Latest news with #Mr.Robot
Tom's Guide
a day ago
- Entertainment
- Tom's Guide
'Mr. Robot' is now on Netflix — and this flawless techno-thriller has only gotten better with time
Whether you missed the hype the first time around or you're looking to jump once more down the rabbit hole of "Mr. Robot's" many mysteries, Rami Malek's hit hacker thriller series just landed on Netflix. And already viewers can't seem to get enough. All four seasons of USA Network's Emmy-winning "Mr. Robot" arrived on Netflix on July 3, and the techno-thriller is already sitting pretty in the #5 spot on Netflix's top 10 shows. It's hardly a surprise that fans would be eager to revisit the series; "Mr. Robot's" anti-capitalist portrayal of withstanding the yoke of tech-driven corporate control feels as relevant today as when it premiered 10 years ago. Before diving in (or should we say hacking in?) to the show, here's everything you need to know about "Mr. Robot" on Netflix — and why it deserves to be your next binge-watch. "Mr. Robot" follows Elliot Alderson (Malek), a brilliant but troubled cybersecurity engineer in New York City. While working for the megacorporation Allsafe Cybersecurity, he's recruited by an anarchist known as "Mr. Robot" (Christian Slater) to join a society of hacktivists. Their radical mission includes wiping out global consumer debt by encrypting the data of one of the world's largest corporations, which is also Allsafe's biggest client. Caught between his day job as a tech worker and his new secret mission to destroy the very system he serves, Elliot walks a dangerous tightrope. All the while, he also grapples with severe mental health challenges, including anxiety, depression, and dissociative identity disorder. His fractured sense of reality often fuels his hacking abilities, giving him a unique edge, but at the cost of serious problems in his personal life — many of which he doesn't fully understand or even recognize. Beneath that premise, however, lies a gripping psychological thriller that explores the isolation of a hyper-connected digital age as well as the perils of unchecked consumerism and capitalism. The show blends the high-stakes tension of an espionage thriller with the unsettling paranoia of a psychological drama. It doesn't just make computer hacking exciting to watch (and with an impressive level of technical accuracy, I might add), but demonstrates how it can be a catalyst for revolution. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. All four seasons of "Mr. Robot" landed on Netflix on July 3. The show was a sensation when it first premiered back in 2015. "Mr. Robot" wrapped up in 2019, before the rise of TikTok and transition to AI-powered everything sparked by ChatGPT and the like. Technology has only become further entrenched in our lives since then, likely why viewers are eager to watch Elliot and his fellow hackers turn the very tools of corporate control against their creators. Its message is just as resonant today as it was when season 4 wrapped. I'm far from the only one raving about USA Network's hit show. The first season received an Emmy nomination for Outstanding Drama Series, and Malek won Outstanding Lead Actor for his breakout performance. Every season of "Mr. Robot" earned a 90% critics' score or higher on Rotten Tomatoes, and the series finale is a particular high point with the second-highest rating of the bunch (96%, just shy of the first season's 98%). The Guardian's Richard Vine described "Mr. Robot" as "perfect binge-watch material: turn it on and on again." The Rotten Tomatoes critics consensus for season 1 reads: "'Mr. Robot' is a suspenseful cyber-thriller with timely stories and an intriguing, provocative premise." With the show's recent arrival on Netflix, longtime fans who watched "Mr. Robot" during its original run on USA Network can now revisit it a decade later, while newcomers finally have a chance to discover why it's earned such a devoted cult following. Stream "Mr. Robot" on Netflix now.
