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WILSN Brings The Sass On 'Keep Walkin''
WILSN Brings The Sass On 'Keep Walkin''

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time3 days ago

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WILSN Brings The Sass On 'Keep Walkin''

[Wednesday 2 July, 2025] Melbourne/ Naarm-based soul powerhouse WILSN (aka Shannon Busch) today unveils a sassy, smokin'-hot, break-up anthem with her new single ' Keep Walkin ''. Following on from her previous release, irresistible bop ' The Way ', WILSN continues to cement herself as one of the most essential voices in a new generation of Australian soul singers. 'Keep Walkin'' arrives off the back of two packed-out shows last month in Melbourne and Sydney, and finds WILSN in a defiant mood - her stunning vocals taking centre stage like the soul queens of days gone by, shining over classy, timeless production. Written with long-time collaborator and producer Stephen Mowat (Tyne James-Organ, Jessica Mauboy, Matt Corby) 'Keep Walkin'' draws inspiration from the sounds of yesteryear. As with previous single 'The Way', Busch headed to NYC to help her capture a timeless sound. Enlisting an ensemble of legendary musicians from the NYC soul scene, including members of Sharon Jones and the DapKings, Thee Sacred Souls, Charles Bradley and Jalen Ngonda's bands, 'Keep Walkin'' was tracked at Hive Mind Recording in Brooklyn - a studio that specialises in the use of analogue equipment and capturing a classic soul sound. Co-produced byStephen Mowat and Billy Aukstik, the band took an old-school approach to recording, with everyone playing live in the same room, feeding off each other's energy and vibe. Originally hailing from Geelong in Victoria,WILSN moved to Melbourne to study jazz at the Victorian College of the Arts. She signed a deal with US publisher Pulse, prompting a move to America, where she spent two years working with Grammy-Award winning songwriters honing her craft, before being asked to join The Teskey Brothers on their 2020 tour of Europe and the UK, playing to sold-out crowds across the continent. Since thereleaseof her debut album, Those Days Are Over, in 2023 - a record bursting with jaw-dropping vocal performances and fusing modern soul, pop, jazz and Motown – it's been a big couple of years forWILSN. Her debut album won the AIR Award for Best Independent Soul/RnB Album or EP and was also nominated for the Australian Music Prize, she's sung alongside Jimmy Barnes and Budjerah and shared the stage with contemporary heroes like Allen Stone, she's played at Bluesfest two years in a row, and once again supported The Teskey Brothers on an extensive Australian tour. Alongside her success asWILSN, she's also been amassing praise as a songwriter, winning the 2025 Vanda and Young Global Song Competition with 'Give You Love', a song she co-wrote for Jessica Mauboy and Jason Derulo. Her most recent release, 'The Way' which marks the start of a refreshing new chapter, received support from triple j, double j and community radio locally, along with spins from BBC Radio 2 and 6Music, and playlist adds to Apple Music's Soul Revival, New In Indie and Spotify's Soul 'n' the City, Dinner Chill Music and more. If you are lucky enough to be attending RockWiz Live - Live at the Gardens in Melbourne's Royal Botanic Gardens, WILSN will be opening the night with her nine piece band - tickets HERE. A slice of soul-pop perfection, 'Keep Walkin'' carries on from the momentum of 'The Way' – it's bold yet melodic, empowering but vulnerable, classic and somehow still refreshingly of the moment.

Folk Bitch Trio Announce Debut Album, Now Would Be A Good Time, Out July 25th Via Jagjaguwar
Folk Bitch Trio Announce Debut Album, Now Would Be A Good Time, Out July 25th Via Jagjaguwar

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time13-05-2025

  • Entertainment
  • Scoop

Folk Bitch Trio Announce Debut Album, Now Would Be A Good Time, Out July 25th Via Jagjaguwar

