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Washington Lottery Mega Millions, Cash Pop results for June 27, 2025
Washington Lottery Mega Millions, Cash Pop results for June 27, 2025

Yahoo

time9 hours ago

  • General
  • Yahoo

Washington Lottery Mega Millions, Cash Pop results for June 27, 2025

The Washington Lottery offers several draw games for those aiming to win big. Here's a look at June 27, 2025, results for each game: 18-21-29-42-50, Mega Ball: 02 Check Mega Millions payouts and previous drawings here. 06 Check Cash Pop payouts and previous drawings here. 6-2-7 Check Pick 3 payouts and previous drawings here. 01-02-18-24 Check Match 4 payouts and previous drawings here. 21-26-28-32-35 Check Hit 5 payouts and previous drawings here. 03-08-11-12-20-26-29-30-32-37-41-45-50-53-56-57-66-70-75-77 Check Keno payouts and previous drawings here. Feeling lucky? Explore the latest lottery news & results All Washington Lottery retailers can redeem prizes up to $600. For prizes over $600, winners have the option to submit their claim by mail or in person at one of Washington Lottery's regional offices. To claim by mail, complete a winner claim form and the information on the back of the ticket, making sure you have signed it, and mail it to: Washington Lottery Headquarters PO Box 43050 Olympia, WA 98504-3050 For in-person claims, visit a Washington Lottery regional office and bring a winning ticket, photo ID, Social Security card and a voided check (optional). Olympia Headquarters Everett Regional Office Federal Way Office Spokane Department of Imagination Vancouver Office Tri-Cities Regional Office For additional instructions or to download the claim form, visit the Washington Lottery prize claim page. Powerball: 7:59 p.m. PT Monday, Wednesday and Saturday. Mega Millions: 8 p.m. PT Tuesday and Friday. Cash Pop: 8 p.m. PT daily. Pick 3: 8 p.m. PT daily. Match 4: 8 p.m. PT daily. Hit 5: 8 p.m. PT daily. Daily Keno: 8 p.m. PT daily. Lotto: 8 p.m. PT Monday, Wednesday, and Saturday. Powerball Double Play: 8:30 p.m. PT Monday, Wednesday and Saturday. This results page was generated automatically using information from TinBu and a template written and reviewed by a Washington editor. You can send feedback using this form. This article originally appeared on Kitsap Sun: Washington Lottery Mega Millions, Cash Pop results for June 27, 2025

Miami's Olympia theater holds lifetime of memories for this reporter. And probably you
Miami's Olympia theater holds lifetime of memories for this reporter. And probably you

Miami Herald

timea day ago

  • Entertainment
  • Miami Herald

Miami's Olympia theater holds lifetime of memories for this reporter. And probably you