Time Magazine
3 days ago
- Entertainment
- Time Magazine
'Mr. Robot' Has Only Gotten Better With Time
Starting today, the USA Network drama Mr. Robot is available to stream on Netflix. It's a great time to introduce a new wave of viewers to the series; between 2015 and 2019, it was one of the most prescient, anti-capitalist shows on TV. At the tail end of the network's optimistic 'blue sky' programming era, this was a techno thriller with prestige-drama aspirations, injecting its core character study with trenchant social commentary. But despite creator and showrunner Sam Esmail's success in airing four seasons of his passion project with little intervention from the network, Mr. Robot never quite took off to the same extent as many of its peers, including critical darlings like FX's The Americans and HBO's The Leftovers. Following a universally acclaimed first season, the show got weirder, bolder, and marginally less gripping on an episode-by-episode basis, at least during a polarizing second season that appeared on far fewer year-end 'best TV' lists than the first. Today, though, the show's occasional missteps feel like part of its charm—integral pieces to a grand vision that Esmail executed with confidence. Time will be kind to Mr. Robot; don't let anyone tell you otherwise. Here's what to know before you dive in. What is the show actually about? Rami Malek stars as Elliot Alderson, a young, clinically depressed man working as a cybersecurity engineer at a company called Allsafe. At night, Elliot moonlights as a cyber-vigilante—and his hacking skills attract the attention of one Mr. Robot (Christian Slater), the enigmatic leader of a hacktivist group called fsociety determined to cancel all consumer debt and take down the massive corporation E-Corp (or 'Evil Corp,' as Elliot's brain interprets it). Sounds very Fight Club… Esmail wears his influences on his sleeve, and Fight Club is one particularly obvious one, from the anti-consumerist setup to the Tyler Durden-esque title character. (Taxi Driver is another, evident from Elliot's voiceover narration and the me-versus-society mentality that leads him into several deranged rants.) But Mr. Robot feels like its own specific cocktail of sci-fi and thriller ingredients, and Esmail isn't afraid to directly reference his inspirations—as when he borrows the Pixies' 'Where is My Mind,' iconically used in Fight Club, near the end of Season 1. It's also not much of a spoiler to acknowledge that Elliot's fracturing identity is a consistent throughline of Mr. Robot. What's going on in Elliot's head is just as important as the latest heist to hurt E-Corp. (In fact, the last couple episodes of the show are basically devoid of hacking.) The sooner you make peace with that focus, the more you'll enjoy the show's many flights of fancy: beginning, perhaps, with the fourth episode, a harrowing and hallucinatory dip into his consciousness as he experiences drug withdrawal. That one feels straight out of David Lynch. Just how weird does the show get? Season 1 of Mr. Robot is the most grounded, and Esmail only directed three of the episodes, though his distinct style—with faces isolated at the bottom edge of the frame as if to emphasize the characters' alienation—was present from the beginning. But he takes over as full-time director from Season 2 onward, dialing up the experimental episodes: a 15-minute '90s sitcom parody; an entire installment presented as a single shot during a riot; a hostage situation with high personal stakes, structured like a five-act play. The show also flirts with science fiction as it goes on, teasing the possibility of time travel and alternate dimensions. That flexibility when it comes to both genre and tone—the show can be funny, suspenseful, heartbreaking, and terrifying—makes it memorable. Does it ever get bad? Most people would agree Mr. Robot is at its worst in Season 2, especially with one key Elliot-centric storyline dragging on much longer than it should. And while the show is filled with interesting supporting characters—from Elliot's morally compromised childhood friend Angela (Portia Doubleday) to the slimy E-Corp brownnoser Tyrell Wellick (Martin Wallström) to a trans cyberterrorist named Whiterose (BD Wong) operating as the Minister of State Security with her birth name—not all of their arcs get the same time to develop and wrap up in satisfying fashion. But the show's occasional lags in pacing are much more bearable on a binge, where you can inhale a whole stretch of slower episodes rather than waiting a week and praying for plot movement each time. Besides, the majority of the dips in quality derive from Esmail prioritizing stylistic playfulness and experimentation over the relatively straightforward, linear storytelling of Season 1. In many ways, Season 2 is easier to admire in retrospect, but it's still a good time if you go in with an open mind. Is the ending satisfying? The show's viewership took a huge hit in Season 2 and never really recovered despite a solid, improved Season 3 and a genuinely rich, fascinating Season 4. In fact, watching back Mr. Robot after knowing where it's all going, the occasional bumps in the road feel beside the point; the show sticks the landing in a way that reframes the entire series in a surprisingly moving way. Credit Esmail, whose projects since include the podcast adaptation Homecoming and apocalyptic-thriller novel adaptation Leave the World Behind, for sticking to his vision for the series—and never straying far from the journey of its unique and oddly relatable protagonist, the heart of the series. Credit should also go to Malek, whose work as Elliot led to starring movie roles like his Oscar-winning turn as Freddie Mercury in Bohemian Rhapsody and his casting as a Bond villain. His stellar vulnerable breakout performance anchors the entire show. It's immediately evident, just from watching the pilot episode, when Elliot Alderson first invites us into his world. Once you're in, you won't want to leave.
