and war continued for another 13 years.
Yahoo
11-06-2025
- Entertainment
- Yahoo
Emily Mortimer Taps Alison Oliver & Yura Borisov To Lead ‘Dennis,' Her Feature Directorial Debut For A24 & Fruit Tree
EXCLUSIVE: Alison Oliver (Saltburn) and Anora Oscar nominee Yura Borisov have signed on to star in Dennis, a romance marking the feature debut of BAFTA-nominated actress Emily Mortimer, for A24 and Fruit Tree. Written and directed by Mortimer, the film follows a British student (Oliver) and a Russian poet (Borisov) who fall in love in 1990s Moscow. More from Deadline Jonathan Daviss To Star As Snoop Dogg In Universal's Craig Brewer-Directed Biopic Teri Polo, Dylan Walsh & Jamie-Lynn Sigler To Star In Thriller 'The Man Across The Street' Monumental Imagery, Explosive Visuals: Catch Trailer For 'Architecton' That Everyone's Watching The project marks a reunion for A24 and Fruit Tree following their work on two Jesse Eisenberg projects: his forthcoming untitled comedy, starring Julianne Moore and Paul Giamatti, on which we were first to report, and his feature directorial debut, When You Finish Saving the World. Previously, the companies have also collaborated on Jane Schoenbrun's I Saw the TV Glow, as well as The Curse, the Showtime series from Nathan Fielder and Benny Safdie, starring Fielder and Fruit Tree's Emma Stone. Stone, Dave McCary and Ali Herting will produce Dennis through Fruit Tree alongside Mortimer, Alessandro Nivola and Lizzie Nastro Adler for King Bee Productions. Exec producers include Joshua Horsfield for Intake, Viktória Petrányi for Proton Cinema, and Jacob Epstein for Lighthouse. A24 will finance the film and handle its worldwide release. Perhaps best known for a striking supporting turn in Emerald Fennell's Saltburn, Oliver has subsequently reunited with the filmmaker on her Warner Bros adaptation of literary classic Wuthering Heights, which is slated for release on February 13, 2026. Also recently seen in Justin Kurzel's The Order, she'll next be seen starring alongside Mark Ruffalo in HBO's buzzy crime drama Task from Mare of Easttown's Brad Ingelsby. She's represented by Curtis Brown and CAA. Since garnering an Oscar nomination for his turn as Igor in Sean Baker's Anora, Borisov has been tapped to star opposite Andrew Garfield and Monica Barbaro in Artificial, Luca Guadagnino's new AI-themed film for Amazon MGM Studios. He is represented by UTA, ColorCreative, and Gang Tyre Ramer. Breaking out as a filmmaker with The Pursuit of Love, a limited series she wrote and directed for the BBC and Amazon, where she starred alongside Lily James, Andrew Scott, and Dominic West, Mortimer also co-wrote, created, starred in, and showran the HBO series Doll and Em opposite Dolly Wells. Most recently, she co-wrote Jay Kelly, Noah Baumbach's new film for Netflix, where she stars alongside Adam Sandler and George Clooney. As an actress, Mortimer has also worked with top filmmakers including Aaron Sorkin (The Newsroom), Martin Scorsese (Shutter Island, Hugo), Woody Allen (Match Point), Rob Marshall (Mary Poppins), and Craig Gillespie (Lars and the Real Girl), among others. She is represented by UTA, Tavistock Wood, Lighthouse Management & Media, and Sloane Offer Weber & Dern. Best of Deadline 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More Men of Steel: Every Actor Who Has Played Superman - Photo Gallery 'Michael' Cast: Who's Who In The Michael Jackson Biopic


