Latest news with #NationalYouthOrchestra
CTV News
10 hours ago
- Entertainment
- CTV News
National Youth Orchestra performing free shows in Waterloo ahead of national tour
The future of classical music was on display at Wilfrid Laurier University. CTV's Jeff Pickel takes a listen. The best classically trained young musicians from across Canada have set up residency in Waterloo this month. The National Youth Orchestra (NYO) of Canada, consisting of 91 musicians between the ages of 16 and 28, are using the Wilfrid Laurier University music faculty for rehearsals and as performance space. As part of their preparations for a national tour, the NYO musicians are putting on free shows throughout June and early July. This year the orchestra consists of several members with local connections. Manuel Galvez is a third-year music student at Wilfrid Laurier University. 'It's really nice to know that there's like-minded people, they're very passionate about what they do. They're very disciplined,' said Galvez, who plays the viola. Galvez and others look at the NYO as part of their path to a professional music career. 'There's a lot of connections to be made because you never know if the person you're sitting across from while you're eating lunch is going to be the future concertmaster of the Toronto Symphony Orchestra,' said Galvez. Lauren Lee is a violinist from Kitchener, now attending the University of Toronto. 'It feels kind of new to me, seeing lots of talented musicians play together and the opportunity to watch everyone play in chamber and in orchestra,' Lee said. The Big Little Concert series runs until July 11th before the national tour begins on July 18th in Toronto.
The National
18-06-2025
- Entertainment
- The National
National Youth Orchestra becomes first from UAE to perform at Carnegie Hall
In the minutes leading up to the biggest performance of her young life, Renee Youssef, 14, will ensure she and her fellow National Youth Orchestra of Dubai members are in perfect pitch. More than leading any final tuning adjustments, the Egyptian-Lebanese violinist will project calmness and confidence. She'll strike the kind of posture that rallies the ensemble – that has earned a rare chance to perform at New York City's famed Carnegie Hall on Friday – with quiet assurance. 'It is an important role and one that I am grateful for and take seriously,' Youssef tells The National. 'It is about trying to make sure we are all ready and prepared, so when the show starts and they see the first stroke of my bow, they know we are all in this together.' The performance, regarded as the first by a UAE orchestra at the historic venue, marks the latest achievement of the NYO. Founded in 2018 with just four students, the ensemble has grown to include five orchestras comprising 200 musicians aged between five and 18. Entry and seating positions are determined by audition, with members taking part in a rigorous 37-week season punctuated by weekly rehearsals. 'What we all built together is a system,' co-founder Amira Fouad says. 'It's not just an orchestra anymore. It's a philosophy, a movement, an idea and a mission. 'And that's why people are saying this isn't just about playing. It's not just about going to rehearsal. It's about learning how to be independent, how to show up, how to take responsibility, how to lead. It started with an instrument, perhaps a cello at an audition, and now we're here at Carnegie Hall.' Fouad knows it sounds almost too good to be true. When the official email invitation was sent to her in May, on the back of the company's annual season closing concert at Dubai Opera, she initially binned it. 'Listen, I deleted it because I was sure it was some sort of scam,' Fouad says. 'When you get an email saying: 'Congratulations, your orchestra has been selected to perform at Carnegie Hall', you assume it's not genuine. It wasn't until they followed up and scheduled a Zoom meeting that I realised this was actually happening.' The proposal was for the orchestra to take part in the Viennese Masters Invitational, with the NYO joining fellow youth ensembles from the US, including the South Carolina Philharmonic Youth Orchestra and Utah's Mountain View High School Chamber Orchestra. The next 10 months saw the NYO undergoing intensive preparation, both on stage and behind the scenes, to bring more than 100 people to New York. Families and staff largely self-funded the journey, with Dubai Culture also providing scholarships for select members. That financial reality only served to strengthen the resolve of all involved, Fouad notes. 'It felt like one big family project – the parents, the volunteers and our team all doing their part,' she says. 'It really brought us together in a different way, because everyone understood this wasn't just a trip, but a huge commitment. The fact that people still went ahead with it shows how much belief there is in what we're doing.' The commitment was evident when The National visited the final rehearsals at Dubai's Nord Anglia International School at the weekend. Emirati, Egyptian, Lebanese, Indian and Japanese students were fine-tuning works by composers including Beethoven and Mozart in preparation for Carnegie Hall. That harmony extends beyond the stage, with students exchanging tips and experiences on a regular basis. 'I honestly feel like I've grown up here,' says Palestinian Zein Khawaja who, at 17, has already spent seven years with the orchestra. 'What I love is that it doesn't feel like we're in separate groups. We all talk to each other and learn so much from different people because there are so many nationalities here – and that's really interesting.' That sense of collectiveness is by design, Fouad notes, with constant rehearsals fostering a cohesiveness built on discipline and mutual accountability. 'These are life skills, which they're taught from the moment they join the prep orchestra,' Fouad says. 'They might show up with their cello and a teddy bear, but it starts there – being independent, being responsible. We don't wait until they're 17 to deliver that message. It's embedded in everything we do. You show up. You prepare. You listen. You work with others. That's what it means to be part of an orchestra – and part of a community.' US conductor and educator Jonathan Barrett, who joined the NYO in 2022 after teaching in schools across Abu Dhabi and Dubai, is helping shape that mindset. 'The word maestro actually means teacher,' he says. 'And the lessons you teach go deeper than music itself. You're trying to instil values – self-control, focus, discipline – so they can overcome challenges. 'The music is hard. Very hard. But if they learn to persist, listen and work together, they'll realise those same qualities apply to everything else in life. So, yes, we're preparing for concerts but, really, we're preparing people.' Khawaja is looking forward to carrying those life lessons with her as she eventually moves on from the orchestra for university. 'For me, music is an escape – something I turn to when I'm stressed,' she says. 'I don't want it to become my whole life, because then I'd lose that feeling. I plan to study architecture, but I'll definitely keep playing the violin. It's a part of who I am. Even if it's just in my room, I know I'll always come back to it.' Whether or not each member pursues music in the long term, the NYO's performance at Carnegie Hall will continue building the ensemble's legacy – and leave a lasting mark on each performer. The kind that comes from taking on a monumental challenge and, together, seeing it through.