Hindustan Times
4 days ago
- Entertainment
- Hindustan Times
Where to watch Mr. Robot? Golden Globe-winning thriller series releases for streaming
One of the most beloved thriller series, Mr. Robot, is finally available for streaming on Netflix. Created by Sam Esmail, the show aired on USA Network from 2015 to 2019. With a total of 4 seasons (45 episodes), the series promises unmatched entertainment. Mr. Robot is now available for streaming on Netflix The show narrates the story of Elliot Alderson, a young man living in New York City. He works as a cybersecurity engineer at a company called Allsafe. Elliot deals with social anxiety, depression and drug issues. He does not connect with people in the usual way. Instead, he hacks them. Amazed? Well, it is his unique way of understanding people. Sometimes, it pushes Elliot to act like a digital vigilante. One day, a mysterious guy called Mr. Robot approaches Elliot. He is a rebel with a cause and invites Elliot to join his hacker group, fsociety. Their big mission? Wipe out consumer debt by targeting a massive corporation called E Corp. Elliot sees it as 'Evil Corp' in his head. The twist? E Corp is also the biggest client of Allsafe, Elliot's workplace. Elliot is stuck between his job and a hacker revolution that could change everything. What happens next? Well, to know that, you must catch the show on Netflix. Mr. Robot - Cast Mr. Robot features Rami Malek as Elliot Alderson, Carly Chaikin as Darlene Alderson, Portia Doubleday as Angela Moss, Martin Wallström as Tyrell Wellick, Christian Slater as Mr. Robot, and Michael Cristofer as Phillip Price. Stephanie Corneliussen, Grace Gummer, BD Wong, Bobby Cannavale, Elliot Villar, and Ashlie Atkinson are also part of the project. Mr. Robot - Awards Mr. Robot started as a small show with a loyal fanbase. But, eventually, it earned appreciation from critics as well. The show won three Golden Globes, three Emmys and a Peabody Award. ALSO READ: Squid Game Season 3 gets record 60.1 million views on Netflix in just three days FAQs : 1. Where can I watch Mr. Robot now? Mr. Robot is now available on Netflix. 2. How many seasons of Mr. Robot are there? There are four seasons. 3. Who plays Elliot in Mr. Robot? Rami Malek plays Elliot Alderson.
Yahoo
6 days ago
- Entertainment
- Yahoo
11 new and returning Netflix shows arriving this week (June 29-July 5)
If you purchase an independently reviewed product or service through a link on our website, BGR may receive an affiliate commission. We share the list of all the shows, movies, and specials coming to Netflix every month, but with as much content as the streaming service releases, it can be hard to keep track of it all. We are here to help with a breakdown of all the new and returning shows hitting Netflix this week, from comedies and dramas to reality shows and docuseries. Netflix rolls out several original series every week, but licensed shows from other networks have become a rarity in recent years. That's why this week is so notable, as Netflix's streaming library is adding three bingeable series in the form of Mr. Robot, Portlandia, and Mom. If you're looking for shows to sink your teeth into, you've got three great new options. Today's Top Deals Best deals: Tech, laptops, TVs, and more sales Best Ring Video Doorbell deals Memorial Day security camera deals: Reolink's unbeatable sale has prices from $29.98 Netflix says this harrowing documentary series about the 7/7 bombings on London's trains and subways that killed 52 people and injured hundreds more features 'insider accounts and never-before-seen footage' from the terror attacks. Long-running sitcoms are the comfort food of streaming, and this week, Netflix is getting a large helping with all eight seasons of Mom. The series ran from 2013 to 2021, starring Anna Faris as a single mother and recovering alcoholic who moves to Napa, California, and Allison Janney as her mom, who is also a recovering addict. The search and rescue dog Ryder and his crew are back with two more seasons of the insanely popular children's animated TV show Paw Patrol on Netflix. If you have kids, prepare for them to be completely obsessed with the latest episodes for at least the next few weeks. In 2011, SNL alum Fred Armisen and Sleater-Kinney frontwoman Carrie Brownstein teamed up to create Portlandia, one of the most peculiar sketch comedy shows you'll ever see. Set in and around the city of Portland, Oregon, the show features sketches starring Fred and Carrie as a rotating cast of eccentric characters, often joined by guest stars such as Andy Samberg, Parker Posey, Jason Sudeikis, Greta Gerwig, and Heather Graham. Showtime