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The Guardian
a day ago
- Entertainment
- The Guardian
Lalo Schifrin obituary
The career of the composer and conductor Lalo Schifrin, who has died aged 93, was incomparably rich and varied, spanning musical genres from jazz and classical to Latin American, funk, rock and avant garde. He conducted (among others) the London Symphony Orchestra, the Vienna Symphony Orchestra, the Moscow Symphony Orchestra, the Israel Philharmonic and the Los Angeles Philharmonic, and composed music ranging from piano concertos and symphonies to an album of songs in the Aztec language for the tenor Plácido Domingo. When the Three Tenors staged their historic inaugural concert on the eve of the football World Cup final in Rome in 1990, it was Schifrin who created the musical arrangements, the first of his four collaborations with them. The recording of the event was declared to be the bestselling classical album of all time. But even if he had done none of this, Schifrin would have become a household name for his work as a composer of film and TV scores. He created a catalogue that places him alongside such renowned names in the field as John Barry, Michel Legrand or Ennio Morricone. His best-known composition was his thrillingly dramatic theme for Mission: Impossible, but he was also responsible for the soundtracks of four of Clint Eastwood's Dirty Harry films, and supplied musical backings for films starring Robert Redford and Paul Newman. His music for Peter Yates's Bullitt (1968), set in San Francisco, brilliantly fused a tense rhythm track with stark brass interpolations, jazzy electric guitar and hair-raising strings, crystallising the film's aura of mystery and danger. It was a key moment in cementing the legend of its star, Steve McQueen, as the King of Cool. Schifrin, having already written music for the spy series The Man from UNCLE, originally devised the famous Mission: Impossible theme for its TV incarnation, which premiered on the CBS network on 17 September 1966 (coincidentally, this was within days of the launch of both The Monkees and Star Trek). Its throbbing rhythm instantly oozed danger and menace, and Schifrin built the tension with hectic Latin-flavoured percussion, blaring counterpointed brass and a solo flute. Its unusual 5/4 time signature helped to lodge it in the listener's brain. Appropriately for a show about secret agents, the theme's motif of two long beats followed by two short beats spells the letters 'M' and 'I' in Morse code. M:I's producer Bruce Geller subsequently commissioned Schifrin to write the music for his detective series Mannix. When Mission: Impossible was reborn as a film franchise in the 1990s, with Tom Cruise in the lead role of Ethan Hunt, Schifrin's work was part of the package. A dancefloor version of his theme tune by Adam Clayton and Larry Mullen from U2, coinciding with the 1996 Mission: Impossible film, reached the Top 10 in the UK and the US, and future film releases would feature reworkings of Schifrin's compositions by composers such as Danny Elfman, Hans Zimmer and Lorne Balfe. Schifrin was born in Buenos Aires. His father, Luis, was Jewish and his mother, Clara (nee Ester), a Catholic, and the young Lalo attended services in both faiths. Luis was a violinist and concertmaster with the Buenos Aires Philharmonic at the Teatro Colón. Lalo described Clara, who also came from a musical family, as 'a great mother, a great housewife'. He began playing the piano when he was five, and studied with Enrique Barenboim, father of the conductor and concert pianist Daniel Barenboim. Later he was taught by the Ukrainian pianist Andreas Karalis, and tutored in harmony by the Argentinian composer Juan Carlos Paz. However, in his teens he was dazzled by jazz when he heard records brought in by his classmates at the Colegio Nacional de Buenos Aires. He described hearing Louis Armstrong, Fats Waller, Charlie Parker and Dizzy Gillespie as 'like a religious conversion … it was the road to Damascus'. He went on to study law and sociology at the University of Buenos Aires, but at 22 he won a scholarship to the Paris Conservatoire. After studying with the French composers Olivier Messiaen and Charles Koechlin by day, he played jazz in Paris clubs at night, and also wrote musical arrangements for French record labels. His earnings enabled him to rent his own apartment rather than living in student lodgings. When he returned to Buenos Aires in 1956, he was invited to form a jazz big band for radio and TV work. After he attended a concert at the US embassy by Gillespie and the all-star State Department band, he performed with his own orchestra at a dinner for Gillespie. The latter invited him to come to the US, and by 1958 he had acquired a green card and was living in New York. He composed a suite, Gillespiana, and recorded it with Gillespie's band for the Verve label. According to Schifrin, it sold a million copies. He spent three years as the pianist in Gillespie's ensemble, writing another suite for him, The New Continent (1962). He also