Daily Mail
05-06-2025
- Entertainment
- Daily Mail
EXCLUSIVE Rise of the TikTok Organist: How a vicar's daughter bewitched royalty and sold out the Royal Albert Hall in hours - as her viral organ performances see her branded the 'Taylor Swift of classical music'
She has been dubbed the ' TikTok Organist' and received widespread praise for her accessible, charismatic and playful videos about her favourite instrument. Now, Anna Lapwood - who is seen as classic music's answer to Taylor Swift - has been handed her biggest role yet as the Royal Albert Hall's first official organist. Aged just 29, she has racked up more than two million social media followers and is fast becoming a trailblazer for young women in a field traditionally populated by men. Buckinghamshire-born Miss Lapwood first performed at the iconic London venue as a teenager in 2012 when she was a member of the National Youth Orchestra. The BBC and Classic FM presenter attended Oxford High School and then Magdalen College, Oxford, where she was its first female organ scholar and then joined Pembroke College, Cambridge in 2016 where she became director of music. In June last year Miss Lapwood – who uses the hashtag #PlayLikeAGirl - was made an MBE for services to music in the New Year Honours, urging Princess Anne upon receiving the award that she should take up the organ and play at Windsor Castle. She stepped down from Pembroke in February to focus on her career as a concert organist, and was named last month on the Sunday Times' Young Power List, celebrating the most powerful 30 people under 30 in the UK. Miss Lapwood had been a Royal Albert Hall associate artist from 2022, and her latest headline performance at the venue on May 15 sold out in under 24 hours. Anna Lapwood regularly posts videos on TikTok of her practicising and playing to huge crowds Anna Lapwood has played the music from films such as Interstellar and Top Gun on the organ In four-star reviews for the show, the Guardian said she was 'charismatic enough to sell out a midweek gig and have a packed hall eating out of her hand', while the Times told how she 'mixed the music with an almost Adele-like level of personal chat'. She was also a soloist during the 2021 BBC Proms season, and has since headlined the venue - as well as teaching Benedict Cumberbatch and Tom Cruise about its famous organ. Miss Lapwood can also play the piano, violin, viola and the harp. Now, the venue has created a new role for her as the first 'Organist of the Royal Albert Hall' with the aim of increasing national access to organ and choral music. She will be headlining auditorium concerts and making guest appearances with artists, while also trying to increase accessibility to the organ by holding open sessions. The venue's organ was the biggest musical instrument in the world when it was unveiled 154 years ago, described by its builder Henry Willis as 'The Voice of Jupiter'. It was played at the Hall's opening ceremony in 1871, where its wind system was powered by two steam engines. Musicians who have performed on it include Camille Saint-Saëns, Anton Bruckner, Pink Floyd's Richard Wright, and the rock band Muse. Miss Lapwood - who has played with artists such as Bonobo, Aurora, Raye and Florence and the Machine - was described by Harper's Bazaar as 'classical music's Taylor Swift'. The publication added: 'Like Swift, Lapwood is a once-in-a-generation talent: she's irreverent, charismatic, a born performer and a whip-smart communicator. Dispel all your preconceptions about what an organ recital might ordinarily entail.' The New York Times has called her 'the world's most visible organist'. Miss Lapwood, who opened the Baftas in 2019 at the Royal Festival Hall, has also just released a new album called Firedove which includes original compositions - and has curated an all-night BBC Prom taking place in August. Speaking about her new role, she said: 'I feel very lucky to have been allowed access to the incredible instrument at the Royal Albert Hall over the last few years and it has taught me so much, so I'm incredibly excited to be continuing my partnership with the Hall as its official organist.' She added that she was looking forward to opening up access to the instrument to more organists, starting with the launch of a new organ scholarship. It comes after Miss Lapwood discovered the organ aged 15 when it was brought to her attention by her mother, a paediatric nurse. Back in June last year, Miss Lapwood - whose father was a Church of England priest - revealed she had told the Princess Royal to take up the organ and play at Windsor Castle. She said at the time: 'I said 'Have you ever had to go on the organ?' and she said 'No, I haven't, I think it's a bit late'. And I was like 'Oh, I think you can I think you could do it, you should do it'.' Miss Lapwood also said that they had talked about the importance of making women feel comfortable in music, adding that the organ was a 'previously male-dominated world'. In September 2022, she famously had an impromptu duet with