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Irish Independent
2 hours ago
- Entertainment
- Irish Independent
Billie Eilish at the 3Arena, Dublin: Everything you need to know
Today at 00:30 Grammy award-winning singer Billie Eilish brings her Hit Me Hard And Soft tour to Dublin's 3Arena this weekend, with gigs on July 26 and 27. The 23-year-old pop sensation, who initially made waves with her single, Ocean Eyes, aged just 15, has since become one of the biggest names in music. Here's everything you need to know ahead of her 3Arena gigs. When and where are the concerts? Billie Eilish will perform two gigs in Dublin's 3Arena on Saturday, July 26, and Sunday, July 27. Are there any tickets left? Tickets sold out for the two gigs almost instantly, but if you're very lucky you might get a resale ticket on When do doors open? Doors open at 5.30pm, with the supporting acts set to begin around 7pm. Billie Eilish should take the stage at 8.30pm and her set should last roughly one hour and forty minutes, with the concert set to end at 10.15pm. Will there be an opening act? ADVERTISEMENT Learn more Yes, on both nights Billie Eilish is to be supported by Syd, an American R&B singer. Can under-16s go? Under-16s need to be accompanied by a parent or guardian. Standing is strictly over-14s. What songs will Billie perform? Based on her most recent setlist on July 20 in Manchester, here are the songs that Billie will likely perform this weekend. CHIHIRO LUNCH NDA Therefore I Am WILDFLOWER when the party's over THE DINER ilomilo bad guy THE GREATEST Your Power SKINNY Halley's Comet bury a friend Oxytocin Guess (Charli xcx cover) everything I wanted lovely / BLUE / ocean eyes L'AMOUR DE MA VIE What Was I Made For? Happier Than Ever BIRDS OF A FEATHER How do I get to the 3Arena? Travelling to 3Arena couldn't be easier. It is situated in the heart of Dublin's docklands which is very well served by public transport including bus, rail and Dart services. Irish Rail provides a great link to the city from all over the county, bringing you to Connolly or Heuston Station from where you can hop on the Luas, straight to 3Arena. You can travel to the doorstep of the venue via the Luas Red line. There are extra trams on show nights to cater for the large numbers travelling to and from 3Arena. A full schedule and live information is available on Dublin Bus offers a high frequency and accessible service from all over Dublin to within a 20-inute walk of 3Arena. The 151 route operates every 10 minutes during rush hour and will leave you on Castleforbes Road, the closest stop to the Venue, just a two-minute walk away. The last bus departs Castleforbes Road at 11.15pm, Monday to Saturday. There is limited car parking available in The Point Village car park, but this carpark is not operated by 3Arena. With large numbers gathering on show nights, traffic congestion can delay your arrival and departure so it's encouraged to use public transport where possible.
Daily Mirror
10-07-2025
- Entertainment
- Daily Mirror
'I paid to see Billie Eilish's UK tour but selfish fan ruined gig'
A woman has gone viral on social media after sharing a clip of her experience at a Billie Eilish concert, where she wasn't able to actually hear the singer due to a "baffling" reason Many music fans dream of catching their idols live in concert, willing to splash out on tickets to hear their favourite tunes performed up close. Yet, one woman's experience at a Billie Eilish gig took an unexpected turn when she found herself unable to hear the star due to an unusual disturbance. Ana, who goes by anapanaderoo on TikTok, went viral after posting a clip from the concert where an opera singer seemingly drowned out Eilish 's performance. The video, captioned "Who was singing opera next to me at the Billie Eilish concert?", showcases the moment Eilish's voice is overshadowed by powerful operatic vocals. The footage has racked up over 400,000 views and sparked a flurry of comments from shocked viewers. One person quipped: "Who's this diva (literally)?", while another remarked: "Out singing the singer." A third commented in disbelief: "Is this real? I'm weak." Another shared their mixed emotions, writing: "I would be so mad, then laugh. Then be mad when it never stops." One more viewer joked: "God forbid a Renaissance diva attends a Billie Eilish concert." Someone else lamented the high cost of tickets, adding: "With ticket prices these days, I would be so mad." Billie Eilish, 23, is currently thrilling fans on her "Hit Me Hard And Soft" tour, and recently wowed crowds in Glasgow, with ticket prices reportedly ranging from £65.00 to a steep £160.00. The US songstress first captured hearts in 2015 with her debut single "Ocean Eyes", penned and produced by her brother, Finneas O'Connell. Her subsequent EP, "Don't Smile at Me", released in 2017, became an international sensation, topping charts in the US, UK and Australia. Her first full-length album, "When We All Fall Asleep, Where Do We Go?", catapulted to the top of both the US Billboard 200 and the UK albums chart, becoming one of the hottest albums of the year. In 2020, Eilish lent her voice to the James Bond theme "No Time to Die", which soared to number one in the UK singles chart and snagged the Academy Award for Best Original Song. Eilish's meteoric rise has undoubtedly cemented her as a favourite in the UK music scene. Yet, concertgoers expect to experience her unique sound live, which is why Ana was left baffled when an operatic performance dominated her show experience, sparking a divide among fans. One fan expressed their frustration, saying: "I like opera, but this would annoy me so much. Just want to see and hear Billie." Another fan was less reserved, commenting: "Not to be one of those people, but this would p*** me off so bad. "I came to see Billie. If I wanted to I'd have gone to the opera house to see Phantom of the Opera, but not this." Another person chimed in with: "There's no need to be doing all that." However, some found humour in the situation, admitting they thought Eilish would find it "hilarious."