continues to drip-feed Netflix audiences one of its biggest shows of the decade. This week, the second season of the thriller series Yellowjackets makes its way to Netflix, picking up two months after the death of a major character in season 1. Netflix quietly canceled its behind-the-scenes sports documentary series Tour de France: Unchained earlier this year, but fans still have one more season to watch. The third season covers the 2024 Tour de France, which started in Florence, Italy, and finished in Nice, France. Before Katie Taylor and Amanda Serrano face off for the third time live on Netflix on July 11, you can see behind the curtain in Countdown: Taylor vs. Serrano. The docuseries follows their training and preparation leading up to the highly-anticipated bout. Sam Esmail's drama thriller series Mr. Robot aired on USA Network for four seasons from 2015 to 2019, giving Rami Malek a role that catapulted him into stardom. Malek plays Elliot Alderson, a talented hacker who suffers from anxiety, depression, and dissociative identity disorder. He is recruited to join a hacking collective known as 'fsociety,' which seeks to take down the monolithic conglomerate E Corp and cancel all consumer debt. The second and final season of The Sandman debuts this week, kicking off the final chapter of one of the most popular Netflix fantasy shows. The new season begins a few weeks after Dream destroyed the Dream Vortex that threatened to destroy reality. 'Four teams of shark experts and enthusiasts travel the globe trying to find the most elusive shark species in this fin-tastic reality competition,' says Netflix. 'Six months ago, Hikaru vanished for a week,' reads the synopsis for this anime series coming to Netflix this week. 'Now, as his best friend Yoshiki senses something amiss and confronts him, the harrowing truth emerges.' Don't Miss: Today's deals: Nintendo Switch games, $5 smart plugs, $150 Vizio soundbar, $100 Beats Pill speaker, more More Top Deals Amazon gift card deals, offers & coupons 2025: Get $2,000+ free See the
Yahoo
17-06-2025
- Entertainment
- Yahoo
‘It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics (‘Heathers,' ‘True Romance') to TV hits (‘Mr. Robot,' ‘Dexter: Original Sin')
When Christian Slater made his purported "comeback" on Mr. Robot in 2015, winning a Golden Globe for the eponymous role, he didn't think he had gone anywhere. He had been steadily working onscreen for 30 years, since his film debut in 1985's The Legend of Billie Jean. Sure, most of the films and television series he made over the first decade-plus of the 2000s weren't smash hits out of the gate, but neither were many of what would ultimately be his most memorable projects. Heathers, Pump Up the Volume, True Romance, Very Bad Things — all box-office failures-turned-cult classics. More from GoldDerby 'Elio' reviews knock Pixar for 'repeating itself' with 'forgettable' space adventure 'F1: The Movie' reviews: Brad Pitt burns rubber with 'macho panache' in a high-octane thrill ride Could '28 Years Later' contend for Oscars? Here's the complete awards history of the '28' franchise. The fact that Slater has so few blockbusters on his résumé (his highest-grossing movie is 1991's Robin Hood: Prince of Thieves) yet has remained such a beloved figure in Hollywood for 40 years now is a testament to his both his undeniable talent and enduring appeal. He just has a presence that's unforgettable. Since Robot, Slater has done high-profile projects like The Spiderwick Chronicles (for which he earned a Children and Family Emmy Award) and Dexter: Original Sin, the Paramount+ prequel series that was just renewed for a second season. In our latest edition of The Gold Standard, Slater talks through his greatest hits, even if you wouldn't necessarily call them hits. After making his television debut at the age of 8 on the ABC soap One Life to Live and starring on Broadway at 11, the New York native became a fixture in Hollywood with roles in The Legend of Billie Jean, The Name of the Rose (1986), and the dark teen favorite Heathers. I was living in Los Angeles, I was 18, 19 somewhere around there. I had my first place in the Hollywood Hills, a little one-bedroom that I loved. I would have parties and just never really took anything too seriously. I read the script called Heathers and thought it was kind of fun. I really did get into it, went in, auditioned, met with [director] Michael Lehmann and Winona [Ryder]. I think having done The Name of the Rose with Sean Connery gave me a good foot in the door. … I think I'd also done Tucker: The Man and His Dream at that time. I was working, so it opened the door for me to