a passing security guard at London Bridge station in the days after Queen Elizabeth II died. Miss Lapwood stopped to play the organ at the station when she was approached by a security guard called Marcella, who revealed she was a classically trained singer. The pair performed the national anthem, God Save The King, and then at the request of Marcella, Miss Lapwood launched into a rendition of Lascia ch'io pianga by Handel. In January 2021 Miss Lapwood hit the headlines for her humorous reaction to being put on hold to the same movement of a Mozart symphony for over an hour, when she started playing along Miss Lapwood posted a clip of her duet with Marcella on X and the video quickly went viral, racking up over three million views. And back in January 2021 she hit the headlines for her humorous reaction to being put on hold to the same movement of a Mozart symphony for over an hour. Miss Lapwood found herself listening to the same segment of the piece whilst stuck on hold to Energy for 70 minutes - so she started playing along with her electronic pipe organ at home. Speaking to Classic FM in 2019, she said: 'When I took up the organ, I really had no idea what world I was getting into. 'I feel there's a responsibility to help provide the opportunity for young girls to realise they could be an organist too. I think the reason they don't take it up is because they don't even think about it. 'They don't see visible female role models playing the organ. It tends to be seen as either something for a certain kind of man or a little old lady, and that's not something a little girl is going to aspire to be.'
Business Insider
27-05-2025
- General
- Business Insider
My 79-year-old wife was just accepted into Oxford. My job now is to figure out how to support her — financially and emotionally.
Last year, after 25 years as a successful piano teacher, my wife, Susan, decided to go back to school for a master's degree in music theory — at 79 years old. When I married Susan eight years ago, I knew she was a gifted teacher, one who puts in the hours needed to do her best and who genuinely cares about every student. But then last year, Susan started to explore ways she could learn more about music and how she wanted to return home to the UK from Canada. Almost on a lark, she applied to the oldest university in the English-speaking world: Oxford. In March, word came back that Susan had been accepted at the university that most British students dream of attending. We couldn't be more excited, but it's not an easy road ahead as her 80th birthday is fast approaching. Being a student at 79 will come with challenges Susan has always been an accomplished woman. She studied the piano from the age of 5, played cello as a teenager in the National Youth Orchestra, and became a successful animator. She put her education on hold to raise a family and went back to school in Canada in her 50s. Now, returning to university after 25 years as a self-employed piano teacher will most likely be difficult for Susan. As a 79-year-old, completing assignments will take longer, and she can't pull all-nighters like younger students. She has to accept that seven or eight hours a day of school work will be the limit for her. Resting in between her lessons will be the most important thing for her. Susan also has to manage her other commitments, such as doctor's appointments, a daily gym workout, and stopping for a bottle of wine on some evenings. I'm trying to hold everything else together My job is to support Susan through this period. I will focus on cooking, cleaning, and shopping. I will also do the laundry, watch the bills, and make sure that we have paper and toner for the printer. When it comes to her schoolwork, I'll be a sounding board, a proofreader, and an editor. At times, when the frustration seems too much, I take the brunt of the anger and doubt. She often asks me, "Am I too old? Do I want to work in an academic setting?" At times, she even asks, "Will I even be around long enough to finish a degree?" Those are difficult questions to answer, but I remind her of the sheer exhilaration I see in her when doing this work. I can see it when she suddenly learns a new idea and excitedly shares it with me. I can see that Susan was born to be an academic, to do this research, and to make these discoveries. We're still figuring out how to afford this dream Oxford won't be cheap. We both have small pensions, retirement savings, and income from teaching and writing. We also know it would be foolish to throw everything into chasing this one incredible opportunity. That's why I've set up a GoFundMe to raise money to make this journey possible. I'm confident that we'll find a way to make it happen. I know it will be tight, and there will be struggles, but to see Susan back home in Britain and to see her fulfill her dream of studying at Oxford will fulfill my own dream of seeing Susan proud, successful, and happy. Now, she will get to spend her 80th birthday at one of the most prestigious universities in the world.