became a composer and arranger for Verve, working with artists including Stan Getz and Sarah Vaughan. Verve's parent company was the movie giant MGM, and in 1963 Schifrin, with his wife Donna, moved to Los Angeles to write film scores. He made his Hollywood debut with Rhino! (1964), a drama about endangered white rhinos in Africa. It was the start of an astonishingly prolific career in film and television that would stretch without interruption into the 21st century. Schifrin's music accompanied a string of landmark cinema releases, including the McQueen vehicle The Cincinatti Kid (1965), Cool Hand Luke (with Newman, 1967), Richard Lester's period swashbuckler The Four Musketeers, and the second world war dramas Hell in the Pacific (1968) and The Eagle Has Landed (1976). He added shivering creepiness to The Amityville Horror (1979), and tackled the Redford prison drama Brubaker (1980) and cold war thriller The Fourth Protocol (1987). Schifrin also virtually became Eastwood's personal soundtrack provider. A jazz aficionado himself, Eastwood evidently felt a natural bond with the composer. Their partnership began with Coogan's Bluff (1968), and included Dirty Harry (1971) and three subsequent Dirty Harry instalments, as well as The Beguiled (1971) and Joe Kidd (1972). Don Siegel, director of Dirty Harry, also hired Schifrin for his films Charlie Varrick (1973) and Telefon (1977). In the 1990s, Schifrin began releasing his series of albums under the banner of Jazz Meets the Symphony. These featured orchestral arrangements of pieces by such titans of jazz as Duke Ellington, Miles Davis, Thelonious Monk and his mentor Gillespie, while also essaying jazzified versions of pieces by Mozart, Bach or Puccini. In 1998 he wrote the score for the buddy-cops comedy Rush Hour, starring Jackie Chan and Chris Tucker, and the soundtrack album reached No 5 on the US charts. Schifrin also scored the two follow-up films in the Rush Hour series. He composed the score for the horror movie Abominable (2006), directed by his son Ryan Schifrin, and released the recording of it on his own Aleph label. In April 2025, Schifrin's last major work made its debut at the Teatro Colón. This was Long Live Freedom, a 35-minute symphony written with a fellow Argentinian composer, Rod Schejtman, and dedicated to their homeland. Schifrin won five Grammy awards, and was nominated for Oscars on six occasions. In 2018 he was awarded an honorary Oscar for lifetime achievement, presented by Eastwood. In 2008, he published his autobiography, Mission Impossible: My Life in Music. He is survived by his wife, Donna (nee Cockrell), whom he married in 1971, and who managed his business affairs and record label, and their son, Ryan; and by two children, William and Frances, from his first marriage, to Sylvia Schor, which ended in divorce. Lalo (Boris Claudio) Schifrin, composer, musician and conductor, born 21 June 1932; died 26 June 2025
CNN
a day ago
- Entertainment
- CNN
Lalo Schifrin, composer of the ‘Mission: Impossible' theme, dies at 93
Lalo Schifrin, the composer who wrote the endlessly catchy theme for 'Mission: Impossible' and more than 100 other arrangements for film and television, died Thursday. He was 93. Schifrin's son Ryan confirmed that Schifrin died due to complications from pneumonia. He died peacefully in his home in Los Angeles, surrounded by family. The Argentine won four Grammys and was nominated for six Oscars, including five for original score for 'Cool Hand Luke,' 'The Fox,' 'Voyage of the Damned,' 'The Amityville Horror' and 'The Sting II.' 'Every movie has its own personality. There are no rules to write music for movies,' Schifrin told The Associated Press in 2018. 'The movie dictates what the music will be.' He also wrote the grand finale musical performance for the World Cup championship in Italy in 1990, in which the Three Tenors — Plácido Domingo, Luciano Pavarotti and José Carreras — sang together for the first time. The work became one of the biggest sellers in the history of classical music. Schifrin, also a jazz pianist and classical conductor, had a remarkable career in music that included working with Dizzy Gillespie and recording with Count Basie and Sarah Vaughan. But perhaps his biggest contribution was the instantly recognizable score to television's 'Mission: Impossible,' which fueled the just-wrapped, decades-spanning feature film franchise led by Tom Cruise. Written in the unusual 5/4 time signature, the theme — Dum-dum DUM DUM dum-dum DUM DUM — was married to an on-screen self-destruct clock that kicked off the TV show, which ran from 1966 to 1973. It was described as 'only the most contagious tune ever heard by mortal ears' by New Yorker film critic Anthony Lane and even hit No. 41 on the Billboard Hot 100 in 1968. Schifrin originally wrote a different piece of music for the theme song but series creator Bruce Geller liked another arrangement Schifrin had composed for an action sequence. 'The producer called me and told me, 'You're going to have to write something exciting, almost like a logo, something that will be a signature, and it's going to start with a fuse,'' Schifrin told the AP in 2006. 