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Vogue
2 hours ago
- Entertainment
- Vogue
Sacai Resort 2026 Collection
This was a deceptively simple Sacai collection. Not least because Chitose Abe stepped away from the runway this season, opting instead for a static presentation of the clothes in this lookbook at the Sacai HQ on the Left Bank. As the T-shirt she was wearing implied, despite how forward-looking or concept-driven her work can present when on the runway, Abe makes everyday clothes. 'All day everyday,' read the slogan printed across her tee. And that's what she made sure to underscore in conversation: That the cornerstone of Sacai is that it is meant to be a wardrobe. Elevated, sure, but there's no reason why these shouldn't be the clothes you wear, well, all the time. Abe explained through her interpreter that the season's starting point was a white cotton cashmere tuxedo, its versatility and simplicity becoming a stand-in for the broader Sacai endeavor. Abe's touch, particularly her signature garment hybridization, has become a source of inspiration for many and it's easy to clock off the runways. This may be why, in recent seasons, her runway collections seemed to have moved into becoming concept-driven and built around a singular theme as opposed to being more broad contributions to her body of work—see the rawness of her disheveled furs from her January men's show or the streamlined, gestural sensuality of the women's one from March. Still Sacai, but presented as more specific, singular statements. What was on display at Abe's showroom this time was, instead, a sharp and clear reminder of the core tenets of Sacai. Was the intention to clean the slate or reset? Not at all, she said, answering the question this time sans translator. It was, instead, just to show this side of the label. Ditto opting out of the runway this season—no broader point being made here other than switching things up. Fair enough. Much of fashion has started to once again opt for thinness, in castings for the runways and in the proportions of clothes, but not Abe. Instead, as exemplified by that very look, the dominant silhouette in this collection was dictated by a wide, ballooning trouser and a voluminous sleeve. In many ways this was a collection about sleeves, each more fascinating than the other. They appeared slashed and open down to the elbows or rounded out entirely; made with extra volumes optionally released by zippers or with double shoulder-caps and bell-like hems; simple and curvaceous or intricately cut and folded in ways too puzzling to describe with mere words. Such technical prowess is hard to see on a runway; it was a joy to be able to experience it up close. Even more fun: After starting the day at the Sacai HQ, the fashion crowd was summoned to end it there too, this time with the promise of Japanese food and karaoke. Some of your favorite fashion editors, publicists, and multi-hyphenates belted out everything from Elvis and George Michael to Japanese pop and even Shakira (this last one may or may not have been yours truly). As a treat, the artist D4vd, who was in attendance as a guest, decided to sing his viral hit 'Here With Me.' The true star of the show, however, was Abe herself. She ended the night with a rendition of 'Empire State of Mind' accompanied by a choir of guests. She was wearing a little Sacai frock, as were many others in the room. Undeniable proof that hers are clothes not just made to live in every day, but to seize every moment
Vogue
2 hours ago
- Entertainment
- Vogue
Sacai Spring 2026 Menswear Collection
This was a deceptively simple Sacai collection. Not least because Chitose Abe stepped away from the runway this season, opting instead for a static presentation of the clothes in this lookbook at the Sacai HQ on the Left Bank. As the T-shirt she was wearing implied, despite how forward-looking or concept-driven her work can present when on the runway, Abe makes everyday clothes. 'All day everyday,' read the slogan printed across her tee. And that's what she made sure to underscore in conversation: That the cornerstone of Sacai is that it is meant to be a wardrobe. Elevated, sure, but there's no reason why these shouldn't be the clothes you wear, well, all the time. Abe explained through her interpreter that the season's starting point was a white cotton cashmere tuxedo, its versatility and simplicity becoming a stand-in for the broader Sacai endeavor. Abe's touch, particularly her signature garment hybridization, has become a source of inspiration for many and it's easy to clock off the runways. This may be why, in recent seasons, her runway collections seemed to have moved into becoming concept-driven and built around a singular theme as opposed to being more broad contributions to her body of work—see the rawness of her disheveled furs from her January men's show or the streamlined, gestural sensuality of the women's one from March. Still Sacai, but presented as more specific, singular