Imagine being a fan who helped lure a superstar singer to perform her first and only major concert in your own hometown. That fan was me, in my role as pop music critic at the Miami Herald. That star was Carly Simon. And a big part of the draw was the allure of Miami's elegant Gusman Center, also known as the Olympia theater. Simon, now 82, is a music legend who wrote and recorded one of pop culture's most famous songs — so enduring that Taylor Swift cited the 1972 hit, 'You're So Vain,' as 'the best song that has ever been written.' That's coming from Swift, who built a legion of fans on chronicling breakups. The Oscar- and Grammy-winning composer became a star attraction in the 1970s but stage fright largely kept her off the road for most of her career. It was May 2007 when I made my call. A key to my pitch was that Florida International University's theater department was staging her family opera, 'Romulus Hunt.' The event was conceived by then FIU head theater director Phillip Church to support a not-for-profit that helped children in foster care. Getting Simon to put on a show the night before her opera would be a huge boost for the benefit. I can still remember part of my conversation with Simon 18 years ago touting the Olympia. '...Oh, and the venue is beautiful. It's historic. You'll like it and it's not too big and overwhelming like an arena.' The following year, the theater added Simon's rare live concert to its long list of memorable moments. Olympia's fate? Now Miami's talking about giving away the Gusman? The clouds in my coffee are forming twisters. Do our memories go along with that deal? Mine are priceless. Bet yours are, too. As the Herald has reported, Miami officials are considering turning over control of the historic Olympia Theater on Flagler Street in downtown Miami to a Little Havana charter school. MORE: In murky deal, Miami may give storied 1926 Olympia theater to Pitbull's charter school The Olympia is also known as the Gusman Center for the Performing Arts from the mid-1970s to 2014, in honor of philanthropist Maurice Gusman who donated the property to the city in 1975. Whatever its name, the theater has such a storied history. Olympia's history The Olympia opened on Flagler Street as a silent movie palace in 1926 as one of the original Publix Theatre movie palaces. Yep, Publix before the Publix you go to for Pub Subs and BOGOs. Publix founder George Jenkins liked the sound of the name 'Publix' so he took it when the Florida-based movie chain folded at the time of the Great Depression. Jenkins needed a name for his first store in Winter Haven, Florida, in 1930, and 'Publix' sounded right, according to his 1979 memoir. MORE: How did Publix supermarket get its name? It's a Florida story made for the movies From Elvis to Buffett The Olympia/Gusman hosted the Miami Film Festival in the 1990s and 2000s as its premier venue. Elvis Presley performed in concert there in 1956. So did B.B. King, Etta James, The Marx Brothers and Gypsy Rose Lee. Italian operatic tenor Luciano Pavarotti and Canadian rocker Bryan Adams played the venue too. Jimmy Buffett played a three-night gig at the Maurice Gusman Cultural Center on Aug. 14-16, 1978. These shows were taped and formed much of the material featured on his 1978 two-disc live album, 'You Had to Be There.' The rest of the set's live material was recorded days earlier from Atlanta's Fabulous Fox concert venue. Gosh, I wish I had been there at his Gusman concerts when I was 15. On the Gusman stage, Buffett 'Floridized his songs and commentary, with references to stolen sunglasses from Eckerd's, beer at Captain Dick's in the Grove. Pelican Pete's in Key Largo, Stuckey's with its pecan rolls and 'free alligators for the kids,'' future Herald theater critic Christine Dolen wrote in her review of opening night. Buffett premiered new material from the Gusman, too. One of those songs, 'Morris' Nightmare,' made it onto 'You Had to Be There.' It was a song about a cruise-ship couple, alias 'condo commandos and snowbirds,' Buffett quipped at the Gusman. Can you imagine that track originating anywhere else but Miami? That live album was a perennial on boomboxes at swim meets with my fellow Hurricanes teammates, I told Buffett in December 2021. We were chatting on the eve of the 50th anniversary of the launch of his career from Key West. One of many conversations. I miss Jimmy. He was his endearing stage persona Miami fans who were there at the Gusman saw so many years ago. MORE: 'The longevity of mischief.' Jimmy Buffett looks at 50 years after his first Key West gig The Police and Cash Around that time in 1978, The Police were a fledgling late-'70s New Wave rock act led by Sting when they graced the Gusman. I hadn't started going to rock concerts just yet. But I got to walk around the backstage catacombs at the Gusman with Police drummer Stewart Copeland about 16 or so years later in 1994 when he was checking out the venue at a soundcheck. He performed with a group of African percussionists on its stage to promote his post-Police project, The Rhythmatist. 'I've been always interested in music from around the world,' Copeland told the Herald at the time. Johnny Cash played the Gusman in 1995 when he was enjoying a musical and commercial renaissance that sustained him for the rest of his life. 'This hasn't been my best night, but I loved being with you,' Cash apologized to his audience toward the show's end. Puzzled, I shook his hand backstage moments after and continued a chat we'd had in an interview pre-show. The Man in Black was a perfectionist. He was all smiles afterward. So much for the brooding reputation. The man's charisma wattage was tuned so high in person the City of Miami probably saved a few bucks on its electric bill for running the theater's stage lights that night. Carly Simon's Miami debut Carly Simon, however, is my most cherished Gusman memory. A career highlight. FIU's Church wanted to stage Simon's 'Romulus Hunt' after seeing a production in North Carolina. Simon's family opera tells the story of a 12-year-old New York boy who is shuttled between divorced parents who plots to bring his incompatible parents back together. Simon wrote the parents as 'exaggerated' versions of herself and ex-husband, musician James Taylor, she said. The former couple share two children. 'I've seen a lot of divorces, unfortunately, and so many kids are left confused [or] in a state of denial,' Simon said. 'The fights can be worse. The children can feel grabbed at and totally in the middle.' Church knew I'd had connections to Simon. I'd written about her often for the Herald. Flew out to see her in rare one-off concerts in Columbus, Ohio, and New York's famous Apollo for a Christmas show. He wondered if I'd reach out and gauge Simon's interest in taking part in some way with his production. I'd admired Church's work at FIU when I was a grad student just before joining the Herald in 1991. A concert and opera, both to benefit CHARLEE, the not-for-profit that supported foster children in Miami, was what Church had in mind. Simon's participation would sell that concept and fill the Gusman. 'I seem to find less and less pleasure in doing theater for theater's sake. These days, I feel I have to be compelled by a social need,' Church told me then. He's retired from FIU but still staging stories for his local community theater group What if Works. He was a fan of Simon. So was the late Marilyn March, who died in 2020 from pancreatic cancer. She was development director for CHARLEE, the foster care organization that stood to benefit from Simon's 'Romulus Hunt' and her concert the night before. 'Many of our children are the product of broken homes, and the divorce rate today is staggering,' March told me. 'We all grew up with Carly Simon's music and we knew how much of her personal life's journey is reflected in her lyrics.' Could I possibly convince the stage-shy Simon to say yes by simply vouching for these people? Simon sang an array of her hits from the Gusman stage. 'You're So Vain,' of course. 'Let the River Run' and 'Anticipation.' She sang a song about her and Taylor's daughter Sally from her then new album. Their son Ben Taylor played guitar and sang harmonies with his famous mom at the Gusman. Simon sang her son's song, 'Island.' 'If I can recommend a life experience, have Carly Simon play one of your songs on stage,' Taylor told the Miami audience. 'These songs have different meanings because we're old now,'' Simon, then 64, teased as she introduced her familial 'Coming Around Again.' I'm so vain. I apparently convinced Carly. A memory as precious as the Olympia.

