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Toronto Star
10-06-2025
- Entertainment
- Toronto Star
Luminato Festival 2025: This new ‘immersive experience' is a monstrosity on the waterfront
Terceradix Luminarium 1.5 stars (out of 4) By Architects of Air. Until June 22 at the Harbourfront Centre. You would be forgiven for doing a double take as you approach 'Terceradix Luminarium,' a new immersive art installation on display at the Harbourfront Centre as part of the 2025 Luminato Festival. It's billed as a 'cathedral of light' and a 'monumental walk-in sculpture.' But, in reality, it's neither of those things. Instead, it could be more aptly described from the outside as resembling a supersized cluster of viruses: grey, alien and complete with spike proteins projecting from spherical bodies. Or an even better descriptor: a giant monstrosity on the waterfront. Things are much the same as you step inside this inflatable castle on steroids. That is, of course, after shelling out the $20 admission fee. ARTICLE CONTINUES BELOW Its structure, created by the U.K. company Architects of Air, is comprised of curvilinear passageways, conjoining and diverging at odd angles. Walking through them, you feel like a blood cell, siphoned through a series of veins and arteries. For a pneumatic installation, it's fitting that the structure's design explores ideas of expansion and contraction. The architecture, featuring pointed windows and intricate geometric patterns, also occasionally recalls both Gothic styles and Islamic art. Cramped corridors give way to airy rooms with vaulted ceilings, wrapped around the perimeter with cosy alcoves (which you're free to sit in, as some visitors did, leaning their backs on the rounded exterior wall). But overall, the pervasive mood is one of drabness. The predominant colour: a purgatorial grey. And the only source of light: those small, slim windows. Walk through some of the rooms, play with those bouncy walls and soon you'll want out. When I visited 'Terceradix Luminarium,' it was during an evening that featured a musical performance. Violinists Daria Skibitskaya and Diane Kim led my group through the installation, all while playing an eclectic mix of short pieces, ranging from Simon and Garfunkel to Bach. The pair are competent instrumentalists and their choice of repertoire, curated by National Ballet of Canada concertmaster Aaron Schwebel, is inspired. But it's hard to picture a worse performance venue than the entrails of an inflatable castle. ARTICLE CONTINUES BELOW ARTICLE CONTINUES BELOW Its acoustics warp the musicians' sound. That's even if you can hear them above the din of the generators, pumping air into the structure. (At one point, I was about to scream, 'Turn those damn things off already.' Then, I remembered that if we did, we'd probably all suffocate inside this humongous plastic balloon.) Though Architects of Air has been creating structures like 'Terceradix Luminarium' for decades, their continued popularity (or even rise in popularity) points to the Instagrammification of immersive art. Indeed, when I visited, it seemed like almost every other guest around me dropped $20 just to snap a photo inside the inflatable castle. Maybe they saw something inside this eyesore of an installation that I didn't. But for me, 'Terceradix Luminarium' is far from worthy of a spot on the 'gram.
Toronto Star
08-06-2025
- Entertainment
- Toronto Star
What does it take to portray the beautiful, tragic, complex heroine of ‘Anna Karenina'? It's physically and emotionally demanding for the National Ballet dancers sharing the role
Among Western literature's tragic heroines Anna Karenina surely ranks among the most famous. And, like so many literary heroines, the title character of Leo Tolstoy's 1878 door-stopper novel has been lifted from the page to become the subject of stage dramas, films, operas and, to date, at least seven noted ballet versions. Reputedly there has even been an ice-dance production. The National Ballet of Canada, under Karen's Kain's artistic direction, performed an adaptation by American-born choreographer John Neumeier in 2018. Now Kain's successor, Hope Muir, is introducing Canadian audiences to the work of acclaimed German choreographer Christian Spuck with the North American premiere of his more compact — two- as opposed to almost three-hour — version.
Hamilton Spectator
06-06-2025
- Entertainment
- Hamilton Spectator
Flowers, confetti, cheers as Guillaume Côté takes last bow with National Ballet
TORONTO - Ballet star Guillaume Côté has taken his last bow with the National Ballet of Canada. The celebrated principal dancer brought his palms to his heart and smiled as confetti and flowers rained onto the stage following a farewell show Thursday. Côté was saluted with an eight-minute standing ovation after the career celebration, which included his multimedia piece 'Grand Mirage' and a restaging of 'Bolero.' The Quebec-born dancer wraps a 26-year career with the Toronto company that saw him star in most of the biggest classical and contemporary roles including Romeo, Prince Charming and Prince Siegfried. He became a principal dancer in 2004 and has performed as a guest artist for major ballet companies in cities including Milan, London, New York, St. Petersburg and Hamburg. Also a choreographer, musician and composer, Côté now focuses on his dance company Côté Danse, which brings its show 'Burn Baby, Burn' to Toronto's Bluma Appel Theatre this weekend and Germany in July. He founded the company in 2021 and is also artistic director of a summer dance festival in Quebec known as Festival des Arts de Saint-Sauveur. – With files from Angelina Havaris This report by The Canadian Press was first published June 6, 2025. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .
Winnipeg Free Press
06-06-2025
- Entertainment
- Winnipeg Free Press
Flowers, confetti, cheers as Guillaume Côté takes last bow with National Ballet
TORONTO – Ballet star Guillaume Côté has taken his last bow with the National Ballet of Canada. The celebrated principal dancer brought his palms to his heart and smiled as confetti and flowers rained onto the stage following a farewell show Thursday. Côté was saluted with an eight-minute standing ovation after the career celebration, which included his multimedia piece 'Grand Mirage' and a restaging of 'Bolero.' The Quebec-born dancer wraps a 26-year career with the Toronto company that saw him star in most of the biggest classical and contemporary roles including Romeo, Prince Charming and Prince Siegfried. He became a principal dancer in 2004 and has performed as a guest artist for major ballet companies in cities including Milan, London, New York, St. Petersburg and Hamburg. Also a choreographer, musician and composer, Côté now focuses on his dance company Côté Danse, which brings its show 'Burn Baby, Burn' to Toronto's Bluma Appel Theatre this weekend and Germany in July. He founded the company in 2021 and is also artistic director of a summer dance festival in Quebec known as Festival des Arts de Saint-Sauveur. – With files from Angelina Havaris This report by The Canadian Press was first published June 6, 2025.
Toronto Star
24-05-2025
- Entertainment
- Toronto Star
This ballet prince says farewell to the National Ballet of Canada — Guillaume Côté feels fortunate for his career, but it also ‘really sucks' to leave
Stage The acclaimed principal dancer talks to Michael Crabb about leaving behind 'those magical moments when you felt so free, so alive' and his future as a choreographer. May 24, 2025 4 min read Save By Michael CrabbSpecial to the Star After an illustrious 27-year career with the National Ballet of Canada, internationally acclaimed principal dancer Guillaume Côté is about to take his final bows in a mixed bill appropriately entitled 'Adieu.' The four-part program is bookended by works Côté has choreographed. It opens with 'Bolero,' originally made for a 2012 gala, and ends with 'Grand Mirage,' a new work that will serve as Côté's very personal onstage valedictory. ARTICLE CONTINUES BELOW MC Michael Crabb is a freelance writer who covers dance and opera for the Star. Related Stories 'Swan Lake' thrills audiences with superb dancing — and the choice to play 'O Canada' at every performance Beyond tights and tutus: The National Ballet of Canada plans an eclectic 2025-26 season 'Burn Baby, Burn': How Canadian ballet icon Guillaume Côté is confronting climate change through dance Report an error Journalistic Standards About The Star More from The Star & partners