statements. What was on display at Abe's showroom this time was, instead, a sharp and clear reminder of the core tenets of Sacai. Was the intention to clean the slate or reset? Not at all, she said, answering the question this time sans translator. It was, instead, just to show this side of the label. Ditto opting out of the runway this season—no broader point being made here other than switching things up. Fair enough. Much of fashion has started to once again opt for thinness, in castings for the runways and in the proportions of clothes, but not Abe. Instead, as exemplified by that very look, the dominant silhouette in this collection was dictated by a wide, ballooning trouser and a voluminous sleeve. In many ways this was a collection about sleeves, each more fascinating than the other. They appeared slashed and open down to the elbows or rounded out entirely; made with extra volumes optionally released by zippers or with double shoulder-caps and bell-like hems; simple and curvaceous or intricately cut and folded in ways too puzzling to describe with mere words. Such technical prowess is hard to see on a runway; it was a joy to be able to experience it up close. Even more fun: After starting the day at the Sacai HQ, the fashion crowd was summoned to end it there too, this time with the promise of Japanese food and karaoke. Some of your favorite fashion editors, publicists, and multi-hyphenates belted out everything from Elvis and George Michael to Japanese pop and even Shakira (this last one may or may not have been yours truly). As a treat, the artist D4vd, who was in attendance as a guest, decided to sing his viral hit 'Here With Me.' The true star of the show, however, was Abe herself. She ended the night with a rendition of 'Empire State of Mind' accompanied by a choir of guests. She was wearing a little Sacai frock, as were many others in the room. Undeniable proof that hers are clothes not just made to live in every day, but to seize every moment
The Guardian
3 hours ago
- Sport
- The Guardian
Faith Kipyegon certain a woman will break four-minute mile barrier within a decade
Faith Kipyegon remains convinced that a woman will break the four-minute mile barrier within 10 years, despite falling more than six seconds short in her record attempt in Paris. It was a disappointing result for Kipyegon and her sponsor Nike, who had hoped that aerodynamic skinsuits, lighter super spikes and a team of 13 pacers would help the 31-year-old Kenyan get within touching distance of the famous mark. But speaking to the Guardian on the morning after running 4min 06.42sec in Paris, Kipyegon insisted she was still proud to have rolled the dice – and to have run a mile quicker than any woman in history. She also predicted that new technology was coming that would also help Britain's Keely Hodgkinson break the women's 800m world record of 1min 53.28sec, which has stood since 1983. 'Absolutely there will be a woman running a mile in under four minutes,' she said. 'And I think it will take less than 10 years. And if it doesn't come my way, it will be someone else doing it.' Asked why she was so confident, given the gap was still more than six seconds, she replied: 'Going forward, the technology will be even higher than what I was using yesterday. So I think one day, one time, it will happen.' Kipyegon admitted that she had struggled in the final 200m, having heard the bell in 3:01. But she insisted she would not have changed anything about her attempt. 'Birds sometimes fall but they fly again,' she said. 'I believe I will still lower the world record of 4.07. I want to get it very close to the four minutes mark. And I believe I can still run under 4.05 in a race with female pacemakers.' Kipyegon's next race will be over 1500m at the Prefontaine Classic in Eugene, Oregon, next week, and she insists she is in shape to challenge her world record of 3:49.04. However she said there are no plans yet to have another crack at the four-minute mile barrier. In Paris she spoke to Hodgkinson, who told her she is hungry to go faster once she has recovered from a hamstring injury. 'I talked with Keely yesterday about everything,' said Kipyegon. 'And my run was a huge inspiration for her. She's hungry to go under 1.54 in the 800m. And I think Keely Hodgkinson one day, one time, will run under 1.53. She is so fast.' Sign up to The Recap The best of our sports journalism from the past seven days and a heads-up on the weekend's action after newsletter promotion Nike's chief innovation officer, Tony Bignell, who has worked with the company since helping design spikes for Michael Johnson at the Atlanta and Sydney Games, promised that there would be more innovation and attempts at breaking records. 'Yes, I've seen things in the lab, and I've put things on my foot where I've thought: 'I've never felt that before,'' said Bignell. 'And that's coming. 'Last night could have been anywhere on a scale of zero to 10, but we took the risk. And taking risks is a good thing.'