ImageSource Completes Seamless Migration from ApplicationXtender to ILINX for Top 20 National Credit Union
ImageSource Completes Seamless Migration from ApplicationXtender to ILINX for Top 20 National Credit Union

Yahoo

time2 days ago

  • Business
  • Yahoo

ImageSource Completes Seamless Migration from ApplicationXtender to ILINX for Top 20 National Credit Union

OLYMPIA, Wash., June 26, 2025 /PRNewswire/ -- ImageSource, Inc., the leading provider of intelligent process automation solutions, announced the successful migration of a top national Credit Union from OpenText's ApplicationXtender to the ILINX® Process Improvement Platform. The migration marks a major milestone in the Credit Union's modernization initiative to improve member service, operational efficiency, and data governance. The Credit Union, managing nearly $12 billion in assets and serving millions of members nationwide, sought a future-ready platform to streamline content management, enhance security, and integrate seamlessly with core banking systems. ImageSource delivered a comprehensive strategy that included content analysis, automated migration tools, secure validation processes, and a highly configurable deployment of ILINX tailored to meet the Credit Union's compliance and service delivery goals. "This is a shining example of how to move off legacy systems without disrupting day-to-day operations," said Terry Sutherland, CEO of ImageSource. "Our team worked closely with the Credit Union's stakeholders to ensure data integrity, minimize risk, and deliver a solution that empowers teams to do more with their content." With ILINX in place, the Credit Union now benefits from: A modern, cloud-ready content platform with enhanced user experience Robust security and compliance controls Intelligent capture and process automation Seamless integration with enterprise applications From the success of the deployment, the Credit Union has standardized on ILINX for content services, which is integral to their Customer Experience Automation and AI initiatives. This project further establishes ImageSource's leadership in high-stakes migrations and its track record of enabling digital transformation in the financial services industry. About ImageSource ImageSource, Inc. makes process innovation easy with solutions built on ILINX®, the world's most flexible process-improvement platform, delivered by a team of experts committed to customer-partner success. Leveraging proven technology and deep implementation expertise, ImageSource empowers leading enterprises and government organizations to modernize operations, unlock revenue, and transform the customer experience. For more information, visit or call (360) 943-9273. View original content to download multimedia: SOURCE ImageSource, Inc.