Daily Record
10-07-2025
- Entertainment
- Daily Record
Woman pays to see Billie Eilish live in Scotland but gig is 'ruined' by one thing
Ana has gone viral after sharing a video of her unique experience of a Billie Eilish gig on social media. One fan appeared to "ruin" her time at the music event Many music fans dream of witnessing their favourite artists perform live, as there's something truly special about experiencing beloved tracks in person, and some fans are willing to pay whatever it takes for that chance. Yet, a recent incident left one woman in Glasgow astounded when she attended a Billie Eilish concert only to find the performance drowned out by an unexpected source. Ana, who goes by anapanaderoo on TikTok, shared her bewildering experience this week, and the video quickly went viral, leaving viewers astonished at what transpired during the show. In the video, Ana captioned over footage of the event: "Who was singing opera next to me at the Billie Eilish concert?", and the clip then reveals Eilish's vocals being completely overshadowed by an adjacent concertgoer's operatic rendition. The video has since amassed over 400,000 views, with thousands of comments from people who were utterly surprised by the occurrence. One person commented: "Who's this diva (literally)?", while another remarked: "Out singing the singer." A third user questioned the authenticity, saying: "Is this real? I'm weak." Another shared their mixed emotions, adding: "I would be so mad, then laugh. Then be mad when it never stops." Someone else also said: "God forbid a Renaissance diva attends a Billie Eilish concert." One more also replied: "With ticket prices these days, I would be so mad." Billie Eilish, 23, is currently thrilling fans on her "Hit Me Hard And Soft" tour. The star recently took to the stage in Glasgow, with ticket prices reportedly ranging from £65.00 to £160.00, according to reports. The American singer-songwriter shot to fame in 2015 with her debut single "Ocean Eyes", penned and produced by her brother, Finneas O'Connell. Her subsequent release in 2017, the EP "Don't Smile at Me", saw international success across the US, UK and Australia. Her first studio album, "When We All Fall Asleep, Where Do We Go?", soared to the top of both the US Billboard 200 and the UK albums chart, becoming one of the best-selling albums of that year. In the following year, Eilish delivered the theme song "No Time to Die" for the James Bond film of the same name, topping the UK singles chart and securing the Academy Award for Best Original Song in 2022. Eilish's meteoric rise has clearly cemented her fan base in the UK, with a string of triumphs under her belt. Yet, concertgoers expect to experience her voice live when attending her performances. This expectation led to confusion for Ana, who was greeted with an operatic performance instead of Eilish's signature sound during the show, sparking a divide among fans. One person remarked: "I like opera, but this would annoy me so much. Just want to see and hear Billie." Another expressed frustration, commenting: "Not to be one of those people, but this would p*** me off so bad. "I came to see Billie. If I wanted to I'd have gone to the opera house to see Phantom of the Opera, but not this." Another individual chimed in with: "There's no need to be doing all that." However, some found humour in the situation, and speculated that Eilish would have found it "hilarious."