Daily Mail
3 hours ago
- Entertainment
- Daily Mail
Rihanna shows off her growing baby bump in an unbuttoned shirt as she joins partner A$AP Rocky and their one-year-old son Riot at AWGE show during Paris Fashion Week
Rihanna showed off her growing baby bump in an unbuttoned shirt as she joined her partner A$AP Rocky and their son Riot at the AWGE show during Paris Fashion Week. The pregnant hitmaker, 37, arrived for her rapper boyfriend's creative agency's menswear Spring/Summer 2026 show in the French capital on Friday. Rihanna looked effortlessly chic for the show as she arrived in an unbuttoned blue and white striped shirt - which displayed her growing bump. She paired the shirt with a low-rise navy pleated mini-skirt, strappy white stilettos and grey slouch socks, as well as a Dracula tote bag. The singer made her entrance carrying her one-year-old son Riot, who she shares with A$AP, 36, along with their other son RZA, three. Meanwhile A$AP sported a striking black leather zip-up jacket complete with a bright orange inside lining, as well as a baseball cap and a chain. Earlier in the day, the couple put on a stylish display on Friday as they attended the Dior show. Rihanna wore a plunging white shirt and lime green waistcoat, which highlighted her baby bump. She paired the base of her outfit with a brown and blue patterned coat and grey trousers, adding a further splash of colour with brown sunglasses with a clear frame. The star kept it cool by wearing her hair up in a messy up-do, emphasising her extravagant choice of jewellery, which included a striking Marlo Laz pearl necklace - worth a staggering $70,000 (£51,015). A$AP, 36, whose real name is Rakim Mayers, wore a blue shirt and jeans, similarly adding a splash of colour with a red, blue and green Dior tie. The couple's casually stylish outfits were very much in keeping with the theme of the Dior Homme Menswear Ready-to-wear Spring-Summer 2026 show, which took inspiration from the designer's New Look and the tailored suits that characterised it in the 1950s. Rihanna's current pregnancy will see her welcome her third child with the rapper, who she has been in a relationship with since late 2019. The couple welcomed their first son, RZA Athelston Mayers, in May 2022, and their second, Riot Rose Mayers, in August 2023. Meanwhile A$AP sported a striking black leather zip-up jacket complete with a bright orange inside lining, as well as a baseball cap and a chain Rihanna's appearance at the Paris Fashion Week event comes after her father's cause of death was tragically revealed on Thursday. Ronald Fenty died on May 30 at the age of 70 from a combination of acute respiratory failure, pancreatic cancer, and aspiration pneumonia, according to TMZ. Additional causes listed include acute renal failure and acute tubular necrosis, both indicating severe kidney damage. The cause of death comes after reported that the Umbrella singer, who is currently pregnant with her third child, is struggling with the abrupt and heart-wrenching loss of Ronald. Although the pair had a complex relationship, which included periods of both reconciliation and estrangement, an insider told exclusively that the death of the superstar's dad has taken a heavy toll on the superstar (born Robyn Rihanna Fenty). 'Robyn has had a very difficult relationship with her father over the years but his death has hit her like a ton of bricks,' the source said. 'Being pregnant and dealing with A$AP's legal woes have been an emotional roller coaster for her the last few months, and to add to it all, her dad was getting sick, and it started to become too much,' they added. They continued: 'As much as you realise that something like this is occurring, it is still completely heartbreaking and that is where she is right now.' The insider also noted that she 'has forgiven her father and, in death, they got back to a loving father and daughter relationship.' 'But, she is in pain, especially being a mother herself and there being a chance that her kids would have lost their dad to jail a few months back, she feels how important family is,' the source explained. 'This is going to take a long time, and maybe even forever to get over. Sad time in her world right now.' Over the weekend, news broke that Fenty died at age 70 in Los Angeles following a 'brief illness,' according to Starcom Network, a local outlet from Barbados.
CNN
4 hours ago
- Entertainment
- CNN
See Jonathan Anderson's highly anticipated Dior debut
Jonathan Anderson, founder of JW Anderson, made his debut as creative director of Dior. His collection, Dior menswear Spring/Summer 2026, was showcased during Paris Fashion Week.