Domhnall Glesson says he'd ‘love to' act alongside his dad and brother again
Domhnall Glesson says he'd ‘love to' act alongside his dad and brother again

Sunday World

time3 days ago

  • Entertainment
  • Sunday World

Domhnall Glesson says he'd ‘love to' act alongside his dad and brother again

FAMILY MATTERS | As he plays his darkest character in new film Echo Valley, Domhnall Gleeson looks back over the highlights of an incredible career. But the actor reckons sharing the stage with famous father Brendan and equally successful actor brother Brian at Dublin's Olympia Theatre has been his proudest moment in the spotlight. Treading the boards together at the start of 2015 in Enda Walsh's comedy The Walworth Farce, the trio were critically hailed for their comic timing and chemistry. Domhnall as Armitage Hux in Star Wars: Episode VII The Force Awakens 'I did a play with my dad and my brother in Dublin in the Olympia about ten years ago and I thought the work was stunning,' Gleeson said. 'The play was absolutely insane — it was bananas and it was amazing working in Dublin every day. But getting to go out and do that with my dad and my brother every night was a very, very proud thing in my life. 'I still when I think about that; I think it's amazing that we did it. And I'm proud of the work I did in that one as well.' The thespian dynasty, led by legendary patriarch Brendan (70) who was nominated for an Oscar in The Banshees of Inisheerin — has since reunited on the small screen for hit TV series Frank of Ireland in 2021, written by Domhnall and Bad Sisters' star Brian. Domhnall as Bill Weasley in Harry Potter And Domhnall admits the family are due another performance because he 'always wants to work with them'. 'We've done it a few times and if the right thing came along, I'd always want to work with them. They're amazing. I'd love to work with them again.' It's full circle for Domhnall, who enjoyed one of his first screen roles opposite his dad in Martin McDonagh's short movie Six Shooters while barely in his early twenties. Now 42, the star has taken the opportunity to reflect on his impressive, more than two decades on the stage and screen while promoting his latest role in Apple TV+ thriller, Echo Valley alongside Julianne Moore and Sydney Sweeney. Speaking to Magazine+ from London, Domhnall cuts a relaxed figure in jeans and a navy cardigan just before the film's release. While pondering some of his most memorable roles, including turns in Lenny Abraham's The Little Stranger and in Enda Walsh's play Medicine, the actor admits some of most physically punishing roles belong to Angelina Jolie's WWII epic Unbroken and Leonardo DiCaprio's blockbuster The Revenant. Domhnall with Rachel McAdams in About Time But playing Irish icon Bob Geldof in 2010's When Harvey Met Bob left the deepest impression. 'I mean, I lost weight for a role in Unbroken, and that was challenging, and The Revenant was a really, physically tough shoot. 'Then I also played Bob Geldof in a thing years ago and so that was a different sort of physical transformation, but also fun to do. And, you know, doing somebody who exists trying to get their voice down, and the look down, that was all different.' Did Geldof see his performance? 'No, I met him and he was very nice, but I don't think he ever saw the thing. And maybe that was for the best.' Married to longtime partner, producer Juliette Bonass, since 2023, the actor has enjoyed a spectacularly diverse career, including the aforementioned turns in the Star Wars franchise as malevolent Genera Hux, to fan favourite Bill Weasley in the Harry Potter universe. But when I ask him about a role that audiences and critics had misunderstood, he offers a surprise response with 2013 About Time with Bill Nighy and Rachel McAdams, which was one of Gleeson's first forays into romantic comedy. 'About Time, when it came out, it wasn't like critically reviled or anything like that. I think it did fine with the critics, and it actually did okay at the box office. But it's been really heartening and amazing to see how over the years, it's sort of grown and grown in stature. That's been like, amazing to see. I guess as time has gone on, the reception to it has warmed comparative to how it was when it came out. And so I think that's always a good I always remind myself of that. 'If you're in something and it doesn't find an audience when it comes out, that doesn't necessarily mean it'll just never have an audience forever, you know.' Brian, Domhnall and Brendan in The Walworth Farce A sci-fi romance about a young man with the ability to time travel who tries to change his past in hopes of finding his true love, About Time was initially criticised for a lack of coherent storyline and gaping plot holes. However, the British production went on to make over €76m at the global box office and Gleeson admits he'd love to see a sequel down the line. 'I could do scenes with Rachel McAdams and Bill Nighy and all those amazing people again. So maybe I'd pick that and I'd get to hang out with Richard Curtis again, which would be nice.' After his character — spoiler alert! — ends up happily ever after with McAdams' character, does he think they'd still be together in the follow-up? 'When we finished the film, that's what I felt. Yeah. When I finished the film, I thought, this is a guy set up for happiness. And that made me very happy for him.' In Echo Valley, Julianne Moore plays a lonely rancher who covers up a murder to protect her addict daughter, played by Hollywood It Girl Sydney Sweeney. In a brooding turn, Gleeson is Jackie, a scheming lowlife who stumbles on the truth, and becomes hell bent on destroying the family. And the actor relished the chance to play nasty in the thriller, which also stars Irish acting legend Fiona Shaw. 'He's a guy, he was pretty dark. He was a pretty, you know, a pretty awful character. And it's nice to do something as a reactionary against that.' With an upcoming role in TV series The Paper, a highly anticipated offshoot from Ricky's Gervais' iconic comedy, The Office, Gleeson has worked tirelessly non-stop for the past two decades. But the actor has learned the important lesson to slow down. 'I've done roles where I end where I had been working so much that I went into it tired. And it's not good to start a job tired, you know what I mean? I've done jobs where I entered into it tired because I've been working too closely up before. 'But then again, if you have something locked in that you have to do and then, you know, Paul Thomas Anderson comes calling, it's not like you're going to say, 'no, sorry, I need time to rest for the right opportunity'.'