'So I did it and there was nothing on the screen. And maybe the fact that I was so free and I had no images to catch, maybe that's why this thing has become so successful — because I wrote something that came from inside me.' When director Brian De Palma was asked to take the series to the silver screen, he wanted to bring the theme along with him, leading to a creative conflict with composer John Williams, who wanted to work with a new theme of his own. Out went Williams and in came Danny Elfman, who agreed to retain Schifrin's music. Hans Zimmer took over scoring for the second film, and Michael Giacchino scored the next two. Giacchino told NPR he was a hesitant to take it on, because Schifrin's music was one of his favorite themes of all time. 'I remember calling Lalo and asking if we could meet for lunch,' Giacchino told NPR. 'And I was very nervous — I felt like someone asking a father if I could marry their daughter or something. And he said, 'Just have fun with it.' And I did.' 'Mission: Impossible' won Grammys for best instrumental theme and best original score from a motion picture or a TV show. In 2017, the theme was entered into the Grammy Hall of Fame. U2 members Adam Clayton and Larry Mullen Jr. covered the theme while making the soundtrack to 1996's first installment; that version peaked at No. 16 on the Billboard 200 with a Grammy nomination. A 2010 commercial for Lipton tea depicted a young Schifrin composing the theme at his piano while gaining inspiration through sips of the brand's Lipton Yellow Label. Musicians dropped from the sky as he added elements. Born Boris Claudio Schifrin to a Jewish family in Buenos Aires — where his father was the concertmaster of the philharmonic orchestra — Schifrin was classically trained in music, in addition to studying law. After studying at the Paris Conservatory — where he learned about harmony and composition from the legendary Olivier Messiaen — Schifrin returned to Argentina and formed a concert band. Gillespie heard Schifrin perform and asked him to become his pianist, arranger and composer. In 1958, Schifrin moved to the United States, playing in Gillespie's quintet in 1960-62 and composing the acclaimed 'Gillespiana.' The long list of luminaries he performed and recorded with includes Ella Fitzgerald, Stan Getz, Dee Dee Bridgewater and George Benson. He also worked with such classical stars as Zubin Mehta, Mstislav Rostropovich, Daniel Barenboim and others. Schifrin moved easily between genres, winning a Grammy for 1965's 'Jazz Suite on the Mass Texts' while also earning a nod that same year for the score of TV's 'The Man From U.N.C.L.E.' In 2018, he was given an honorary Oscar statuette and, in 2017, the Latin Recording Academy bestowed on him one of its special trustee awards. Later film scores included 'Tango,' 'Rush Hour' and its two sequels, 'Bringing Down The House,' 'The Bridge of San Luis Rey,' 'After the Sunset' and the horror film 'Abominable.' Writing the arrangements for 'Dirty Harry,' Schifrin decided that the main character wasn't in fact Clint Eastwood's hero, Harry Callahan, but the villain, Scorpio. 'You would think the composer would pay more attention to the hero. But in this case, no, I did it to Scorpio, the bad guy, the evil guy,' he told the AP. 'I wrote a theme for Scorpio.' It was Eastwood who handed him his honorary Oscar. 'Receiving this honorary Oscar is the culmination of a dream,' Schifrin said at the time. 'It is mission accomplished.' Among Schifrin's conducting credits include the London Symphony Orchestra, the Vienna Symphony Orchestra, the Israel Philharmonic, the Mexico Philharmonic, the Houston Symphony Orchestra, the Los Angeles Chamber Orchestra and the Atlanta Symphony Orchestra. He was appointed music director of Southern California's Glendale Symphony Orchestra and served in that capacity from 1989 to 1995. Schifrin also wrote and adapted the music for 'Christmas in Vienna' in 1992, a concert featuring Diana Ross, Carreras and Domingo. He also combined tango, folk and classical genres when he recorded 'Letters from Argentina,' nominated for a Latin Grammy for best tango album in 2006. Schifrin was also commissioned to write the overture for the 1987 Pan American Games, and composed and conducted the event's 1995 final performance in Argentina. And for perhaps one of the only operas performed in the ancient Indigenous language of Nahuatl, in 1988 Schifrin wrote and conducted the choral symphony 'Songs of the Aztecs.' The work premiered at Mexico's Teotihuacan pyramids with Domingo as part of a campaign to raise money to restore the site's Aztec temple. 'I found it to be a very sweet musical language, one in which the sounds of the words dictated interesting melodies,' Schifrin told The Associated Press at the time. 'But the real answer is that there's something magic about it. … There's something magic in the art of music anyway.' He's survived by his sons, Ryan and William, daughter, Frances, and wife, Donna.