get in and do something else. Heathers was considered a total failure. When it opened up here, it was not successful at all. I mean, I think people in Los Angeles saw it. But as far as it being a real juggernaut of a movie, [it wasn't]. And I don't know if it is today, but it definitely has taken on several lives since then and been rediscovered and has become a musical. All these fun things have happened with it, which I love and think is very, very cool. But yeah, when it came out, not successful, I think the for the people [in the industry] who did see it in Los Angeles, it was good to get other gigs, and it made getting other movies produced a lot easier. Slater showed a penchant for dark teen movies when he played a rebel radio DJ 'Hard Harry' in this early '90s favorite, for which he earned an Independent Spirit Award for Best Actor. Pump Up the Volume was the next script I read, and it came together [easy] like, 'Whatever you want to do, kid, you can do it. The world is your oyster.' And fortunately, I had read a good script. And that was really my favorite movie. But again, it didn't break any box-office records. It was a nice elegant movie to have done and a great character, and more of an acting opportunity for me, to kind of get to play two different characters in a way. So that was something I really enjoyed. And I got to work with Samantha Mathis, who's great. I've gotten the chance to work with her several times, so I feel very, very blessed. It is [my favorite to a certain degree]. It was just a really special time. I was so excited to do it and really loved working with the people on it. And I felt like it was a very special movie, I just liked the heart of the character, how he reacted to the people he spoke to on the radio. It was more unpredictable. He didn't judge people. He was more embracing. … I thought it was great. So it's definitely one of my favorite movies. Following 1988's Young Guns, Slater was the new guy on set joining other rising stars Kiefer Sutherland, Emilio Estevez, and Lou Diamond Phillips in the Western sequel. As Slater became a bigger and bigger star, however, the temptations of Hollywood were catching up with him and he was arrested for drunken driving in 1989. It absolutely was [as fun as it looked]. If you ever get a chance to do a Western, it's the best, man. I had such a good time. I loved working with those guys. It was remarkable. Pump Up the Volume hadn't come out yet. Going into Young Guns, putting on a cowboy hat and strapping on a couple of six-shooters and spending time rehearsing with my horse, it was the best. I just had a great relationship with that animal, and shooting guns and being a kid was so much fun. It was incredible. There were certain things that the stunt people asked me to do that I was unwilling to do. I was willing to jump through the glass into a store, and be like a bull in a China shop on my horse. But there was one stunt they wanted me to do where I was like, 'No, I want to live. I'm good. I don't want to do that.' It was some crazy stunt. And they let Lou Diamond Phillips do it. And I was like, 'Let him do it.' I think he broke his arm doing it. Not that I wish him ill, but I think I made the right choice. I got into a little bit of trouble right before doing Young Guns, too. And I got sober. I got sober and stayed sober for a few years. But there was pressure and anxiety. Certainly being that age, what success does to the people around you is a little bit confusing and a little bit confounding. It just it changes things and to a certain degree makes you feel less safe and less trustworthy of people. It's like, why are they really there? What do they really want? And dating is tricky. And so all of that is a little bit confusing and you can end up feeling more alone. I did stay sober for a few years, but then I think the anxiety finally got to me, and I needed to escape again. Which I did. And I did that through alcohol and some other substances. And it was fun for a while, until it wasn't. It always starts out fun. It always feels like a relief. But then it always turned on me, it got hard, got very difficult to deal with. So there were absolutely challenges, struggles, hurdles, personal hurdles to overcome, lessons to learn. His star still rising, Slater joined Kevin Costner, Morgan Freeman, and Alan Rickman for what would become one of the biggest movies of 1991 — even if critics thrashed it and Slater earned a Razzie nomination for his role as Will Scarlett (shared with his turn as Lucky Luciano in Mobsters). I mean, look, you can't have everything. I'd had a nice run of some critical successes, I think. And