The Spinoff
09-06-2025
- Entertainment
- The Spinoff
Review: Wrest is too much show
Sam Brooks reviews the new show from Red Leap, a visually stunning mix of theatre and dance. A mundane breakfast, repeated ad nauseam. A coat check in a club. A bloody operating table. A woman pulled in two in a moment at a bus stop. These are images that show up in Red Leap's new show, Wrest, a hybrid of theatre and dance exploring early motherhood. These are also the images that have lingered with me long after the show. They aren't necessarily the images that you might associate with the setting of Wrest, which is set in a neo-noir world that feels closer to Cyberpunk 2077 or Deus Ex than the modern day. They also aren't the images you would associate with the actual narrative of Wrest, which follows a woman – or really, two women, played by Shavorn Mortimer and Ariāna Osborne – literally and sometimes metaphorically finding themselves. Wrest is two shows in one, and too often, these two shows seem in conflict with each other rather than in conversation. The show about motherhood is moving, with a vibrant physicality. The neo-noir mystery allows the show to play inside a rich, familiar, canvas. Too often, however, the mystery is put on pause to develop a visual language, which makes the sequences where the mystery takes centre stage feel perfunctory and even explanatory, rather than evocative. Neither is bad, although I prefer the show about motherhood to the mystery, but they seldom feel connected to each other. The best thing about a Red Leap show is that they demand a lot of the artists they work with, and the artists – on and offstage – absolutely rise to the occasion. While the neo-noir setting lends itself to impressive imagery and an undeniable style, it distracts from the themes of motherhood and identity that Wrest is clearly more interested in exploring. It's not necessarily a question of genre – noir is a broad church of interrogations into various human conditions – but of balance. As the leads, Mortimer and Osborne nail two sides of the same coin. They match each other's physicality and vocal musicality – even though the show has scant dialogue – without being exact mirrors of each other. Mortimer wrangles with the show's centrepiece adeptly, and it's a moment that risks becoming the show's thematic statement just in case the audience have missed it, but she grounds it in an aching humanity that makes the preceding 75 minutes feel worth it, even cohesive. The ensemble is, as is usual for Red Leap, excellent, with Shadon Meredith's specific character work being especially impressive; he moves like a dancer, not like an actor working with choreography. Red Leap is also a company that never fails to deliver, visually and aurally. It goes, then, that the production design, courtesy of Rachel Marlow at Filament 11, is world-class. Sets that would be centrepieces in other productions seem to pop out of nowhere, and disappear just as quickly. A full nightclub is simply (to the audience) spun into focus and then spun out of focus. It is seamless, and impressive. It's in the design that the two shows sitting inside Wrest feel like they actually could belong together. The coldness, even the meaninglessness of the neo-noir world that the two women inhabit, is a rich palette for the lack of direction the characters feel. Where the show really reaches out and grabs you is in the body horror moments – amped up by Eden Mulholland's haunting score – a reminder that some of the most seemingly natural and normal things that a human might go through can be the most absolutely horrific when viewed from afar, or examined from a different direction. The images are so beautiful, so specific, and so rich, but they are so unsupported by the narrative that they end up feeling less like pieces of live performance and movement and more like paintings in a gallery. The designers are working at the height of their ability here, but the story is too generic, and too confusing, that it ends up forming its own kind of fourth wall, placing the audience at a remove when we should be invested. It also doesn't help that the show is very light on dialogue in a genre that is famous for its intricate, musical patter. Noir is the rare genre that can get away with the audience walking away not understanding everything that happened, and dance is an artform that lingers in the same lack of comprehension, but it doesn't feel intentional here. As complaints go, 'too much show' is not the worst one. There is so much at play in Wrest that the genuinely moving, and distressing, exploration of motherhood is hidden. There's so much good in this show, but it's not necessarily the kind of good that fits on the same stage. I'd love to see Red Leap tackle a neo-noir, and play with this cinematic language more onstage. I'd also love to see them continue to explore this thematic territory, I could see a thousand shows about motherhood and still want to see more. In this case, however, I found myself wanting to – apologies – wrest Wrest from itself.


Scottish Sun
19-05-2025
- Entertainment
- Scottish Sun
BBC schedule shake up as string of hit shows taken off air this week
Fan favourite shows will disappear off the TV guide this week gone missing BBC schedule shake up as string of hit shows taken off air this week Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) A SCHEDULE shake up on BBC2 this week will see a string of hit shows taken off air. A number of viewers' favourite programmes have been cancelled. Sign up for the Entertainment newsletter Sign up 1 King Charles with David Beckham at the Chelsea Flower Show on Monday Credit: Reuters It's to make way for the coverage of the Chelsea Flower Show which airs every night at 8pm. That means Only Connect, Digging for Britain and Mortimer and Whitehouse: Gone Fishing will all be off air. RHS Chelsea Flower Show is the pinnacle of the gardening calendar, from Sunday, May 18 through to May 25. It is hailed as a celebration of horticultural excellence, sustainability, and creative garden design. This year's coverage features an all-star presenting line-up with some exciting new additions. From Monday to Friday on BBC One and iPlayer from 2pm, Nicki Chapman and Angellica Bell offer practical take-home gardening tips. Every evening on BBC2 and iPlayer from 8pm, Monty Don, Rachel de Thame, and Arit Anderson offer expert insights from Carol Klein, Frances Tophill, and more. Then on May 23 on BBC One and iPlayer from 7:30pm there is a special evening programme hosted by Sophie Raworth and Adam Frost. This weekend, on Saturday May 24 and Sunday May 25 on BBC One, the end-of-week highlights will air with and reflections on BBC Two and iPlayer from 5.25pm. Plus, Radio 2's The Scott Mills Breakfast Show will be live from Chelsea Flower Show on 19 May as he officially unveils the The RHS and BBC Radio 2 Dog Garden live on the station and BBC Sounds.


The Irish Sun
19-05-2025
- Entertainment
- The Irish Sun
BBC schedule shake up as string of hit shows taken off air this week
A SCHEDULE shake up on BBC2 this week will see a string of hit shows taken off air. A number of viewers' favourite programmes have been cancelled. Advertisement 1 King Charles with David Beckham at the Chelsea Flower Show on Monday Credit: Reuters It's to make way for the coverage of the Chelsea Flower Show which airs every night at 8pm. That means Only Connect, Digging for Britain and Mortimer and Whitehouse: Gone Fishing will all be off air. RHS Chelsea Flower Show is the pinnacle of the gardening calendar, from Sunday, May 18 through to May 25. It is hailed as a celebration of horticultural excellence, sustainability, and creative garden design. Advertisement READ MORE ON BBC This year's coverage features an all-star presenting line-up with some exciting new additions. From Monday to Friday on BBC One and iPlayer from 2pm, Nicki Chapman and Angellica Bell offer practical take-home gardening tips. Every evening on BBC2 and iPlayer from 8pm, Monty Don, Rachel de Thame, and Arit Anderson offer expert insights from Carol Klein, Frances Tophill, and more. Then on May 23 on BBC One and iPlayer from 7:30pm there is a special evening programme hosted by Sophie Raworth and Adam Frost. Advertisement Most read in News TV Exclusive This weekend, on Saturday May 24 and Sunday May 25 on BBC One, the end-of-week highlights will air with and reflections on BBC Two and iPlayer from 5.25pm . Plus, Radio 2's The Scott Mills Breakfast Show will be live from Chelsea Flower Show on 19 May as he officially unveils the The RHS and BBC Radio 2 Dog Garden live on the station and BBC Sounds. David Beckham meets with King Charles at Chelsea Flower Show