Associated Press
2 days ago
- Entertainment
- Associated Press
Lalo Schifrin, composer of the 'Mission: Impossible' theme, dies at 93
Lalo Schifrin, the composer who wrote the endlessly catchy theme for 'Mission: Impossible' and more than 100 other arrangements for film and television, died Thursday. He was 93. Schifrin's sons William and Ryan confirmed his death to trade outlets. The Associated Press' messages to Schifrin's publicist and representatives for either brother were not immediately returned. The Argentine won four Grammys and was nominated for six Oscars, including five for original score for 'Cool Hand Luke,' 'The Fox,' 'Voyage of the Damned,' 'The Amityville Horror' and 'The Sting II.' 'Every movie has its own personality. There are no rules to write music for movies,' Schifrin told The Associated Press in 2018. 'The movie dictates what the music will be.' He also wrote the grand finale musical performance for the World Cup championship in Italy in 1990, in which the Three Tenors — Plácido Domingo, Luciano Pavarotti and José Carreras — sang together for the first time. The work became one of the biggest sellers in the history of classical music. 'The most contagious tune ever heard' Schifrin, also a jazz pianist and classical conductor, had a remarkable career in music that included working with Dizzy Gillespie and recording with Count Basie and Sarah Vaughan. But perhaps his biggest contribution was the instantly recognizable score to television's 'Mission: Impossible,' which fueled the just-wrapped, decades-spanning feature film franchise led by Tom Cruise. Written in the unusual 5/4 time signature, the theme — Dum-dum DUM DUM dum-dum DUM DUM — was married to an on-screen self-destruct clock that kicked off the TV show, which ran from 1966 to 1973. It was described as 'only the most contagious tune ever heard by mortal ears' by New Yorker film critic Anthony Lane and even hit No. 41 on the Billboard Hot 100 in 1968. Schifrin originally wrote a different piece of music for the theme song but series creator Bruce Geller liked another arrangement Schifrin had composed for an action sequence. 'The producer called me and told me, 'You're going to have to write something exciting, almost like a logo, something that will be a signature, and it's going to start with a fuse,'' Schifrin told the AP in 2006. 'So I did it and there was nothing on the screen. And maybe the fact that I was so free and I had no images to catch, maybe that's why this thing has become so successful — because I wrote something that came from inside me.' When director Brian De Palma was asked to take the series to the silver screen, he wanted to bring the theme along with him, leading to a creative conflict with composer John Williams, who wanted to work with a new theme of his own. Out went Williams and in came Danny Elfman, who agreed to retain Schifrin's music. Hans Zimmer took over scoring for the second film, and Michael Giacchino scored the next two. Giacchino told NPR he was a hesitant to take it on, because Schifrin's music was one of his favorite themes of all time. 'I remember calling Lalo and asking if we could meet for lunch,' Giacchino told NPR. 'And I was very nervous — I felt like someone asking a father if I could marry their daughter or something. And he said, 'Just have fun with it.' And I did.' 