some very complimentary people saying nice things about me. And then, yes, Robin Hood struggled a little bit with the critics. But you know what? It was a fun movie. I loved it, getting to be one of the scoundrel Merry Men was a lot of fun. And we actually shot in Sherwood Forest, which was pretty authentic and pretty amazing. And I'd always been a fan of Robin Hood. I mean, I guess my version of Robin Hood was Errol Flynn, which is just weird. And now here I am on the set with these other merry men dancing around and just having a great time. I love [director] Kevin Reynolds. I loved Alan Rickman. Kevin Costner is a legend. Morgan Freeman, we were friends, so it was a really special, special time. Slater teamed with Patricia Arquette, whom he remains close friends with today, for the Quentin Tarantino-penned, Tony Scott-directed crime thriller about a couple on the run with a suitcase of drugs stolen from the mob. So it was only around the beginning, during rehearsals, [that I met Tarantino]. And Patricia [and I] only had one meeting with him from what I recall, where he talked about what he thought these characters were like and how he based Clarence on himself. And when I heard that, I just thought, 'Well, thank you.' That really gives me some insight and some knowledge into who this guy is and his level of obsessiveness. You can just tell with Quentin Tarantino, he's got a particular energy and particular passion that is unmatched. So I think that is what I wanted to be able to try and accomplish, conveying that uncomfortable in his own skin sort of character, but full of passion, full of life, full of love and determined to do the next right thing. Yeah, I wanted to [channel Tarantino] for sure. I think this is where Tony Scott and I at times had mixed opinions, because Quentin was just sort of becoming well-known. And I don't think he developed the coolness factor that he now has to such a degree. So I think my desire to play the character exactly as being Quentin Tarantino kind of freaked him out a little bit. He was more interested in me being like the character from Heathers, who was a little bit cooler and a little bit smoother. Slater was cast as the interviewer Daniel Molloy alongside Tom Cruise and Brad Pitt after the tragic death of River Phoenix, who was originally hired for the role. It was tragic for sure. River Phoenix was a legend and somebody that I was extraordinarily competitive with. I just thought, "This guy's such a good actor." We're both growing up at the same time, and I just thought we'd be competing for roles for the rest of our lives. I thought we'd be trying to get one job from the next, and battling back and forth, for our whole lives. So I think we lost a great actor. I feel like eventually he and I would have become really good friends. I feel sad about it every day. I tried to make it, to a certain degree, more comfortable for myself by donating the salary from that movie to River Phoenix's charities that he was involved with. Just because there was just a part of me that didn't feel like I wanted to take any money for the job. It happened in such a tragic way that I wanted to honor him in any way that I could. So that's what I did. The majority of my work was with Brad. And I think I was catching him at the end of a long shoot [laughs]. It was a good, long six month shoot. And I feel like he was at the end of his rope at that point. I think he was sick and tired of getting his face painted with those little veins and wearing fangs. But you know what? He was a professional. He was great. Certainly in the role. He did it. … He still showed up. 100 percent. But I just thought it was funny that he was so sick of it by that point. He was just over it. And Tom was amazing. I mean, he's Tom Cruise, and he's a phenomenal human being. He heard somebody else say this about working with a vampire. 'Once a vampire bites you, once you share that experience, you're connected for life.' And he did swoop down on me in that Mustang and he did bite me, and I'll never forget it. That was a special night. I mean, we closed down the Golden Gate Bridge to shoot that scene. So it was just me and Tom going around and around on the Golden Gate Bridge. So again, another moment that I just will always cherish and remember for the rest of my life. He is incredibly generous. He gave each and everybody a beautiful photo album. Like not just a photo album, but high end, probably each one of them cost $1,000. I have it somewhere. … Oh, I think I see it. It's in the bookshelf. Slater had stopped drinking again when he made the debaucherous dark comedy about a bachelor party gone