Folk Bitch Trio — the Melbourne/Naarm-based band of Gracie Sinclair (she/her), Jeanie Pilkington (she/her) and Heide Peverelle (they/them) — announce their debut album, Now Would Be A Good Time, out July 25th via Jagjaguwar, and release the single/video, ' Cathode Ray.' Now Would Be A Good Time tells vivid, visceral stories. Their music sounds familiar, built on a foundation of the music they've loved throughout their lives–gnarled Americana, classic rock, piquant, and clear-eyed balladry. Yet the songs are modern and youthful, with the trio singing acutely through dissociative daydreams, galling breakups, sexual fantasies and media overload— all the petty resentments and minor humiliations of being in your early twenties in the 2020s. Listening to Folk Bitch Trio, it's clear this is a band of three distinct points of view. Pilkington grew up with two musician parents and brings formative memories of watching them perform, of listening to Gillian Welch and Lucinda Williams, and of her own imagined path as a career musician. Peverelle spends their spare time making art and furniture; those hobbies, as well as their love of pop music old and new, articulate a love for the tactile, the home-grown and the hand-made. Sinclair is the self-proclaimed jester of the group, but her taste skews dark, gothic, baroque and dramatic, expressed as a love of opera and ballet as well as musicians as wide-ranging as Patti Smith, Nirvana and Tchaikovsky. They've known each other since high school, and as soon as they started singing together five years ago, 'the chemistry of being inspired by each other was evident from the get-go,' says Sinclair. Following the 'acidic and gorgeous' (Beats Per Minute) lead single The Actor, dubbed a 'Song You Need to Know' by Rolling Stone, today's single, Cathode Ray, opens with caution, its first harmonies arriving in big, looping sighs. It's vulnerable but a little menacing, with a wide open chorus and a spacious, airy beat anchoring everything. Lyrically, the song is about bodily, deeply human anxieties. 'It expresses a feeling of being trapped in myself, and wanting to break out of that so violently that I'm literally talking about opening up a body viscerally,' Sinclair explains. 'It's about frustration, and knowing there's no cheap thrill that's going to fix that.' The songs on Now Would Be A Good Time were workshopped on tour and written specifically with their shared connection in mind. Recording in Auckland with Tom Healy (Tiny Ruins, Marlon Williams) during winter 2024, the band built out these songs with minimalist, idiosyncratic arrangements, and, with voices and guitar taking center stage, recorded to tape as the final missing thread in bringing the album to life. The strongest link between the trio, aside from friendship, is music. 'We all talked about loving music when we were growing up, and knowing we wanted music to be a big part of our lives,' says Pilkington. 'But for me at least, when I looked into the future, it was this relatively mysterious thing.' Joining forces as a group demystified that future. That feeling—of music as an innate calling, as opposed to hobby or folly—was justified. Folk Bitch Trio have already toured across Australia, Europe and the US, supporting bands as disparate as King Gizzard, Alex G and Julia Jacklin. They've signed with Jagjaguwar, a home for singular icons and iconoclasts, and found their first fans with their dazzling harmonies and acerbic lyricism that transcend genre expectations and audience lines. Folk Bitch Trio announce their debut album release tour of New Zealand, playing headline shows in Auckland, Wellington & Christchurch. Tickets available from Moshtix from Friday, May 16.

Folk Bitch Trio Announce Debut Album, Now Would Be A Good Time, Out July 25th Via Jagjaguwar
Folk Bitch Trio Announce Debut Album, Now Would Be A Good Time, Out July 25th Via Jagjaguwar

Scoop

time13-05-2025

  • Entertainment
  • Scoop

Folk Bitch Trio Announce Debut Album, Now Would Be A Good Time, Out July 25th Via Jagjaguwar

Folk Bitch Trio — the Melbourne/Naarm-based band of Gracie Sinclair (she/her), Jeanie Pilkington (she/her) and Heide Peverelle (they/them) — announce their debut album, Now Would Be A Good Time, out July 25th via Jagjaguwar, and release the single/video, ' Cathode Ray.' Now Would Be A Good Time tells vivid, visceral stories. Their music sounds familiar, built on a foundation of the music they've loved throughout their lives–gnarled Americana, classic rock, piquant, and clear-eyed balladry. Yet the songs are modern and youthful, with the trio singing acutely through dissociative daydreams, galling breakups, sexual fantasies and media overload— all the petty resentments and minor humiliations of being in your early twenties in the 2020s. Listening to Folk Bitch Trio, it's clear this is a band of three distinct points of view. Pilkington grew up with two musician parents and brings formative memories of watching them perform, of listening to Gillian Welch and Lucinda Williams, and of her own imagined path as a career musician. Peverelle spends their spare time making art and furniture; those hobbies, as well as their love of pop music old and new, articulate a love for the tactile, the home-grown and the hand-made. Sinclair is the self-proclaimed jester of the group, but her taste skews dark, gothic, baroque and dramatic, expressed as a love of opera and ballet as well as musicians as wide-ranging as Patti Smith, Nirvana and Tchaikovsky. They've known each other since high school, and as soon as they started singing together five years ago, 'the chemistry of being inspired by each other was evident from the get-go,' says Sinclair. Following the 'acidic and gorgeous' (Beats Per Minute) lead single The Actor, dubbed a 'Song You Need to Know' by Rolling Stone, today's single, Cathode Ray, opens with caution, its first harmonies arriving in big, looping sighs. It's vulnerable but a little menacing, with a wide open chorus and a spacious, airy beat anchoring everything. Lyrically, the song is about bodily, deeply human anxieties. 'It expresses a feeling of being trapped in myself, and wanting to break out of that so violently that I'm literally talking about opening up a body viscerally,' Sinclair explains. 'It's about frustration, and knowing there's no cheap thrill that's going to fix that.' The songs on Now Would Be A Good Time were workshopped on tour and written specifically with their shared connection in mind. Recording in Auckland with Tom Healy (Tiny Ruins, Marlon Williams) during winter 2024, the band built out these songs with minimalist, idiosyncratic arrangements, and, with voices and guitar taking center stage, recorded to tape as the final missing thread in bringing the album to life. The strongest link between the trio, aside from friendship, is music. 'We all talked about loving music when we were growing up, and knowing we wanted music to be a big part of our lives,' says Pilkington. 'But for me at least, when I looked into the future, it was this relatively mysterious thing.' Joining forces as a group demystified that future. That feeling—of music as an innate calling, as opposed to hobby or folly—was justified. Folk Bitch Trio have already toured across Australia, Europe and the US, supporting bands as disparate as King Gizzard, Alex G and Julia Jacklin. They've signed with Jagjaguwar, a home for singular icons and iconoclasts, and found their first fans with their dazzling harmonies and acerbic lyricism that transcend genre expectations and audience lines. Folk Bitch Trio announce their debut album release tour of New Zealand, playing headline shows in Auckland, Wellington & Christchurch. Tickets available from Moshtix from Friday, May 16.

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