'Mission: Impossible' won Grammys for best instrumental theme and best original score from a motion picture or a TV show. In 2017, the theme was entered into the Grammy Hall of Fame. U2 members Adam Clayton and Larry Mullen Jr. covered the theme while making the soundtrack to 1996's first installment; that version peaked at No. 16 on the Billboard 200 with a Grammy nomination. A 2010 commercial for Lipton tea depicted a young Schifrin composing the theme at his piano while gaining inspiration through sips of the brand's Lipton Yellow Label. Musicians dropped from the sky as he added elements. Early life filled with music Born Boris Claudio Schifrin to a Jewish family in Buenos Aires — where his father was the concertmaster of the philharmonic orchestra — Schifrin was classically trained in music, in addition to studying law. After studying at the Paris Conservatory — where he learned about harmony and composition from the legendary Olivier Messiaen — Schifrin returned to Argentina and formed a concert band. Gillespie heard Schifrin perform and asked him to become his pianist, arranger and composer. In 1958, Schifrin moved to the United States, playing in Gillespie's quintet in 1960-62 and composing the acclaimed 'Gillespiana.' The long list of luminaries he performed and recorded with includes Ella Fitzgerald, Stan Getz, Dee Dee Bridgewater and George Benson. He also worked with such classical stars as Zubin Mehta, Mstislav Rostropovich, Daniel Barenboim and others. Schifrin moved easily between genres, winning a Grammy for 1965's 'Jazz Suite on the Mass Texts' while also earning a nod that same year for the score of TV's 'The Man From U.N.C.L.E.' In 2018, he was given an honorary Oscar statuette and, in 2017, the Latin Recording Academy bestowed on him one of its special trustee awards. Later film scores included 'Tango,' 'Rush Hour' and its two sequels, 'Bringing Down The House,' 'The Bridge of San Luis Rey,' 'After the Sunset' and the horror film 'Abominable.' Writing the arrangements for 'Dirty Harry,' Schifrin decided that the main character wasn't in fact Clint Eastwood's hero, Harry Callahan, but the villain, Scorpio. 'You would think the composer would pay more attention to the hero. But in this case, no, I did it to Scorpio, the bad guy, the evil guy,' he told the AP. 'I wrote a theme for Scorpio.' It was Eastwood who handed him his honorary Oscar. 'Receiving this honorary Oscar is the culmination of a dream,' Schifrin said at the time. 'It is mission accomplished.' Beyond film and TV Among Schifrin's conducting credits include the London Symphony Orchestra, the Vienna Symphony Orchestra, the Israel Philharmonic, the Mexico Philharmonic, the Houston Symphony Orchestra, the Los Angeles Chamber Orchestra and the Atlanta Symphony Orchestra. He was appointed music director of Southern California's Glendale Symphony Orchestra and served in that capacity from 1989-1995. Schifrin also wrote and adapted the music for 'Christmas in Vienna' in 1992, a concert featuring Diana Ross, Carreras and Domingo. He also combined tango, folk and classical genres when he recorded 'Letters from Argentina,' nominated for a Latin Grammy for best tango album in 2006. Schifrin was also commissioned to write the overture for the 1987 Pan American Games, and composed and conducted the event's 1995 final performance in Argentina. And for perhaps one of the only operas performed in the ancient Indigenous language of Nahuatl, in 1988 Schifrin wrote and conducted the choral symphony 'Songs of the Aztecs.' The work premiered at Mexico's Teotihuacan pyramids with Domingo as part of a campaign to raise money to restore the site's Aztec temple. 'I found it to be a very sweet, musical language, one in which the sounds of the words dictated interesting melodies,' Schifrin told The Associated Press at the time. 'But the real answer is that there's something magic about it. ... There's something magic in the art of music anyway.' In addition to his sons, he's survived by his daughter, Frances, and wife, Donna.