Cypress Creek secures EFSEC recommendation on 160MW Carriger Solar project in Washington State
Cypress Creek secures EFSEC recommendation on 160MW Carriger Solar project in Washington State

Yahoo

time3 days ago

  • Business
  • Yahoo

Cypress Creek secures EFSEC recommendation on 160MW Carriger Solar project in Washington State

OLYMPIA, Wash., June 25, 2025 /PRNewswire/ -- Today Washington's Energy Facility Site Evaluation Council (EFSEC) voted to approve the Site Certification Agreement (SCA) for Cypress Creek Renewables' 160-megawatt solar project, Carriger Solar, and recommend the project to Gov. Bob Ferguson for final consideration. Approval of the SCA for Carriger Solar represents the culmination of nearly eight years of planning and environmental study, including 28 months of formal EFSEC process. Cypress Creek is deeply grateful for the engagement of stakeholders throughout this long process and for the continual leadership of EFSEC staff. Years of work and coordination have resulted in a project which avoids any unmitigable significant impacts to resources while providing important state and local benefits including clean, reliable, carbon-free power. Cypress Creek is incredibly proud of the final outcome – a project that is sited consistent with local zoning, on private land that's largely unirrigated, and without impacts to sensitive environmental or cultural resources. "We're hopeful that Governor Ferguson will recognize the thoughtful planning and siting of this project, and the benefits it provides," said Sarah Slusser, Cypress Creek CEO. "Cypress Creek is committed to responsible and thoughtful development, and we are eager to continue to work to support Washington's goals." Cypress Creek is a developer, owner, and operator of transmission and community-scale solar and storage projects across the United States. In Yakima County, Wash., Cypress Creek's Ostrea Solar project was approved in April 2023 and is currently under construction. Additional information can be found at or About Cypress Creek Renewables Cypress Creek Renewables is a leading renewables developer and independent power producer. It develops, finances, owns, and operates utility-scale and distributed solar and energy storage projects across the United States with a mission to power a sustainable future, one project at a time. Since inception, Cypress Creek has commercialized 12GW of solar projects. Today it owns more than 2GW of solar and has a 20GW solar and storage pipeline. Cypress Creek's leading O&M services business, Cypress Creek Solutions, operates and maintains more than 4GW of solar projects for customers across 24 states. View original content: SOURCE Cypress Creek Renewables

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