Scottish Sun
08-07-2025
- Entertainment
- Scottish Sun
Billie Eilish kicks off UK tour with stunning and soulful show in Glasgow
Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) BILLIE EILISH proved why she remains one of the most captivating artists of her generation as she kicked off her UK tour in Scotland. After nearly a decade of following Eilish's career, from discovering Ocean Eyes in my bedroom as a 13-year-old to watching her grow into a global superstar, seeing her live at the OVO Hydro in Glasgow was nothing short of extraordinary. Sign up for the Entertainment newsletter Sign up 5 Billie Eilish on stage at the OVO Hydro in front of 14,000 adoring fans Credit: EILIDH ROWE 'It's a long time since I've been here. I love coming here so much,' she gestured to the Glasgow crowd. And the feeling was mutual – fans had camped out overnight, buzzing with excitement. This was the first of two sold-out nights in Scotland, and the energy inside the Hydro was electric from the moment she stepped out on stage. 5 Fans were so desperate for a good spot at the gig they camped out the night before Credit: Steve Welsh 5 The US singer's fans were in it for the long haul Credit: Les Gallagher Opening the show with Chihiro, Eilish emerged atop a massive video box at the centre of the stage – a stunning, 360-degree setup that allowed every fan to feel close to the singer. Lasers and strobe lights bounced across the arena as the first beat dropped, and the arena roared in unison. The stage design was not only immersive, but aligned with her sustainable mission, highlighted in a pre-show video that detailed her tour's eco-conscious efforts – including plant-based concessions and merchandise made from recycled materials, which was met with cheers. The setlist was masterfully curated. Guess brought a euphoric crossover moment, with Charli XCX flashing across the screens as Eilish and the crowd danced to the hyperpop-inspired track. Some fans were even kitted out in Brat merch, blending the two fandoms together perfectly. A standout moment came during 2018 hit when the party's over, when Eilish requested a minute of complete silence from the audience. The arena fell still as she looped her vocals live, layering harmonies that drew goosebumps. Throughout the show, there were moments of catharsis that hit deep with the crowd. Belting out the searing crescendo of Happier Than Ever with 14,000 voices felt like releasing years of emotion and while Your Power struck a quieter, more reflective chord, the entire room was still entranced. But for me, nothing compared to hearing Ocean Eyes. I sang every word, flashlight held high, tears in my eyes. Nine years of memories flooded back as Eilish, seated at a piano, serenaded a room full of fans who had grown up with her. AMAs were an 'embarrassing mess' after stars like Billie Eilish 'refused to attend' and other A-listers 'didn't show up' She closed her magnificent set with Birds of a Feather, confetti canons erupting and the crowd danced and screamed every lyric. Dressed in her signature baggy fit, she looked entirely in her element as she thanked the crowd. 'It's an honour to be back,' she said. And for us? It was an honour to have her. 5 Confetti filled the air just as Eilish's voice filled the room for Birds of a Feather
Kuwait Times
17-06-2025
- Science
- Kuwait Times
Startups show off ocean-preserving tech at Paris trade fair
PARIS: Harnessing ocean currents to boost fuel efficiency of vessels, or tracking whales using sensor data and AI — startups at Paris trade fair Vivatech have been showing off the latest innovations aimed at protecting the environment. Recently developed AI programs capable of learning from vast datasets have boosted projects trying to understand and predict real-world phenomena, several company founders told AFP. 'We have to use AI because in the natural world there are too many variables' to deal with manually, said Emily Charry Tissier, a biologist and founder of Canadian startup Whale Seeker, which is developing technology to track sea mammals. Powered by 'neural network' systems that ape the functioning of the human brain, the learning systems behind today's AI models 'can calculate a weather forecast 1,000 times faster than a standard digital model running on a supercomputer', agreed oceanographer Alexandre Stegner. He flagged an AI model developed by his firm, Amphitrite, that he said could predict ocean currents by crunching 'several layers of satellite data corresponding to different physical variables'. It can forecast currents up to 10 days in advance, he said, offering sea captains 'a simple way to save fuel' by slightly changing course and using currents to gain a speed boost of up to four knots. That could save operators money on fuel, reduce the carbon emissions from shipping, and avoid the classic solution of telling sea captains to reduce their speed. Global protection push Technologies like these were being shown off in the halls of Vivatech as the UN Ocean Conference (UNOC) drew to a close hundreds of kilometres to the south in French Mediterranean city Nice. The conference has pushed a treaty to protect 60 percent of the world's oceans closer to becoming law, with 55 signatures — just five shy of the number required for its enactment. New technologies could be 'a very good thing' for the oceans, said Andre Abreu, International Affairs Director at the Paris-based Tara Ocean Foundation. But he warned that innovation should not be harnessed to allow more fish to be caught. 'That would mean shooting ourselves in the foot' on goals like preserving marine biodiversity, he said. That ambiguity can be seen in technology from OceanEyes, a Japanese startup using AI analysis of satellite data to predict sea conditions. The company hopes to cut the time fishing boats spend tracking down a catch. 'A big problem in Japan is the efficiency of the fishery operations. Many fishers spend a lot of time searching for fish in the water,' said boss Yusuke Tanaka. With less fuel burnt, operators will save money and greenhouse emissions can be slashed. Anticipating concerns about overfishing, OceanEyes said it also aimed to help vessels comply with recently updated Japanese regulations that oblige fishers to 'ensure sustainable use of marine resources'. 'Can' vs 'should' Whale Seeker's Tissier said technology could be used in a considered way to find sustainable solutions. 'I'd like the market to recognise its own limits—not the limits of what we can do, but what we should do,' she told AFP. That attitude pushed her to refuse to work with a company that wanted to use whale detection to identify nearby fish to catch. But startups cannot grow without funding and, in the context of oceans, investments are likely to come from big firms keen to make a saving—from fishing and ship management companies to haulage and logistics giants. This could well limit their ability to stand on principle. Stegner called for 'regulations that would push the maritime sector to reduce carbon emissions'. But Charry Tissier said the initiative could come from business. 'Technology is developing so much faster than regulation... what I'd like is for big companies to decide for themselves to be responsible,' she said. — AFP