The Sun
20-06-2025
- Entertainment
- The Sun
27th Bangkok Festivals: A World-Class Spectacle in Thailand
BANGKOK, THAILAND - Media OutReach Newswire - 20 June 2025 - Get ready for a world-class spectacle like no other—right here in Thailand. Bangkok's 27th International Festival of Dance & Music is making a grand comeback, bringing 14 stunning performances from over 10 countries across the globe. This year's lineup is nothing short of legendary—with the Thai debut of Plácido Domingo, the iconic opera superstar. And that's just the beginning. Brace yourself for Mahabharata: 18 Days, Dusk of an Era – an epic tale from India, A Dream of Red Mansions – breathtaking Chinese ballet, Tosca and Aida – powerful operatic masterpieces, dazzling Chinese acrobatics, a high-energy dance-meets-tech show from France and much more. The curtain rises from September 6 to October 15, 2025, at the Thailand Cultural Centre's Main Hall. Tickets go on sale June 14, with early bird discounts for one month and an exclusive ' Platinum Package ' available for early access and exclusivity. A once-in-a-lifetime performance in Thailand, Plácido Domingo One of this year's monumental highlights, Plácido Domingo, the legendary opera icon and one of The Three Tenors, will perform in Thailand for the first and only time. With over 150 operatic roles in 4000 performances and 12 Grammy awards, Domingo has redefined opera for global audiences and remains one of the most influential figures in classical music history. This historic night becomes even more extraordinary as he shares the stage with two stars in classical music: Monica Conesa, the radiant American soprano captivating international stages, along with Beatrice Venezi, the groundbreaking Italian conductor hailed as one of the most powerful women in classical music. Together, they will create an unforgettable operatic masterpiece; this is more than a concert; it is a piece of musical history. India's epic Mahabharata comes to life in a dazzling contemporary spectacle For the first time in Thailand, audiences will witness the grandeur of the Mahabharata, India's greatest epic reimagined for the global stage. 'Mahabharata: 18 Days, Dusk of an Era' is a live, large-scale performance by Prabhat Arts International, founded in 1946, a renowned artistic institution known for breathing new life into ancient literature through modern artistic forms. This visually stunning production brings to life the 18-day war between the Pandavas and Kauravas, the cosmic clash of dharma (righteousness) versus adharma (unrighteousness) with a cast of over fifty performers. The show is a gripping infusion of Indian dance, drama and live dialogue with elaborate costumes brought out through levitation, aerial stunts, martial arts and immersive visual effects. Chinese classic reimagined: A Dream of Red Mansions by the National Ballet of China Also taking center stage is the breathtaking ballet interpretation of A Dream of Red Mansions, one of the Four Great Classical Novels of China, originally penned by Cao Xueqin in the 18th century. Often called 'a mirror of Qing Dynasty society,' the story remains one of the most poignant literary works in Chinese history. This year, the acclaimed National Ballet of China reinterprets the tale through the elegance of Western ballet, capturing themes of love, longing, and the inevitable decline of a noble family. More than eighty dancers will bring the tragic love triangle to life with expressive choreography and powerful stage presence. The production arrives in Bangkok with six full containers of set pieces, lighting, and lavish costumes from Beijing, an awe-inspiring fusion of Chinese storytelling and Western ballet tradition, delivered with grace and grandeur on a single stage. Russia's Samara Opera & Ballet Theatre kicks off the festival with 4 grand productions Get ready for an unforgettable second half of The Festival as Russia's prestigious Samara Opera & Ballet Theatre takes the stage in Bangkok with 4 spectacular productions. Renowned for its breathtaking performances and grand-scale productions, the company brings a diverse lineup of opera and ballet masterpieces to Thai audiences. Leading the charge are two legendary operas: Tosca and Aida, timeless tales of love, loss, and power brought to life with stunning sets, soaring vocals, and a cast of over 250 performers. The magic continues with a brand-new production of The Nutcracker made just for their visit to Thailand, Tchaikovsky's beloved Christmas ballet. Rounding off their lineup is the emotionally charged contemporary ballet Three Masks of the King, a dramatic reflection on power, identity, and the courage to embrace one's true self, showcasing the precision and grandeur of Russian ballet at its finest and the only theatre in the world who performs this ballet. Heart-stopping acrobatics and futuristic dance collide The excitement doesn't stop there. This year's festival brings high-octane energy and universal appeal with China National Acrobatic Troupe, performing in celebration of the 50th anniversary of Thai–Chinese diplomatic relations. With