very wrong with Jeremy Piven, Jon Favreau, and Daniel Stern. It was [a good experience]. I got in sober again, so that felt better. It felt better to show up and actually be present on a movie set. I've always felt like I was able to participate. I always felt like I was showing up and giving 100 percent. But you just end up feeling better when you're not drinking the night before. Like, for example, that movie Hard Rain (1998) I did. That was a tough shoot. It was six months. We were shooting in this huge airplane hangar in the dark every day, and it was wet. It was gross … not one of the more fun experiences. Definitely challenging, but I think there was an element of, I'm not going to say needing to have a drink while making it, but there was a great deal of need to escape. It was just a hard one. So anyway, Very Bad Things … I mean, it was Jon Favreau, Jeremy Piven, Daniel Stern, some legends again, that have become more legendary since then and are just people I was grateful to work with. Fantastic, crazy character. To a certain degree, I felt like I was trying to do something that I had done before in a movie, so I wasn't 100 percent comfortable with that. I felt like, 'I'm trying to be the nut again.' But now I really don't judge it, you know? Now I don't put that kind of pressure on myself today. After a string of underseen film and television projects released in the 2000s and 2010s, Slater landed his biggest role of the millennium with the eponymous anarchist who recruits Rami Malek's hacker to his cause in Sam Esmail's Emmy-winning cyber thriller. Yeah, it [felt special from the beginning]. It started off with me and Rami sitting in the Wonder Wheel doing all those scenes together. And that was the perfect way to start it. It put us together in close quarters where we couldn't help but get to know each other and how it was we both like to work. So that was a wonderful accident. Whoever organized that did a great job. Did the same thing on Dexter, too. … It was exciting. And it just drew the two of us together. So I think it just helped with our chemistry throughout the show. Well, I mean, [as far as it being called my comeback], I definitely had done some other TV shows. I was giving it a shot in the TV world a few times, always with the best of intentions. And no matter how they performed, it's not like I was used to huge successes initially, anyway. I was never really used to having huge successes right out of the gate, right? Like a lot of the things that I've done have become popular over time, not initially. ... So when it came to a [movie] or a TV show not really necessarily working out? It didn't disturb me greatly. I just looked at it as an experience. And that somebody will get it later down the line. That's what kept happening, right? But I don't think they're going to be doing a musical of The Forgotten [Slater's short-lived 2009 detective series], unfortunately, but that's OK. But Mr. Robot, it was wonderful to be on that ride. I was definitely proud of the show. You just never know. There's no guarantee something's going to turn up. You just got to keep showing up and not give up. And have the faith that, at some point, people are going to find something interesting and exciting. And I'll find something interesting and exciting to be a part of and just keep swinging. Babe Ruth it, man. Slater has drawn more strong reviews for playing Harry Morgan, the role originated by James Remar in Showtime's long running hit Dexter — a Miami detective who trains his homicidal son (Patrick Gibson) to become a vigilante serial killer. I was a huge fan of Dexter, the original series. So to get the chance to be a part of that show in this capacity was very exciting for me. Dexter was the type of show you watch, and especially if you're an actor, you're like, 'God, I wish I could be on that show.' You just talk to yourself that way. And I loved it. To get to fill James Remar's shoes, who I've always been a huge fan of … and to get to play this character and to get some more insight into the Harry character was very, very fun. And I think Clyde Phillips, the creator, does such an amazing job. It's just a great team. So it made it very special. I just I can't wait to get back to it. Best of GoldDerby Sam Rockwell on Frank's 'White Lotus' backstory, Woody Harrelson's influence, and going all in on 'this arc of Buddhist to Bad Lieutenant' Asif Ali and Saagar Shaikh admit they 'never had the audacity to realize' a show like 'Deli Boys' was possible From 'Housewives' overload to the 'shadiest queens' alliance: The dish on 'The Traitors' Season 4 lineup Click here to read the full article.