over 50 acrobats and more than 74 international gold medals, prepare to be amazed by gravity-defying stunts and jaw-dropping feats of athleticism. Then, step into the future with Pixel, a groundbreaking French production that merges street, hip-hop, roller blading and contemporary dance with state-of-the-art visual technology. Featuring 3D graphics, projection mapping, and interactive special effects, this performance is a visual spectacle that will leave you breathless. Global highlights: from Cuban rhythms to Spanish fire The festival also features an eclectic lineup of international performances, namely, Cuba Vibra!, a vibrant journey through Cuban dance from past to present, Nocturna, a contemporary flamenco performance from Spain, pulsing with passion NINA, a Gatsby-style dance drama paying tribute to female strength and the pursuit of dreams Energy ∞ Infinite, a percussion show that redefines rhythm and movement, and The Prague Philharmonia, one of Europe's top orchestras and a Grammy recipient, will deliver classical brilliance and also features 29 year old American pianist George Li from the Los Angeles Philharmonic. A festival backed by passion and partnership Bangkok's 27th International Festival of Dance & Music is made possible with generous support from the both public and private sector, including AXA Insurance, Bangkok Bank, BMW Thailand, Indorama Ventures, Singha Corporation, Supalai, Swissôtel Bangkok Ratchada, Thai Union Group, Tourism Authority of Thailand, and the Ministry of Culture. Experience the Festival like never before with Platinum Packages Book your tickets early and get exclusive access to Platinum Packages, a premium experience crafted for true fans of the arts. Enjoy • 10% discount per person for selected shows (cannot be combined with other promotions) • Priority seating reserved • Limited-edition souvenir Bangkok Bank credit card holders receive up to 20% off through the Early Bird period, making this the perfect time to indulge in a world-class cultural experience. Don't miss this once-in-a-lifetime opportunity to witness artistic excellence from around the world. Tickets on sale from June 14 to July 14, 2025, at all Thai Ticket Major branches and at For full program details,
Associated Press
20-06-2025
- Entertainment
- Associated Press
27th Bangkok Festivals: A World-Class Spectacle in Thailand
Experience the legendary 'Plácido Domingo' live in Thailand for the first time—alongside an Indian epic, dazzling Chinese ballet, operas, and jaw-dropping acrobatics Tickets Now Available! BANGKOK, THAILAND - Media OutReach Newswire - 20 June 2025 - Get ready for a world-class spectacle like no other—right here in Thailand. Bangkok's 27th International Festival of Dance & Music is making a grand comeback, bringing 14 stunning performances from over 10 countries across the globe. KV This year's lineup is nothing short of legendary—with the Thai debut of Plácido Domingo, the iconic opera superstar. And that's just the beginning. Brace yourself for Mahabharata: 18 Days, Dusk of an Era – an epic tale from India, A Dream of Red Mansions – breathtaking Chinese ballet, Tosca and Aida – powerful operatic masterpieces, dazzling Chinese acrobatics, a high-energy dance-meets-tech show from France and much more. The curtain rises from September 6 to October 15, 2025, at the Thailand Cultural Centre's Main Hall. Tickets go on sale June 14, with early bird discounts for one month and an exclusive 'Platinum Package' available for early access and exclusivity. A once-in-a-lifetime performance in Thailand, Plácido Domingo One of this year's monumental highlights, Plácido Domingo, the legendary opera icon and one of The Three Tenors, will perform in Thailand for the first and only time. With over 150 operatic roles in 4000 performances and 12 Grammy awards, Domingo has redefined opera for global audiences and remains one of the most influential figures in classical music history. This historic night becomes even more extraordinary as he shares the stage with two stars in classical music: Monica Conesa, the radiant American soprano captivating international stages, along with Beatrice Venezi, the groundbreaking Italian conductor hailed as one of the most powerful women in classical music. Together, they will create an unforgettable operatic masterpiece; this is more than a concert; it is a piece of musical history. India's epic Mahabharata comes to life in a dazzling contemporary spectacle For the first time in Thailand, audiences will witness the grandeur of the Mahabharata, India's greatest epic reimagined for the global stage. 'Mahabharata: 18 Days, Dusk of an Era' is a live, large-scale performance by Prabhat Arts International, founded in 1946, a renowned artistic institution known for breathing new life into ancient literature through modern artistic forms. This visually stunning production brings to life the 18-day war between the Pandavas and Kauravas, the cosmic clash of dharma (righteousness) versus adharma (unrighteousness) with a cast of over fifty performers. The show is a gripping infusion of Indian dance, drama and live dialogue with elaborate costumes brought out through levitation, aerial stunts, martial arts and immersive visual effects. Chinese classic reimagined: A Dream of Red Mansions by the National Ballet of China Also taking center stage is the breathtaking ballet interpretation of A Dream of Red Mansions, one of the Four Great Classical Novels of China, originally penned by Cao Xueqin in the 18th century. Often called 'a mirror of Qing Dynasty society,' the story remains one of the most poignant literary works in Chinese history. This year, the acclaimed National Ballet of China reinterprets the tale through the elegance of Western ballet, capturing themes of love, longing, and the inevitable decline of a noble family. More than eighty dancers will bring the tragic love triangle to life with expressive choreography and powerful stage presence. The production arrives in Bangkok with six full containers of set pieces, lighting, and lavish costumes from Beijing, an awe-inspiring fusion of Chinese storytelling and Western ballet tradition, delivered with grace and grandeur on a single stage. Russia's Samara Opera & Ballet Theatre kicks off the festival with 4 grand productions Get ready for an unforgettable second half of The Festival as Russia's prestigious Samara Opera & Ballet Theatre takes the stage in Bangkok with 4 spectacular productions. Renowned for its breathtaking performances and grand-scale productions, the company brings a diverse lineup of opera and ballet masterpieces to Thai audiences. Leading the charge are two legendary operas: Tosca and Aida, timeless tales of love, loss, and power brought to life with stunning sets, soaring vocals, and a cast of over 250 performers. The magic continues with a brand-new production of The Nutcracker made just for their visit to Thailand, Tchaikovsky's beloved Christmas ballet. Rounding off their lineup is the emotionally charged contemporary ballet Three Masks of the King, a dramatic reflection on power, identity, and the courage to embrace one's true self, showcasing the precision and grandeur of Russian ballet at its finest and the only theatre in the world who performs this ballet. Heart-stopping acrobatics and futuristic dance collide The excitement doesn't stop there. This year's festival brings high-octane energy and universal appeal with China National Acrobatic Troupe, performing in celebration of the 50th anniversary of Thai–Chinese diplomatic relations. With over 50 acrobats and more than 74 international gold medals, prepare to be amazed by gravity-defying stunts and jaw-dropping feats of athleticism. Then, step into the future with Pixel, a groundbreaking French production that merges street, hip-hop, roller blading and contemporary dance with state-of-the-art visual technology. Featuring 3D graphics, projection mapping, and interactive special effects, this performance is a visual spectacle that will leave you breathless. Global highlights: from Cuban rhythms to Spanish fire The festival also features an eclectic lineup of international performances, namely, Cuba Vibra!, a vibrant journey through Cuban dance from past to present, Nocturna, a contemporary flamenco performance from Spain, pulsing with passion NINA, a Gatsby-style dance drama paying tribute to female strength and the pursuit of dreams Energy ∞ Infinite, a percussion show that redefines rhythm and movement, and The Prague Philharmonia, one of Europe's top orchestras and a Grammy recipient, will deliver classical brilliance and also features 29 year old American pianist George Li from the Los Angeles Philharmonic. A festival backed by passion and partnership Bangkok's 27th International Festival of Dance & Music is made possible with generous support from the both public and private sector, including AXA Insurance, Bangkok Bank, BMW Thailand, Indorama Ventures, Singha Corporation, Supalai, Swissôtel Bangkok Ratchada, Thai Union Group, Tourism Authority of Thailand, and the Ministry of Culture. Experience the Festival like never before with Platinum Packages Book your tickets early and get exclusive access to Platinum Packages, a premium experience crafted for true fans of the arts. Enjoy Bangkok Bank credit card holders receive up to 20% off through the Early Bird period, making this the perfect time to indulge in a world-class cultural experience. Don't miss this once-in-a-lifetime opportunity to witness artistic excellence from around the world. Tickets on sale from June 14 to July 14, 2025, at all Thai Ticket Major branches and at For full program details, visit: Hashtag: #BangkokFestivals The issuer is solely responsible for the content of this announcement. About Bangkok Festivals Established in 1999, Bangkok's International Festival of Dance & Music is Asia's largest and most prestigious performing arts festival. Featuring top-tier talent from across the globe in opera, ballet, orchestral music, contemporary performance, and cross-cultural showcases, the festival strives to elevate the Thai arts scene and provide unforgettable experiences for local audiences. Follow us for updates and news at
